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Whitney Museum of American Art artists' files and records

Creator:
Whitney Museum of American Art  Search this
Names:
Whitney Studio Club  Search this
Whitney Studio Galleries  Search this
Baziotes, William, 1912-1963  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bloom, Hyman, 1913-  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Burlin, Paul, 1886-1969  Search this
Cadmus, Paul, 1904-1999  Search this
Cassatt, Mary, 1844-1926  Search this
Curry, John Steuart, 1897-1946  Search this
Davis, Stuart, 1892-1964  Search this
De Creeft, José, 1884-1982  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Evergood, Philip, 1901-1973  Search this
Feininger, Lyonel, 1871-1956  Search this
Gatch, Lee, 1902-1968  Search this
Glackens, William J., 1870-1938  Search this
Gorky, Arshile, 1904-1948  Search this
Graves, Morris, 1910-  Search this
Gross, Chaim, 1904-1991  Search this
Grosz, George, 1893-1959  Search this
Harnett, William Michael, 1848-1892  Search this
Hartley, Marsden, 1877-1943  Search this
Henri, Robert, 1865-1929  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Edward, 1882-1967  Search this
Inness, George, 1825-1894  Search this
Karfiol, Bernard, 1886-1952  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lachaise, Gaston, 1882-1935  Search this
Lawson, Ernest, 1873-1939  Search this
MacIver, Loren, 1909-1998  Search this
Marin, John, 1870-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Motherwell, Robert  Search this
Mount, William Sidney, 1807-1868  Search this
Nevelson, Louise, 1899-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Pollock, Jackson, 1912-1956  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Pène Du Bois, Guy , 1884-1958  Search this
Reder, Bernard, 1897-1963  Search this
Rimmer, William, 1816-1879  Search this
Rivers, Larry, 1925-2002  Search this
Rothko, Mark, 1903-1970  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sheeler, Charles, 1883-1965  Search this
Sloan, John, 1871-1951  Search this
Smith, David, 1906-1965  Search this
Stella, Joseph, 1877-1946  Search this
Tobey, Mark  Search this
Twachtman, John Henry, 1853-1902  Search this
Tworkov, Jack  Search this
Walkowitz, Abraham, 1880-1965  Search this
Weber, Max, 1881-1961  Search this
Wyant, A. H. (Alexander Helwig), 1836-1892  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Zorach, William, 1887-1966  Search this
Extent:
78 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1914-1966
Scope and Contents:
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
REELS N599-N604: Notebooks of Edwin W. Dickinson; photographs and provenance information for works by Philip Evergood; a catalog of information and some photographs of Chinese ink drawings and other works by Reginald Marsh; and photographs and information on Bernard Reder, Jack Tworkov, Max Weber (portions also microfilmed on reel NY59-8 (fr. 497-658), reel NY59-9 (fr. 1-51), and William Zorach.
REELS N604-N609: Exhibition catalogs, 1946-1966, for artists and groups shows at the Museum, including Robert Feke, William Rimmer, Ralph Blakelock, Albert Maurer, Albert Pinkham Ryder, Yasuo Kuniyoshi, Thomas Cole, Max Weber, Arshile Gorky, Mark Tobey, John Sloan, Loren MacIver, I. Rice Pereira, George Grosz, Reginald Marsh, Charles Burchfield, Morris Graves, Theodore Roszak, John Marin, Hans Hofmann, Bradley Tomlin, Stuart Davis, Milton Avery, Lee Gatch, Jose De Creeft, Maurice Prendergast, Edward Hopper, Hyman Bloom, Robert E. Jones, Balcomb Greene, Karl Zerbe, Arthur G. Dove, William Zorach, Philip Evergood, Bernard Reder, Herbert Feber, Oliver O'Connor Barrett,Arthur B. Davies, Jose De Rivera, Paul Burlin, Joseph Stella, Jack Tworkov, Ivan Albright, Stuart Davis, Edwin Dickinson, John Quidor, and Niles Spencer.
REELS N646-N694: Artists' files on: Oliver O'Connor Barrett,William Baziotes, George Bellows, Thomas Hart Benton, Peter Blume, James Brooks, Patrick Henry Bruce, Charles Burchfield, Paul Burlin, David Burliuk, Paul Cadmus, Mary Cassatt, Thomas Cole, Glenn Coleman, Jon Corbino, John Steuart Curry, Jo Davidson, Arthur B. Davies, Jose DeCreeft, Charles Demuth, Jose De Rivera, Arthur Dove, Guy Pène du Bois, Stuart Davis, Frank Duveneck, Ralph Earl, Eastman Johnson, The Eight, Philip Evergood, Robert Feke, Lyonel Feininger, Ernest Fiene, George Fuller, Lee Gatch, William Glackens, Arshile Gorky, Balcomb Greene, Chaim Gross, George Grosz, William Harnett, Marsden Hartley, Childe Hassam, John Heliker, Robert Henri, Hans Hofmann, George Inness, Leon Kelly, Franz Kline, Karl Knaths, Leon Kroll, Walt Kuhn, Yasuo Kuniyoshi, Gaston Lachaise, Robert Laurent, Ernest Lawson, Jack Levine, Seymour Lipton, George B. Luks,
Stanton Macdonald-Wright, Loren MacIver, John Marin, Reginald Marsh, Alfred Maurer, K. H. Miller, Robert Motherwell, William Mount, Jerome Myers, Louise Nevelson, Georgia O'Keeffe (portions also microfilmed on reels NY59-13 (fr. 98-115, 406-424, 586-685), reel NY59-14 (entire), and reel NY59-15 (fr. 1-140, 145-153), I. Rice Pereira, Bernard Perlin, Joseph Pollett, Jackson Pollock, Reginald Pollack, Henry V. Poor, Richard Pousette-Dart, Maurice Prendergast, Abraham Rattner, Bernard Reder, Ad Reinhardt, William Rimmer, Larry Rivers, Hugo Robus, Theodore Roszak, Mark Rothko, Concetta Scarvaglione, Henry Schnakenberg, Ben Shahn, John Sloan, David Smith, Eugene Speicher, Theodoros Stamos, Joseph Stella, Maurice Sterne, Mark Tobey, Bradley Tomlin,Trajan, Allen Tucker, John Twachtman, Jack Tworkov, Abraham Walkowitz (also on reel NY/59-15) , Max Weber, James M. Whistler, Gertrude Whitney, Grant Wood, Alexander Wyant, Mahonri Young, and William Zorach.
REELS NWH 1-NWH 7: Artist files on Charles Sheeler, Bernard Karfiol, Louis Eilshemius; scatterred records of the Whitney Studio Club and Museum, 1914-1945, including minutes, Oct. 15, 1930, and Whitney Studio ledgers, 1928-1931; catalogs of one-man shows, 1932-1945; catalogs of annual painting exhibitions, 1932-1940, sculpture, watercolor and drawing exhibitions, 1933-1945, and group exhibitions, 1932-1945; and clippings, Oct. 1935-1936.
REELS NY59/8 (fr. 256-end)-NY59/10: Files on Max Weber, including biographical material, lists of work, and miscellany. Also found (NY59/8 frames 354-383) are ca.20 letters from Weber to Abraham Walkowitz, 1907-1924.
Biographical / Historical:
Whitney Museum of American Art is an American art museum in New York, New York. Founded by Gertrude Vanderbilt Whitney and formally opened in 1931. Previous to its opening as a museum it was known as the Whitney Studio Club (1914-28) and Whitney Studio Galleries (1928-30).
Provenance:
The Weber files on reels NY59/8-10 were lent for microfilming 1959 by the Whitney Museum of American Art; the remainder was lent 1964-1967; additional material from the Museum was lent at the same time, and subsequently donated, including the papers of Lloyd Goodrich, Juliana Force, Thomas B. Clarke, the American Art Research Council, and Gertrude Vanderbilt Whitney; these have each been cataloged separately. Portions of Weber, and O'Keeffe material that was microfilmed in 1959 were refilmed in 1967.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, Modern -- 20th century -- United States  Search this
Artists -- Exhibitions -- New York (State) -- New York  Search this
Art, American  Search this
Function:
Art museums -- New York (State) -- New York
Identifier:
AAA.whitmuse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whitmuse

Interviews of Helen Boyer and Warrington Colescott

Interviewer:
Wright, Helena, 1946-  Search this
Creator:
Boyer, Helen King, 1919-  Search this
Names:
National Museum of American History (U.S.).. Dept. of Social and Cultural History.Division of Graphic Arts  Search this
Colescott, Warrington, 1921-  Search this
Interviewee:
Boyer, Ernest W.  Search this
Boyer, Louise, 1890-  Search this
Extent:
4 Sound cassettes (Total (ca. 90 min. each))
2 Sound cassettes (Boyer)
2 Sound cassettes (Colescott)
Type:
Collection descriptions
Archival materials
Sound cassettes
Interviews
Sound recordings
Date:
1984 Nov. 13 - 1986 Mar. 20
Scope and Contents:
Interviews conducted by Helena E. Wright of Helen Boyer and Warrington Colescott for research related to her position as curator in the division of Graphic Arts in the Department of Social and Cultural History at the National Museum of American History, Smithsonian Institution.
Colescott discusses his suite of prints "The History of Printmaking" purchased by the Division of Graphic Arts, National Museum of American History in 1985. He mentions Rembrandt states and proofs; Robert Rauschenberg; Tamarind; viscosity printing; Slade School; Anthony Gross; and printmaking at the university level.
Boyer discusses being a member of a family of printmakers in Pittsburgh PA; the background and career of her mother, printmaker Louise Boyer; her mother's involvement in the development of anodized aluminum plates for drypoint; her mother's printmaking techniques; her father, architect and printmaker Ernest W. Boyer and his printmaking techniques; her own artistic development and career; the print market; the satirical and political content of her work from the 40s, her silk paintings; exhibitions; working for a toy manufacturer; working various jobs; and working in toy design.
Biographical / Historical:
Curator; National Museum of American History.
Provenance:
Transferred from the National Museum of American History, Division of Graphic Arts, 1993.
Restrictions:
Untranscribed; use requires an appointment.
Topic:
Printmakers -- Interviews  Search this
Prints -- 20th century -- Technique  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.wrighele
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wrighele

William Edward West papers

Creator:
West, William Edward, 1788-1857  Search this
Names:
Byron, George Gordon Byron, Baron, 1788-1824  Search this
Hemans, Felicia Dorothea Browne, 1793-1835  Search this
Irving, Washington, 1783-1859  Search this
Extent:
1 Linear foot ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1818-1961]
Scope and Contents:
Letters, writings, business records, and printed materials.
Genealogical and biographical data; correspondence (and transcripts) with Colonel Thomas Aspinwall, members of the Astor family, Elizabeth Caton, Felicia Hemans, Washington Irving, Aaron Vail, Mary Caton Patterson Wellesley, West's sister Jane Woods, and others; letters to West's neice Aduella Price Bryant and to Laura Simpson, requesting biographical and genealogical information on West, and research notes by Bryant on West's correspondents; West's account of his visit with Lord Byron in 1822; and a yearbook belonging to Felicia Hemans.
Lists compiled in 1929 and 1961 of West's paintings and portraits; excerpts from William L. Stone's book HISTORY OF NEW YORK CITY and biographies of West's contemporaries in England; clippings on West's portraits, his genealogy, and the history of Nashville, Tenn.; and miscellany.
Biographical / Historical:
Portrait and figure painter; London, England and New York, N.Y.
Provenance:
Donated 1983 by Gertrude M. Meissner, a descendent of West.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Portrait painters -- England  Search this
Portrait painters -- New York (State) -- New York  Search this
Topic:
Portrait painting -- 19th century -- England  Search this
Identifier:
AAA.westwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-westwill

Waldorf panel on sculpture

Creator:
Waldorf panel on sculpture (1965 : New York, N.Y.)  Search this
Names:
Agostini, Peter  Search this
Barnet, Will, 1911-2012  Search this
De Kooning, Elaine  Search this
Ferber, Herbert, 1906-1991  Search this
Ferren, John, 1905-1970  Search this
Judd, Donald, 1928-1994  Search this
Kiesler, Frederick  Search this
Lassaw, Ibram, 1913-2003  Search this
Mallary, Robert, 1917-1997  Search this
Marsicano, Nicholas, 1908-1991  Search this
Nevelson, Louise, 1899-1988  Search this
Noguchi, Isamu, 1904-1988  Search this
Oldenburg, Claes, 1929-  Search this
Pavia, Philip, 1915-2005  Search this
Reinhardt, Ad, 1913-1967  Search this
Rosenthal, Rachel, 1926-  Search this
Schwartz, Sal  Search this
Segal, George, 1924-2000  Search this
Slivka, David, 1913-  Search this
Wines, James, 1932-  Search this
Extent:
6 sound tapes ((partially transcribed), 7 in.)
Type:
Collection descriptions
Archival materials
Sound tapes
Sound recordings
Interviews
Date:
1965 February 17 and March 17
Scope and Contents:
A two part panel discussion on sculpture (6 7" tapes), partially transcribed on 141 pages. Participants are Peter Agostini, Will Barnet, Elaine De Kooning, Herbert Ferber, John Ferren, Donald Judd, Frederick Kiesler, Ibram Lassaw, Robert Mallary, Nicholas Marsicano, Louise Nevelson, Isamu Noguchi, Claes Oldenburg, Philip Pavia (organizer), Ad Reinhardt, Rachel Rosenthal, Sal Schwartz, George Segal, David Slivka, and James Wines.
Biographical / Historical:
The Waldorf Panel on Sculpture was organized by Philip Pavia, who chose the name in homage to the informal artists' discussions held at the Waldorf Cafeteria on 6th St. in the early to mid 1940s, and which later formed the nucleus to the artists' group known as the Club.
Provenance:
Provenance unknown.
Restrictions:
Use of original recordings requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Sculptors -- United States  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Sculpture, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.waldpane
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-waldpane

Anna Walinska papers

Creator:
Walinska, Anna  Search this
Names:
Guild Art Gallery  Search this
Avery, Milton, 1885-1965  Search this
Beata, Welsing  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace, 1902-1969  Search this
Nevelson, Louise, 1899-1988  Search this
Walinsky, Louis Joseph, 1908-2001  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- Description and Travel
Date:
1927-2002
bulk 1935-1980
Summary:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.
Scope and Contents:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)
Biographical / Historical:
Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.
Related Materials:
The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.
Provenance:
The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Drawing--Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Women painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Genre/Form:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Citation:
Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walianna
See more items in:
Anna Walinska papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walianna
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Online Media:

Oral history interview with Gyöngy Laky

Interviewee:
Laky, Gyöngy, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Branford, Joanne Segal, 1933-1994  Search this
Christiansen, Brett  Search this
Dobras, Darryl  Search this
Dumas, Mary  Search this
Elliott, Lilian, 1930-1994  Search this
Foosaner, Judith, 1940-  Search this
Gablik, Suzi, 1934-  Search this
Hamilton, Ann, 1956-  Search this
Lahner, Émile, 1893-1980  Search this
Larsen, Jack Lenor  Search this
Miller, Henry, 1891-1980  Search this
Nevelson, Louise, 1899-1988  Search this
Ocampo, Kim  Search this
Puryear, Martin, 1941-  Search this
Rossbach, Ed  Search this
Sontag, Susan, 1933-2004  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
11 Items (Sound recordings: 11 sound files (4 hr., 8 min.), digital, wav)
66 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2007 December 11-12
Scope and Contents:
An interview of Gyöngy Laky conducted 2007 December 11-12, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Laky's home and studio, in San Francisco, California.
Laky speaks of her recent exhibitions; leaving Hungary as a child; using words in art; learning languages; family influences in her art; the family art gallery and Chinese painting; changing majors in college; working with various materials; using recycled materials in her work; retirement; planning her works; working with assistants; working with a small community in Europe; construction of her works; using computers to create art; the craft "renaissance"; scale and outdoor projects; working with dealers and commissioned pieces; emphasis on negative space. Laky also recalls Emile Lahner, Mary Dumas, Ed Rossbach, Judy Foosaner, Peter Voulkos, Joanne Branford, Lillian Elliott, Henry Miller, Louise Nevelson, Darryl Dobras, Brett Christiansen, Kim Ocampo, Jack Lenor Larsen, Martin Puryear, Ann Hamilton, Suzi Gablik, Susan Sontag, and others.
Biographical / Historical:
Gyöngy Laky (1944- ) is a textile artist from San Francisco, California. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 4 hr., 8 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Computer Art  Search this
Painting -- China  Search this
Textile artists -- California -- San Francisco  Search this
Art and computers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.laky07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laky07

Bettye Lane papers

Creator:
Lane, Bettye, 1930-  Search this
Names:
Azara, Nancy J., 1939-  Search this
Colflesh, Eleanor Schurr  Search this
Dehner, Dorothy, 1901-1994  Search this
Epstein, Beatrice G.  Search this
Freund, Marjorie  Search this
Nevelson, Louise, 1899-1988  Search this
Schwarzbaum, Enid  Search this
Vero, Sandra, 1936-  Search this
Walsh, Alita  Search this
Washburn, Janey, 1933-  Search this
Wunderman, Jan Darcourt, 1921-  Search this
Extent:
0.2 Linear feet ((21 items))
Type:
Collection descriptions
Archival materials
Date:
1979-1980
Scope and Contents:
Photographs of women artists at work in their studios photographed by Lane. Included are Alita Walsh, Nancy Azara, Eleanor Schurr Colflesh, Dorothy Dehner, Beatrice G.Epstein, Marjorie Freund, Enid Schwarzbaum, Sandra Vero, Janey Washburn, and Jan Wunderman; photograph portrait of Louise Nevelson; resumes of the various artists photographed; resume for Lane, 1979-1980.
Biographical / Historical:
Bettye Lane (1930-2012) was a photographer in New York, N.Y.
Provenance:
Donated 1980 by Bettye Lane.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters  Search this
Photographers  Search this
Topic:
Women artists  Search this
Function:
Artists' studios
Identifier:
AAA.lanebett
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lanebett

Helen L. Kohen papers

Creator:
Kohen, Helen L.  Search this
Names:
Alexander, Jane  Search this
Alfonzo, Carlos, 1950-1991  Search this
Algaze, Mario Arturo, 1947-  Search this
Anthony, Carol  Search this
Bedia, José, 1959-  Search this
Blaine, Michael  Search this
Blazer, Wendy  Search this
Brito, Maria, 1947-  Search this
Cano, Margarita, 1932-  Search this
Cano, Pablo  Search this
Carulla, Ramón, 1938-  Search this
Castagliola, Maria E., 1946-  Search this
Corone, Matthew  Search this
Couper, James M., 1937-  Search this
Cubiles, Miguel  Search this
De Monte, Claudia, 1947-  Search this
Delehanty, Suzanne, 1944-  Search this
Demi, 1955-  Search this
Duval-Carrié, Edouard, 1954-  Search this
Eisenstaedt, Alfred  Search this
Fernández, Agustin, 1928-  Search this
Frohnmayer, John  Search this
García, Fernando A., 1945-  Search this
Gelfman, Lynn Golub  Search this
Gillman, Barbara Seitlin, 1937-  Search this
González, Juan, 1942-1993  Search this
Gottlieb-Roberts, Marilyn Patricia, 1939-  Search this
Gutierrez, M. (Marta)  Search this
Henderson, Shirley  Search this
Jones, Pat  Search this
Juarez, Roberto, 1952-  Search this
Kardin, Janet  Search this
Kuitca, Guillermo, 1961-  Search this
Lanza, Bianca  Search this
Leibovitz, Annie, 1949-  Search this
Marisol, 1930-  Search this
Morgan, Andrew Wesley, 1922-  Search this
Muñoz, Celia Alvarez, 1937-  Search this
Orr-Cahall, Christina, 1947-  Search this
Paik, Nam June, 1932-  Search this
Paparelli, Janet  Search this
Pellon, Gina  Search this
Riverón, Enrique  Search this
Riverón, Noella  Search this
Rodriguez, Vivian  Search this
Rodríguez, Arturo, 1956-  Search this
Rojo, Damian  Search this
Rubell, Jason  Search this
Rubio, Lydia, 1946-  Search this
Salinas, Baruj  Search this
Sanchez, Emilio, 1921-1999  Search this
Schaaf, William  Search this
Scharf, Kenny  Search this
Scull, Haydée  Search this
Scull, Sahara  Search this
Shapiro, Joel  Search this
Slobodkina, Esphyr, 1908-2002  Search this
Spitzer, David D.  Search this
Strasser, Barbara  Search this
Sullivan, G. L.  Search this
Trasobares, César  Search this
Valdez-Fauli, Dora  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1978-1996
Summary:
The papers of Miami art critic Helen Kohen date from 1978 through 1996 and contain letters, postcards, exhibition announcements and invitations, and seventy-four untranscribed interviews of artists, dealers, and collectors in the Miami area.
Scope and Content Note:
The papers of art historian and critic Helen L. Kohen measure one linear foot and date from 1976 through 1996. They consist primarily of letters, postcards, exhibition announcements and invitations from artists in the Miami area. Also found are eighty-two mini cassette tapes of seventy-four interviews Kohen conducted with art dealers, collectors, contemporary artists, and others in the Miami area as research and background for her newspaper column and other articles
Arrangement:
The collection is arranged into five series:

Series 1: Correspondence, 1954, 1984-1993, undated (Box 1, 10 folders)

Series 2: Printed Material, 1979-1996, undated (Box 1, 3 folders)

Series 3: Photographs, 1969, 1974, 1980-1994 (Box 1, 1 folder)

Series 4: Miscellany, 1983-1992, undated (Box 1 , 1 folder)

Series 5: Taped Interviews, 1986-1996, undated (Box 1, 1 folder and 82 micro-cassettes)
Biographical Note:
Art historian and critic Helen L. Kohen has authored numerous articles on contemporary art focusing on the formation of the art culture in Miami since the early 1980s. Helen L. Kohen is art critic emeritus for the The Miami Herald newspaper in Miami, Florida.
Provenance:
Helen L. Kohen donated her papers to the Archives of American Art, Smithsonian Institution in 1997.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Helen L. Kohen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- Haiti  Search this
Hispanic American artists  Search this
Art critics -- Florida -- Miami  Search this
Women art critics -- Florida -- Miami  Search this
Cuban American artists -- Interviews  Search this
Cuban American artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Artists -- Florida -- Miami  Search this
Art -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Helen L. Kohen papers, 1978-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kohehele
See more items in:
Helen L. Kohen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kohehele

Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman

Creator:
Kazanjian, Dodie, 1952-  Search this
Tomkins, Calvin  Search this
Names:
Liberman, Alexander, 1912-1999  Search this
Liberman, Alexander, 1912-1999 -- Interviews  Search this
Extent:
7.8 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1927-1999
Summary:
The Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman measures 7.8 linear feet and date from 1927-1999. The collection contains sound recordings of interviews, interview transcripts, correspondence, biographical material, clippings, and some photographs. The papers and recordings were predominantly compiled during Kazanjian and Tomkin's preparation for their book, Alex: The Life of Alexander Liberman (1993).
Scope and Contents:
The Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman measures 7.8 linear feet and contains sound recordings of interviews, interview transcripts, correspondence, biographical material, clippings, and some photographs.

The interviews include cassette tapes and transcripts documenting Alexander Liberman's professional and personal life. A portion of the interviews are with Liberman himself, but a majority of the interviewees are Liberman's contemporaries and peers including artists, publishers, personal friends, and art collectors. The collection's research files contain school records, articles and clippings, legal documents, and correspondence. Kazanjian's and Tomkins's notes and annotations are found dispersed throughout the research files. This collection also contains drafts and an edited manuscript of the book, Alex: The Life of Alexander Liberman.
Arrangement:
This collection is arranged as 3 series

Series 1: Interviews and Transcripts, 1987-1994 (5.1 linear feet; Boxes 1-15)

Series 2: Research Files, 1927-1999 (1.2 linear feet; Boxes 15-16)

Series 3: -- Alex: The Life of Alexander Liberman -- , circa 1988-1992 (7 folders; Boxes 16-17)
Biographical / Historical:
Alex: The Life of Alexander Liberman (Knopf, 1993) was written by Dodie Kazanjian and her husband Calvin Tomkins. Kazanjian and Tomkins are both authors and art critics in New York, New York. Alexander Liberman (1912-1999) was Editorial Director for Conde Nast for 51 years as well as an accomplished artist.

Kazanjian was born in Newport, Rhode Island in 1952. She received her undergraduate degree from Salve Regina College in 1974, and subsequently worked a number of writing and editing jobs with the Washington Post, Washington Starr, House and Garden, Vogue, and The New Yorker. She has authored five books, held the position of communications director for the National Endowment for the Arts, and is currently the Director of the Lindemann Young Artist Development Program at the Metropolitan Opera. Tomkins is a writer and art critic who was born in Orange, New Jersey in 1925. He graduated from Princeton University in 1948, and went on to work as a journalist for Radio Free Europe and then Newsweek. Tomkins joined the staff of The New Yorker in 1960.

Alexander Liberman (1912-1999) was a Russian-American magazine executive, writer, painter, photographer, and sculptor. Liberman was born in 1912 in Kiev Russia. He was educated in London and the École des Beaux Art in Paris. While in France he was introduction to a career in publication working at Vu magazine owned by Lucien Vogel. After emigrating to New York in 1941, Liberman began working at Conde Nast Publications. For the next twenty years Liberman held multiple positions with Conde Nast's publication Vogue. Liberman was named Conde Nast's editorial director in 1964, a position he held until 1992. In addition to Liberman's career as an editor with Conde Nast, he wrote The Artist in His Studio (1960) and Marlene: An Intimate Photographic Memoir (1992), and has paintings and sculptures featured in museums and public sites worldwide.
Related Materials:
The Archives of American Art houses two other collections that may be of use to researchers interested in either Alexander Liberman or Dodie Kazanjian. The collections are the Alexander Liberman papers, 1912-2003, and the Dodie Kazanjian papers, 1949-2017, bulk 1980-2017.
Provenance:
The collection was donated in 1999 by Dodie Kazanjian and Calvin Tomkins.
Restrictions:
This collection is access restricted; written permission is required. Contact Reference Services for more information. Access, with permission, to original papers and audiovisual material requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
Authorization to publish, quote, or reproduce requires written permission from Dodie Kazanjian and Calvin Tomkins.

The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman, circa 1927-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kazadodi
See more items in:
Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kazadodi

Matthew B. Brady photographs

Creator:
Brady, Mathew B., approximately 1823-1896  Search this
Names:
Blaine, Mr  Search this
Butler, Charles, 1802-1897  Search this
Chase, Salmon P. (Salmon Portland), 1808-1873  Search this
Greenough, Rose  Search this
Harrison, William Henry, President, 1773-1841  Search this
Jackson, Andrew, 1767-1845  Search this
Lee, Robert E. (Robert Edward), 1807-1870  Search this
Lincoln, Abraham, 1809-1865  Search this
Pierce, Franklin, 1804-1869  Search this
Seward, William Henry, 1801-1872  Search this
Extent:
0.2 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1860-1880]
Scope and Contents:
Four vintage prints of Blaine, Charles Butler, William Henry Harrison, and Andrew Jackson; and 7 copyprints of Salmon Portland Chase, Rose Greenough and her daughter in prison, Robert E. Lee, Abraham Lincoln, Franklin Pierce, and William Henry Seward.
Biographical / Historical:
Matthew B. Brady (1823 (ca.)-1896) was a photographer from Washington, D.C.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Identifier:
AAA.bradmath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bradmath

Robert Brackman papers

Creator:
Brackman, Robert, 1898-  Search this
Names:
Bates, Kenneth F. (Kenneth Francis), 1904-  Search this
Berlin, Irving, 1888-1989  Search this
Dondero, George A. (George Anthony), 1883-1968  Search this
Hartford, Huntington, 1911-2008  Search this
Ickes, Harold L. (Harold LeClair), 1874-1952  Search this
Philipp, Robert, 1895-1981  Search this
Rockefeller, John D. (John Davison), 1839-1937  Search this
Selznick, David O., 1902-1965  Search this
Vaughan, Malcolm, 1896-1962  Search this
Extent:
2 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Date:
1931-1978
Scope and Contents:
Correspondence, photographs, writings, scrapbooks, sketchbooks, awards and printed material.
REEL D295: Correspondence with buyers, museum curators, and students, and with Irving Berlin, George A. Dondero, Robert Philipp, and Malcolm Vaughan; drafts of articles; scrapbooks; photographs of Brackman's paintings; clippings; and other publications.
REELS 2339-2340: Biographical data, with typescript of Kristin Smith's 1968 unpublished essay on Brackman; correspondence, including letters from Irving Berlin, Huntington Hartford, Harold L. Ickes, Robert Philipp, John D. Rockefeller, David O. Selznick, and others; printed material, including newspaper clippings, magazine articles, reproductions, exhibition catalogs, and announcements; awards; 2 scrapbooks, 1930-1952; and 8 undated sketchbooks.
REEL 2380: Photographs, including personal photographs of Brackman, his friends, his students; of Herbert Turner, his home, his school, and studio; and photographs of Brackman's works of art.
UNMICROFILMED: Writings by Brackman for his lectures; typescripts and a copy of BRACKMAN: HIS ART AND TEACHING by Kenneth Bates; and printed material including newspaper clippings, by-laws for the "Royal Society for the Encouragement of Arts Manufacturers and Commerce," London, and the "Royal Society of Arts," London, and a 1957 edition of the journal, THE ARTIST.
Biographical / Historical:
Painter and educator; New York, N.Y. Born in Russia. Studied at Francisco Ferrer School, with Robert Henri, and with George Bellows. Came to United States in 1908. Taught at the Art Students League. Died 1980.
Provenance:
Material on reel D295 lent 1966 by Robert Brackman. Portions of this material were subsequently given by Brackman's widow, Frances, with her gift of all other materials, 1981. Twenty-seven personal photographs from reel 2380 were returned to Frances Brackman at her request.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Painting, American -- New York (State) -- New York  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Identifier:
AAA.bracrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bracrobe

Leon Berkowitz and Ida Fox Berkowitz papers

Creator:
Berkowitz, Leon, 1919-1987  Search this
Names:
Washington Workshop Center for the Arts  Search this
Burton, Scott  Search this
De Kooning, Elaine  Search this
Fox, Ida  Search this
Kern, Helmuth F.  Search this
Okamura, Arthur  Search this
Ulbricht, John, 1926-  Search this
Extent:
3.02 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1900-1986
Summary:
This collection, which measures 3.02 linear feet and dates from circa 1900 to 1986, documents the lives of painter and educator Leon Berkowitz and his first wife, poet Ida Fox Berkowitz, and provides insight into the cultural and artistic climate in 1940s and 1950s Washington D.C. through correspondence, notes, sketches, photographs, printed material, and audio cassettes.
Scope and Content Note:
The collection measures 3.02 linear feet and dates from circa 1900 to 1986. In addition to documenting the artistic development of Leon Berkkowitz and, to a lesser extent, Ida Fox, the collection provides insight into the cultural and artistic climate in Washington D.C. during the 1940s and 1950s.

The collection includes correspondence, primarily between Leon and Ida Fox Berkowitz, notes, sketches, personal photographs, printed material, and a cassette tape. There are notes on Leon Berkowitz's philosophy of painting, reports from a 1940s U.S. Army art therapy project in which he participated, and scattered correspondence, financial records, and promotional materials from the Washington Workshop Center for the Arts and WCFM radio. Also found here are lecture notes and administrative materials relating to Leon's Berkowitz's teaching career, papers he wrote for several education courses, his master's thesis, sporadic business records concerning shipments and sales of paintings and gallery exhibitions, and drafts of catalogs.
Arrangement:
The collection is arranged into nine series:

Series 1: Biographical Material, 1934-circa 1974, undated (box 1, 3 folders)

Series 2: Correspondence, 1931-1985, undated (boxes 1-2, 27 folders)

Series 3: Teaching Files, 1939-1950s, 1985-1986, undated (box 2, 4 folders)

Series 4: Exhibitions, 1944-1985, undated (box 2, MMs, 10 folders)

Series 5: Washington Workshop Center for the Arts, 1940s-1950s (boxes 2-3, 14 folders)

Series 6: Other Projects, 1944-1985 (box 3, 4 folders)

Series 7: Notes and Writings, 1940s-1971, undated (box 3, 8 folders)

Series 8: Artwork, circa 1950s, undated (box 3, 5 folders)

Series 9: Photographs, circa 1900-1970s (box 3, 5 folders)

Series 10: Interview on Audio Cassette, [1974?] (box 3, 1 folder)
Biographical Note:
Leon Berkowitz (1911-1987), a painter associated with the Washington Color School, was born in Philadelphia (the 1919 birth date given by Berkowitz in Who's Who in American Art is incorrect). He met and married his first wife, Ida Fox, between 1935 and 1937. Berkowitz received a B.F.A. from the University of Pennsylvania in 1942 and an M.A. from George Washington University in 1948.

From 1943 to 1945, he served as a private in the U.S. Army, participating in a psychiatric program involving art therapy at Camp Lee, Virginia. Berkowitz taught art at Eastern and Western high schools in Washington, D.C. from 1945 to 1956 and taught at Western again in the late 1960s. In 1969 Berkowitz became chairman of the Corcoran School of Art's painting department and taught there until his death.

In 1945, the Berkowitzes founded the Washington Workshop Center for the Arts with Helmuth Kern. The Center, an important part of the city's cultural life during the 1940s and 1950s, offered courses in art, music, theatre and dance. Many of the artists who later became prominent in the Washington Color School taught at the center, including Morris Louis, Ken Noland, Gene Davis, Jacob Kainen and Jack Perlmutter. The center also sponsored a retrospective for Willem de Kooning in 1953. The Berkowitzes and Kern were also active in establishing the shortlived (1949-1953) cooperative radio station WCFM.

The center collapsed in 1956, shortly after the Berkowitzes' departure on a sabbatical painting trip to Spain. They spent much of the next decade abroad, including a two-and-a half year stay in Wales and a visit of several months to Jerusalem. During this period, Berkowitz expanded his interest in light, creating paintings by priming canvases with a white ground, then using multiple layers of thin oil paint washes.

Berkowitz had his first one-man museum show at the Corcoran in 1966. Ida Fox died during the 1970s and Berkowitz then married his second wife, Maureen. He continued to paint and exhibit until his death from cancer in 1987.

Poet Ida Fox (1913-197?) was born in Philadelphia. She married Leon Berkowitz between 1934 and 1937 and moved with him to Washington, D.C. where she attended American University from 1942 to 1945. During World War II she worked as a statistician for the U.S. government. In 1945 she cofounded the Washington Workshop Center for the Arts. Fox became its director in 1947, resigning the position in 1955 to accompany her husband to Spain. She published poetry in several literary and artistic periodicals, including a series, "Painting Thru a Poet's Eye," inspired by works of art. In 1970 she published a collection of poetry, In the Wind: An American Poet in Wales (St. David's, Wales: Antiphon Press, 1970), illustrated by Arthur Okamura.
Related Material:
Also available in the Archives of American Art are two audio cassettes of a transcribed oral history interview with Leon and Ida Fox Berkowitz, June 5, 1979.
Provenance:
Leon Berkowitz donated the papers of his first wife, Ida Fox, in 1987. After his death in 1987, his second wife, Maureen Berkowitz, donated his papers to the Archives of American Art. In addition to these two accessions, one folder of material on Leon Berkowitz was donated in 1979. This material was microfilmed on reel 2786.
Restrictions:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Leon Berkowitz and Ida papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Philosophy  Search this
Color-field painting  Search this
Art -- Study and teaching  Search this
Painters -- Washington (D.C.)  Search this
Works of art  Search this
Genre/Form:
Photographs
Citation:
Leon Berkowitz and Ida Fox Berkowitz papers, circa 1900-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.berkleon
See more items in:
Leon Berkowitz and Ida Fox Berkowitz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-berkleon

Harrie Moore Shrady scrapbook

Creator:
Shrady, Harrie Moore  Search this
Names:
Shrady, Henry Merwin, 1871-1922  Search this
Extent:
1 Volume ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1902-1922
Scope and Contents:
A scrapbook containing clippings concerning the design competition for the General Ulysses S. Grant Memorial in Washington, D.C. and the controversy that arose when Henry Merwin Shrady was awarded first prize; photographs of the Grant Memorial and other sculptures; and pencil studies by Shrady for several of the infantry figures on the pedestal of the statue.
Biographical / Historical:
Wife of sculptor Henry Merwin Shrady; Elmsford, N.Y.
Provenance:
Lent for microfilming 1984 by Mrs. Henry Balch, a descendant of Shrady. Harrie Shrady compiled the scrapbook about her husband for their daughter.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Sculptors  Search this
Topic:
Sculpture, American -- Competitions -- Washington (D.C.)  Search this
Identifier:
AAA.shraharr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shraharr

Henry Merwin Shrady papers

Creator:
Shrady, Henry Merwin, 1871-1922  Search this
Names:
Bitter, Karl Theodore Francis, 1867-1915  Search this
Penfield, Edward, 1866-1925  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Shrady, Henry Merwin, 1871-1922  Search this
Extent:
79 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1901-1972
Scope and Contents:
28 letters to Shrady, mostly about his Ulyssses S. Grant monument in Washington, D.C., from Karl Bitter, Edward Penfield, Augustus Saint-Gaudens (photocopies), members of the Grant family, and others; 16 sketches; printed material, including 6 clippings and 12 magazine articles; and 17 photographs of Shrady and his work.
Biographical / Historical:
Sculptor; Elmsford, New York.
Provenance:
Lent for microfilming by Henry M. Shrady, Jr., 1973.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Sculptors -- New York (State) -- Elmsford  Search this
Topic:
Sculpture, American -- Washington (D.C.)  Search this
Identifier:
AAA.shrahenr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shrahenr

Frederick Stuart Church letters and art work

Creator:
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Names:
Klots, Emma Louise  Search this
Mitchell, Laura  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
circa 1892-circa 1923
Summary:
The Frederick Stuart Church letters and art work date from circa 1892-circa 1923 and measure 0.5 linear feet. The collection includes illustrated letters, all but three of which are written to Emma Louise Klots, regarding Church's daily activities and his paintings, as well as artwork by Church including etchings and reproductions of Church's paintings, some of which are printed as photogravures.
Scope and Contents:
The Frederick Stuart Church letters and art work date from circa 1892-circa 1923 and measure 0.5 linear feet. The collection includes illustrated letters, all but three of which are written to Emma Louise Klots, regarding Church's daily activities and his paintings, as well as artwork by Church including etchings and reproductions of Church's paintings, some of which are printed as photogravures.
Arrangement:
The collection is arranged as two series:

Series 1: Letters, circa 1892-circa 1923 (Box 1; 0.2 linear feet)

Series 2: Artwork and Reproductions, circa 1892-circa 1923 (Box 2; 0.3 linear feet)
Biographical / Historical:
Frederick Stuart Church (1842-1924) was a painter, etcher, and illustrator in New York, New York, who specialized in animals. Born in Grand Rapids, Michigan, Church studied in New York City at the National Academy of Design and joined the Art Students League. By the 1870s he had a reputation as a gifted illustrator and worked for many magazines including various Harper's publications. He was most well known for his depictions of animals, and his paintings were purchased by leading art collectors of the day, including Charles Lang Freer, Henry Clay Frick, and Potter Palmer. Emma Louise Klots was a patron of Church.
Related Materials:
The Archives of American Art also holds the Frederick Stuart Church collection, circa 1885-1905, a small collection of letters from Church to various people.
Provenance:
The collection was donated to the Archives of American Art in 1990 by Thomas Rothwell, whose mother was Emma Louise Klots's niece.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Etchers -- New York (State) -- New York  Search this
Animal painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women art patrons  Search this
Genre/Form:
Drawings
Citation:
Frederick Stuart Church letters and art work, circa 1892-circa 1923. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.churfred
See more items in:
Frederick Stuart Church letters and art work
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-churfred

Allan Randall Freelon papers

Creator:
Freelon, Allan Randall, 1895-1960  Search this
Extent:
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1895-2008
Scope and Contents:
The papers of African American painter Allan Randall Freelon measure 4.2 linear feet and date from 1895-2008. The papers document Freelon's painting and teaching career and include correspondence with institutions Freelon was involved with as well as letters from colleagues; printed material; three scrapbooks containing letters to Freelon and newspaper clippings; three journals, a notebook, and two datebooks by Freelon; exhibition files; personal business records consisting of a handwritten list of works sold, 1930-1935, and material regarding the auction of Freelon's estate in 1997; photographs of family, classmates, colleagues, art work, exhibitions, and events; and artwork including three sketchbooks.
Biographical / Historical:
Allan Randall Freelon (1895-1960) was a an African American painter and teacher who worked in Philadelphia, Pennsylvania.
Provenance:
The collection was donated in 2019 by Nnenna Freelon, the widow of Phil Freelon, Allan Freelon's grandson, and their daughter, Maya Freelon as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Art teachers -- Pennsylvania -- Philadelphia  Search this
Topic:
African American artists  Search this
Identifier:
AAA.freealla
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-freealla

Stanley Woodward papers

Creator:
Woodward, Stanley Wingate, 1890-1970  Search this
Names:
Salmagundi Sketch Club  Search this
Beal, Gifford, 1879-1956  Search this
Butler, Mary  Search this
Cady, Harrison, 1877-1970  Search this
Carter, Janis, 1921-  Search this
Craine, Jeanne  Search this
Custis, Eleanor Parke, 1897-1983  Search this
Darnell, Linda, 1921-1965  Search this
Davis, Bette, 1908-1989  Search this
Day, Laraine, 1920-2007  Search this
Fabri, Ralph, 1894-1975  Search this
Grant, Gordon, 1875-1962  Search this
Hayworth, Rita, 1918-1987  Search this
Kent, Norman, 1903-1972  Search this
Lee, Madaline  Search this
Lupino, Ida, 1918-1995  Search this
Merrill, Gary  Search this
Nichols, Hobart, 1869-1962  Search this
Oakley, Thornton, 1881-1953  Search this
Powell, Eleanor, 1912-1982  Search this
Ryder, Chauncey F., 1868-1949  Search this
Smith, Alexis, 1921-1993  Search this
Smith, Howard (Howard Everett), 1885-1970  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Thieme, Anthony, 1888-1954  Search this
Extent:
6.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Writings
Drawings
Scrapbooks
Date:
1875-1970
bulk 1905-1970
Summary:
The papers of marine painter, illustrator, writer and art instructor Stanley Woodward date from 1875-1970, bulk 1905-1970, and measure 6.6 linear feet. Found within the papers are biographical materials, family and personal correspondence, seventeen diaries, notes, notebooks and other writings, business records, a scrapbook and printed material including exhibition announcements and catalogs; and photographs of Woodward, members of his family, friends, his studio, and artwork. Files containing letters, clippings, and photographs concern actresses including Janis Carter, Linda Darnell, Bette Davis, and Eleanor Powell. Writings include drafts of Woodward's book Adventure in Marine Painting.
Scope and Content Note:
The papers of marine painter, illustrator, writer and art instructor Stanley Woodward date from 1875-1970, bulk 1905-1970, and measure 6.6 linear feet. Found within the papers are biographical materials, artworks, family and personal correspondence, seventeen diaries, notes, notebooks and other writings, business records, a scrapbook and printed material including exhibition announcements and catalogs; and photographs of Woodward, members of his family, friends, and his studio. Files containing letters, clippings, and photographs concern actresses including Janis Carter, Linda Darnell, Bette Davis, and Eleanor Powell. Writings include drafts of Woodward's book Adventure in Marine Painting.

Biographical material includes miscellaneous accounts of Woodward's life, cards and certificates of membership in various organizations including the Massachusetts Society of the Sons of the American Revolution, the Salmagundi Club, and the Academic Artist Association, military records of his service in both World Wars, and scattered artwork. A file concerning Woodward's portrait of Abraham Lincoln contains letters primarily discussing a reproduction of the portrait in The Boston Globe and the painting's eventual sale, in addition to notes, clippings, an ink drawing, and a photographic negative of the drawing.

Correspondence is between various family members, but also includes letters to Woodward from colleagues including Harrison Cady, Eleanor Parke Custis, Ralph Fabri, Chauncey F. Ryder, and Howard E. Smith. There are also scattered letters from other artists including Gifford Beal, Mary Butler, Gordon Grant, Norman Kent, Hobart Nichols, Thornton Oakley, Edmund Tarbell, and Anthony Thieme. Correspondence primarily concern his painting career, and includes lists of art work and financial material.

Artwork consists of a sketchbook and three sketches.

Files concerning actresses reflect Woodward's life-long friendship with former teenaged neighbor Bette Davis, who later introduced Woodward and his art work to her show business friends. The files contain letters, clippings, and photographs of actresses Janis Carter, Linda Darnell, Bette Davis, Laraine Day, Madaline Lee, Ida Lupino, Eleanor Powell, and Alexis Smith.

Seventeen diaries contain relatively detailed daily entries describing Woodward's art-related activities, experiences during World War II, and various travels, including a trip to Los Angeles to be a house guest of Bette Davis and visit her on the set of the motion picture Elizabeth and Essex. The 1905 diary contains photographs of Woodward's school friends.

Notes, notebooks, and writings include lists of art works, exhibition guest books, and miscellaneous writings by Woodward including drafts of his book Adventure in Marine Painting.

Business records include an auction catalog, account books for the sale of Woodward's book and art work, and miscellaneous receipts. Records of art classes taught by Woodward include lists of participants, accounts of fees paid, and printed advertisements.

A scrapbook containing clippings and exhibition announcements and catalogs illustrates Woodward's early interests and art-related activities.

Additional printed material consists of clippings, copies of the U. S. Air Corps Magazine The Rip Chord for which Woodward did the cover illustrations, prospectuses with annotations of titles and prices of art work, exhibition announcements and catalogs, reproductions of art work, a booklet, and brochures for books and for art schools. Miscellaneous printed material includes reproductions of a photograph of Woodward's father, Frank E. Woodward, and a program for an event honoring Dr. T. Tertius Noble.

Photographs are of Woodward, family members, friends connected with the U. S. Army Air Force including Jack Dempsey, Woodward's studio, and art work. Three albums contain photographs of art classes and Woodward painting outdoors at various locations including Laguna Beach and Palm Springs, California, St. Augustine, Florida, and Rockport, Massachusetts. A third album also contains photographs of notable friends including Janis Carter, Jeanne Craine, Bette Davis, Rita Hayworth, and Gary Merrill.
Arrangement:
The collection is arranged into 10 series. Each series is arranged chronologically.

Series 1: Biographical Material, 1918-1968 (Boxes 1, 8; 15 folders)

Series 2: Artwork, circa 1920s (Boxes 1; 2 folders)

Series 3: Correspondence, 1910-1969 (Boxes 1-3; 2.9 linear feet)

Series 4: Files Concerning Actresses, 1931-1970 (Boxes 4, 8; 0.75 linear feet)

Series 5: Diaries, 1905-1969 (Boxes 4-5; 10 folders)

Series 6: Notes, Notebooks, and Writings, 1915-1969 (Boxes 5, 8; 21 folders)

Series 7: Business Records, 1924-1969 (Boxes 5-6; 15 folders)

Series 8: Scrapbook, 1875-1919 (Box 6; 1 folder)

Series 9: Printed Material, 1916-1970 (Boxes 6-7; 0.75 linear feet)

Series 10: Photographs, 1920-1969 (Boxes 7-8, OV 9; 11 folders)
Biographical Note:
Stanley Wingate Woodward was born on December 11, 1890, in Malden, Massachusetts, son of Alice E. (Colesworthy) and Frank E. Woodward. He was one of eight children and a twin of Sidney, who later became an art dealer and critic.

In 1909, Woodward graduated from Malden High School and the family moved to Wellesley Hills. He studied at the Eric Pape School of Art, the School of the Boston Museum of Fine Arts, and the Pennsylvania Academy of the Fine Arts. He left school to serve in France as a Corporal in the Field Artillery 28th Division during World War I. After the war, he settled in Ogunquit, Maine, and became a free lance illustrator for Collier's and the Christian Science Monitor, where his brother Sidney was art editor.

In 1925, he held his first solo show of marine oils at Casson Galleries, Boston, where his twin brother Sidney was manager. He was encouraged to continue painting the ocean after the entire exhibition sold out.

Woodward married Ruth Brainerd in 1926 and they settled in Newton, Massachusetts, where they were neighbors to a young Bette Davis, who had recently graduated from high school. Woodward maintained contact with the actress for the rest of his life, and through Ms. Davis, he befriended other show business personalities.

During the 1930s, Woodward taught painting at the Woodward Outdoor Painting School of Rockport, Massachusetts, at the University of North Carolina at Chapel Hill, at the Ringling School of Art in Sarasota, Florida, and at the Laguna Beach School in California. In 1937, he established his residence and studio in Rockport, Massachusetts.

Woodward served as an Air Corps captain and director of camouflage training at McChord Field in Tacoma, Washington, during World War II. In 1947, he published a book on painting techniques entitled Adventure in Marine Painting. He was also the author of Marine Paintings in Oil and Water Color.

Woodward was a member of the Chicago Society of Etchers, the Concord Art Association, the Print Makers Society of California, the Boston Society of Water Color Painters, Allied Artists of America, the Guild of Boston Artists, the North Shore Art Association, the American Water Color Society, the Grand Central Galleries Association, and the Rockport Art Association. His work is in the collections of the Boston Museum of Fine Arts, Bowdoin College, Amherst College, Lehigh University, and the Prudential Life Insurance Collection.

Stanley Wingate Woodward died on March 21, 1970 in Gloucester, Massachusetts.
Provenance:
The Stanley Woodward papers were donated in two installments in 1973 by Stanley Woodward's daughter, Patricia Woodward Smith.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Stanley Woodward papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Marine painters -- Massachusetts  Search this
Educators -- Massachusetts  Search this
World War, 1914-1918  Search this
Marine painting -- Technique  Search this
Illustrators -- Massachusetts  Search this
Artists' studios  Search this
World War, 1939-1945  Search this
Genre/Form:
Photographs
Diaries
Writings
Drawings
Scrapbooks
Citation:
Stanley Woodward papers, 1875-1970, bulk 1905-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.woodstan
See more items in:
Stanley Woodward papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodstan

Chicago Society of Etchers records

Creator:
Chicago Society of Etchers  Search this
Names:
Chicago Society of Etchers  Search this
Botke, Cornelius, 1887-1954  Search this
Dalstrom, Gustaf O. (Gustaf Oscar), 1893-1971  Search this
Fabri, Ralph, 1894-1975  Search this
Jensen, John Paul, 1904-  Search this
Kappel, Philip  Search this
Kloss, Gene, 1903-  Search this
Pescheret, Leon Rene, 1892-1961  Search this
Sykes, Maltby  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1933-1972
bulk 1940-1959
Scope and Contents:
Primarily correspondence and a scrapbook kept by several of the Society's secretaries including F. L. Thompson and James Swann. Correspondence mostly with members concerning activities, sales, and exhibitions. Several letters inquire about the status of the Society and whether it will continue. The scrapbook, 1937-1972 (bulk 1937-1948), contains exhibition catalogs and announcements, letters, annual bulletins, membership lists, handwritten minutes of Board of Directors' meetings which detail expenses, suggestions for exhibition venues, membership and activities. Added to the scrapbook is the 1972 certificate of dissolution of the Society. A few miscellaneous financial records, printed materials, and price lists complete the collection.
Among the correspondents are: Cornelius Botke, Gustav Dalstrom, Gene Kloss, Philip Kappel, Roi Partridge, Leon R. Pescheret, and Maltby Sykes, as well as local Chicago artists.
Arrangement:
Arranged into series by record type: I. Correspondence II. Scrapbook III. Financial material; chronological thereunder.
Biographical / Historical:
Art society; Chicago, Ill., organized 1910; dissolved 1972.
Provenance:
Donated 1996 by Peter Jensen, son of printmaker John Paul Jensen, the last secretary of the Chicago Society of Etchers, who retained the records of the Society after its dissolution.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Etchers -- Illinois -- Chicago  Search this
Printmakers  Search this
Topic:
Etching -- Illinois -- Chicago  Search this
Etching -- 20th century -- United States  Search this
Etching, American  Search this
Art -- Societies, etc. -- Illinois -- Chicago  Search this
Identifier:
AAA.chicetch
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chicetch

William Christopher papers

Artist:
Christopher, William R, 1924-1973  Search this
Names:
Selma to Montgomery Rights March (1965 : Selma, Ala.)  Search this
Archer, Osceola  Search this
Crapo, Henry H.  Search this
French, Margaret  Search this
Howard, Charles, 1899-1978  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Perlin, Bernard, 1918-  Search this
Tooker, George  Search this
Von Mohrenschildt, Dimitri Sergius, 1902-2002  Search this
Extent:
8.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Diaries
Motion pictures (visual works)
Sketches
Sketchbooks
Photographs
Date:
circa 1920s-circa 1973
Summary:
The William Christopher papers measure 8.2 linear feet and date from circa 1920s to circa 1973. Materials include biographical materials, correspondence, writings and notes, five diaries, subject/project files, printed materials, photographs, numerous sketches and eleven sketchbooks, and five short film reels containing amateur footage of New York City. The subject/project files include correspondence, printed materials, and two additional diaries about Dr. Martin Luther King, Jr. and the 1965 civil rights march from Selma to Montgomery, Alabama.
Scope and Contents:
The William Christopher papers measure 8.2 linear feet and date from circa 1920s to circa 1973. Materials include biographical materials, correspondence, writings and notes, five diaries, subject/project files, printed materials, photographs, numerous sketches and eleven sketchbooks, and five reels of motion picture films, consisting of amateur footage of New York City. The subject/project files include correspondence, printed materials, and two additional diaries about Dr. Martin Luther King, Jr. and the 1965 civil rights march from Selma to Montgomery, Alabama.

Biographical materials include address books, annotated memorabilia, awards and certificates, curriculum vitae and resume materials, and identification materials. Correspondence is with friends and fellow artists, including actress Osceola Archer and Henry Crapo, galleries, and others. Writings and notes include eleven notebooks, miscellaneous undated notes and papers, annotated drafts and writings by William Christopher, and writings by others. There are five diaries written by William Christopher from the 1940s to the 1960s.

Subject files document miscellaneous projects in which Christopher was involved and/or interested, and include several about Dr. Martin Luther King, Jr. containing correspondence, printed material, and two diaries written by Christopher during his attendance of the Civil Rights march from Selma to Montgomery.

Scattered personal business papers concern artwork sold and loaned and personal finances. Printed materials include clippings, exhibition catalogs and materials, magazines and programs, and posters. Photographs are of William Christopher, Henry Crapo, Margaret French, Charles Howard, Bernard Perlin, George Tooker, male models and figures, furniture, landscapes, buildings, and artwork.

Christopher's papers include over one hundred sketches and watercolors, eleven sketchbooks, an artwork by Dimitri Von Mohrenshildt, and one sketch by George Tooker. Also found among the papers are five film reels made by Christopher for an unfinished project, containing footage of New York City cityscapes and street scenes.
Arrangement:
This collection is arranged as 10 series:

Series 1: Biographical Material, circa 1940s-circa 1973 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1947-circa 1973 (1.9 linear feet; Boxes 1-3)

Series 3: Writings and Notes, circa 1947-1970 (0.4 linear feet; Box 3)

Series 4: Diaries, circa 1940s-circa 1960s (0.2 linear feet; Boxes 3-4)

Series 5: Subject Files, 1943-1972 (0.7 linear feet; Boxes 4, 9)

Series 6: Personal Business Records, circa 1950-circa 1972 (0.3 linear feet; Box 4)

Series 7: Printed Material, circa 1950s-circa 1972 (1.4 linear feet; Boxes 4-5, 9, OV12)

Series 8: Photographs, circa 1920s-circa 1970s (0.7 linear feet; Boxes 6, 8, MGP 4)

Series 9: Artwork and Sketchbooks, circa 1940s-circa 1970s (1.6 linear feet; Boxes 6-8, OV10-11, 13-18)

Series 10: Unidentified Project, Motion Picture Films, 1961 (0.5 linear feet; FC 19-23)
Biographical / Historical:
William Christopher was a painter, art instructor, and Civil Rights activist living and working in New York, New Hampshire, and Vermont. He was born in Columbus, Georgia on March 4, 1924, and served in the U. S. Navy from 1941 to 1943.

Aided by grants and scholarships, Christopher studied in France at the Sorbonne, Academie Julian, and the Ecoles d'Art Americaines between 1946-1948. While there, he also studied with Ossip Zadkine. He returned to New York and studied with Amedee Ozenfant and Hans Hofmann between 1948 and 1950.

Christopher's paintings was greatly influenced by his time spent in Paris and New York, and his later involvement with the Civil Rights movement, Dr. Martin Luther King, Jr., and the march in Selma in 1965. His first U. S. solo exhibition was in 1952 at the Roko Gallery in New York, and he exhibited widely in New York, Boston, Washington, D.C. at the Nexus Gallery, the Boston Arts Festival, the Corcoran Gallery of Art, Joan Peterson Gallery, Galeria Juana Mordo, and the Whitney Museum of American Art, among others. In 1964, Christopher was invited to present his paintings to Dr. Martin Luther King, Jr. during the presentation of Dr. King's papers to Boston University. This is where Christopher met King.

Christopher moved to Hartland, Vermont in 1960, with his partner painter George Tooker. He remained there for the rest of his life. Christopher died in 1973.
Provenance:
William Christopher donated his papers to the Archives of American Art in 1972.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Glass plate negatives are housed separately and closed to researchers.
Rights:
The William Christopher papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Civil rights demonstrations -- Alabama -- Selma  Search this
Civil rights -- United States  Search this
African Americans -- Civil rights  Search this
Genre/Form:
Drawings
Diaries
Motion pictures (visual works)
Sketches
Sketchbooks
Photographs
Citation:
William Christopher papers, circa 1920s-circa 1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chriwill
See more items in:
William Christopher papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chriwill
Online Media:

Oversized Posters

Collection Artist:
Christopher, William R, 1924-1973  Search this
Container:
Box OV 12
Type:
Archival materials
Date:
circa 1950s-1972
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The William Christopher papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
William Christopher papers, circa 1920s-circa 1973. Archives of American Art, Smithsonian Institution.
See more items in:
William Christopher papers
William Christopher papers / Series 7: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-chriwill-ref112

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