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Nymphenburg china

Photographer:
Adams, Edward E.  Search this
Type:
Photographs
Place:
Germany
Date:
1945
Topic:
Pottery  Search this
World War, 1939-1945  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9941
See more items in:
James J. Rorimer papers, 1921-1982, bulk bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9941
Online Media:

Rothschild furniture

Photographer:
Adams, Edward E.  Search this
Type:
Photographs
Place:
Germany
Paris, France
Date:
1945
Topic:
Furniture  Search this
World War, 1939-1945  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9942
See more items in:
James J. Rorimer papers, 1921-1982, bulk bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9942
Online Media:

Buxheim repository packing and crafting shop

Photographer:
Adams, Edward E.  Search this
Type:
Photographs
Place:
Germany
Paris, France
Date:
1945
Topic:
Furniture  Search this
World War, 1939-1945  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9943
See more items in:
James J. Rorimer papers, 1921-1982, bulk bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9943
Online Media:

Recovery of looted artworks

Type:
Photographs
Place:
Germany
Date:
1945
Topic:
World War, 1939-1945  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9944
See more items in:
James J. Rorimer papers, 1921-1982, bulk bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9944

Rothschild furniture

Photographer:
Katz, Irving  Search this
Type:
Photographs
Place:
Germany
Paris, France
Date:
1945 May 13
Topic:
Furniture  Search this
World War, 1939-1945  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9945
See more items in:
James J. Rorimer papers, 1921-1982, bulk bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9945
Online Media:

David Roentgen secretary desk

Photographer:
Katz, Irving  Search this
Subject:
Roentgen, David  Search this
Type:
Photographs
Place:
Germany
Date:
1945 May 13
Topic:
Furniture  Search this
World War, 1939-1945  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9948
See more items in:
James J. Rorimer papers, 1921-1982, bulk bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9948
Online Media:

Nymphenburg china

Photographer:
Adams, Edward E.  Search this
Type:
Photographs
Place:
Germany
Date:
1945
Topic:
Pottery  Search this
World War, 1939-1945  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9949
See more items in:
James J. Rorimer papers, 1921-1982, bulk bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9949
Online Media:

Rothschild jewelry and decorative boxes

Photographer:
Katz, Irving  Search this
Type:
Photographs
Place:
Germany
Paris, France
Date:
1945 May 13
Topic:
World War, 1939-1945  Search this
World War, 1939-1945--Art and the war  Search this
Record number:
(DSI-AAA)9950
See more items in:
James J. Rorimer papers, 1921-1982, bulk bulk 1943-1950
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9950
Online Media:

Television Interview with Frances Gray

Creator:
Archipenko, Frances  Search this
Subject:
Archipenko, Alexander  Search this
Type:
Motion Picture Film
Place:
Germany
Date:
196-?
Topic:
Women sculptors  Search this
Record number:
(DSI-AAA)18586
See more items in:
Alexander Archipenko papers, 1904-1986, bulk bulk 1930-1964
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18586

William Ehrich papers

Creator:
Ehrich, William, 1897-1960  Search this
Names:
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Extent:
0.9 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Place:
Germany -- description and travel
Date:
circa 1918-1975
Scope and Contents:
Biographical material, research files, financial records, photographs, artwork, printed material and a scrapbook documenting the life of sculptor and educator William Ehrich.
Biographical material includes forms of identification, resumes, family genealogical records, travel notes, one award, and biographical notes. Research files include William Ehrich's 1955 trip to Germany and files compiled by Roger Ehrich and others regarding William Ehrich and WPA artists. Financial records include receipts, purchase orders, inventories, and mortgage records pertaining to Ehrich receiving money from a local art patron to purchase a home. Photographs are of Ehrich, Ehrich with his students, his sculpture and exhibitions. Artwork includes Ehrich's sketchbooks and sketches of anatomy. Printed material includes newspaper clippings. One scrapbook contains Ehrich's professional correspondence.
Biographical / Historical:
William Ehrich (1897-1960) was a sculptor and educator in Rochester, New York. Ehrich was born in Königsberg, East Prussia. He studied sculpture at the State Art School in Königsberg. In 1929 he immigrated to Buffalo, New York. He taught at the Art Institute of Buffalo from 1931 to 1937 and directed the creation of public sculpture at the Buffalo Zoo as part of the WPA's Federal Arts Project. In 1939, Ehrich began teaching at the College for Women at the University of Rochester and the Memorial Art Gallery, Rochester, New York.
Provenance:
Donated 2017 by Roger Ehrich, William Ehrich's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art patrons  Search this
Educators -- New York (State) -- Rochester  Search this
Sculptors -- New York (State) -- Rochester  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Identifier:
AAA.ehriwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ehriwill

Oral history interview with John Marshall

Interviewee:
Marshall, John, 1936-  Search this
Interviewer:
Herman, Lloyd E.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Carnegie Institute of Technology (Carnegie Mellon Univ.) -- Students  Search this
Carnegie Institute, Museum of Art -- Students  Search this
Cleveland Institute of Art -- Students  Search this
Grove City College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Syracuse University -- Faculty  Search this
Bacorn, Don  Search this
Bates, Kenneth F. (Kenneth Francis), 1904-  Search this
Clague, John, 1928-  Search this
DuSell, Lee  Search this
Griffin, Gary, 1945-  Search this
Hauberg, Anne Gould  Search this
Lannan, J. Patrick  Search this
Lutz, Winifred  Search this
Metcalf, Bruce, 1949-  Search this
Miller, Fred, (Decorative artist)  Search this
Miller, John Paul, 1918-  Search this
Nordness, Lee  Search this
Penington, Ruth, b. 1905  Search this
Scott, Michael, 1958-  Search this
Smith, Paul J., 1931-  Search this
Solberg, Ramona  Search this
Takaezu, Toshiko  Search this
Extent:
6 Items (Sound recording: 6 sound files (3 hrs., 2 min.), digital, wav)
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Date:
2001 April 5
Scope and Contents:
An interview of John Marshall conducted 2001 April 5, by Lloyd Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Edmonds, Washington.
Marshall speaks of his childhood in Pittsburgh, Pennsylvania; participating in an educational program with the Carnegie Museum; his exposure to art while in grade school and throughout his education; joining the army after high school; spending time in Germany with the army and experiencing the metalwork of that area; learning to work hard from his father; his family background; attending Grove City College, then working in construction during the day and going to classes at Carnegie Tech during the night; finally attending Cleveland Institute of Art; some of his teachers at the Institute, Kenneth Bates, Toshiko Takaezu, and John Clague; his first experiences with metal, Fred Miller, and learning how to design metal pieces; getting a job as head of the metals department at Syracuse and completing his MFA there; meeting Paul Smith and Lee Nordness, and participating in Objects: USA; his travels throughout Europe; the many commissions he has done for churches, everything from baptismal bowls, chalices, and crosses; Patrick Lannan, and how instrumental he was in Marshall's career, his collection of work that Lannan bought and where it all is now located; the different types of communities in the different areas he lived; commissions and how they were important to his career; how he challenges himself with new ideas and creations; the Handy and Harman Workshop; the difference between a university trained artist and one who has learned his/her craft outside academia; his students and how much satisfaction he has received from teaching; the decline in metal working programs at the university level; the influence of other faculty members on his work, such as Lee DuSell; the critics of metalwork, Bruce Metcalf and Gary Griffin; his involvement in the Society of North American Goldsmiths; and his two sons. Marshall also recalls John Paul Miller, Winifred Lutz, Ramona Solberg, Ruth Penington, Michael Scott, Don Bacorn, Annie Hauberg, and others.
Biographical / Historical:
John Marshall (1936- ) is a jeweler and metalsmith from Edmonds, Washington. Lloyd Herman (1936- ) is the former director of the Smithsonian Institution's Renwick Gallery from Seattle, Washington.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Jewelers -- Washington (State) -- Interviews  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Religious articles  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.marsha01
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marsha01

Oral history interview with Barbara Bloom

Interviewee:
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Names:
Bennington College -- Students  Search this
Biennale di Venezia  Search this
California Institute of the Arts -- Students  Search this
Baldessari, John, 1931-  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Fischl, Eric, 1948-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorney, Jay, 1896-1990  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick, 1938-1998  Search this
Irwin, Robert, 1928-  Search this
Kappe, Ray, 1927-  Search this
Kienholz, Edward, 1927-  Search this
Knowles, Alison, 1933-  Search this
Mullican, Matt, 1951-  Search this
Mulvey, Laura  Search this
Orr, Eric, 1939-1998  Search this
Paik, Nam June, 1932-  Search this
Palestine, Charlemagne  Search this
Paz, Octavio, 1914-  Search this
Ruppersberg, Allen, 1944-  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Sontag, Susan, 1933-2004  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney, 1925-  Search this
Trockel, Rosemarie, 1952-  Search this
Wheeler, Doug, 1939-  Search this
Wilde, Oscar, 1854-1900  Search this
Young, La Monte  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 12 min.), digital, wav)
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and Travel
Holland -- Description and Travel
Netherlands -- description and travel
Date:
2012 October 18-2013 January 31
Scope and Contents:
An interview of Barbara Bloom conducted 2012 October-2013 January 31, by James McElhinney, for the Archives of American Art, at Bloom's home and studio, in New York, New York.
Bloom speaks of growing up in Brentwood, California; her first experience with art; her childhood and exposure to creativity; the influence of art and philosophy; going to museums as a kid; living in Monte Factor and then Los Angeles; her creative process, influences, and life as an artist; art mentors and art lessons with Cathy Herman; traveling with her family; her mom being an actress; attending Bennington College in Vermont, the 1960s, the and collage aesthetic; attending CalArt; the changes in art education at the university level; drugs use; Fluxus; John Cage and attending 4'33; living in Europe and specifically Netherlands, Germany, and Holland; books and love of reading; her daughter; the post-studio era; film and meta-movies; making "The Diamond Lane;" images and objects' connection to meanings; The Gaze; undressing the wall; Homage to Jean Seberg, Godard, Berlin; East Germany; being agnostic and Jewish; Venice Biennale; collectors; cycle of shows; MFA programs; The Tip of the Iceberg; surgeries; hospital visit, personal training, and recovery; The Seven Deadly Sins; her father; Tellus Magazine; Judaism; fabrications and drawings; archives; relationship between the artist and the viewer; her husband; 010011.net; recent show; and As It Were, So To Speak. Bloom also recalls Monte and Betty Factor, Ed Kienholz, Ron Kappe, Robbie Robe, Ray Kappe, Matt Mullican, Eric Orr, Robert Irwin, Doug Wheeler, Total: digital recordings; Claire Steinman, Rosemarie Trockel, Ash Grove, James Lee Byars, Frances Rey, Sidney Tillim, Norman O. Brown, Paul Cotton, Paul Brock, Buckminster Fuller, John Baldessari, Nam June Paik, Dick Higgins, Alison Knowles, Serge Tcherepnin, Simone Forte, Charlemagne Palestine, La Monte Young, David Salle, Eric Fischl, Marcel Broodthaers, Susan Sontag, Tim Maul, Caroline Tisdale, Marcel Duchamp, Laura Mulvey, John Berger, Oscar Wilde, Ed Ruscha, Isabella Kacprzak, Octavio Paz, Leo Castelli, Allen Ruppersberg, Jay Gorney, Claudia Gould, Susan Bronstein, Donald Judd, Robert DuGrenier, Pistoletto, Anthony Coleman, Mel Bochner, and Ken Saylor.
Biographical / Historical:
Barbara Bloom (1951- ) is a photographer, designer, and installation artist in New York, New York. James McElhinney (1952- ) is an artist and professor in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bloom12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bloom12

Oral history interview with Douglas Crimp

Interviewee:
Crimp, Douglas  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
ACT UP (Organization)  Search this
Century 21 Exposition (1962 : Seattle, Wash.)  Search this
Gay Activists Alliance  Search this
Rutgers University. Institute of Jazz Studies -- Faculty  Search this
Tulane University -- Students  Search this
University of Rochester -- Faculty  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Baker, Elizabeth C., 1934-  Search this
Belaygue, Christian  Search this
Bordowitz, Gregg  Search this
Cooke, Lynne  Search this
Copjec, Joan  Search this
Duchamp, Marcel, 1887-1968  Search this
Elovich, Richard  Search this
Jonas, Joan, 1936-  Search this
Kohlmeyer, Ida, 1912-1997  Search this
Krauss, Rosalind E.  Search this
Lemann, Bernard, 1905-  Search this
Leonard, Zoe  Search this
Michelson, Annette  Search this
Olander, William  Search this
Owens, Craig  Search this
Robinson, Marilynne  Search this
Santos, René, 1954-1986  Search this
Torm, Fernando  Search this
Waldman, Diane  Search this
Warhol, Andy, 1928-1987  Search this
Wodiczko, Krzysztof  Search this
Wolfe, Daniel, 1960-  Search this
Extent:
5 Items (Sound recording: 5 sound files (6 hr., 2 min.), digital, wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Germany -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2017 January 3-4
Scope and Contents:
An interview with Douglas Crimp, conducted 2017 January 3-4, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Crimp's home in New York, New York.
Crimp speaks of growing up in Coeur d'Alene, Idaho; his athleticism in water skiing and ice skating; sibling rivalry as a child; seeing art for the first time at the Seattle World Fair; being closeted and conflicted as a young gay man in 1950s Idaho; attending Tulane University in New Orleans and the culture shock he experienced there; his first year in Tulane's rigorous architecture program and ultimately changing his major to art history; the pageantry of Mardi Gras parades and the gay society he explored; writing an undergraduate paper analyzing Marcel Duchamp's "The Large Glass"; deciding to go to New York City; finding his voice as an art critic while beginning his career at Art News and Art International; his extensive analysis of Joan Jonas; attending Firehouse dances sponsored by Gay Activist Alliance and coming into his sexuality; being a patient of esteemed doctor Dr. Dan William; first learning of the AIDS crisis and epidemic through a New York Times article in 1981 describing a gay cancer; receiving an NEA art critic grant and spending a year in Germany from 1985-86; returning to find friends and acquaintances sick with HIV/AIDS or having died from it; the Dia Conversations; his role as editor of October and bringing queerness and AIDS to the forefront; joining ACT UP; the genesis of October's AIDS double issue in 1987-1988 and its success; how the journal issue changed the course of his career and steered him to teach gay studies and further his work with AIDS activism; the inner workings of ACT UP meetings; the sense of community ACT UP provided and the empowerment everyone felt; noting a sense of personal and professional urgency during the crisis; the timeline of his AIDS writings; his reaction to seeing the AIDS quilt for the first time at the March on Washington; writing to a wide, non-academic audience; his 1988 course at Rutgers University on AIDS video; his complex relationships with Rosalind Krauss and Annette Michelson; the poor coverage of the AIDS epidemic in the media and how it informed his writing; the understanding of the need for safe sex practices and writing "How to Have Promiscuity in an Epidemic;" teaching courses on AIDS at the University of Rochester and how his teaching interest evolved into queer theory and studies; evaluating Warhol's work with a queer lens; writing about his experience with queer life in New York City in the 1970s to counter the condescending conservative narrative; his current writing projects and interests; experience in demonstrations held by ACT UP; and the tremendous communal support he felt during his seroconversion. Crimp also recalls Marilynne Summers (Robinson), Bernard Lemann, Marimar Benetiz, Ida Kohlmeyer, Lynn Emory, Diane Waldman, Betsy Baker, Lucinda Hawkins, Christian Belaygue, Krzysztof Wodiczko, Rosalind Krauss, Joan Copjec, Gregg Bordowitz, Terri Cafaro, Rene Santos, Craig Owens, Fernando Torm, Bill Olander, Richard Elovich, Daniel Wolfe, Hector Caicedo, Lynne Cooke, and Zoe Leonard.
Biographical / Historical:
Douglas Crimp (1944- 2019) was a professor and art critic in New York, New York. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Educators -- New York (State) -- New York  Search this
Topic:
AIDS activists  Search this
AIDS (Disease) -- Study and teaching  Search this
Art critics -- New York (State) -- New York -- Interviews  Search this
Art -- History -- Study and teaching  Search this
Gay activists  Search this
Gay and lesbian studies  Search this
HIV and AIDS  Search this
Mardi Gras  Search this
NAMES Project AIDS Memorial Quilt  Search this
Queer theory  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.crimp17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crimp17

Pete Stanley diary

Creator:
Stanley, Pete, 1940-  Search this
Names:
Grooms, Mimi Gross  Search this
Grooms, Red  Search this
Kean, Katharine  Search this
Extent:
1 Item
Type:
Collection descriptions
Archival materials
Place:
Germany -- description and travel
Italy -- description and travel
Date:
1961-1962
Scope and Contents:
A diary kept by Pete Stanley primarily about a trip that he took by horse-drawn carriage with Mimi Gross, Red Grooms, Katharine Kean (known as KK), and Nello Falteri (known as Paperino) from Florence to Venice, Italy and back performing shadow puppet shows as Il Piccolo Circo d'Ombra di Firenze (the Little Shadow Circus from Florence). The diary includes entries from July 24, 1961 (leaving Florence) to August 23, 1961 (in Venice) and entries from March 24-31, 1962 about Stanley's travels in Germany. Also included are a few sketches of puppets and acquaintances, such as circus performer Alberto Adami.
Biographical / Historical:
Pete Stanley (1940- ) is a bluegrass musician in London, England.
Provenance:
Donated 2014 by Pete Stanley.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Identifier:
AAA.stanpete
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanpete

Wilhelm Reinhold Valentiner papers

Creator:
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Names:
Detroit Institute of Arts  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Bode, Wilhelm von, 1845-1929  Search this
Colenbrander, H. T. (Herman Theodoor), 1871-1945  Search this
Ford, Edsel, 1893-1943  Search this
Heise, Carl Georg, 1890-1979  Search this
Hofstede de Groot, C. (Cornelis), 1863-1930  Search this
McIlhenny, John  Search this
Mellon, Andrew W. (Andrew William), 1855-1937  Search this
Morgan, Anne Tracy, 1873-1952  Search this
Sarre, Maria  Search this
Wills, Helen, 1905-1998  Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Prints
Photographs
Diaries
Place:
Germany -- Politics and government -- 1918-1933
Date:
1853-1977
Summary:
The papers of art historian and museum director Wilhelm Reinhold Valentiner measure 6.9 linear feet and date from 1853 to 1977. Found within the collection are biographical materials, including information on the Lepsius and Valentiner families; correspondence with family, friends, art collectors, and art historians; seven diaries; additional writings and notes; printed materials; three clippings scrapbooks; artwork in the form of prints and woodcuts; and photographs of Valentiner and his family and friends, including two photograph albums.
Scope and Contents:
The papers of art historian and museum director Wilhelm Reinhold Valentiner measure 6.9 linear feet and date from 1853 to 1977. Found within the collection are biographical materials, including information on the Lepsius and Valentiner families; correspondence with family, friends, art collectors, and art historians; seven diaries; additional writings and notes; printed materials; three clippings scrapbooks; artwork in the form of prints and woodcuts; and photographs of Valentiner and his family and friends, including two photograph albums.

Biographical materials include certificates, membership cards, a curriculum vitae, and genealogical information on the Valentiner and Lepsius families.

Correspondence includes letters in German from Valentiner's parents, siblings, extended family members, and his wife and daughter. General correspondence includes letters and cards in German and English from art historian mentors and peers, including Wilhelm von Bode, Cornelius Hofstede de Groot, Carl Heise, and Herman Colenbrander, as well as art collectors and friends, including John McIlhenny, Andrew Mellon, Edsel Ford, Maria Sarre, and Helen Wills Moody Roark.

Seven diaries dated 1910-1939 were written in German, some of which also contain sketches, photographs, and other enclosures. Additional writings and notes consist of autobiographical writings, numerous essays, lectures, and monographs on Italian and Dutch art and artists, and reports and lectures on exhibitions at the Metropolitan Museum of Art and the Detroit Institute of Arts. Lecture seminar notes appear to have been written while Valentiner was a student in Germany, and materials related to Arbeitsrat für Kunst date from the period after Valentiner's military service when he served as a chairman to the newly formed Working Council for the Arts, prior to his return to America in 1921.

Printed material includes bulletins, exhibition catalogs, clippings, and three clippings scrapbooks, which document Valentiner's professional career in New York and Detroit.

Photographic materials are of Wilhelm Valentiner, his immediate and extended family members, and his friends. Photos of Valentiner are from his youth, military service in Germany, and his personal and professional career in the U.S. Photographs of friends include art scholars, collectors, and family friends, including Maria Sarre, Helen Wills Moody Rorke, and Anne Morgan, the daughter of Pierpoint Morgan. There are also a handful of reproductions of artwork used as scholarly references in his writings. The two photo albums focus on Valentiner's family and friends from his youth in Germany, and Valentiner with family members later in his life.

Artwork in the collection consists of prints from a page in a German book, a bookplate, and two woodcuts by unidentified artists.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1853-1976 (8 folders; Box 1)

Series 2: Correspondence, 1860-1974 (3.4 linear feet; Box 1-4)

Series 3: Diaries, 1910-1939 (7 folders; Box 3)

Series 4: Writings and Notes, 1890-1970 (1.7 linear feet; Box 4-6, 9)

Series 5: Printed Material, 1915-1977 (0.2 linear feet; Box 6)

Series 6: Scrapbooks, 1908-1933 (0.4 linear feet; Box 6, 9)

Series 7: Photographic Materials, 1840-1970 (0.8 linear feet; Box 6-8)

Series 8: Artwork, 1890-1960 (3 folders; Box 8)
Biographical / Historical:
Art historian and museum director Wilhelm Reinhold Valentiner (1880-1958) lived in New York City, N.Y., Detroit, Michigan, and Raleigh, North Carolina and was known for his leadership and collection development during his tenure at the Metropolitan Museum of Art and the Detroit Institute of Arts.

Valentiner was born in Karlsruhe, Germany to Karl Wilhelm Valentiner, a professor of astronomy at Heidelberg University, and his wife, Anna Lepsius Valentiner. The youngest of four children, Valentiner attended the University of Leipzig and continued studies in art history at the University of Heidelberg, where he received his doctorate in 1905 under the mentorship of Henry Thode. His relationship with Thode and with fellow students Edwin Redslob and Hermann Voss would eventually lead to lifelong friendships with a network of European scholars and historians, including Wilhelm von Bode and Cornelius Hofstede de Groot.

Upon von Bode's recommendation to J.P. Morgan, then President of the Metropolitan Museum of Art, Valentiner joined the staff of the Metropolitan in 1908 as the curator for Decorative Arts. In 1913, he founded the journal Art in America, where he would remain as editor until 1931. At the onset of World War I, Valentiner returned to Germany to enlist and served until the war's end, at which point he spent a brief period working at the Kaiser Friedrich Museum and participated in the Arbeitsrat für Kunst, a new group that questioned the traditional relationship between artists and established art institutions. Though shortlived, his participation as a chairmen for the Working Council for the Arts introduced him to leading German artists and architects, including Walter Gropius, Karl Schmidt-Rottluff, Käthe Kollwitz, and Lyonel Feininger. At this time, he also met his future wife, Cecelia Odefay, who he married in 1919.

In 1921, Valentiner returned to the U.S. and was asked to serve as a collecting advisor to the Detroit Institute of Arts. In 1924, he was appointed the Institute's director, a position he held until his retirement in 1944. During his tenure, he oversaw the opening of a new wing, the first acquisition of pre-Columbian and African art, the strengthening of Chinese and Islamic art collections, significant acquisitions of European Modernists, and the development of the museum's education and conservation divisions.

In 1937, Valentiner founded the Art Quarterly journal for the College Art Association, which he edited until 1949. After his retirement from the Institute, Valentiner was called from retirement to serve as director for the Los Angeles County Museum and the Getty Museum in California, and the North Carolina Museum of Art in Raleigh. Valentiner died from complications of pneumonia in 1958.
Related Materials:
Also found in the Archives of American Art are the Mary E. Adams letters from Wilhelm Valentiner and an oral history interview with Mary and Clinton Adams conducted by Paul Karlstrom, April 24, 1998. The North Carolina Museum of Art also holds papers of Wilhelm Valentiner, most of which are also available at the Archives on microfilm reels D31 and 2140-2144.
Separated Materials:
In 1981 and earlier, the Archives microfilmed the William R. Valentiner papers that were on deposit from the North Carolina Museum of Art onto reels D31 and 2140-2144. The papers were returned to the North Carolina Museum of Art, but the microfilm is still available for use at the Archives research centers and for interlibrary loan.

Reel D31 includes diary entries, 1914-1957, describing Valentiner's service in the German army, 1914-1918, with the War Information Office in Berlin, the overthrow of the monarchy and German politics, relations between Germany and Russia and communist activity in Germany, the administration of Berlin museums and radical artists' activities, his work with the L.A. County Museum, Detroit Institute of Fine Arts, the North Carolina Museum of Art, and private collectors, impressions of friends, including Henry Ford, Carl Hamilton, the Hohenzollerns, Franz Marc, Rainer Maria Rilke, Walter Rathenau, Helen Wills, Benjamin Altman, J. Pierpont Morgan, and recollections of women art collectors, including Mrs. August Belmont, Rita Lydig, and Mrs. Leonard Thomas. A very small portion of the filmed materials may be found among the Valentiner papers at the Archives, but most of the materials were returned to the North Carolina Museum of Art.

Loaned materials on reels 2140-2144 consist of 26 diaries, 1904-1958; autobiographical writings; manuscripts and lectures by Valentiner; correspondence with family, friends, authors, museums, galleries, and dealers, including Harry Bertoia, Charles Culver, Lyonel and Julia Feininger, Walter Gropius, Paul and Mary Weschler, and Morris Graves; and a scrapbook containing clippings, drafts of speeches, and invitations.
Provenance:
From 1972 to 1977, Valentiner's papers were gathered from various sources by historian Margaret Sterne who was researching and writing a biography of Valentiner. Sterne died just prior to publication and the papers were sorted by Archives' staff and returned to the lender when known. After publication of the biography, the bulk of the papers were returned to their respective lenders (primarily the University of North Carolina) and the remaining papers were sorted and accessioned by the Archives. Donors are listed as unknown or anonymous.
Restrictions:
Use of original papers requires an appointment and is limited to the Archvies' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Wilhelm Reinhold Valentiner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- Michigan -- Detroit  Search this
Museum directors -- Michigan -- Detroit  Search this
Art, Dutch  Search this
Art, Italian  Search this
Topic:
Art historians -- New York (State) -- New York  Search this
Art museums -- United States  Search this
Museum directors -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Scrapbooks
Sketches
Prints
Photographs
Diaries
Citation:
Wilhelm Reinhold Valentiner papers, 1853-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.valewilh
See more items in:
Wilhelm Reinhold Valentiner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-valewilh
Online Media:

Photograph of Zarina and others

Subject:
Zarina  Search this
Type:
Photographs
Place:
Germany
Date:
196-?
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)19981
See more items in:
Zarina Hashmi papers, 1950-2015
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19981
Online Media:

Map of paintings looted from Holland, returned through the efforts of the United States Armed Forces

Subject:
World War, 1939-1945  Search this
Type:
Printed Materials
Place:
Austria
Germany
Date:
circa 1946
Topic:
Art and war  Search this
Record number:
(DSI-AAA)16226
See more items in:
Andrew Carnduff Ritchie papers, 1907-1983
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16226
Online Media:

Grace Albee sketchbook of travel in Germany and France

Creator:
Albee, Grace, 1890-1985  Search this
Subject:
Albee, Grace  Search this
Type:
Artworks
Place:
France
Germany
Date:
1931
Record number:
(DSI-AAA)5608
See more items in:
Grace Albee papers, 1890-1971
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5608

The Bauhaus Era in Germany and America : documents from the Archives of American Art, Smithsonian Institution : an exhibition, Boston Public Library November 12-December 31, 1986 / by Robert F. Brown

Author:
Brown, Robert F  Search this
Boston Public Library  Search this
Subject:
Bauhaus Influence  Search this
Physical description:
24 p. : ill., facsims., ports. ; 28 cm
Type:
Exhibitions
Place:
Germany
Date:
1986
20th century
Topic:
Art, American  Search this
Group work in art  Search this
Call number:
N332.G33 B76 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_766027

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