Skip to main content Smithsonian Institution

Search Results

Collections Search Center
685 documents - page 1 of 35

Oral history interview with Katharine Kuh

Topic:
Saturday review
Interviewee:
Kuh, Katharine  Search this
Interviewer:
Berman, Avis  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Art Institute of Chicago  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
First National Bank of Chicago -- Art collections  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Vassar College. Art Gallery  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Avery, Milton, 1885-1965  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Berenson, Bernard, 1865-1959  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Ernst, Max, 1891-1976  Search this
Hofmann, Hans, 1880-1966  Search this
Kepes, Gyorgy, 1906-2001  Search this
Klee, Paul, 1879-1940  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Moholy-Nagy, László, 1895-1946  Search this
Mérida, Carlos, 1891-1984  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
Paepcke, Walter Paul, 1896-1960  Search this
Porter, Eliot, 1901-1990  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Smith, David, 1906-1965  Search this
Stamos, Theodoros, 1922-1997  Search this
Stieglitz, Alfred, 1864-1946  Search this
Still, Clyfford, 1904-1980  Search this
Tamayo, Rufino, 1899-  Search this
Tobey, Mark  Search this
Tworkov, Jack  Search this
Weston, Edward, 1886-1958  Search this
Extent:
313 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 Mar. 18-1983 Mar. 24
Scope and Contents:
An interview of Katharine Kuh conducted 1982 Mar. 18-1983 Mar. 24, by Avis Berman, for the Archives of American Art's Mark Rothko and His Times oral history project.
Kuh speaks of her invalid childhood in Chicago, the development of her interest in art, classes in art history at Vassar College, and her career as curator of modern art at the Art Institute of Chicago. She recalls in particular the "Sanity in Art" movement against modern art in Chicago. Kuh describes her relationship with Mark Rothko and Rothko's relationships with Mark Tobey, Clyfford Still, Kate Rothko, Theodoros Stamos, Milton Avery, Stanley Kunitz, and Hans Hofmann.
Kuh discusses her parents, the family silk business, travelling in Europe as a child, life in Chicago, the effects of polio and other illnesses on her interests, and her student years at Vassar College. She remembers visiting Bernard Berenson in Italy with her family and again with Daniel Catton Rich, with whom she worked very closely at the Art Institute of Chicago. She speaks of the Katharine Kuh Gallery, which she started in the mid-1930s and its place in the vanguard of the Chicago art scene.
Kuh remembers the effects of the stock market crash on her personal situation, her marriage to businessman George Kuh, distaste for life in the suburbs, and her divorce. She discusses the Katharine Kuh Gallery and the actions taken against her business by members of the reactionary "Sanity in Art" movement (including a very funny anecdote concerning Carlos Merida). She speaks of the classes in modern art that she taught at her gallery and of some of the artists she exhibited there, including the photographers Ansel Adams, Alfred Stieglitz, and Edward Weston.
Kuh remembers the McCarthy era and the political conservatism in Chicago, including her testimony on behalf of Bill Zimmerman, Acting Commissioner of Indian Affairs. She criticizes blockbuster exhibitions and the changes in the role of a museum curator. She reminisces about building the collection at the Art Institute of Chicago and the art education program she ran there, and recalls Stuart Davis, Laszlo Moholy-Nagy, Gyorgy Kepes, and Ivan Albright.
Kuh remembers Laszlo Moholy-Nagy, Ludwig Mies van der Rohe, and Marcel Duchamp, as well as the collectors Walter Paepcke and Walter and Louise Arensberg (whose collection she surveyed in their home for an exhibition at the Art Institute of Chicago).
Kuh focuses on her memories of Mark Rothko, recalling when they met, their friendship, his manner of working, his feelings about his work, and his worries towards the end of his life. She talks about Clyfford Still, Barnett Newman, and Mark Tobey. Some parts of this tape repeat what she said earlier.
Kuh continues discussing Rothko, particularly his Houston chapel murals and the retrospective exhibition at MOMA in 1961. She remembers visiting Rothko's studio and describes his working methods. She relates Rothko's views on other artists, including Milton Avery, Clyfford Still, Turner, Robert Motherwell, and Adolf Gottlieb; parts repeat things said before. Kuh also discusses Rothko's wife and daughter.
Kuh recounts building the collection at the Art Institute of Chicago and speaks of the museum staff, trustees, and donors. She remembers Alfred Barr at MOMA.
Kuh continues speaking about the Art Institute of Chicago, describing the circumstances of her resignation and subsequent move to New York. She talks of knowing Peggy Guggenheim, Max Ernst, and Fernand Leger.
Kuh describes her work as a consultant to college museums and her writings. She discusses the field of art criticism and her career as art editor at Saturday Review. She recalls Clyfford Still's retrospective exhibition at the Metropolitan Museum of Art and his death.
Kuh describes her work as a collector for the First National Bank of Chicago.
Kuh recounts more about her work at Saturday Review and her resignation. She goes into great detail about her travels in Alaska and British Columbia surveying Northwest Indian art for a government report. She speaks again about the McCarthy era.
Kuh speaks again about the Katharine Kuh Gallery and the artists she exhibited there, including Josef Albers (and his Black Mountain College), Alexander Archipenko, Stuart Davis, Paul Klee, Alexander Calder, and Man Ray.
Kuh continues her discussion of artists she exhibited at the Katharine Kuh Gallery, including Mark Tobey, Paul Klee, and Isamu Noguchi.
Kuh continues talking about artists she exhibited at the Katharine Kuh Gallery, including David Smith, Ansel Adams, Edward Weston, Eliot Porter, Rufino Tamayo, and Jack Tworkov.
Biographical / Historical:
Katharine Kuh (1904-1994) was an art consultant, curator, and critic from Chicago and New York City.
General:
Originally recorded on 16 sound cassettes. Reformatted in 2010 as 31 digital wav files. Duration is 21 hrs., 52 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript: Patrons must use microfilm copy.
Rights:
Authorization to publish, quote or reproduce must be obtained from name on file.
Occupation:
Artists -- United States  Search this
Topic:
Abstract expressionism  Search this
Art critics -- Interviews  Search this
Curators -- Interviews  Search this
Art museum curators -- Interviews  Search this
Function:
Art galleries, Commercial -- Illinois -- Chicago
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kuh82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuh82

Walter Tandy Murch papers

Creator:
Murch, Walter  Search this
Names:
Betty Parsons Gallery  Search this
Brooklyn Museum  Search this
Rhode Island School of Design  Search this
Bishop, Isabel, 1902-1988  Search this
Bocour, Leonard, 1910-1993  Search this
Bonnard, Pierre, 1867-1947  Search this
Dubuffet, Jean, 1901-  Search this
Gonzalez, Xavier, 1898-1993  Search this
Kepes, Gyorgy, 1906-2001  Search this
Murch, Katherine  Search this
Murch, Walter Scott  Search this
Scott, Katharine  Search this
Extent:
8.2 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Awards
Woodcuts
Resumes
Lecture notes
Drawings
Photographs
Notebooks
Sketches
Notes
Sketchbooks
Date:
1880-1970
Summary:
The papers of New York City still life painter and art instructor Walter Tandy Murch date from 1880-1970 and measure 8.2 linear feet. Found within the papers are biographical materials, four diaries, correspondence with colleagues and family members, personal business records, exhibition files, notes and writings, two sketchbooks and additional art work, printed material, and photographs of Murch, family members, and art work.
Scope and Content Note:
The papers of New York City still life painter and art instructor Walter Tandy Murch date from 1880-1970 and measure 8.2 linear feet. Found within the papers are biographical materials, four diaries, correspondence with colleagues and family members, personal business records, exhibition files, notes and writings, two sketchbooks and additional art work, printed material, and photographs of Murch, family members, and art work.

Biographical material includes registration documents for births, marriages, and naturalization of Murch family members, biographical accounts, resumes, school and award certificates, passports, Selective Service records, and address books.

One diary by Walter Murch and three diaries by Katharine Murch contain sporadic entries briefly describing daily activities.

Correspondence primarily consists of letters exchanged between Murch, art schools and universities, arts organizations, galleries including the Betty Parsons Gallery, miscellaneous companies and publishers that commissioned commercial art work, and students. There are scattered letters from Isabel Bishop, Leonard Bocour, Xavier Gonzales, and Gyorgy Kepes. There is also correspondence with miscellaneous family members and letters to Katharine Scott.

Personal business records include organizational membership records, family legal documents, insurance records, leases, loan and consignment records, contracts and invoices for art work sold by the Betty Parsons Gallery, expense notebooks, and other routine financial documents.

Exhibition files include documentation of miscellaneous exhibitions of Murch's art work and of exhibitions juried and organized by Murch, including the Jean Dubuffet exhibition organized by Murch and retrospectives of Murch's art work at the Rhode island School of Design and at the Brooklyn Museum.

Notes and writings include the funeral register for Murch, miscellaneous address lists, travel notebooks of Murchs' 1934 trip to Mexico, miscellaneous notebooks concerning various art-related topics, classroom lectures and notes, and miscellaneous writings by others.

Art work includes two sketchbooks, drawings and sketches, woodcuts, sketches for "Novel in Woodcut," an oil portrait of a woman, a mock-up for book Notes on the Hound of Heaven, and art work by others including a sketchbook by Murch's son, Walter Scott Murch.

Printed material includes clippings, a copy of a handmade Collegiate School magazine The New Thinker, and exhibition announcements and catalogs. for Murch and others, press releases, prospectuses, reproductions of art work and book jackets designed by Murch, programs, brochures, a book about Pierre Bonnard, and miscellaneous printed material.

Photographs are of Murch, family members, travel, buildings, Murch's studio, Murch with colleagues, And art work by Murch and others. There are also photographs of various resource subjects.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1924-1968 (Box 1, 10; 24 folders)

Series 2: Diaries, 1941-1965 (Box 1; 3 folders)

Series 3: Correspondence, 1880-1969 (Box 1-3, 10; 1.8 linear feet)

Series 4: Personal Business Records, 1928-1970 (Box 3-5; 2.9 linear feet)

Series 5: Exhibition Files, 1953-1968 (Box 6; 17 folders)

Series 6: Notes and Writings, 1907-1968 (Box 6-7, 10, OV 11; 1.5 linear feet)

Series 7: Art Work, 1891-1967 (Box 7, 10, OV 11; 33 folders)

Series 8: Printed Material, 1926-1968 (Box 7-8, 10, OV 11; 50 folders)

Series 9: Photographs, 1908-1967 (Box 9-10; 41 folders)
Biographical Note:
Walter Tandy Murch (1907-1967) of Toronto, Canada, was a painter and art teacher. His painting were primarily of still life subjects including machine parts, tools, broken dolls, and scientific equipment mingled with fruit, bread and fragments of rock as if seen through frosted glass.

Walter Tandy Murch was born on August 17, 1907, in Toronto, Canada, the son of Clara Louise Tandy and jeweller Walter Murch. Following his studies of architectural drafting and woodworking at the Technical High School in Toronto, he studied at the Ontario College of Art in Toronto with Arthur Lismer from 1924 to 1927. During the following year, Murch studied at the Grand Central School of Art in New York City with Arshile Gorky. From 1927 to 1929, he studied with Von Schlegel and K. H. Miller at the Art Students League. In 1930, Murch married Katharine Louise Scott.

From 1930 to 1933, Murch designed stained glass windows for Montague Castle, Inc., in New York City. Following a lengthy painting trip to Mexico in 1934, Murch returned to New York City and earned a living painting murals, designing department store windows, and creating illustrations for various magazines including Fortune and Scientific American.

Murch had his first solo exhibition at Betty Parsons' Wakefield Gallery in New York in 1941, and for many years Parsons was his principal dealer. Murch became a United States citizen in 1947.

Beginning in the 1950s, Murch taught at Pratt Institute, Columbia University, New York University, and at Boston University, and attended summer sessions at Yaddo and Skowhegan. In 1966, the Rhode Island School of Design organized Murch's first major retrospective.

Murch's work is in the collections of the Barnes Foundation, Brooklyn Museum, Corcoran Gallery of Art, Metropolitan Museum of Art, Pennsylvania Academy of the Fine Arts, Smithsonian American Art Museum, and the Whitney Museum of American Art.

Walter Tandy Murch died on December 11, 1967 in New York City.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reels N707, N708, N713, and N68-5) including correspondence, notes, sketchbooks, clippings, exhibition catalogs, and photographs. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1967-1968, Walter Tandy Murch loaned the Archives of American Art material for microfilming. The artist's widow, Katharine Scott Murch, donated papers 1969.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Walter Tandy Murch papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Artists' studios -- Photographs  Search this
Art teachers -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Awards
Woodcuts
Resumes
Lecture notes
Drawings
Photographs
Notebooks
Sketches
Notes
Sketchbooks
Citation:
Walter Tandy Murch papers, 1880-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.murcwalt
See more items in:
Walter Tandy Murch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-murcwalt

Swetzoff Gallery Records, 1941-1968

Creator:
Swetzoff Gallery  Search this
Subject:
Tovish, Harold  Search this
Zóbel, Fernando  Search this
Swetzoff, Hyman Wulf  Search this
Redon, Odilon  Search this
Stewart, Reba  Search this
Ohashi, Yutaka  Search this
Pineda, Marianna  Search this
Hillsmith, Fannie  Search this
Conner, Bruce  Search this
Boyce, Richard  Search this
Eshoo, Robert  Search this
Kepes, Gyorgy  Search this
Boghosian, Varujan  Search this
Type:
Scrapbooks
Gallery records
Photographs
Topic:
Art, American -- Massachusetts -- Boston  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Record number:
(DSI-AAA_CollID)8759
(DSI-AAA_SIRISBib)210941
AAA_collcode_swetgall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210941
Online Media:

Robert Smithson and Nancy Holt papers, 1905-1987, bulk 1952-1987

Creator:
Smithson, Robert, 1938-1973  Search this
Holt, Nancy, 1938-  Search this
Subject:
Wheeler, Dennis  Search this
Valledor, Leo  Search this
Dibbets, Jan  Search this
Atkinson, Terry  Search this
Andre, Carl  Search this
Insley, Will  Search this
Heizer, Michael  Search this
Holt, Nancy  Search this
Dwan, Virginia  Search this
Flavin, Dan  Search this
Graham, Dan  Search this
Haacke, Hans  Search this
Lippard, Lucy R.  Search this
Long, Richard  Search this
Oppenheim, Dennis  Search this
Jenney, Neil  Search this
Johnson, Ray  Search this
Kepes, Gyorgy  Search this
LeWitt, Sol  Search this
Dwan Gallery (New York, N.Y.)  Search this
Herbert F. Johnson Museum of Art  Search this
Type:
Interviews
Sketches
Scrapbooks
Greeting cards
Photographs
Transcripts
Motion pictures (visual works)
Topic:
Sculptors -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Earthworks (Art)  Search this
Filmmakers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7105
(DSI-AAA_SIRISBib)209239
AAA_collcode_smitrobe
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209239
Online Media:

Gyorgy Kepes papers, 1909-2003, bulk 1935-1985

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Subject:
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry  Search this
Burnham, Jack  Search this
Calder, Alexander  Search this
Chermayeff, Serge  Search this
Dreyfuss, Henry  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gropius, Walter  Search this
Hayter, Stanley William  Search this
Hélion, Jean  Search this
Johnson, Philip  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin  Search this
McLuhan, Marshall  Search this
Mead, Margaret  Search this
Moholy-Nagy, Sibyl  Search this
Moholy-Nagy, László  Search this
Nusberg, Lev  Search this
Osborn, Robert Chesley  Search this
Piene, Otto  Search this
Read, Herbert Edward, Sir  Search this
Richards, I. A. (Ivor Armstrong)  Search this
Rickey, George  Search this
Saarinen, Eero  Search this
Sonfist, Alan  Search this
Tacha, Athena  Search this
Takis, Vassilakis  Search this
Tange, Kenzō  Search this
Thiel, Philip  Search this
Steinberg, Saul  Search this
Tovish, Harold  Search this
Tsʻai, Wen-ying  Search this
Wolff, Robert Jay  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs  Search this
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Massachusetts Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano  Search this
Type:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Record number:
(DSI-AAA_CollID)7252
(DSI-AAA_SIRISBib)209402
AAA_collcode_kepegyor
Theme:
Sketches & Sketchbooks
Art Movements and Schools
Architecture & Design
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209402
Online Media:

Katharine Kuh papers, 1875-1994, bulk 1930-1994

Creator:
Kuh, Katharine, 1904-1994  Search this
Subject:
Johns, Jasper  Search this
Guggenheim, Peggy  Search this
Feitelson, Lorser  Search this
Falkenstein, Claire  Search this
Davis, Stuart  Search this
Elizabeth II, Queen of Great Britain  Search this
Motherwell, Robert  Search this
Moholy-Nagy, László  Search this
Millier, Arthur  Search this
Mies van der Rohe, Ludwig  Search this
O'Higgins, Pablo  Search this
Nutting, Myron Chester  Search this
Nutting, Muriel Leone Tyler  Search this
Mérida, Carlos  Search this
Perkins, Frances  Search this
Ozbekhan, Hasan  Search this
Orozco, José Clemente  Search this
Calder, Alexander  Search this
Arensberg, Louise S. (Louise Stevenson)  Search this
Rich, Daniel Catton  Search this
Ray, Man  Search this
Biddle, George  Search this
Pollack, Peter  Search this
Seligmann, Kurt  Search this
Shackelford, Shelby  Search this
Sandberg, Carl  Search this
Putnam, Wallace  Search this
Sterne, Hedda  Search this
Shahn, Ben  Search this
Spaeth, Otto  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Barnet, Will  Search this
Still, Clyfford  Search this
Tanning, Dorothea  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Goto, Joseph  Search this
Golub, Leon  Search this
Graves, Robert  Search this
Grabe, Klaus  Search this
Giacometti, Alberto  Search this
Friendly, Fred W.  Search this
Hirshhorn, Joseph  Search this
Hayter, Stanley William  Search this
Hélion, Jean  Search this
Hofmann, Hans  Search this
Barr, Alfred H., Jr.  Search this
Hare, Denise Browne  Search this
Hare, David  Search this
Kandinsky, Wassily  Search this
Kepes, Gyorgy  Search this
Kepes, Juliet  Search this
Inverarity, Robert Bruce  Search this
Johnson, Philip  Search this
Johnson, Ray  Search this
Le Corbusier  Search this
Lundeberg, Helen  Search this
Lye, Len  Search this
Léger, Fernand  Search this
Klee, Paul  Search this
Kline, Franz  Search this
Stevenson, Adlai E. (Adlai Ewing)  Search this
Knox, Seymour H.  Search this
Archipenko, Alexander  Search this
Albright, Ivan  Search this
Albers, Josef  Search this
Adams, Ansel  Search this
Guston, Philip  Search this
Arp, Jean  Search this
Arensberg, Walter  Search this
Cornell, Joseph  Search this
Picasso, Pablo  Search this
Cox, Richard  Search this
Rothko, Mark  Search this
Chavez Morado, José  Search this
Chermayeff, Serge  Search this
Campoli, Cosmo  Search this
Chagall, Marc  Search this
Breuer, Marcel  Search this
Ernst, Jimmy  Search this
Dubuffet, Jean  Search this
Duchamp, Marcel  Search this
De Kooning, Willem  Search this
Dickinson, Edwin Walter  Search this
Day, Worden  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Art Institute of Chicago  Search this
Albright-Knox Art Gallery  Search this
Biennale di Venezia  Search this
Type:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art festivals  Search this
Women museum curators -- Illinois -- Chicago  Search this
Women art critics -- New York (State) -- New York  Search this
Authors -- Illinois -- Chicago  Search this
Art, Modern -- 20th century -- United States  Search this
Art galleries, Commercial -- Illinois -- Chicago  Search this
Women art historians -- Illinois -- Chicago  Search this
Women art dealers -- Illinois -- Chicago  Search this
Women art dealers -- New York (State) -- New York  Search this
Women art critics -- Illinois -- Chicago  Search this
Record number:
(DSI-AAA_CollID)9951
(DSI-AAA_SIRISBib)212503
AAA_collcode_kuhkath
Theme:
Art Theory and Historiography
Women
Art Gallery Records
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212503
Online Media:

Walter Tandy Murch papers, 1880-1970

Creator:
Murch, Walter Tandy, 1907-1967  Search this
Subject:
Murch, Katherine  Search this
Murch, Walter Scott  Search this
Kepes, Gyorgy  Search this
Scott, Katharine  Search this
Dubuffet, Jean  Search this
Bocour, Leonard  Search this
Bonnard, Pierre  Search this
Gonzalez, Xavier  Search this
Bishop, Isabel  Search this
Rhode Island School of Design  Search this
Brooklyn Museum  Search this
Betty Parsons Gallery  Search this
Type:
Diaries
Awards
Woodcuts
Resumes
Lecture notes
Drawings
Photographs
Notebooks
Sketches
Notes
Sketchbooks
Topic:
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Artists' studios -- Photographs  Search this
Art teachers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)10097
(DSI-AAA_SIRISBib)212978
AAA_collcode_murcwalt
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212978
Online Media:

Richard E. Filipowski papers, circa 1940-1998

Creator:
Filipowski, Richard E., 1923-2008  Search this
Subject:
Agoos, Herbert M.  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro  Search this
Davis, Stuart  Search this
Kepes, Gyorgy  Search this
Moholy-Nagy, László  Search this
Gropius, Walter  Search this
Kepes, Gyorgy  Search this
Eckbo, Garrett  Search this
Bauhaus  Search this
Harvard University  Search this
Institute of Design  Search this
Massachusetts Institute of Technology  Search this
Boston Arts Festival  Search this
Type:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Art commissions  Search this
Art festivals  Search this
Art teachers -- Massachusetts  Search this
Design, Industrial  Search this
Designers--Massachusetts  Search this
Educators -- Massachusetts  Search this
Filmmakers--Massachusetts  Search this
Industrial designers  Search this
Painters -- Massachusetts  Search this
Painting, Modern -- 20th century  Search this
Sculptors--Massachusetts  Search this
Record number:
(DSI-AAA_CollID)9644
(DSI-AAA_SIRISBib)211852
AAA_collcode_filirich
Theme:
Sketches & Sketchbooks
Art Materials, Techniques, and Studio Art Education
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211852
Online Media:

Rudolf Arnheim papers, 1919-1998

Creator:
Arnheim, Rudolf, 1904-2007  Search this
Subject:
Albers, Josef  Search this
Kepes, Gyorgy  Search this
Sheldon, Alice Bradley  Search this
Harvard University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New School for Social Research  Search this
Sarah Lawrence College  Search this
University of Michigan  Search this
Type:
Sound recordings
Interviews
Diaries
Topic:
Art -- Study and teaching -- United States  Search this
Art--Study and teaching--Germany  Search this
Art historians -- Massachusetts  Search this
Art historians -- New York (State) -- New York  Search this
Authors -- Massachusetts  Search this
Authors -- New York (State) -- New York  Search this
Educators -- Massachusetts  Search this
Educators -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8318
(DSI-AAA_SIRISBib)210490
AAA_collcode_arnhrudo
Theme:
Diaries
Art Theory and Historiography
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210490
Online Media:

Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-1997  Search this
Dickinson, Edwin Walter, 1891-  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Katharine Kuh papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art festivals  Search this
Women museum curators -- Illinois -- Chicago  Search this
Women art critics -- New York (State) -- New York  Search this
Authors -- Illinois -- Chicago  Search this
Art, Modern -- 20th century -- United States  Search this
Art galleries, Commercial -- Illinois -- Chicago  Search this
Women art historians -- Illinois -- Chicago  Search this
Women art dealers -- Illinois -- Chicago  Search this
Women art dealers -- New York (State) -- New York  Search this
Women art critics -- Illinois -- Chicago  Search this
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuhkath

Hilaire Hiler papers, 1925-1966

Creator:
Hiler, Hilaire, 1898-1966  Search this
Subject:
Birren, Faber  Search this
Boldt, O'Brien  Search this
Boyle, Kay  Search this
Connelly, Marc  Search this
Crosby, Caresse  Search this
Cunard, Nancy  Search this
Cunningham, Ben  Search this
Ferren, John  Search this
Flax, Jerome  Search this
Herz, Jay H.  Search this
Hirschfeld, Al  Search this
Holty, Carl  Search this
Inverarity, Robert Bruce  Search this
Kepes, Gyorgy  Search this
Kuh, Katharine  Search this
Lavell, Charles  Search this
Lebrun, Rico  Search this
Léger, Fernand  Search this
Levi, Albert William  Search this
Mathews, Paul  Search this
Miller, Henry  Search this
Moran, Jim  Search this
Rattner, Abraham  Search this
Ray, Man  Search this
Reinhardt, Ad  Search this
Schapiro, Meyer  Search this
Schnakenberg, H. E. (Henry Ernest)  Search this
Snow, C. P. (Charles Percy)  Search this
Varèse, Edgard  Search this
Wells, H. G. (Herbert George)  Search this
Williams, William Carlos  Search this
Wittenborn, George  Search this
Hiler, Hilaire  Search this
America's Artists in Particular  Search this
Foundation for Integrated Education  Search this
Type:
Sketchbooks
Record number:
(DSI-AAA_CollID)9015
(DSI-AAA_SIRISBib)211204
AAA_collcode_hilehila
Theme:
Diaries
Sketches & Sketchbooks
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211204

Hilaire Hiler papers

Creator:
Hiler, Hilaire, 1898-1966  Search this
Names:
America's Artists in Particular  Search this
Foundation for Integrated Education  Search this
Birren, Faber, 1900-  Search this
Boldt, O'Brien  Search this
Boyle, Kay, 1902  Search this
Connelly, Marc, 1890-  Search this
Crosby, Caresse, 1892-  Search this
Cunard, Nancy, 1896-1965  Search this
Cunningham, Ben, 1904-1975  Search this
Ferren, John, 1905-1970  Search this
Flax, Jerome  Search this
Herz, Jay H.  Search this
Hiler, Hilaire, 1898-1966  Search this
Hiler, Hilaire, 1898-1966  Search this
Hirschfeld, Al  Search this
Holty, Carl, 1900-1973  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kuh, Katharine  Search this
Lavell, Charles  Search this
Lebrun, Rico, 1900-1964  Search this
Levi, Albert William, 1911-  Search this
Léger, Fernand, 1881-1955  Search this
Mathews, Paul  Search this
Miller, Henry, 1891-1980  Search this
Moran, Jim  Search this
Rattner, Abraham  Search this
Ray, Man, 1890-1976  Search this
Reinhardt, Ad, 1913-1967  Search this
Schapiro, Meyer, 1904-  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Snow, C. P. (Charles Percy), 1905-  Search this
Varèse, Edgard, 1883-1965  Search this
Wells, H. G. (Herbert George), 1866-1946  Search this
Williams, William Carlos, 1883-1963  Search this
Wittenborn, George, 1905-1974  Search this
Extent:
3.4 Linear feet ((on 6 microfilm reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1925-1966
Scope and Contents:
Correspondence; printed materials; art works and miscellaneous papers.
REELS D302-D302a: Correspondence, some dating from Hiler's years in Paris in the 1920s; autobiographical and biographical material; published articles by Hiler, "Costumes and Ideologies," "Some Associative Aspects of Color," "Structuralism," "The Search for a Method of Graphic Expression," and "The Origin and Development of Structural Design;" the book Why Abstract, co-authored by him; exhibition catalogs; magazine articles on and about him; and miscellaneous papers. Some material on D302 has been duplicated on reel D302a.
Correspondents include: Faber Birren, Kay Boyle, Marc Connelly, Caresse Crosby, Nancy Cunard (11 items), Ben Cunningham (to Hiler's daughter), John Ferren, Al Hirschfeld, Carl Holty (5 items, up to 14 p. each), Robert Bruce Inverarity, Gyorgy Kepes, Katharine Kuh, Rico Lebrun, Fernand Leger, Albert W. Levi, Paul Mathews, Henry Miller, Abraham Rattner, Man Ray, Ad Reinhardt, Meyer Schapiro, Charles P. Snow, Edgar Varese, Herbert G. Wells, and William Carlos Williams.
In the 5 Holty letters, up to 14 p. each, Holty comments on aesthetics, color theory, the work of Abraham Rattner, Holty's painting, the history of modern art after WWII, and his trip across America with Henry Miller and Rattner.
REELS 611-614: Personal and business correspondence, bills and receipts, certificates, licenses, membership cards; 2 sketchbooks, and 17 loose sketches, many with notes and instructions; 3 notebooks, containing miscellaneous writings, clippings and sketches; 37 illustrations and diagrams, possibly for a book; 119 miscellaneous items relating to color and design; articles and short stories; writings on structuralism, including a copy of the typescript for COLOR AND DESIGN: A STRUCTURALIST APPROACH; a typed draft of Hiler's autobiography (292 p.); 14 exhibition catalogs and announcements; 20 clippings, and printed material; and miscellaneous papers.
Correspondents include America's Artists in Particular (organization), O'Brien Boldt, Kay Boyle, Ben Cunningham, Jerome Flax, the Foundation for Intergrated Education, Jay H. Herz, Gyorgy Kepes, Charles Lavell, Jim Moran, Henry Schnakenberg, and George Wittenborn.
Biographical / Historical:
Mural painter, designer, decorator, writer; New York, N.Y. and Paris.
Provenance:
Donated 1967-1968 by Hilaire Hiler.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- France -- Paris  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.hilehila
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hilehila

Walter and Ise Gropius papers

Creator:
Gropius, Walter, 1883-1969  Search this
Gropius, Ise  Search this
Names:
Architects Collaborative, Inc.  Search this
Bauhaus  Search this
Walter Gropius Foundation  Search this
Aalto, Alvar, 1898-1976  Search this
Albers, Josef  Search this
Bayer, Herbert, 1900-1985  Search this
Beckmann, Hannes, 1909-1977  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Cascieri, Arcangelo, 1902-1997  Search this
Chermayeff, Ivan  Search this
Chermayeff, Serge, 1900-  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Feininger, Lyonel, 1871-1956  Search this
Gabo, Naum, 1890-1977  Search this
Gropius, Walter, 1883-1969  Search this
Huxley, Julian, 1887-1975  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Klarmann, Adolf D., 1904-  Search this
Klee, Paul, 1879-1940  Search this
Klemperer, Otto, 1885-1973  Search this
Koch, Helmut  Search this
Le Corbusier, 1887-1965  Search this
Mahler, Alma, 1879-1964  Search this
Marcks, Gerhard  Search this
Miró, Joan, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Muche, Georg, 1895-  Search this
Pei, I. M., 1917-  Search this
Petit, Claude  Search this
Pritchard, Jack, 1899-  Search this
Rivera, Diego, 1886-1957  Search this
Scharoun, Hans, 1893-1972  Search this
Schmidt, Joost, 1893-1948  Search this
Schwitters, Kurt, 1887-1948  Search this
Sert, José Luis, 1902-  Search this
Stravinsky, Igor, 1882-1971  Search this
Tange, Kenzō, 1913-  Search this
Wachsmann, Konrad, 1901-1980  Search this
Werfel, Franz, 1890-1945  Search this
Wright, Frank Lloyd, 1867-1959  Search this
artók, Béla, 1881-1945  Search this
Extent:
0.4 Linear feet ((24 microfilm reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1883-1981
Scope and Contents:
Biographical material, correspondence with architects and artists (1903-1978), writings (1923-1969), a diary, an autograph book, subject files, printed material, photographs (1883-1979) and 5 photograph albums reflect the career of Walter Gropius, the activities of his wife Ise, and her recollections of the Bauhaus. Also included are 5 cassette tapes, untranscribed and unmicrofilmed.
REELS 2270-2283: Walter Gropius' correspondence concerns family matters (1903-1933), locating his sister in Berlin after World War II (1945-1946), and the Bauhaus Archiv (1957-1968). Ise Gropius' correspondents (1969-1978) include Alvar Aalto, Herbert Bayer, Hannes Beckmann, Arcangelo Cascieri, Ivan and Serge Chermayeff, Adolf Klarmann, Helmut Koch, Gerhard Marcks, Jack Pritchard, Hans Scharoun, and Konrad Wachsmann. Other correspondence concerns exhibitions about Gropius (1969-1976). Writings by Walter Gropius include lecture notes and short essays on architecture and design. A subject file (1945-1954) concerns visits to Japan. Printed material (1910-1978) includes galley proof sheets and clippings (1913-1957).
REELS 2284-2286: Photographs (1896-1937) show family members including Gropius' first wife Alma Schindler and their daughter Manon; Gropius' architectural projects including finished buildings, models, blueprints, and drawings (1906-1952); and an exhibition in London on Gropius.
REEL 2287: Biographical material (1883-1979) consists of Gropius' birth, marriage and death certificates, his military record (1914-1917), contracts, U.S. naturalization papers (1941-1944), financial documents (1945), Ise Gropius' will (1979), a list of works, a history of the Gropius family, real estate records, and membership cards. Excerpts from letters written by Marcel Breuer describe his European travels (1931-1937). A file on the Walter Gropius Foundation contains letters and notes (1969). An autograph book kept by Ise Gropius (1924-1981) contains illustrations by Herbert Bayer, Gyorgy and Juliet Kepes, Joan Miro, Kurt Schwitters, and Phyllis Terry, as well as autographs, notes and photographs. Writings by Ise Gropius include lecture notes and printed essays (1935-1943).
REEL 2287a: Twenty-six letters (1932-1952) from Herbert Bayer, written in German and English, to Gropius. Thirteen excerpts from Bayer's letters (1932-1949) are translated into English.
REELS 2330-2331: Photographs (1883-1979) show Walter Gropius, family members, and colleagues including Alvar Aalto, Bela Bartok, Herbert Bayer, Marcel Breuer, Alexander Calder, Arcangelo Cascieri, Naum Gabo, Julian Huxley, Gyorgy Kepes, Paul Klee, Le Corbusier, I. M. Pei, Diego Rivera, Jose Luis Sert, Kenzo Tange, Frank Lloyd Wright, and members of Gropius' firm, The Architects Collaborative. Other photographs show a skit by students of the Harvard Graduate School of Design and a celebration of the 50th anniversary of the Bauhaus (1979).
REEL 2393: English translations of correspondence between Ise and Walter Gropius (1931-1969) and Ise's 1928 letter to a journalist commenting on Walter Gropius' resignation from the Bauhaus. A handwritten German copy (with a typewritten English translation) of a section of Ise Gropius' unpublished memoir describes her first meeting with Gropius and their courtship and marriage (1923-1929). A German transcript was not filmed. A typewritten English translation of Ise Gropius' diary (1924-1928) describes activities at the Bauhaus and mentions Josef Albers, Herbert Bayer, Marcel Breuer, Wassily Kandinsky, Paul Klee, Otto Klemperer, Alma Mahler, Laszlo Moholy-Nagy, Georg Muche, Kurt Schwitters, Igor Stravinsky, and Franz Werfel. A handwritten translation is filmed on reel 4130.
REEL 2764: One photograph album (1925-1930) contains photographs of Walter and Ise Gropius and colleagues including Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Laszlo Moholy-Nagy, Georg Muche, Claude Petit, and Joost Schmidt; construction of the Bauhaus (1925-1926); and sights in Germany and Italy. Four albums on the United States contain Gropius' photographs of New York City architecture, the Brooklyn Bridge, Chicago, California housing and industry, the Grand Canyon, and American Indians.
UNMICROFILMED: 5 cassette tapes, untranscribed, including a lecture delivered by Walter Gropius as part of "The Heritage of Man" lecture series, Cleveland, Ohio, February 13, 1952; an interview of Ise conducted by the Canadian Broadcasting Company, October 28, 1977; and 3 of a monologue delivered by Ise, 1978, in which she speaks of her early childhood.
Biographical / Historical:
Architect, educator and founder of the Bauhaus school. Born in Berlin, Walter Gropius studied at the University of Charlottenburg-Berlin and Munich. Following European travel and apprenticeship with Peter Behrens in Berlin, he established his own practice in 1910. After military service in WWI, he became director of the School of Applied Arts and the Academy of Arts, united the two and named the new institute Bauhaus Dessau in 1925. Between 1934 and 1937, he had a private practice in London. From 1938 to 1952, Gropius was chairman of Harvard's Graduate School of Design and maintained a private practice with Marcel Breuer from 1938 to 1941. Gropius married Alma Schindler, Gustav Mahler's widow, in 1915. In 1923, he married Ise (or Ilse) Franck (1897-1983).
Related Materials:
Additional photographs of Alma (Schindler) Mahler Werfel located at Bauhaus Archiv, Berlin, Germany.
Provenance:
Lent for microfilming by Ise Gropius and her daughter, Beate Gropius Forberg Johansen, 1982-1983, except for selected items on reel 2393, the handwritten translation of Ise's diary on reel 4130 and cassette tapes, which were donated in 1981, 1983 and 1987, respectively. Some photographs from albums on reel 2764 which would not reproduce were not microfilmed.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Architects  Search this
Educators  Search this
Painters  Search this
Photographers  Search this
Sculptors  Search this
Topic:
Architecture, Modern -- 20th century -- Germany  Search this
Architecture, Modern -- 20th century -- United States  Search this
Design, Industrial -- Germany  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gropwalt
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gropwalt

Rudolf Arnheim papers

Creator:
Arnheim, Rudolf  Search this
Names:
Harvard University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Sarah Lawrence College  Search this
University of Michigan  Search this
Albers, Josef  Search this
Kepes, Gyorgy, 1906-2001  Search this
Sheldon, Alice Bradley, 1915-1987  Search this
Extent:
9.6 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Diaries
Date:
1919-1998
Summary:
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.
Scope and Contents:
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers documents his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

Biographical material includes a bibliography, biographical sketches, contracts and agreements, sound cassettes of interviews, and other miscellaneous material.

Correspondence is with colleagues, editors, publishers, and universities on various subjects. The bulk of the correspondence is arranged by subject such as architects, art historians, dance, and film. There is correspondence with Harvard University, University of Michigan, Museum of Modern Art, and New School of Social Research, as well as various individuals such as Josef Albers, Gyorgy Kepes, and Alice Sheldon.

Writings and lectures include book reviews, articles, lecture drafts and notes, sound recordings of lectures, manuscripts, and copies of published articles.

Arnheim's diaries date from 1919 to 1987 and discuss his early life as a student in Germany and career as an educator and lecturer. Some diaries include draft writings.

Printed material includes lecture announcements, reviews, clippings, programs, brochures, assorted material from Sarah Lawrence College, and two instructional sound cassettes.
Arrangement:
The collection is arranged as 5 series.

Series 1: Biographical Material, 1939-1991 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1940-1998 (Boxes 1-5; 4.4 linear feet)

Series 3: Writings and Lectures, 1930-1989 (Boxes 5-8; 2.7 linear feet)

Series 4: Diaries, 1919-1987 (Boxes 8-9; 1.0 linear feet)

Series 5: Printed Material, 1928-circa 1990 (Boxes 9-11; 1.2 linear feet)
Biographical / Historical:
Rudolf Arnheim (1904-2007) was a writer, educator, art historian and psychologist who was born in Germany and immigrated to the United States where he primarily worked in New York and Massachusetts.

Rudolf Arnheim was born in Berlin, Germany on July 15, 1904. He received his doctorate in psychology from the University of Berlin in 1928. Arnheim worked as a film critic and editor for several magazines and journals after graduation. During this time, he gathered information which would be compiled in his book Film as Art (1932). When the Nazis came into power in 1933, Arnheim moved to Rome where he worked at the Institute for the Educational Film for six years, then moved to London in 1939 and worked as a translator for the British Broadcasting Company.

Arnheim immigrated to the United States in 1940. In 1943, he became a psychology professor at Sarah Lawrence College where he continued to teach until 1968. He also taught at the New School for Social Research during this time. From 1959 to 1960, he was a Fulbright lecturer at Ochanomizu University in Tokyo, Japan. After Sarah Lawrence College, Arnheim became a Professor of Psychology of Art at Harvard University, where he stayed until 1974 when he moved to Ann Arbor, Michigan with his wife Mary. He was a visiting professor at the University of Michigan from 1974 to roughly 1984.

Among his many publications are Art and Visual Perception, Toward a Psychology of Art, Visual Thinking, Entropy and Art, Picasso's Guernica, and The Power of Center. Arnheim died in Ann Arbor in 2007.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Rudolf Arnheim conducted by Robert F. Brown, May 16, 1972. Additional papers on Rudolf Arnheim related to psychology are available at the Archives of the History of Psychology in Akron, Ohio.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 3767) including correspondence with German publishers and editors, 1959-1982; Dumont Buchverlag, 1963-1980; Carl Hanser Varlag, 1974-1981; Helmut Diederich, 1974-1981; Franz Rudolf Knubel, 1971-1981; Werner Korbs, 1976-1982; Jurgen Weber, 1972-1981; and others. The originals were returned to Rudolf Arnheim after microfilming and subsequently donated to the Schiller-Nationalmuseum Deutsches Literaturarchiv, Germany. This material is not described in the collection container inventory or the finding aid.
Provenance:
The Rudolf Arnheim papers were donated to the Archives of American Art in several installments between 1974 to 1998 by Rudolf Arnheim. Arnheim also loaned material for microfilming in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and electronic records with no duplicate access copies requires advance notice.
Topic:
Art -- Study and teaching -- United States  Search this
Art--Study and teaching--Germany  Search this
Art historians -- Massachusetts  Search this
Art historians -- New York (State) -- New York  Search this
Authors -- Massachusetts  Search this
Authors -- New York (State) -- New York  Search this
Educators -- Massachusetts  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Diaries
Citation:
Rudolf Arnheim papers, 1919-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arnhrudo
See more items in:
Rudolf Arnheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-arnhrudo

Gyorgy Kepes papers

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Names:
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry, 1940-  Search this
Burnham, Jack, 1931-  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Dreyfuss, Henry, 1904-1972  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gropius, Walter, 1883-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hélion, Jean, 1904-1987  Search this
Johnson, Philip, 1906-2005  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin, 1918-1984  Search this
McLuhan, Marshall, 1911-1980  Search this
Mead, Margaret, 1901-1978  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Nusberg, Lev, 1937-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Piene, Otto, 1928-  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richards, I. A. (Ivor Armstrong), 1893-1979  Search this
Rickey, George  Search this
Saarinen, Eero, 1910-1961  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Tacha, Athena, 1936-  Search this
Takis, Vassilakis  Search this
Tange, Kenzō, 1913-  Search this
Thiel, Philip  Search this
Tovish, Harold, 1921-2008  Search this
Tsʻai, Wen-ying, 1928-  Search this
Wolff, Robert Jay, 1905-  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs, 1913-1997  Search this
Faculty:
Massachusetts Institute of Technology  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Date:
1909-2003
bulk 1935-1985
Summary:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
Scope and Contents:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)
Biographical / Historical:
Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.
Related Materials:
Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Authorization to publish, quote, or reproduce must be obtained from Juliet Kepes Stone or Imre Kepes.
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kepegyor

Richard E. Filipowski papers

Creator:
Filipowski, Richard, 1923-2008  Search this
Names:
Bauhaus  Search this
Boston Arts Festival  Search this
Harvard University -- Faculty  Search this
Institute of Design (Chicago, Ill.)  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Agoos, Herbert M., 1915-1992  Search this
Anderson, Lawrence B. (Lawrence Bernhart)  Search this
Belluschi, Pietro, 1899-1994  Search this
Davis, Stuart, 1892-1964  Search this
Eckbo, Garrett  Search this
Gropius, Walter, 1883-1969  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Gyorgy, 1906-2001  Search this
Moholy-Nagy, László, 1895-1946  Search this
Extent:
4.1 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Date:
circa 1940-1998
Summary:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.
Scope and Contents:
The papers of Massachusetts-based designer, sculptor, painter, filmmaker, and educator Richard E. Filipowski measure 4.1 linear feet and date from circa 1940 to 1998. The papers document his career through biographical material, correspondence, writings, teaching files, project files, printed material, photographic material, artwork, and a sound recording.

Biographical material consists of a Bauhaus questionnaire, marriage license, various identification documents, Canadian selective service documents, resumes, and other miscellaneous material.

Correspondence mostly relates to Filipowski's teaching and sculpture, including letters from Herbert M. Agoos, Lawrence B. Anderson, Pietro Belluschi, Stuart Davis, Garrett Eckbo, Walter Gropius, Gyorgy Kepes, Laszlo Moholy-Nagy, and others.

Writings consist of Filipowski's lectures on art, notes, and other material. There is also one sound recording of a lecture.

Teaching files are mostly from the Institute of Design, Harvard University, and Massachusetts Institute of Technology. The series includes syllabi, faculty meeting minutes, notes and drafts for lectures, school catalogs and schedules, and files on student exhibitions and projects, including two films, Do Not Disturb and Hearts and Arrows.

Project files contain correspondence, business records, printed material, sketches and photographs on commissions in architecture, sculpture and furniture design. There are also files on programs which Filipowski assisted in planning and organizing, including the Boston Art Festival and a few exhibitions.

Printed material consists of exhibition catalogs, announcements, and clippings mostly about Filipowski.

Photographs, slides, and negatives are of Filipowski and others, sculpture, furniture designs, and works of art by his students from Harvard and MIT.

Art work includes sketches, sketchbooks, cardboard studies for sculptures, and Christmas card designs.
Arrangement:
This collection is arranged as eight series.

Series 1: Biographical Material, 1941-1974 (Box 1; 7 folders)

Series 2: Correspondence, 1941-1998 (Box 1, OV 6; 0.6 linear feet)

Series 3: Writings, 1951-1969 (Box 1; 0.4 linear feet)

Series 4: Teaching Files, 1943-1970 (Box 2, OV 6; 0.7 linear feet)

Series 5: Project Files, 1944-1976 (Boxes 2-3, OV 6-7; 0.6 linear feet)

Series 6: Printed Material, 1941-1989 (Box 3, OV 7; 0.4 linear feet)

Series 7: Photographic Material, circa 1940-1989 (Boxes 3-4, OV 8; 0.7 linear feet)

Series 8: Artwork, circa 1940-circa 1985 (Boxes 4-5, OV 6, 8; 0.7 linear feet)
Biographical / Historical:
Richard E. Filipowski (1923-2008) was a designer, sculptor, painter, filmmaker and educator mostly based in Massachusetts. Richard Filipowski was born in Poland in 1923 and he and his family moved to Ontario, Canada in 1927. He studied under Laszlo Moholy-Nagy at the Institute of Design (formerly known as the New Bauhaus) from 1942 to 1946 and taught there after graduating, 1946-1950. Filipowski was invited by Walter Gropius to organize and teach Design Fundamentals at Harvard University's Graduate School of Design where he stayed until 1952. He then taught as an Associate Professor of Visual Design in the Department of Architecture at the Massachusetts Institute of Technology, 1953-1989.

Filipowski also took on numerous commissions for sculptures and artwork. One especially noteworthy commission was a sculpture for an Ark created for the Temple B'Rith Kodesh in Rochester, New York. The sculpture was intricately wrought and welded from bronze and silver alloys and it remained a source of inspiration for other later sculptures and commissions which had a similar style of metal-working. Many of his works were also marked by his Bauhaus training. Filipowski passed away in 2008.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Richard E. Filipowski conducted by Roger Brown on September 25, 1989 through March 14, 1990.
Provenance:
The papers were donated to the Archives of American Art by Richard E. Filipowski in multiple installments from 1989 to 1998.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Design -- Study and teaching  Search this
Topic:
Art -- Study and teaching  Search this
Art and industry  Search this
Art commissions  Search this
Art festivals  Search this
Art teachers -- Massachusetts  Search this
Design, Industrial  Search this
Designers--Massachusetts  Search this
Educators -- Massachusetts  Search this
Filmmakers--Massachusetts  Search this
Industrial designers  Search this
Painters -- Massachusetts  Search this
Painting, Modern -- 20th century  Search this
Sculptors--Massachusetts  Search this
Genre/Form:
Christmas cards
Photographs
Sketchbooks
Sketches
Slides (photographs)
Sound recordings
Citation:
Richard E. Filipowski papers, circa 1940-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.filirich
See more items in:
Richard E. Filipowski papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-filirich

Oral history interview with Katharine Kuh, 1982 Mar. 18-1983 Mar. 24

Interviewee:
Kuh, Katharine, 1904-1994  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Rothko, Mark  Search this
Adams, Ansel  Search this
Albers, Josef  Search this
Albright, Ivan  Search this
Archipenko, Alexander  Search this
Arensberg, Walter  Search this
Arensberg, Louise S. (Louise Stevenson)  Search this
Avery, Milton  Search this
Barr, Alfred H., Jr.  Search this
Berenson, Bernard  Search this
Davis, Stuart  Search this
De Kooning, Willem  Search this
Ernst, Max  Search this
Duchamp, Marcel  Search this
Hofmann, Hans  Search this
Kepes, Gyorgy  Search this
Klee, Paul  Search this
Léger, Fernand  Search this
Mérida, Carlos  Search this
Mies van der Rohe, Ludwig  Search this
Moholy-Nagy, László  Search this
Newman, Barnett  Search this
Noguchi, Isamu  Search this
Paepcke, Walter Paul  Search this
Porter, Eliot  Search this
Ray, Man  Search this
Rich, Daniel Catton  Search this
Smith, David  Search this
Stamos, Theodoros  Search this
Stieglitz, Alfred  Search this
Still, Clyfford  Search this
Tamayo, Rufino  Search this
Tobey, Mark  Search this
Tworkov, Jack  Search this
Weston, Edward  Search this
Art Institute of Chicago  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
First National Bank of Chicago  Search this
Vassar College  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Saturday review  Search this
Abstract expressionism  Search this
Art critics -- Interviews  Search this
Curators -- Interviews  Search this
Art museum curators -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12186
(DSI-AAA_SIRISBib)215638
AAA_collcode_kuh82
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215638

School of Design in Chicago : refugees east and west / Beatrice Takeuchi

Creator:
Takeuchi, Beatrice, 1921-  Search this
Names:
Chicago School of Design  Search this
Aaron, David  Search this
Filipowski, Richard, 1923-2008  Search this
Giedion, S. (Sigfried), 1888-1968  Search this
Hayakawa, S. I.  Search this
Keck, George Fred  Search this
Kepes, Gyorgy, 1906-2001  Search this
Leckie, Hubert W., 1913-1993  Search this
Moholy-Nagy, László, 1895-1946  Search this
Richard, Edgar  Search this
Waldheim, Jack  Search this
Extent:
54 Pages
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
1998
Scope and Contents:
Beatrice Takeuchi memoir, 1998. Takeuchi begins with her recollections of the bombing of Pearl Harbor and her stay in a War Relocation camp and describes in detail her impressions of the faculty, staff, and students at School of Design in Chicago. Most notable recollections involve instructors Lazlo Moholy-Nagy, Jack Waldheim, George Fred Keck, Hubert Leckie, S.I. Hayakawa, and others. The memoir concludes with a summation of her career in the arts.
Biographical / Historical:
Educator; Chicago, Ill. and Washington, D.C. Takeuchi was born in Seattle, Wash. After the bombing of Pearl Harber, she was sent to a War Relocation Center, Pallyup, Wash. and Minidoka, Idaho in August 1942. In October of 1942 she was allowed to leave to pursue studies in industrial design and architecture at the Chicago School of Design (fd. 1937 as New Bauhaus). From 1945-54 she taught foundation and visual design and held various positions in architecture and design studios in Washington, D.C., moving to NYC in 1954 and working as a free lance architect until 1968. She lived and worked in Chicago from 1968-1993, when she retired to Michigan.
Provenance:
Donated 1998 by Beatrice Takeuchi.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Architects  Search this
Topic:
Japanese Americans -- Evacuation and relocation, 1942-1945 -- Diaries  Search this
Japanese Americans  Search this
Asian American architects  Search this
Identifier:
AAA.takebeat
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-takebeat

Walter and Ise Gropius papers, 1883-1981

Creator:
Gropius, Walter, 1883-1969  Search this
Gropius, Ise, 1897-1983  Search this
Subject:
Aalto, Alvar  Search this
Albers, Josef  Search this
artók, Béla  Search this
Bayer, Herbert  Search this
Breuer, Marcel  Search this
Calder, Alexander  Search this
Cascieri, Arcangelo  Search this
Chermayeff, Serge  Search this
Feininger, Lyonel  Search this
Gabo, Naum  Search this
Huxley, Julian  Search this
Kandinsky, Wassily  Search this
Kepes, Gyorgy  Search this
Klee, Paul  Search this
Klemperer, Otto  Search this
Le Corbusier  Search this
Mahler, Alma  Search this
Marcks, Gerhard  Search this
Moholy-Nagy, László  Search this
Muche, Georg  Search this
Pei, I. M.  Search this
Petit, Claude  Search this
Pritchard, Jack  Search this
Rivera, Diego  Search this
Schmidt, Joost  Search this
Schwitters, Kurt  Search this
Sert, José Luis  Search this
Stravinsky, Igor  Search this
Tange, Kenzō  Search this
Werfel, Franz  Search this
Wright, Frank Lloyd  Search this
Gropius, Walter  Search this
Davis, Charles H. (Charles Harold)  Search this
Scharoun, Hans  Search this
Wachsmann, Konrad  Search this
Beckmann, Hannes  Search this
Chermayeff, Ivan  Search this
Klarmann, Adolf D.  Search this
Koch, Helmut  Search this
Miró, Joan  Search this
Architects Collaborative, Inc.  Search this
Bauhaus  Search this
Walter Gropius Foundation  Search this
Type:
Sound recordings
Interviews
Topic:
Architecture, Modern -- 20th century -- Germany  Search this
Architecture, Modern -- 20th century -- United States  Search this
Design, Industrial -- Germany  Search this
Record number:
(DSI-AAA_CollID)8295
(DSI-AAA_SIRISBib)210466
AAA_collcode_gropwalt
Theme:
Diaries
Art Movements and Schools
Photography
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210466

Oral history interview with Gyorgy Kepes, 1968 Aug. 18

Interviewee:
Kepes, Gyorgy, 1906-2001  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Educators -- Massachusetts -- Cambridge -- Interviews  Search this
Painters -- Massachusetts -- Cambridge -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11952
(DSI-AAA_SIRISBib)212773
AAA_collcode_kepes68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212773

Modify Your Search







or


Narrow By
  • Archives of American Art