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Victor Mikhail Arnautoff papers, circa 1920-2017, bulk 1920-1953

Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Subject:
Rivera, Diego  Search this
United States  Search this
Type:
Sketchbooks
Drawings
Scrapbooks
Topic:
Artists -- California -- San Francisco  Search this
Muralists -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)8702
(DSI-AAA_SIRISBib)210883
AAA_collcode_arnavict
Theme:
Sketches & Sketchbooks
Lives of American Artists
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210883
Online Media:

Victor Mikhail Arnautoff papers

Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Names:
United States. Congress. House. Committee on Un-American Activities  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Scrapbooks
Date:
circa 1920-2017
bulk 1920-1953
Scope and Contents:
The papers of artist and art teacher Victor Mikhail Arnautoff measure 3.3 linear feet and date from 1920 to 2017 with the bulk of the material dating from the 1920 to 1953. The collection contains biographical material such as marriage certificates, passports, naturalization certificates, and an Arnautoff family history; correspondence between family members, as well as with colleagues including Diego Rivera, and with institutions concerning Arnautoff's work; writings about Arnautoff and others, including his statement regarding the House Un-American Activities Committee Hearing; professional records related to mural projects and exhibitions of Arnautoff's work; and printed material including exhibition announcements and catalogs, clippings, and On the Drumhead by Mike Quin, illustrated by Victor Arnautoff. Also included are a scrapbook containing correspondence, printed material, and photographs highlighting Arnautoff's career with particular emphasis on the controversy surrounding his Dix McSmear lithograph, as well as photographic material depicting Arnautoff, other individuals, and works of art. The bulk of the collection is made up of artwork, including sketches, a sketchbook, watercolors, and prints.
Arrangement:
The collection is arranged in eight series.

Series 1: Biographical Material, 1920-1952, 1961-1979, 1995-1997 (Box 1; 0.1 linear feet)

Series 2: Correspondence, circa 1923-2008 (Box 1; 0.5 linear feet)

Series 3: Writings, 1956, circa 1984-2006 (Box 1; 5 folders)

Series 4: Professional Records, 1940-1953, 1963-2004 (Box 1, OV 5; 0.2 linear feet)

Series 5: Printed Material, 1923-1998, 2007-2017 (Boxes 1-2, OV 5; 0.6 linear feet)

Series 6: Scrapbook, 1928-1968, 1979-1981 (Bound Volume 4; 0.2 linear feet)

Series 7: Photographic Material, circa 1920s-circa 1960s, 2015 (Box 2; 0.2 linear feet)

Series 8: Artwork, circa 1920s-circa 1950s (Boxes 2-3, OVs 6-13; 1.4 linear feet)
Biographical / Historical:
Victor Mikhail Arnautoff (1896-1979) was an artist and art teacher known for his murals. Arnautoff was born in the Ukraine and served in the Russian army during World War I. After a defeat in Siberia, he crossed into China, where he remained for five years. In China he met and married his wife Lydia, and they had their first two sons.

In 1925 Arnautoff went to San Francisco to study at the California School of Fine Arts. He continued with his family to Mexico in 1929 and became an assistant to muralist Diego Rivera. While in Mexico, his third son was born, and Arnautoff met Bernard Zakheim, with whom he would later work on the Coit Tower murals. Arnautoff and his family returned to San Francisco in 1931 and in 1934 he was chosen to paint one of the murals at the Coit Tower with funding from the Public Works of Art Project. Arnautoff was one of the most prolific muralists in San Francisco in the 1930s, completing murals at Coit Tower and the Palo Alto Clinic, as well as the Presidio chapel, George Washington High School, and the California School of Fine Arts library. He also painted murals at five post offices in California and Texas.

Arnautoff began teaching at the California School of Fine Arts in 1936. He taught at Stanford from 1938 to 1962 and also taught art courses at the California Labor School.

Following the death of his wife in 1961, Arnautoff retired from teaching at Stanford and returned to the Soviet Union in 1963. While living there he continued to create works of art and published a memoir. He died in Leningrad in 1979.
Provenance:
The Victor Mikhail Arnautoff papers were donated to the Archives of American Art in 1983 by Jacob and Vasily Arnautoff, Victor Arnautoff's sons. Additional papers were donated in 2018 by Michael and Peter Arnautoff, Victor Arnautoff's son and grandson, and by Robert Cherney, a scholar who wrote a book about Arnautoff.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art teachers -- California -- San Francisco  Search this
Topic:
Artists -- California -- San Francisco  Search this
Muralists -- California -- San Francisco  Search this
Genre/Form:
Sketchbooks
Drawings
Scrapbooks
Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arnavict
See more items in:
Victor Mikhail Arnautoff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-arnavict
Online Media:

Oral history interview with Leo Holub

Interviewee:
Holub, Leo, 1916-2010  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Art Schools in California Oral History Project  Search this
Names:
Art Schools in California Oral History Project  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
Stanford University. Dept. of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
University of California, San Francisco. School of Fine Arts -- Students  Search this
Adams, Ansel, 1902-1984  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Barnes, Matthew Rackham, 1880-1951  Search this
Corbett, Edward, 1919-  Search this
Cunningham, Imogen, 1883-1976  Search this
Gaw, William A., 1891-1973  Search this
Hackett, Dick  Search this
Holub, Florence  Search this
Mackey, Spencer, 1880-1958  Search this
Mondale, Walter F., 1928-  Search this
Oldfield, Otis, 1890-1969  Search this
Packard, Emmy Lou, 1914-1998  Search this
Piazzoni, Gottardo, 1872-1945  Search this
Randolph, Lee F., b. 1880  Search this
Rivera, Diego, 1886-1957  Search this
Sinel, Joseph Claude, 1889-1975  Search this
Smith, Hassel, 1915-2007  Search this
Sterne, Maurice, 1878-1957  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Wilson, Charis, 1914-2009  Search this
Extent:
2 Sound cassettes (Sound recording (90 min), analog)
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 July 3
Scope and Contents:
An interview of Leo Holub conducted 1997 July 3, by Paul Karlstrom, for the Archives of American Art, in San Francisco, Calif.
Holub discusses his background, being born in Arkansas, moving to New Mexico, and then to Oakland, Calif. (1923); early educational experiences in Oakland, and later at the Art Institute of Chicago; seeing Edward Weston's photographic work at an exhibition in Chicago, and admiring Weston's nude studies of Charis Wilson; his return to the Bay Area; his studio on Montgomery St. (Monkey Block); meeting painter Matthew Barnes, who had assisted Diego Rivera with his murals at the California School of Fine Arts (CSFA), 1931-1932; his experiences as a student at CSFA- its program and instructors which included Maurice Sterne, Gottardo Piazzoni, Lee Randolph, Dick Hackett, Otis Oldfield, William Gaw, Spencer Mackey, and Victor Arnautoff; fellow students including Hassel Smith, Ed Corbett, and Florence Michelson (his future wife); and his beginning awareness of modernism.
Holub discusses his involvement with the Golden Gate International Exposition (1939); apprenticeship with industrial designer Joe Sinel and the advent of the product design era; his founding of Design Development Associates, and staying only a year before moving to Grass Valley, Calif. for his son's health; his return to the Bay Area, succeeding Emmy Lou Packard at the San Francisco Planning Office graphic arts dept.; working at the housing agency and redevelopment agency and as chief designer for the Bay Area Rapid Transit report.
He recalls his encounter with Ansel Adams at the 1955 Yosemite workshop where Holub produced a pictorial map of Yosemite; Adam's "zone system" of exposing for shadows and developing for highlights; going on to teach at CSFA (1955-1957), where Imogen Cunningham was a guest instructor; Minor White replacing him; his ten years at Stanford University's planning office (1960-1970); his campus views "Stanford Scene" that were used by the university to appeal for more space for the art dept., and his shows at Stanford's art gallery in 1964 and at the Washington, D.C. home of Vice President Walter Mondale in 1980.
Biographical / Historical:
Leo Holub (1916-2010) was a photographer, lithographer, and teacher from San Francisco, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Other interviewees in the Art Schools in California Oral History Project include: Emerson Woelffer, Charles Linder, Paul Carey (1993), and Paul Carey and Stephanie Caloia (1997), with funding provided by the Bente and Gerald E. Buck Collection.
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Art -- Study and teaching -- California  Search this
Photography  Search this
Photography -- California -- San Francisco Bay Area  Search this
Function:
Art Schools -- California
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holub97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-holub97

Lucien and Marcelle Labaudt papers

Creator:
Labaudt, Lucien, 1880-1943  Search this
Labaudt, Marcelle, 1892-1987  Search this
Names:
California School of Design  Search this
Federal Art Project (Calif.)  Search this
Lucien Labaudt Art Gallery  Search this
San Francisco Women Artists  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Biberman, Edward, 1904-1986  Search this
Feitelson, Lorser, 1898-1978  Search this
Ferier, André  Search this
Ford, Worthington C.  Search this
Gerstle, Wilhelm, 1879-1963  Search this
Kent, Adaline Dutton, 1900-1957  Search this
Kuhn, Walt, 1877-1949  Search this
London, Charmian  Search this
Léger, Fernand, 1881-1955  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Matisse, Henri, 1869-1954  Search this
Moya del Pino, Jose, 1891-1969  Search this
Oldfield, Otis, 1890-1969  Search this
Ozenfant, Amédée, 1886-1966  Search this
Ozenfant, Marthe  Search this
Pflueger, Timothy Ludwig, 1892-1946  Search this
Rivera, Diego, 1886-1957  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Sotomayor, Antonio, 1904-  Search this
Extent:
8.5 Linear feet ((partially microfilmed on 11 reels))
Type:
Collection descriptions
Archival materials
Date:
1896-1987
Scope and Contents:
Correspondence, photographs, exhibition materials, scrapbooks, journals, printed matter, essays, gallery records and other business records, and miscellaneous papers.
REELS 3799-3806: A resume; a travel journal; an address book; appointment books; passports for Marcelle Labaudt; correspondence, including 3 illustrated Christmas cards from Walt Kuhn and letters from Edward Rowan about Lucien Labaudt's murals for the Los Angeles post office for the Section of Fine Arts; notes on costume design, geometry, and metric color scales; writings by Lucien Labaudt, including "Color Constructions--Opticolormetry", 1940; 4 sketchbooks and 70 sketches by Labaudt; prints and drawings by others; scrapbook on history of costume design; announcements; programs; reproductions; printed material concerning Labaudt's California School of Design; records of the San Francisco Women Artists organization; minutes of the Artists' Council kept by Marcelle Labaudt; artist files; guest registers; ledgers 1929 and 1939-1949, and financial records, 1943-1980, for the Lucien Labaudt Art Gallery; clippings; photographs of Labaudt's family, 1911-1981; of works of art, 1913-1968; and stage and costume design.
REEL 1052: Correspondence relating to the Lucien Labaudt Art Gallery and to Lucien and Marcelle; photographs (many undated and unidentified) of a gallery opening, 1950 of Max Hages, two paintings by Fred Martin, and two by R. Kaess; manuscript material; biographical material on artists who exhibited at the gallery; catalogs and announcements; printed material; and clippings.
REEL 1854: Photographs, 1920-1940 of: Labaudt; Labauadt working on Beach Chalet Murals; at the Bohemian Club Grove with C. Ford, Arnautoff, Otis Oldfield, Moya del Pino, Sotomayer, Timothy Pflueger, William Gerstle, and Diego Rivera; with Adeline Kent; with Marcelle and André Ferier; costumes and sets designed by Labaudt; and paintings and murals by Labaudt. Also included are 173 personal and business letters, 1923-1975; sketches; manuscripts, including essays about Labaudt by Stanton Macdonald-Wright and Lorser Feitelson; a scrapbook; business records; catalogs and announcements; clippings and other printed matter. Correspondents include: Edward Biberman, Lorser Feitelson, Walt Kuhn, Fernand Leger, Charmain London (Mrs. Jack), Henri Matisse, Marthe and Amedee Ozenfant, Timothy L. Pflueger and Edward Rowan.
UNMICROFILMED: Biographical material regarding Marcelle Labaudt's education; correspondence, 1901-1979, with friends and associates, including Alvyne Maisonneuve, Yliane Remy, Henry and Ann Varnum Poor, Charmian London, Millard Sheets and Richard Diebenkorn (1 letter, 1950); Marcelle Labaudt's travel diary kept on a trip to France, undated; art works, undated, including a sketchbook and illustrated letter by Lucien and an unsigned print; exhibition catalogs and clippings regarding the Lucien Labaudt Art Gallery; photographs, slides and negatives, 1896-1976, of friends, family and art works, and an album of photographs of Lucien's works of art.
Biographical / Historical:
Lucien Labaudt was a painter, muralist, costume and set designer. He also ran a commercial art school called the California School of Design. After his death in 1943, on assignment as a war artist correspondent, his wife, Marcelle Labaudt, established the Lucien Labaudt Art Gallery in San Francisco, California. She specialized in giving younger or relatively unknown artists their first exhibitions and operated the gallery until 1980.
Provenance:
Donated by Marcelle Labaudt 1974-1976, and after her death by her estate through her step-sister and executor, Simone M. Berges, 1984. After Berges' death in 1988, an additional installment was received via Berges' sister-in-law, Jill Alexander.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Costume designers  Search this
Painters  Search this
Topic:
Federal aid to the arts -- California -- San Francisco -- Exhibitions  Search this
Art and state -- California -- San Francisco -- Exhibitions  Search this
Mural painting and decoration -- 20th century -- California -- San Francisco  Search this
Costume -- California -- San Francisco  Search this
Muralists  Search this
Function:
Art galleries, Commercial -- California -- San Francisco
Identifier:
AAA.labaluci
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-labaluci

Oral history interview with Wilma Harris

Interviewee:
Harris, Wilma, 1910-  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Bufano, Beniamino, 1898-1970  Search this
Extent:
1 Sound tape reel (Sound recordings (1 hour), 5 in.)
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 Apr. 22
Scope and Contents:
An interview of Wilma Harris conducted by Mary McChesney on 1964 Apr. 22 for the Archives of American Art.
Harris speaks of her background and art education at the California School of Fine Arts; the Federal Art Project weaving project in San Francisco and her involvement in it. She recalls Victor Arnautoff and Beniamino Bufano.
Biographical / Historical:
Weaver; California.
General:
The recording ends before the conclusion of the interview.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Occupation:
Weavers -- California -- Interviews  Search this
Weavers  Search this
Topic:
Federal aid to the arts  Search this
Handicraft -- California  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.harris64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harris64

Brents Carlton papers

Creator:
Carlton, Brents, 1903-1962  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
De Patta, Margaret, 1903-1964  Search this
Dean, Mallette, 1907-  Search this
Helser, Carrie Carlton  Search this
Neuhaus, Eugen, 1879-1963  Search this
Nichols, Dale, 1904-  Search this
Smith, Judson, 1880-1962  Search this
Extent:
4.7 Linear feet
0.528 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Prints
Sketches
Scrapbooks
Date:
1903-2014
Summary:
The papers of sculptor and painter Brents Carlton measure 4.7 linear feet and 0.528 GB and date from 1903 through 2014. The collection consists of biographical material, correspondence, personal business records, notes, a scrapbook, exhibition files, art work, photographs, digital photographs, and printed material.
Scope and Contents:
The papers of sculptor and painter Brents Carlton measure 4.7 linear feet and 0.528 GB and date from 1903 through 2014. The collection consists of biographical material, correspondence, personal business records, notes, a scrapbook, exhibition files, art work, photographs, digital photographs, and printed material.

Biographical materials include several autobiographical accounts, school-related materials, a student card from the Art Students' League, and other identification cards.

Correspondence consists primarily of letters from family members and colleagues, including letters from Victor Arnautoff, H. Mallette Dean, Margaret De Patta, Eugen Neuhaus, Dale Nichols, and Judson T. Smith.

Personal business records include bank passbooks, pharmacy licensing records, receipts, income tax records, and ledgers of income, expenses, and art work sold.

Notes consists of Brents Carlton's address book, notebooks, and meeting minutes, as well as notes written by his daughter Carrie Carlton Helser.

There is one scrapbook. Exhibition files include correspondence, notes, photographs, and printed material related to the Golden Gate International Exhibition and other shows. There are also sketches, drawings, and prints by Carlton in the artwork series.

Photographic material includes an album, slides, negatives, and prints depicting Brents Carlton and his artwork, friends, family, and studios.

Printed material includes magazines, brochures, catalogs, and clippings.

A 2015 addition to the Brents Carlton papers includes additional biographical material, correspondence, personal business records, photographic material, and printed material.
Arrangement:
The collection is arranged as 10 series. Series 10 consists of a 2015 addition to the papers that was not integrated into the other series, although there are similar types of materials.

Series 1: Biographical Material, 1921-1944 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1922-1987 (0.2 linear feet; Boxes 1, 6)

Series 3: Personal Business Records, 1924-1959 (0.2 linear feet; Box 1)

Series 4: Notes, circa 1923-2009 (0.1 linear feet; Boxes 1, 6, 0.013 GB; ER01)

Series 5: Scrapbook, 1928-1962 (0.2 linear feet; Box 6)

Series 6: Exhibition Files, 1927-1983 (0.3 linear feet; Box 1, OV 8)

Series 7: Art Work, 1924-1962 (0.3 linear feet; Box 1, 6, OV 8)

Series 8: Photographs, 1923-circa 1960 (0.6 linear feet; Boxes 1-2, 6-7)

Series 9: Printed Material, 1923-2012 (0.2 linear feet; Box 2)

Series 10: 2015 Addition to the Brents Carlton Papers, 1903-2014 (2.3 linear feet; Boxes 2-5, 7, 0.515 GB; ER02-ER03)
Biographical / Historical:
Brents Carlton was a sculptor and painter who worked primarily in San Francisco, California.

Brents Carlton was born on October 31, 1903, in Roswell, New Mexico; his family later moved to Arkansas. In 1924, Carlton moved to San Francisco to attend the California School of Fine Arts for four years. From 1928 to 1929, he studied under a scholarship at the Art Students' League in New York, after which he returned to San Francisco and established his own studio at Polk Street. In order to support his family, Carlton was also employed as a pharmacist for 30 years.

In 1937, Carlton moved to a studio on Montgomery Street. In 1938, Carlton was commissioned to create four of his most notable works for the Golden Gate International Exposition (1939-1940) on Treasure Island: two large cast concrete figures for the Fountain of Western Waters at the Court of Pacifica, and two 18-foot bas-relief figures for the façade of the California State Building. He married Jessie Bosworth in 1939 and they had a daughter Carrie.

In the mid-1940s, Carlton relocated to a new studio above the pharmacy on Mission Street, where he worked. Due to failing health in the late 1950s, Carlton switched from sculpture to painting. Brents Carlton died of cancer on September 6, 1962 in San Francisco. His works have been exhibited in the California Palace of the Legion of Honor, the Oakland Art Gallery, and the San Francisco Museum.
Provenance:
The Brents Carlton papers were donated by the artist's daughter Carrie Carlton Helser in 1991 and 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Brents Carlton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- California  Search this
Topic:
Sculptors -- California  Search this
Genre/Form:
Photographs
Prints
Sketches
Scrapbooks
Citation:
Brents Carlton papers, 1903-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlbren
See more items in:
Brents Carlton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carlbren

California art research / Gene Hailey, editor

Creator:
California Art Research Project  Search this
Names:
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Abdy, Rowena Meeks, b. 1887  Search this
Aitken, Robert, 1878-1949  Search this
Albright, Gertrude P., 1883-1959  Search this
Albright, Hermann Oliver, 1876-1944  Search this
Albro, Maxine, 1903-1966  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Atkins, Arthur, 1873-1899  Search this
Barnes, Matthew Rackham, 1880-1951  Search this
Bergman, Frank  Search this
Berlandina, Jane, 1898-1962  Search this
Bethers, Ray, 1902-  Search this
Bierstadt, Albert, 1830-1902  Search this
Boynton, Ray Scepter, 1883-1951  Search this
Bremer, Anne, 1872-1923  Search this
Breuer, Henry Joseph, 1860-1932  Search this
Bruton, Margaret, 1894-  Search this
Bufano, Beniamino, 1898-1970  Search this
Cadenasso, Giuseppe, 1858-1918  Search this
Carlsen, Emil, 1853-1932  Search this
Chin, Chee, b. 1896  Search this
Cravath, Ruth, 1902-1986  Search this
Cummings, M. Earl, b. 1876  Search this
Cuneo, Rinaldo, 1877-1939  Search this
Dickman, Charles John, 1863-1943  Search this
Dixon, Maynard, 1875-1946  Search this
Forbes, Helen, 1891-1945  Search this
Fortune, Ephemia Charlton, 1885-1969  Search this
Gaw, William A., 1891-1973  Search this
Grant, Charles Henry, 1866-1939  Search this
Hailey, Gene  Search this
Hamlin, Edith  Search this
Hansen, Armin C. (Armin-Carl), 1886-1957  Search this
Hansen, Herman W., 1854-1924  Search this
Hesthal, William, 1908-  Search this
Hill, Thomas, 1829-1908  Search this
Hobart, Clark, b. 1880?  Search this
Howard, Charles, 1899-1978  Search this
Howard, John Galen, 1864-1931  Search this
Howard, John Langley  Search this
Howard, Robert Boardman, 1896-1983  Search this
Jorgensen, Christian, 1860-1935  Search this
Joullin, Amedee, 1862-1917  Search this
Keith, William, 1838-1911  Search this
Kent, Adaline Dutton, 1900-1957  Search this
Kingman, Dong, 1911-  Search this
Labaudt, Lucien, 1880-1943  Search this
Mackey, Spencer, 1880-1958  Search this
Macky, Constance L., b. 1883  Search this
Martinez, Xavier, 1869-1943  Search this
Mathews, Arthur Frank, 1860-1945  Search this
McComas, Francis John, 1874-1938  Search this
Mora, Joseph Jacinto, 1876-1947  Search this
Moya del Pino, Jose, 1891-1969  Search this
Nahl, Arthur Charles, b. 1878  Search this
Nahl, Charles Christian, 1818-1878  Search this
Nahl, Hugo Wilhelm Arthur, 1833-1889  Search this
Nahl, Perham Wilhelm, 1869-1935  Search this
Nahl, Virgil Theodore, 1876-1930  Search this
Obata, Chiura  Search this
Oldfield, Otis, 1890-1969  Search this
Peixotto, Ernest, b. 1869  Search this
Peters, Charles Rollo, 1862-1928  Search this
Piazzoni, Gottardo, 1872-1945  Search this
Pommer, Julius, 1895?-1945  Search this
Poole, Horatio Nelson, b. 1883  Search this
Post, George, 1906-1997  Search this
Puccinelli, Dorothy Wagner, 1901-  Search this
Puccinelli, Raimondo, 1904-  Search this
Putnam, Arthur, 1873-1930  Search this
Randolph, Lee F., b. 1880  Search this
Raphael, Joseph, 1869-1950  Search this
Rexroth, André, Mrs., 1902-  Search this
Richardson, Mary Curtis, 1848-1931  Search this
Rix, Julian  Search this
Robinson, Charles Dorman, 1847-1933  Search this
Rosenthal, Toby Edward, ca. 1848-1917  Search this
Sandona, Matteo, b. 1883  Search this
Sargeant, Geneve Rixford, 1868-1957  Search this
Scherbakoff, Sergey John, b. 1894  Search this
Schnier, Jacques, 1898-1988  Search this
Sekido, Yoshida, b. 1894  Search this
Sheridan, Joseph Marsh, b. 1897  Search this
Sparks, Will, 1862-1937  Search this
Stackpole, Ralph, 1885-1973  Search this
Tavernier, Jules, 1844-1889  Search this
Tilden, Douglas, 1860-1935  Search this
Tojetti, Domenico, 1807-1892  Search this
Van Sloun, Frank J., 1879-1938  Search this
Welch, Thaddeus, 1844-1919  Search this
Williams, Virgil Macey, 1830-1886  Search this
Withrow, Evelyn Almond, 1858-1928  Search this
Wores, Theodore, 1858-1939  Search this
Zakheim, Bernard Baruch, 1898-1985  Search this
Extent:
20 Volumes ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Volumes
Place:
United States -- Economic conditions -- 1918-1945 -- California -- San Francisco
United States -- Social conditions -- 1933-1945 -- California -- San Francisco
Date:
1936-1937
Scope and Contents:
Twenty volumes of the publication, CALIFORNIA ART RESEARCH, containing monographs on artists whose principal residence was San Francisco.
REEL NDA/Cal 1: Artists include Robert Aitken, Arthur Atkins, Albert Bierstadt, Ray Boynton, Anne Bremer, Henry J. Breuer, Giuseppe Cadenasso, Emil Carlsen, M. Earl Cummings, Rinaldo Cuneo, Charles Dickman, Maynard Dixon, Charles Grant, Armin Hansen, H. W. Hansen, Thomas Hill, Christian Jorgensen, Amedee Joullin, William Keith, Constance Macky, Xavier Martinez, Arthur Mathews, Francis McComas, Arthur C. Nahl, Charles C. Nahl, Hugo W. A. Nahl, Perham W. Nahl, Virgil T. Nahl, Ernest Peixotto, Charles R. Peters, Gottardo Piazzoni, Horatio Nelson Poole, Arthur Putnam, Joseph Raphael, Mary C. Richardson, Julian Rix, Charles D. Robinson, Toby Rosenthal, Will Sparks,Jules Tavernier, Douglas Tilden, Domenico Tojetti, Frank Van Sloun, Thaddeus Welch, Virgil Williams, Evelyn A. Withrow, and Theodore Wores.
REEL NDA/Cal 2: Artists include Rowena M. Abdy, Gertrude Albright, Hermann O. Albright, Maxine Albro, Victor Arnautoff, Matthew R. Barne s, Frank Bergman, Jane Berlandina, Ray Bethers, Beniamino Bufano, Margaret Bruton, Chee Chin, Ruth Cravath, Helen Forbes, Euphemia C. Fortune, William Gaw, Edith Hamlin, William Hesthal, Clark Hobart, Charles Howard, John G. Howard, John L. Howard, Robert Boardman Howard, Adaline Kent, Dong Kingman, Lucien Labaudt, Spencer Mackey, Jo Mora, Jose Moya del Pino, Chiura Obata, Otis Oldfield, Julius Pommer, George B. Post, Dorothy W. Puccinelli, Raimondo Puccinelli, Lee F. Randolph, Andree Rexroth, Matteo Sandona, Geneve R. Sargeant, Sergey J. Scherbakoff,Jacques Schnier, Yoshida Sekido, Joseph M. Sheridan,Ralph Stackpole, and Bernard Zakheim.
Biographical / Historical:
Publication of the Works Progress Administration; San Francisco, Calif. Sponsored by Dr. Walter Heil of the M.H. de Young Museum. Was originally a joint project of the WPA-Statistical projects division and the WPA-Federal Art Project in order to disseminate information about artists and art in the San Francisco region.
Publication, Distribution, Etc. (Imprint):
San Francisco, WPA Project 2874, 1936-1937.
Provenance:
Provenance unknown.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Artists -- California -- San Francisco  Search this
Topic:
New Deal, 1933-1939 -- California -- San Francisco  Search this
Federal aid to the arts -- California -- San Francisco  Search this
Federal aid to the public welfare -- California -- San Francisco  Search this
Art and state -- California -- San Francisco  Search this
Identifier:
AAA.caliarp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caliarp

Oral history interview with José Moya del Pino

Interviewee:
Moya del Pino, Jose, 1891-1969  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
13 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Sept. 10
Scope and Contents:
An interview of José Moya del Pino conducted 1964 Sept. 10, by Mary McChesney, for the New Deal and the Arts Oral History Project.
Moya del Pino speaks of his youth in Spain, and his education in Rome and in Paris; meeting Matisse; moving to San Francisco and taking up portraiture there; starting with the Federal Art Project (FAP) and working on a mural at Coit Tower; political problems with the murals and other work done under the FAP; painting a mural in a post office in Alpine, Tex., and other murals; how work was assigned; his mural for the Social Security Building in Washington, D.C.; and his feelings about government support for the arts and how it should be administered. He recalls Diego Rivera and Victor Arnautoff.
Biographical / Historical:
José Moya del Pino (1891-1969) was a painter and mural painter from Calif.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hrs., 57 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Topic:
Coit Memorial Tower (San Francisco, Calif.)  Search this
Painters -- California -- Interviews  Search this
Muralists -- California -- Interviews  Search this
Federal aid to the arts  Search this
Mural painting and decoration -- California -- San Francisco  Search this
Hispanic American artists -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.moyade64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moyade64

Oral history interview with Richard Ayer

Interviewee:
Ayer, Richard Gentry, 1909-1967  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Hiler, Hilaire, 1898-1966  Search this
Volz, Herman, 1904-1990  Search this
Extent:
20 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1964 September 26
Scope and Contents:
An interview of Richard Ayer conducted 1964 September 26, by Mary McChesney, for the Archives of American Art New Deal and the Arts Project.
Ayer speaks of his "haphazard" education, including study with Hilaire Hiler; his work assisting Victor Mikhail Arnautoff on frescos in the Presidio Chapel; the WPA easel painting project in San Francisco; and the Aquatic Park Building mural program, 1934. He recalls some of the artists associated with the Aquatic Park project. He also discusses the Ostwald and Hiler color theories and Herman Volz's mural for the Treasure Island Federal Building.
Biographical / Historical:
Richard Ayer (1909-1967) was a mural painter from San Francisco, California.
General:
Originally recorded on 1 sound cassettes. Reformatted in 2010 as 2 digital wav files. Duration is 52 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Mural painting and decoration -- California  Search this
Muralists -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ayer64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ayer64

James Watrous papers

Creator:
Watrous, James, 1908-  Search this
Names:
Public Works of Art Project  Search this
United States. Department of the Treasury  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Ballator, John R., 1909-  Search this
Bergman, Frank  Search this
Moya del Pino, Jose, 1891-1969  Search this
Sample, Paul, 1896-1974  Search this
Extent:
1.4 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1933-1966]
Scope and Contents:
Research and teaching files relating to murals, painted ca. 1933-1966, many for the Public Works of Art Project and Department of the Treasury, and muralists, consisting mainly of two-card indexes listing murals by city and by artist; miscellaneous files on more than 50 artists, many of whom are muralists; a seminar paper by Watrous, "Nineteenth Century Criticism of Degas"; and photographs of murals by Victor Arnautoff, Frank Bergman, John Ballator, Jose Moya Del Pino, and Paul Sample.
Biographical / Historical:
Painter, mural painter, art historian; Madison, Wisc. Full name is James Scales Watrous.
Provenance:
Donated 1966 by James Watrous.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians -- Wisconsin -- Madison  Search this
Muralists  Search this
Painters -- Wisconsin -- Madison  Search this
Topic:
Mural painting and decoration -- United States  Search this
Identifier:
AAA.watrjame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-watrjame

Biographical Material

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Extent:
0.1 Linear feet (Box 1)
Type:
Archival materials
Date:
1920-1953
1961-1979
1995-1997
Scope and Contents:
This series consists of identification documentation such as birth, marriage, and death certificates, passports, visas, and naturalization certificates. Also found are an Arnautoff family history, which includes a family tree for Leonid Arnautov and Elga Aše, as well as obituaries.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arnavict, Series 1
See more items in:
Victor Mikhail Arnautoff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref1

Marriage, Birth, and Death Certificates

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1923-1925
1942-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref10

Oversize Sketches

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Oversize 7
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref100

Oversize Sketches

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Oversize 8
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref101

Oversize Sketches and Paintings

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Oversize 9
Type:
Archival materials
Date:
circa 1920s-1930s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref102

Oversize Sketches and Paintings

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Oversize 10
Type:
Archival materials
Date:
circa 1929-1947
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref103

Oversize Sketches and Paintings

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Oversize 11
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref104

Oversize Sketches and Prints

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Oversize 12
Type:
Archival materials
Date:
circa 1950s
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref105

Oversize Sketches, Paintings, and Prints

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Oversize 13
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref106

Sketchbook

Collection Creator:
Arnautoff, Victor Mikhail, 1896-1979  Search this
Container:
Box 2, Folder 24
Type:
Archival materials
Date:
circa 1926-1931
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Victor Mikhail Arnautoff papers, 1920-2017, bulk 1920-1953. Archives of American Art, Smithsonian Institution.
See more items in:
Victor Mikhail Arnautoff papers
Victor Mikhail Arnautoff papers / Series 8: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-arnavict-ref107

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