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Sketch of Rewi Alley

Creator:
Becker, Fred, 1913-2004  Search this
Subject:
Alley, Rewi  Search this
Type:
Artworks
Place:
China
Date:
circa 1945
Record number:
(DSI-AAA)20988
See more items in:
Fred Becker papers, 1913-2004, bulk 1940-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20988

English lesson

Creator:
Becker, Fred, 1913-2004  Search this
Type:
Artworks
Place:
China
Date:
circa 1945
Record number:
(DSI-AAA)20989
See more items in:
Fred Becker papers, 1913-2004, bulk 1940-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20989

English lesson by Rewi Alley

Creator:
Becker, Fred, 1913-2004  Search this
Subject:
Alley, Rewi  Search this
Type:
Artworks
Place:
China
Date:
circa 1945
Record number:
(DSI-AAA)20990
See more items in:
Fred Becker papers, 1913-2004, bulk 1940-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20990

Madame Sun Yat-sen letter to Fred Becker

Creator:
Song, Qingling, 1893-1981  Search this
Becker, Fred, 1913-2004  Search this
Type:
Correspondence
Place:
China
Date:
circa 1945 August 12
Topic:
Parties  Search this
Record number:
(DSI-AAA)20991
See more items in:
Fred Becker papers, 1913-2004, bulk 1940-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20991

Irving C. Root photographs of the Philippines

Creator:
Root, Irving C.  Search this
Names:
Stratton, H.H. (photographer or publisher)  Search this
Extent:
1 Print (cyanotype)
850 Prints (circa, silver gelatin)
200 Negatives (circa, nitrate)
97 Prints (halftone)
13 Prints (albumen)
Culture:
Ifugao (Philippine people)  Search this
Filipinos  Search this
Igorot (Philippine people)  Search this
Type:
Collection descriptions
Archival materials
Prints
Negatives
Photographs
Place:
Japan
China
San Francisco (Calif.)
Hawaii
Philippines
Date:
circa 1900, 1912-1919
Scope and Contents note:
Photographs made by Irving C. Root documenting people, industry, and culture in the Philippines in the 1910s. They include images of Igorot people, industry, and ceremonies, as well as Philippine landscapes and wildlife, agriculture, markets, architecture, events, and military. There are also a number of prints made circa 1900, mostly of military installations and personnel, and some images of the 1915 San Francisco World's Fair (Panama-Pacific International Exposition), Hawaii, Japan, and China. Most of the prints are mounted on unbound pages from two photo albums. Halftone prints were made by H. H. Stratton of San Francisco, California.
Biographical/Historical note:
Irving C. Root was an agricultural officer for the US Department of Agriculture.
Local Call Number(s):
NAA Photo Lot 84-31, USNM ACC 362991
Location of Other Archival Materials:
Philippine artifacts collected by Root can be found in the Department of Anthropology in accession 362991.
Additional photographs of the Panama-Pacific International Exposition can be found in the Archives of American Art in AAA 154.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Copy prints are available and many of the negatives correspond to prints from the albums.
Rights:
Contact the repository for terms of use.
Topic:
Markets  Search this
Architecture -- Philippines  Search this
Genre/Form:
Photographs
Citation:
Photo lot 84-31, Irving C. Root photographs of the Philippines, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.84-31
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-84-31

Paul Jenkins papers

Creator:
Jenkins, Paul, 1923-2012  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Martha Jackson Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Baber, Alice  Search this
Bluhm, Norman, 1921-1999  Search this
De Kooning, Willem, 1904-1997  Search this
Dusanne, Zoe, -1977  Search this
Erma, Thomas, 1939-1964  Search this
Gilot, Francoise, 1921-  Search this
Guggenheim, Peggy, 1898-  Search this
Jenkins, Esther Ebenhoe  Search this
Krasner, Lee, 1908-1984  Search this
Prantl, Karl  Search this
Prince, Frank  Search this
Extent:
11.1 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Manuscripts
Sketches
Watercolors
Prints
Collages
Visitors' books
Photographs
Scrapbooks
Place:
China -- Description and Travel
Date:
circa 1915-2010
Summary:
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.
Scope and Contents:
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.

Biographical material and family papers consist of awards and certificates, calendars, marriage, divorce, and estate papers, and military service records. Also included are family papers and a scrapbook belonging to Jenkins's aunt, Louise Jenkins.

Correspondence, which makes up the bulk of the collection, is with family, friends, and fellow artists, including Alice Baber, Norman Bluhm, Willem de Kooning, and Lee Krasner Pollock, as well as art organizations, schools, museums, galleries, and gallery owners, such as the Art Students League of New York, New York University, Museum of Modern Art, Martha Jackson Gallery, Zoe Dusanne, and Peggy Guggenheim.

Writings includes scattered writings by Paul Jenkins, two of his travel diaries, and the guest book for an exhibition in Tokyo. Also found are a copy of Lili Krahmer Verame's China travel diary and the writings and research materials of others.

Personal business records consist of financial records, lease documents, price lists, travel documents, and papers regarding Jenkins's rental property. Also included are a file on the New York University medal designed by Jenkins and a file concerning a Karl Prantl statue.

Printed material consists of event programs, newsletters, bulletins, member reports, press releases, art exhibition announcements and catalogs, concert and theater announcements and programs, news and magazine clippings, and obituaries and memorial announcements.

Artwork contains miscellaneous sketches and collages by Paul Jenkins. Additional artworks include sketches, watercolors, and prints by other artists, as well as 8 oversize mixed media sketches by Frank Prince of Jenkins's Meditation Mandala Sundial sculptures.

Photographs of Paul Jenkins depict him in his studio, with family and friends, and at events. Photographs of family and friends include Esther Ebenhoe Jenkins, Alice Baber Jenkins, Norman Bluhm, Thomas Erma, Françoise Gilot, Matsumi "Mike," Carole, and Bunshi Paul Kanemitsu, and Frank Prince.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, circa 1915-1997 (Box 1; 9 folders)

Series 2: Correspondence, circa 1930-2010 (Box 1-9, 13; 9 linear feet)

Series 3: Writings, circa 1950-2003 (Box 9-10; 0.5 linear feet)

Series 4: Personal Business Records, circa 1944-1990 (Box 10; 0.3 linear feet)

Series 5: Printed Material, circa 1952-2010 (Box 10-11; 0.6 linear feet)

Aeries 6: Artwork, circa 1935-2007 (Box 11-12, OV 14; 0.2 linear feet)

Series 7: Photography, circa 1940-1998 (Box 12; 0.4 linear feet)
Biographical / Historical:
Paul Jenkins (1923-2012) was an abstract expressionist painter and playwright in New York, New York, and Paris, France. Jenkins was born in Kansas City, Missouri in 1923, and moved to Youngstown, Ohio as a teenager. After serving in the U.S. Maritime Service and the U.S. Naval Air Corps, Jenkins studied playwriting with George McCalmon at the Carnegie Institute of Technology (now Carnegie Mellon University). In 1948, he moved to New York City, where he studied with Yasuo Kuniyoshi at the Art Students League of New York.

Over the course of his career, Jenkins experimented with multiple techniques, including oil on primed canvas, flowing paints, acrylics, watercolor, and mixed media collages. After traveling extensively and meeting many artists, Jenkins ultimately became associated with the Abstract Expressionists. His work gained the attention of other members of the art world and he held solo exhibitions at venues such as the Zoe Dusanne Gallery in Seattle and the Martha Jackson Gallery in New York. Jenkins' paintings were purchased by both museums and private collectors, including the Museum of Modern Art, the Whitney Museum of American Art, and Peggy Guggenheim.

In addition to his painting, Jenkins continued to explore other creative endeavors. He experimented with sculpture, producing works for events and permanent displays, including the Sculptors' Symposium at the Cooper-Hewitt Museum and the Sculpture Garden of the Hofstra Museum. His plays, such as Strike the Puma, were published and performed off Broadway in New York City. Jenkins's art served as the backdrop for multiple stage productions, and in 1978, his paintings were featured in the Academy Award nominated movie An Unmarried Woman. Jenkins also collaborated on a number of book projects, including Anatomy of a Cloud, a collection of autobiographical collages and texts.

Throughout his adult life, Jenkins split most of his time between New York and Paris. He continued to create and exhibit new works until his death in New York in 2012.
Related Materials:
Also found at the Archives of American Art are an interview of Paul Jenkins, August 1969, conducted by Albert Elsen, and an oral history interview, 1968, conducted by Colette Roberts.
Provenance:
The papers were donated 2007-2009 and in 2012 by Paul and Suzanne Jenkins.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. One letter from Paul Jenkins to Norman Bluhm, circa 1966, is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Rights:
The Paul Jenkins papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote or reproduce for the purposes of publication requires written permission from Suzanne Jenkins.
Occupation:
Dramatists -- France -- Paris  Search this
Dramatists -- New York (State) -- New York  Search this
Topic:
Abstract expressionism  Search this
Artists' studios -- Photographs  Search this
Medals -- Design  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Travel diaries
Manuscripts
Sketches
Watercolors
Prints
Collages
Visitors' books
Photographs
Scrapbooks
Citation:
Paul Jenkins papers, circa 1915-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jenkpaul2
See more items in:
Paul Jenkins papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jenkpaul2

Charles Lang Freer Papers

Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
131 Linear feet (29 architectural drawings)
Type:
Collection descriptions
Archival materials
Diaries
Financial records
Correspondence
Photographs
Place:
China
Syria
Egypt
India
London (England)
Japan
Boston (Mass.)
Detroit (Mich.)
Washington (D.C.)
Kandy (Sri Lanka)
Sri Lanka
Anuradhapura (Sri Lanka)
Date:
1876-1931
Summary:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.
Scope Content:
The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.
Organization of the Papers:
This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs
Biographical Note:
1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Karin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.
Index:
Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company
Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts
Related Material:
The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.
Provenance:
Gift of the estate of Charles Lang Freer.
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Architecture -- Asia  Search this
Genre/Form:
Diaries
Financial records
Correspondence
Photographs
Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01
See more items in:
Charles Lang Freer Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a-01
Online Media:

Effie Harrison with Grace and Harrison Hatch at the Great Wall, Nanko Pass

Type:
Photographs
Place:
China
Date:
1910 Oct. 23
Record number:
(DSI-AAA)9738
See more items in:
Lorenzo James Hatch and Hatch family papers, bulk 1902-1914
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9738
Online Media:

Nanko Village near the Great Wall of China

Type:
Photographs
Place:
China
Date:
ca. 1910
Record number:
(DSI-AAA)9739
See more items in:
Lorenzo James Hatch and Hatch family papers, bulk 1902-1914
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9739
Online Media:

Oral history interview with Mary Lee Hu

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Cleveland Institute of Art -- Students  Search this
Cranbrook Academy of Art -- Students  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
University of Washington -- Faculty  Search this
Baldridge, Mark S., 1946-  Search this
Choo, Chunghi  Search this
Christensen, Hans, 1924-1983  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred, 1934-  Search this
Fike, Phillip G., 1927-1997  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Marshall, John, 1936-  Search this
Matsukata, Miye, 1922-1981  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti, 1940-  Search this
Extent:
8 Items (Sound recording: 8 wav files (5 hr., 42 min.), digital)
163 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Afghanistan -- Description and Travel
Australia -- Description and Travel
China -- Description and Travel
Indonesia -- Description and Travel
Iran -- Description and Travel
Nepal -- Description and Travel
Ohio -- Description and Travel
Papua New Guinea -- Description and Travel
Tibet (China) -- Description and Travel
Turkey -- description and travel
Date:
2009 March 18-19
Scope and Contents:
An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.
Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.
Biographical / Historical:
Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists -- Washington (State) -- Seattle -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hu09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hu09

Selections from the Philadelphia Museum of Art's Archives of American Art collection

Creator:
Philadelphia Museum of Art  Search this
Names:
Milch Galleries  Search this
Abbe, Robert  Search this
Arms, John Taylor, 1887-1953  Search this
Bartlett, Paul, 1881-1965  Search this
Beal, Gifford, 1879-1956  Search this
Beaux, Cecilia, 1855-1942  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Cadmus, Paul, 1904-1999  Search this
Chagall, Marc, 1887-1985  Search this
Cortissoz, Royal, 1869-1948  Search this
Cox, Kenyon, 1856-1919  Search this
Curran, Charles C. (Charles Courtney), 1861-1942  Search this
De Creeft, José, 1884-1982  Search this
Dehn, Adolf, 1895-1968  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Eakins, Susan Macdowell  Search this
Eakins, Thomas, 1844-1916  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Evergood, Philip, 1901-1973  Search this
Force, Juliana, 1876-1948  Search this
Graham, John, 1887-1961  Search this
Haskell, Ernest, 1876-1925  Search this
Hassam, Childe, 1859-1935  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marsh, Reginald, 1898-1954  Search this
McCarter, Henry, 1866-1942  Search this
Mechlin, Leila, 1874-1949  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Mullikin, Mary Augusta, 1874-1964  Search this
Pennell, Joseph, 1857-1926  Search this
Roberts, George B., Mrs  Search this
Sartain, William, 1843-1924  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sloan, John, 1871-1951  Search this
Valentin, Curt, 1902-1954  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
4 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Place:
China -- Description and Travel
Date:
1866-1968
Scope and Contents:
Correspondence, printed material, writings, and other personal papers collected by Carl Zigrosser and Leila Mechlin and later added to by others, all relating to American art.
REELS P10-P11 and P14: Letters to Leila Mechlin, Henry Schnakenberg and Hudson Walker. Correspondents include Robert Abbe, John Taylor Arms, Cecelia Beaux, Paul Bartlett, Gifford Beal, Paul Cadmus, Charles Curran, Royal Cortissoz, Kenyon Cox, Philip Evergood, John David Graham, Reginald Marsh, Joseph Pennell, John Sloan and many others. Some letters include printed material and photographs. Mechlin material includes writings, photographs and letters from Mary Augusta Mullikin describing her life and travels in China, 1933. Also included are letters from Adolph Dehn and Jose de Creeft to Juliana Force; from Ernest Haskell and Kenneth Hayes Miller to Carl Zigrosser; miscellaneous letters from Marc Chagall, Thomas Wilmer Dewing, Louis Eilshemius and Childe Hassam; an autobiography of William Sartain; and material on Thomas Eakins, including letters, a list of expenses, 1867, and motion study material,including writings, sketches and photographs taken with a camera invented by Eakins.
REEL 4547: Charles Burchfield letters; Susan and Thomas Eakins material; Jacques Lipchitz correspondence; Henry McCarter letters; and Carl Zigrosser correspondence. The Burchfield letters consist of 41 items, 1929-1947, from Burchfield regarding exhibitions, sales, and his paintings. The Eakins material includes letters from Susan Eakins to the Milch Galleries, 1933-1935, regarding the sale of Thomas Eakins' work, receipts from the Milch Galleries, Thomas' expense book, ca. 1866, for daily living in Paris and Switzerland and an autographed account of expenses while at school in Paris, April 12, 1867, a photograph of Susan Eakins by Carl van Vechten, a photograph of Eakins, and 71 engraved portraits from the collection of Thomas Eakins.
The Lipchitz correspondence is with R. Sturgis Ingersoll regarding Lipchitz's commission for the sculpture "Prometheus." Also included are 8 letters from Curt Valentin to Ingersoll regarding Lipchitz. The McCarter material includes 66 letters, 1933-1942, some containing sketches, from McCarter to Mrs. George B. Roberts regarding paintings, frames, exhibitions, and offering painting advice. The Zigrosser correspondence is regarding the purchase of prints from the regional projects of the WPA for the Philadelphia Museum of Art, and later included in the exhibition "Between Two Wars" at the Whitney Museum of American Art. Included are invoices and inventories of the prints from the various offices.
Provenance:
Material on reels P10-P11 and P14 lent for microfilming, 1954, by the Philadelphia Museum of Art. Additional material on reel 4547 was microfilmed in 1991 as part of AAA's Philadelphia Arts Documentation Project. The idea for the archives originated with Carl Zigrosser, who donated material, solicited it from others (mainly Henry Schnakenberg, Leila Mechlin and Hudson Walker), or pulled it from the files of the Philadelphia Museum of Art. The Museum continues to add to the collection. It is not connected to the Archives of American Art at the Smithsonian Institution.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce must be obtained from the Philadelphia Museum of Art Archives.
Occupation:
Artists -- United States  Search this
Topic:
Art, American  Search this
Artists' writings  Search this
Motion study -- Photographs  Search this
Identifier:
AAA.philmuss
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-philmuss

Oral history interview with Tommy Simpson

Interviewee:
Simpson, Tommy  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Boston University. Program in Artisanry -- Faculty  Search this
Cranbrook Academy of Art -- Students  Search this
Museum of Arts and Design (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Northern Illinois University -- Students  Search this
University of Hartford -- Faculty  Search this
Castle, Wendell, 1932-2018  Search this
Maloof, Sam  Search this
Maruyama, Wendy, 1952-  Search this
McKie, Judy Kensley, 1944-  Search this
Newman, Richard, (Artist)  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Smith, Paul J., 1931-  Search this
Zucca, Edward  Search this
Extent:
6 Items (Sound recording: 6 sound files (3 hr., 54 min.), digital, wav)
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
China -- Description and Travel
Europe -- description and travel
Date:
2004 May 6-July 2
Scope and Contents:
An interview of Tommy Simpson conducted 2004 May 6-July 2, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Simpson speaks of growing up in rural Illinois; making things as a child; discovering his interest in art at Northern Illinois University; getting an MFA in painting at Cranbrook Academy of Art; using the wood shop at Cranbrook; exhibiting at various galleries in New York City and moving to Connecticut; showing work in the "Fantasy Furniture" exhibit at the Museum of Arts & Design; visiting Europe; the New York studio furniture market in the 1960s; writing the book, "Fantasy Furniture"; exhibiting in "Objects USA;" working as artist in residence at the Fairtree Gallery; teaching at the University of Hartford; his work ethic and productivity; living and working in Greenwich, Connecticut; the constraints of being classified as a furniture maker; teaching briefly at the Program In Artisanry and other schools; the increased public interest in fine woodworking in the 1980s; changes in the craft market; writing the book, "Two Looks to Home"; the influence of events on his work; his current interest in making whole interiors; working on commission; the current public interest in craft; expressing themes in his work; his working process in his studio; the future of fine woodworking; the difficulties of working with galleries; designing rugs; and visiting China. Simpson also recalls Zoltan Sepeshy, Wendell Castle, Paul Smith, Sam Maloof, Edward Zucca, Wendy Maruyama, Richard Newman, Judy McKie, and others.
Biographical / Historical:
Tommy Simpson (1939- ) is a furniture maker and sculptor from Washington Depot, Connecticut. Edward S. Cooke, Jr. is a professor from Newtonville, Massachusetts.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Cabinetmakers  Search this
Sculptors -- Connecticut  Search this
Topic:
Decorative arts  Search this
Furniture making -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.simpso04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-simpso04

Oral history interview with Cindy Kolodziejski

Interviewee:
Kolodziejski, Cindy, 1962-  Search this
Interviewer:
Lloyd, Frank, 1951-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Long Beach -- Faculty  Search this
Frank Lloyd Gallery  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
J. Paul Getty Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Otis College of Art and Design -- Students  Search this
University of California, Los Angeles. Library  Search this
Albuquerque, Lita  Search this
Bacerra, Ralph, 1938-2008  Search this
Caroompas, Carole  Search this
Clark, Garth, 1947-  Search this
Delisle, Roseline  Search this
Dowell, Roy  Search this
Giegerich, Jill, 1952-  Search this
Lauria, Jo  Search this
Lodato, Peter  Search this
Marsh, Tony, 1954-  Search this
Mason, John, 1927-2019  Search this
Nagle, Ron  Search this
Pagel, David  Search this
Saxe, Adrian Anthony, 1943-  Search this
Sturman, Eugene  Search this
Thomason, Barbara A.  Search this
Extent:
7 Items (Sound recording: 7 wav files (4 hr., 10 min.), digital)
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
New York (N.Y.) -- Description and views
Arizona -- Description and Travel
California -- description and travel
China -- Description and Travel
Greece -- description and travel
Italy -- description and travel
Nepal -- Description and Travel
Date:
2007 May 5-16
Scope and Contents:
An interview of Cindy Kolodziejski conducted 2007 May 5-16, by Frank Lloyd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Frank Lloyd Gallery, in Santa Monica, California.
Kolodziejski speaks of moving in her early childhood from Germany to Arizona and finally to California; the divorce of her parents at a young age and her feelings of abandonment; her desire as a young child to be an artist; the early influence of her grandmother, an art teacher; teaching herself how to draw by copying images and creating still-lifes; an influential art teacher in high school who encouraged her to pursue college-level art classes and attend art school after graduation; her decision to enroll at Otis College of Art and Design; her foundation art classes at Otis and increasing interest in ceramics; choosing ceramics as a medium because of its flexibility and of form and potential for imagery; the value of her art education to her career; earning a Master of Fine Arts degree while teaching at California State University, Long Beach; the union of form, function, and imagery in her work, especially seen in a recent exhibition at the Frank Lloyd Gallery titled "Reversal of Fountain"; using the University of California, Los Angeles, libraries to find images at first, and later searching the internet for inspiration; creating pieces which play with and explore gender issues and sexuality; being reviewed and featured in articles which are especially concerned with issues of the body and femininity; the documentation of her art in various periodicals and texts, including a piece she wrote for Ceramics Monthly concerning her own work; gaining exposure through these articles, which helped to advance her career; the painstaking and technical process required to fashion her works of art; showing at the Garth Clark Gallery very quickly after graduation; traveling to Greece, China, Nepal, New York, and Italy, and being influenced by the exposure to the different art and cultures; recent travels with her daughter to Italy and feeling excited and humbled by the beauty of certain works; giving a talk at the Getty Museum about a show entitled "The Royal Menagerie" featuring the Meissen large-scale porcelain animals; participating in group shows in museums, particularly the "Color and Fire" exhibit which showcased important ceramicists from 1950 to 2000; being awarded various grants and feeling that applying for those awards is a very worthwhile experience for many artists; teaching first at the high school level and then in college; her teaching methods; forming friendships with fellow artists and art teachers; integrating the use of technology into her art-making process by finding and manipulating images on the computer; feeling motivated to produce in a positive way for exhibition deadlines; the support and friendships that developed through exhibiting with the Clark Garth and Frank Lloyd galleries; the encouragement and support she has been shown by her family throughout her career; and categorizing herself first and foremost as an artist rather than a craft artist or ceramicist. Kolodziejski recalls, Lita Albuquerque, Jill Giegerich, Peter Lodato, Barbara Thomason, Roy Dowell, Eugene Sturman, Carol Caroompas, Tony Marsh, Ralph Baccera, Adrian Saxe, Ron Nagle, Roseline Delisle, John Mason, Jo Lauria, David Pagel, Garth Clark, and others.
Biographical / Historical:
Cindy Kolodziejski (1962- ) is a sculptor and painter from Venice, California. Frank Lloyd (1951- ) is a gallery owner from Santa Monica, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Self-taught artists  Search this
Topic:
Ceramics  Search this
Ceramics -- Technique  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.kolodz07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kolodz07

Oral history interview with Wayne Higby

Interviewee:
Higby, Wayne  Search this
Interviewer:
McInnes, Mary, 1956-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Faculty  Search this
Archie Bray Foundation  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Helen Drutt Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Rhode Island School of Design -- Faculty  Search this
University of Colorado (Boulder campus) -- Students  Search this
University of Michigan -- Students  Search this
University of Nebraska--Lincoln. Department of Art -- Faculty  Search this
Bauer, Fred  Search this
Cushing, Val M.  Search this
Ferguson, Ken, 1928-  Search this
McKinnell, James  Search this
McKinnell, Nan  Search this
Merritt, Francis Sumner, 1913-2000  Search this
Motherwell, Robert  Search this
Neri, Manuel, 1930-  Search this
Randall, Theodore, 1914-1985  Search this
Shaner, David, 1934-  Search this
Soldner, Paul  Search this
Turner, Robert Chapman, 1913-2005  Search this
Voulkos, Peter, 1924-2002  Search this
Woodman, Betty, 1930-2018  Search this
Extent:
9 Items (Sound recording: 9 sound files (4 hr., 55 min.), digital, wav)
66 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Africa -- description and travel
Asia -- Description and Travel
China -- Description and Travel
Colorado -- description and travel
Europe -- description and travel
Date:
2005 April 12-14
Scope and Contents:
An interview of Wayne Higby conducted 2005 April 12-14, by Mary McInnes, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Alfred Station, New York. Higby speaks of growing up in Colorado Springs, Colorado; choosing to go to University of Colorado, Boulder; traveling to Europe, Asia, and Africa; being influenced by Minoan pottery; working for ceramicist Betty Woodman; deciding to become a teacher; getting a graduate degree at the University of Michigan; working at Archie Bray Foundation; teaching at the University of Nebraska and Rhode Island School of Design; having his first one person art show and exhibiting nationally; teaching at Haystack Mountain School of Crafts; the influence of landscape on his work; how the craft market has changed during his career; working with the Helen Drutt Gallery; writing about craft and the need for critical dialogue in craft publications; being inspired by Asian art; learning ceramics from Jim and Nan McKinnell, and the influence of other teachers on his career; getting hired at Alfred University; the challenges and benefits of teaching at Alfred; his colleagues at Alfred; making functional art and using the vessel form; his teaching philosophy; putting ceramics in a larger art context; his current project; his studio practice; themes in his artwork; choosing to work in porcelain; lecturing and touring in China; being interested in landscape painting; the public response to his work; and recently being awarded several honors. Higby also recalls Manuel Neri, Peter Voulkos, Paul Soldner, Fred Bauer, David Shaner, Francis Merritt, Ted Randall, Bob Turner, Val Cushing, Kenneth Ferguson, Robert Motherwell, and others.
Biographical / Historical:
Wayne Higby (1943- ) is a ceramicist from Alfred Station, New York. Mary McInnes is a professor from Alfred, New York.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Use requires an appointment.
Topic:
Ceramicists -- New York (State) -- Interviews  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Educators -- New York (State) -- Interviews  Search this
Pottery, Minoan  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.higby05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-higby05

Oral history interview with Daniel Varney Thompson

Interviewee:
Thompson, Daniel V. (Daniel Varney), 1902-1980  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Courtauld Institute of Art -- Faculty  Search this
Fogg Art Museum  Search this
Harvard University -- Faculty  Search this
Yale University -- Faculty  Search this
Berenson, Bernard, 1865-1959  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Ivins, William Mills, 1881-1961  Search this
Meeks, Everett, 1879-1954  Search this
Warner, Langdon (1881-1955)  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
China -- Description and Travel
India -- description and travel
Date:
1974 September 25-1976 November 2
Scope and Contents:
An interview of Daniel Varney Thompson conducted 1974 September 25-1976 November 2, by Robert F. Brown, for the Archives of American Art.
Thompson speaks of authenticating a painting by Leonardo Da Vinci; teaching at Harvard University with Edward Waldo Forbes; his 1923-1925 expedition to India and China with Langdon Warner and Fogg Art Museum personnel to study cave paintings; setting up the art history department at Yale with Everett Meeks and teaching tempera painting; his studies in Europe and work at the Courtauld Institute in London; and translating manuscripts dealing with medieval painting techniques and media. He recalls Bernard Berenson and William Mills Ivins.
Biographical / Historical:
Daniel V. Thompson (1902-1980) was an art historian, conservator, professor, and chemist engineer. Thompson studied techniques of medieval and Renaissance painting. He was a professor at the Courtald Institute, London, 1938-1947.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 6 hr., 55 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Art historians -- Interviews  Search this
Conservators -- Interviews  Search this
Painting -- Technique  Search this
Art -- History -- Study and teaching  Search this
Cave paintings  Search this
Painting, Medieval -- Study and teaching  Search this
Painting, Medieval -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.thomps74
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-thomps74

Lorenzo James Hatch and Hatch family papers

Creator:
Hatch, Lorenzo James, 1856-1914  Search this
Names:
Harrison, Effie C.  Search this
Hatch, Grace  Search this
Sun, Yat-sen, 1866-1925  Search this
Yuan, Shikai, 1859-1916  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Place:
China -- Social conditions -- 1644-1912
China -- History -- Qing dynasty, 1644-1912
China -- History -- Revolution, 1911-1912
China -- Description and Travel
Date:
bulk 1902-1914
circa 1890-1950
Summary:
The Lorenzo James Hatch and Hatch family papers measure 1.7 linear feet and date from circa 1890-1950, with the bulk of the materials dating from 1902-1914. The papers consist of family correspondence, printed material, three scrapbooks of printed materials and photographs, and a travel account. Letters are from Lorenzo Hatch, his wife Grace Harrison Hatch, and other family members. Most of the collection concerns the family's time in Peking (Beijing), China from 1908-1914 while Hatch was assisting the Chinese government create a Bureau of Printing and Engraving. The papers reveal impressions of the social and economic conditions of the Chinese, the revolutionary events of 1911 and 1912, the Pneumonic Plague epidemic in China from 1910-1911, and sight-seeing trips. An unprocessed addition of 0.4 linear feet includes biographical material; photographs of Hatch, his family and works of art; personal correspondence; artwork; printed material, and legal and financial records relating to the estate of Lorenzo Hatch. Also included is a horseshoe from Harrison Hatch's pony "Moses" (in China).
Scope and Content Note:
The Lorenzo James Hatch and Hatch family papers measure 1.7 linear feet and date from circa 1890-1950, with the bulk of the materials dating from 1902-1914. The papers consist of family correspondence, printed material, three scrapbooks of printed materials and photographs, and a travel account. Letters are from Lorenzo Hatch, his wife Grace Harrison Hatch, and other family members. Most of the collection concerns the family's time in Peking (Beijing), China from 1908-1914 while Hatch was assisting the Chinese government create a Bureau of Printing and Engraving. The papers reveal impressions of the social and economic conditions of the Chinese, the revolutionary events of 1911 and 1912, the Pneumonic Plague epidemic in China from 1910-1911, and sight-seeing trips. An unprocessed addition of 0.4 linear feet includes biographical material; photographs of Hatch, his family and works of art; personal correspondence; artwork; printed material, and legal and financial records relating to the estate of Lorenzo Hatch. Also included is a horseshoe from Harrison Hatch's pony "Moses" (in China).

Letters trace the family's journey from California to Peking, China, and their life in China. Lorenzo's correspondence includes information concerning Chinese politics and the revolution, the roles of Sun Yat-Sen and Yuan Shih K'ai between 1911-1912 and the fall of the Qing Dynasty. Effie Harrison's and Grace Hatch's letters discuss day-to-day life in China, sight-seeing trips and their reactions to the social and political unrest in the country. Additional correspondence includes condolence letters sent to the family after Lorenzo's death. There is a also a written account by Effie Harrison describing her travel to China on a steamer ship.

Printed materials consist of clippings and a Macbeth Gallery exhibition catalog from a 1937 show of Hatch's paintings.

There are three photographs of Peking. Three disbound scrapbooks include photographs of the Chinese landscape and monuments, interior shots, and of the family traveling through China. Photographs are of the Ming Tombs, the Great Wall of China, as well as temples and city buildings. Some later photographs are of family members that were taken around 1920, after their return to the United States. The scrapbooks also contain examples of Chinese currency designed by Lorenzo James Hatch.

An unprocessed addition of 0.4 linear feet includes biographical material; photographs of Hatch, his family and works of art; personal correspondence; artwork; printed material, and legal and financial records relating to the estate of Lorenzo Hatch. Also included is a horseshoe from Harrison Hatch's pony "Moses" (in China).
Arrangement:
The collection is arranged into 6 series:

Series 1: Correspondence, 1902-1914 (Box 1-3; 0.9 linear feet)

Series 2: Writings, circa 1912 (Box 3; 1 folder)

Series 3: Printed Material, 1902-1937 (Box 3; 2 folders)

Series 4: Photographs, circa 1911 (Box 3; 1 folder)

Series 5: Scrapbooks, 1908-1911, circa 1920s (Box 3-4; 0.3)

Series 6: Unprocessed Addition, circa 1902-1937 (Box 5; 0.4)
Biographical Note:
Lorenzo James Hatch (1856-1914) was born in Vermont and is best known for his work as a portrait engraver in Washington, D.C. and New York. He worked for the United States Bureau of Printing and Engraving, private bank note printers, and in China, assisting the government with establishing a government bureau of printing and engraving.

Early in his career, Lorenzo found his talent for engraving intricate portraits in metals. In 1874, the head of the United States Bureau of Printing and Engraving admired Hatch's portrait of George Washington on copper and hired him. During his time in Washington, D.C., Hatch spent his nights studying drawing and watercolor painting. However, his talent to engrave vignettes of presidents and other famous figures proved more impressive.

In 1888, Hatch moved to Chicago to work for a private bank note company. There, he met Grace Harrison of California. They were married and had one son, Harrison in 1902. After taking a job in New York City with another bank note company, Hatch solidified his reputation in the field. Around 1908, the Chinese government invited Hatch to establish a Bureau of Printing and Engraving modeled after that of the United States. He accepted a six-year contract to oversee the building of the bureau and train the Chinese to run the office. With his wife, their son, and sister-in-law Effie Harrision, Lorenzo moved to Peking.

During his time in China, Lorenzo Hatch succeeded in building the foundations for a modern printing bureau. However, the revolution in China between 1911-1912 hindered completion. He described his experiences, perceptions, and insecurities of being in China to his family and friends through letters. Before his contract ended, Hatch passed away on February 3, 1914.
Provenance:
The papers of Lorenzo James Hatch and the Hatch family were donated in 1989 by Hatch's great-grandniece, Janet Young Brockmoller. Additional materials were donated in 2015 by John and Janet Fesler, who acquired the material from a neighbor who received the papers from Gail Hatch, Hatch's sister-n-law and executor for Hatch's wife Grace Harrison Hatch.
Restrictions:
The collection has been digitized and is available online via AAA's website. A 2015 addition to the papers is not digitized. Use of original papers requires an appointment.
Rights:
The Lorenzo James Hatch and Hatch family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Engravers  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Lorenzo James Hatch and Hatch family papers, 1902-1937, bulk 1908-1914. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatclore
See more items in:
Lorenzo James Hatch and Hatch family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatclore
Online Media:

Unidentified sender postcard to Sherman E. Lee

Creator:
Lee, Sherman E., 1918-2008  Search this
Type:
Correspondence
Place:
China
Date:
197-
Record number:
(DSI-AAA)14962
See more items in:
Sherman E. Lee papers, 1947-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14962
Online Media:

Sherman E. Lee in China leading the Art and Archaeological Delegation of the American Council of Learned Societies

Subject:
Lee, Sherman E.  Search this
Type:
Photographs
Place:
China
Date:
1973
Record number:
(DSI-AAA)14973
See more items in:
Sherman E. Lee papers, 1947-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14973

Sherman E. Lee and members of the Art and Archaeological Delegation of the American Council of Learned Societies at the mausoleum of Sun Yat-sen

Subject:
Lee, Sherman E.  Search this
Type:
Photographs
Place:
China
Date:
1973 November 28
Record number:
(DSI-AAA)14974
See more items in:
Sherman E. Lee papers, 1947-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14974
Online Media:

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