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Eleanor Dickinson Pentecostal Videotape and Audiotape Collection

Producer:
Dickinson, Eleanor, 1931-  Search this
Collector:
Community Life, Div. of, NMAH, SI  Search this
Interviewee:
Mayes, Harrison  Search this
Extent:
0.5 Cubic feet (2 boxes, 6 videotapes, 1 audiotape)
Type:
Collection descriptions
Archival materials
Videotapes
Audiotapes
Place:
Appalachian Region
Date:
1967-1977
Scope and Contents:
Videotapes of Pentecostal ceremonies, such as snake handling, laying on of hands, baptisms, foot washing, casting out of devils, dancing in ecstasy; a video interview with Brother Harrison Mayes at his home in Middleburg, Kentucky; and an audiotape of revival meetings.
Arrangement:
Collection is arranged in one series:

Series 1, Audiovisual
Biographical / Historical:
Eleanor Creekmore Dickinson, artist, produced several exhibits as well as a book on Pentecostal worship in the South entitled Revival! She documented Pentecostal and Baptist ceremonies using videotape, audiotape, line drawings and velvet painting.

Dickinson was born February 7, 1931, in Knoxville, Tennessee. She was educated at the University of Tennessee (B.A., Fine Art, 1952); the San Francisco Art Institute (painting and printmaking, 1961-1963); the Académie Grande Chaumière, Paris (drawing, 1971); the University of California at Berkeley (history, 1967 and 1981), and the California College of Arts and Crafts (Master of Fine Arts in Video, 1982). She began teaching at the California College of Arts and Crafts as Professor of Art in 1971.

She has had numerous solo and group exhibitions, has received grants in connection with her work, and is represented in more than a dozen public collections, including the Corcoran Gallery of Art, the San Francisco Museum of Modern Art, the Library of Congress, and the Oakland Museum.

A resume and selected bibliography, compiled in 1986, are in the Archives Center's collection control files.
Related Materials:
Related artifacts in Division of Community Life, NMAH (see accessions 306082, 306787, 1981.0570, and 1978.0344); related materials in the SI Archives of American Art and the Library of Congress.
Provenance:
Collection donated by Eleanor Dickinson in 1980 and transferred to the Archives Center from the National Museum of American History Division of Community Life in 1986.
Restrictions:
Collection is open for research. No reference copies exist. Orginals are not accessable.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Baptists  Search this
Evangelistic work  Search this
Religion -- Videotapes  Search this
Religion and culture -- Videotapes  Search this
Foot washing (Rite)  Search this
Ecstatic dance  Search this
Imposition of hands  Search this
Foot -- Religious aspects  Search this
Revivals  Search this
Exorcism  Search this
Baptism  Search this
Snake cults (Holiness churches) -- Videotapes  Search this
Rites and ceremonies -- Videtoapes  Search this
Pentecostal churches  Search this
Genre/Form:
Videotapes
Audiotapes -- 1940-1980
Citation:
Eleanor Dickinson Pentecostal Videotape and Audiotape Collection, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0199
See more items in:
Eleanor Dickinson Pentecostal Videotape and Audiotape Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0199

Benjamin Franklin Bridge Photograph Album

Source:
Work and Industry, Division of, NMAH, SI  Search this
Former owner:
Work and Industry, Division of, NMAH, SI  Search this
Names:
Modjeski, Ralph, 1861-1940  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Photograph albums
Place:
Benjamin Franklin Bridge (Philadelphia, Pa.)
Philadelphia (Pa.)
Camden (N.J.)
Date:
1922-1926.
Summary:
Sixty-six pages from a photograph album compiled by an anonymous photographer, documenting the Philadelphia-Camden or Delaware River Bridge, now called the Benjamin Franklin Bridge.
Scope and Contents note:
Pages from a photograph album compiled by an anonymous photographer, documenting the Philadelphia-Camden or Delaware River Bridge, now called the Benjamin Franklin Bridge. The album includes images of a parade celebrating the beginning of construction of the bridge, demolition of buildings to make room for the bridge, the construction, the machinery, the caissons, and the celebration of completion. The Chief Engineer, Ralph Modjeski, is also depicted. The images contain detailed captions.
Arrangement:
Collection is arranged into one series.
Provenance:
Collection purchased in 1987.
Restrictions:
Collection is open for research. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Suspension bridges  Search this
Ceremonies -- United States  Search this
Bridges -- Pennsylvania  Search this
Genre/Form:
Photograph albums -- 20th century
Citation:
Ben Franklin Bridge Photograph Album, 1922-1926, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1029
See more items in:
Benjamin Franklin Bridge Photograph Album
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1029

George V. Allen photograph collection of American Indians and the American frontier

Collector:
Allen, George V.  Search this
Names:
Albuquerque Indian School  Search this
Castillo de San Marcos (Saint Augustine, Fla.)  Search this
Chilocco Indian School  Search this
Geological Survey (U.S.)  Search this
Haskell Indian Nations University  Search this
United States Indian School (Carlisle, Pa.)  Search this
Yankton Mission (Yankton Indian Reservation, S.D.)  Search this
American Horse, 1840-1908  Search this
Big Bow Chief  Search this
Bogy, Lewis V. (Lewis Vital), 1813-1877  Search this
Cushing, Frank Hamilton, 1857-1900  Search this
Harding, Warren G. (Warren Gamaliel), 1865-1923  Search this
Hough, Walter, 1859-1935  Search this
Iron Bull (Crow Indian chief)  Search this
Kelly, Luther S. (Luther Sage), 1849-1928  Search this
Mató-Tópe, Mandan chief, d. 1837  Search this
Mix, Charles E.  Search this
Monroe, Mark, 1930-  Search this
Moran, John, 1831-1903  Search this
Ouray  Search this
Red Cloud, 1822-1909  Search this
Red Dog (Oglala chief)  Search this
Red Shirt, 1845?-1925  Search this
Reilly, John James, 1838-1894  Search this
Reynolds, Joseph Jones, 1822-1899  Search this
Sitting Bull, 1831-1890  Search this
Spotted Tail, 1823-1881  Search this
Stevenson, Matilda Coxe, 1850-1915  Search this
Two Guns White Calf Blackfoot  Search this
Photographer:
Alvord, Kellogg, & Campbell  Search this
Bailey & Whitesides  Search this
Bailey, Dix, & Mead  Search this
Bennett & Brown  Search this
Black Hills View Company  Search this
Brooks Photo  Search this
Brubaker and Whitesides  Search this
C. Duhem & Bro.  Search this
Calfee & Catlin  Search this
Caswell & Davy  Search this
Copelin & Son  Search this
Cosand & Mosser  Search this
Cunningham & Co. (1880-1889)  Search this
D.D. Merrill, Randall & Co.  Search this
E. & H.T. Anthony (Firm)  Search this
Eaton, of Ralston, Oklahoma  Search this
Griffith & Griffith  Search this
Gurnsey & Illingworth  Search this
Hamilton and Hoyt  Search this
Hamilton and Kodylek  Search this
Hansard & Carden  Search this
Henry L. Shepard & Co.  Search this
Ingersoll View Company  Search this
J.J. Reilly & Co.  Search this
Judd and McLeish  Search this
Keystone View Company  Search this
Kilburn Brothers  Search this
Lawrence & Houseworth  Search this
M.S. Mepham & Bro.  Search this
Martin's Gallery  Search this
Montgomery Ward.  Search this
Ramsour & Pennel  Search this
Reed & McKenney  Search this
Rodocker & Blanchard  Search this
Savage & Ottinger  Search this
Thomas Houseworth & Co.  Search this
Underwood & Underwood  Search this
Universal Photo Art Co.  Search this
Whitney & Zimmerman  Search this
Wittick & Bliss  Search this
Wittick & Russell  Search this
Young & Chase  Search this
Barker, George, 1844-1894  Search this
Barry, D. F. (David Francis), 1854-1934  Search this
Batchelder, B. P. (Benjamin Pierce), 1826-1891  Search this
Bates, Edw. (Edward)  Search this
Beaman, Edward O.  Search this
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Bell, William, 1830-1910  Search this
Benecke, Robert  Search this
Bennett, H. H. (Henry Hamilton), 1843-1908  Search this
Bierstadt, Charles, 1819-1903  Search this
Blessing, S. T.  Search this
Blosser, J. A.  Search this
Bonine, Elias A., 1843-1916  Search this
Brockham, William (of Morris, Minnesota)  Search this
Brown, William Henry, 1844-1886  Search this
Brubaker, C. B.  Search this
Buehman, Henry, 1851-1912  Search this
Calfee, H. B. (Henry Bird), 1848-1912  Search this
Carbutt, John, 1832-1905  Search this
Carter, C. W., 1832-1918  Search this
Chamberlain, W. G. (William Gunnison)  Search this
Chase, D. B. (Dana B.)  Search this
Childs, B. F. (Brainard F.), ca. 1841-1921  Search this
Choate, J. N. (John N.), 1848-1902  Search this
Clark, George A. (George Alfred), 1936-  Search this
Climo, John Saunders  Search this
Cobb, William Henry, 1859-1909  Search this
Conklin, E (Enoch)  Search this
Cozzens, Samuel Woodworth, 1834-1878  Search this
Croft, Thomas  Search this
Cross, W. R. (William R.)  Search this
Currier, Frank, fl. 1890-1909  Search this
Curtis, Edward S., 1868-1952  Search this
Curtis, George E., 1830-1910  Search this
Cushing, W. H., fl. 1870-1889  Search this
Davis, S., fl. 1860-1880  Search this
Doremus, John P., 1827-1890  Search this
Eaton, E. L. (Edric L.), b. ca. 1836  Search this
Ebell, Adrian J. (Adrian John), 1840-1877  Search this
Eisenmann, Charles, b. 1850  Search this
Flanders, Dudley P.  Search this
Forsyth, N. A. (Norman A.), 1869-1949  Search this
Fouch, John H., 1849-1933  Search this
Gardner, Alexander, 1821-1882  Search this
Godkin, William R.  Search this
Goodell, Abner Cheney, 1831-1914  Search this
Graves, C. H. (Carleton H.), d. 1943  Search this
Gurnsey, B. H. (Byron H.), 1833-1880  Search this
Hamilton, J. H. (James H.)  Search this
Hart, Alfred A., 1816-1908  Search this
Hawkins, B.A.  Search this
Haynes, F. Jay (Frank Jay), 1853-1921  Search this
Hazeltine, M. M. (Martin Mason), 1827-1903  Search this
Heister, H. T., (Henry T.), -1895  Search this
Heller, Louis Herman, ca. 1839-1929  Search this
Heston, Wat  Search this
Hillers, John K., 1843-1925  Search this
Hook, W. E. (William Edward), 1833-1908  Search this
Huffman, L. A. (Laton Alton), 1854-1931  Search this
Illingworth, W. H. (William H.), 1842-1893  Search this
Immke, Henry W.  Search this
Ingalls, George W., 1838-1920  Search this
Jackson, William Henry, 1843-1942  Search this
Jacoby, W. H. (William H.), 1841-1905  Search this
Jarvis, J. F. (John F.), b. 1850  Search this
Johnson, W.S.  Search this
Kirkland, Geo. W. (George W.)  Search this
Knight, J. Lee  Search this
Landon, S. C. (Seth C.), b. 1825  Search this
Leonard & Martin  Search this
Line, A. A.  Search this
Little, H.N.  Search this
Marshall, William I. (William Isaac), 1840-1906  Search this
Martin, Alex (Alexander), 1841-1929  Search this
Maude, F. H. (Frederic Hamer)  Search this
Maynard, Hannah, 1834-1918  Search this
Maynard, Richard, 1832-1907  Search this
McIntyre, A. C. (Alexander Carson)  Search this
Meddaugh, J. E.  Search this
Mellen, Geo. E. (George Egbert), b. 1854  Search this
Mepham, Michael S.  Search this
Mitchell, Daniel S.  Search this
Morrow, Stanley J.  Search this
Muybridge, Eadweard, 1830-1904  Search this
Newcomb, C. H.  Search this
Nims, F.A.  Search this
O'Sullivan, Timothy H., 1840-1882  Search this
Palmer, A. A.  Search this
Parker, Joseph C.  Search this
Pierron, Geo. (George), b. 1816  Search this
Pollock, Charles, 1832-1910  Search this
Powers, F. F.  Search this
Raitt, T.G.  Search this
Randall, A. F. (A. Frank)  Search this
Rau, William Herman, 1855-1920  Search this
Rinehart, F. A. (Frank A.)  Search this
Rodocker, D. (David)  Search this
Rothrock, George H.  Search this
Rudy, W. Ira  Search this
Russell, Andrew J.  Search this
Rutter, Thomas H., 1837-1925  Search this
Savage, C. R. (Charles Roscoe), 1832-1909  Search this
Seaver, C. (Charles)  Search this
Sedgwick, S. J. (Stephen James)  Search this
Shipler, James William, 1849-1937  Search this
Soule, John P.  Search this
Stoddard, Seneca Ray, 1844-1917  Search this
Taber, I. W. (Isaiah West), 1830-1912  Search this
Thorne, G.W.  Search this
Thurlow, J., 1831-1878  Search this
Towne, Bertram C.  Search this
Trager, George E.  Search this
Upton, B. F. (Benjamin Franklin)  Search this
Watkins, Carleton E., 1829-1916  Search this
Weitfle, Charles, 1836-1921  Search this
Wendt, Julius M.  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Williscraft, W.H.  Search this
Wittick, Ben, 1845-1903  Search this
Woodburn, J. R.  Search this
Zimmerman, Charles A., 1844-1909  Search this
Publisher:
Beal's Gallery  Search this
Continent Stereoscopic Company  Search this
Florida Club (Cooperative)  Search this
Union View Company  Search this
Webster & Albee  Search this
Smith, O. C.  Search this
Extent:
67 lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Culture:
Puyallup Indians  Search this
Diegueño Indians  Search this
Ojibwa Indians  Search this
Tohono O'Odham Indians  Search this
Kalispel Indians  Search this
Indians of North America -- California  Search this
Taos Indians  Search this
Nootka Indians  Search this
Kickapoo Indians  Search this
Laguna Indians  Search this
Pueblo Indians  Search this
Winnebago Indians  Search this
Havasupai Indians  Search this
Assiniboine Indians  Search this
Isleta Indians  Search this
Mohave Indians  Search this
Miwok Indians  Search this
Kwakiutl Indians  Search this
Arctic peoples  Search this
Pima Indians  Search this
Maricopa Indians  Search this
Iroquois Indians  Search this
Hopi Indians  Search this
Modoc Indians  Search this
Zuni Indians  Search this
Nez Percé Indians  Search this
Washo Indians  Search this
Gros Ventre Indians (Montana)  Search this
Tonkawa Indians  Search this
Navajo Indians  Search this
Yavapai Indians  Search this
Ute Indians  Search this
Sauk Indians  Search this
Pawnee Indians  Search this
Indians of North America -- Great Plains  Search this
Bannock Indians  Search this
Shoshoni Indians  Search this
Cochiti Indians  Search this
Omaha Indians  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Northwest Coast of North America  Search this
Choctaw Indians  Search this
Dakota Indians  Search this
Eskimos  Search this
Salish Indians  Search this
Indians of North America -- Plateau  Search this
Cheyenne Indians  Search this
Mandan Indians  Search this
Arikara Indians  Search this
Tlingit Indians  Search this
Indians of North America -- Northeast  Search this
Haida Indians  Search this
Cree Indians  Search this
Crow Indians  Search this
Acoma Indians  Search this
Quapaw Indians  Search this
Osage Indians  Search this
Apache Indians  Search this
Kansa Indians  Search this
Umatilla Indians  Search this
Shawnee Indians  Search this
Fox Indians  Search this
Pomo Indians  Search this
Indians of North America -- Southern States  Search this
Indians of North America -- Subarctic  Search this
Paiute Indians  Search this
Seminole Indians  Search this
Micmac Indians  Search this
Comanche Indians  Search this
Potawatomi Indians  Search this
Type:
Collection descriptions
Archival materials
Lantern slides
Negatives
Autochromes (photographs)
Stereographs
Prints
Postcards
Place:
Custer Battlefield (Montana)
Date:
circa 1860-1935
Scope and Contents note:
Photographs relating to American Indian or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.

There are studio portraits of well-known Indians, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.

Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.

Outstanding single views include the party of Zuni Indians led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen collected an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Local Call Number(s):
NAA Photo Lot 90-1
See others in:
George V. Allen photograph collection of American Indians and the American frontier, circa 1860-1935
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Camps  Search this
Child care  Search this
Rites and ceremonies  Search this
Totem poles  Search this
Cookery  Search this
Wild west shows  Search this
Fishing  Search this
Hunting  Search this
Transportation  Search this
Dwellings  Search this
Funeral rites and ceremonies  Search this
Wounded Knee Massacre, S.D., 1890  Search this
Citation:
Photo Lot 90-1, George V. Allen photograph collection of American Indians and the American frontier, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.90-1
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-90-1

MS 1837 Ghost Dance Ethnology

Collector:
Michelson, Truman, 1879-1938  Search this
Extent:
8 Pages
Culture:
Fox -- Ghost dance  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Syllabary text only.
Local Numbers:
NAA MS 1837
Topic:
Ghost dance -- Fox  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 1837, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1837
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms1837

Eugene O. Leonard photograph collection of Pocatello and Fort Hall, Idaho

Collector:
Leonard, Eugene O.  Search this
Publisher:
Albertype Co.  Search this
Cardinell-Vincent Co.  Search this
Detroit Photographic Co.  Search this
Detroit Publishing Co.  Search this
H.G. Zimmerman & Co.  Search this
J.L. Robbins Co.  Search this
Newman Postcard Co.  Search this
The Rotograph Co.  Search this
Union Pacific Railroad Company  Search this
Van Ornum Colorprint Co.  Search this
Andrews, Wesley  Search this
Mitchell, Edward H.  Search this
Tammen, Harry Heye, 1856-1924  Search this
Thayer, Frank S.  Search this
Photographer:
Bennett's Lightning Portraits  Search this
Eastman Kodak Company  Search this
Hedum and Bishop  Search this
Newcomb Bros.  Search this
Rodgers and Newing  Search this
Todd Photograhic Co.  Search this
William L. Koehne Studio  Search this
Ahuja, D. A.  Search this
Cobb, George N.  Search this
Gifford, Benjamin A.  Search this
Haynes, F. Jay (Frank Jay), 1853-1921  Search this
Jackson, William Henry, 1843-1942  Search this
McEvoy, J. J.  Search this
Rise, Carl H., 1888-1939  Search this
Rothrock, George H.  Search this
Savage, C. R. (Charles Roscoe), 1832-1909  Search this
Vroman, A. C. (Adam Clark), 1856-1916  Search this
Weitfle, Charles, 1836-1921  Search this
Wrensted, Benedicte, 1859-1949  Search this
Names:
United States. Bureau of Indian Affairs. Fort Hall Agency  Search this
Leonard, Robert M. (photo album compiler and donor)  Search this
Extent:
4 glass positives
6 prints and postcards (photogravure)
1 Tintype
100 Negatives (circa, glass)
220 copy prints (circa)
9 prints and postcards (cyanotype)
99 Items (99 photomechanical prints and postcards, halftone, color halftone, collotype, photgravure)
1,000 Negatives (circa, nitrate)
734 Photographic prints (circa, silver gelatin, albumen, and platinum (including photographic postcards and cabinet cards))
Culture:
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Basin  Search this
Hopi Indians  Search this
Bannock Indians  Search this
Shoshoni Indians  Search this
Nez Percé Indians  Search this
Navajo Indians  Search this
Tewa Indians  Search this
Indians of North America -- Plateau  Search this
Type:
Collection descriptions
Archival materials
Glass positives
Prints and postcards
Tintypes
Negatives
Copy prints
Photographic prints
Postcards
Photographs
Place:
Soda Springs (Idaho)
Yellowstone National Park
Fort Hall Indian Reservation (Idaho)
Pocatello (Idaho)
Shoshone Falls (Idaho)
Date:
circa 1880-1920
Scope and Contents note:
Unbound album pages (labeled A through Q) with photographs documenting the people and culture of the Pocatello-Fort Hall area, including American Indians (particularly Shoshone-Bannock tribes), agency employees, and missionaries. Included are images of encampments, Sun Dance ceremonies, the Fort Hall Agency, Indian schools and churches, the Run for Fort Hall Lands on June 17, 1902, the War Bonnett Roundup at Idaho Falls, Shoshone Falls and other natural features and landscapes, a large number of street and aerial views of Pocatello, A. L. Cook's drug store in Pocatello, and members of the Cook family. In addition, there are photographs of Nez Perce, Hopi, San Juan, and Navaho Indians, and one image of the Lapps Indians at Port Townsend, Washington. A large number of the photographs were made by Benedicte Wrensted.

The albums were compiled by Robert Leonard, Eugene O. Leonard's son, who also made copy prints of many of the photographs and negatives. They include flyers, newspapers, envelopes, and other scraps collected by Leonard.
Biographical/Historical note:
Eugene O. Leonard (1884-1964) moved to Pocatello, Idaho, in 1893 to live with his aunt, the widow of A. L. Cook and owner of the Cook building and drugstore. Leonard attended Weiser College and Academy (now College of Idaho), Whitman College, and Northwestern University. He acquired degrees in phamacy and pharmaceutical chemistry from Northwestern University, and a degree in assaying studies from the Chicago College of Chemistry. After graduation from the College in 1908, Leonard returned to Pocatello to manage the Cook Drug Store until 1918. He worked as Pocatello City Chemist and set up the College of Pharmacy at Idaho State College, where he also taught and served as dean (1918-1954). In the 1930s, Leonard obtained a MS and PhD from Utah State University. Possibly encouraged by his collector aunt, Leonard established a collection of Indian material culture objects and documentations, including artifacts and these photograhs, based on his interest in the Shoshoni and Bannock Indians at nearby Fort Hall.
Local Call Number(s):
NAA Photo Lot 92-3
Location of Other Archival Materials:
The Idaho Museum of Natural History at Idaho State University holds artifacts collected by Eugene O. Leonard.
The Bannock County Historical Museum in Pocatello holds the Leonard Family Papers, 1893-1917.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Many have associated prints.
Rights:
Contact the repository for terms of use.
Topic:
Pharmacy  Search this
Sun Dance  Search this
Schools  Search this
Camps  Search this
Dance  Search this
Genre/Form:
Postcards
Photographs
Citation:
Photo Lot 92-3, Eugene O. Leonard photograph collection of Pocatello and Fort Hall, Idaho, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.92-3
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-92-3
Online Media:

Eduardo Masferre photographs of the Luzon Cordillera

Creator:
Masferré, E. (Eduardo), 1909-1995  Search this
Extent:
152 Prints (silver gelatin)
Culture:
Igorot (Philippine people)  Search this
Kalinga (Philippine people)  Search this
Bontoks (Philippine people)  Search this
Ifugao (Philippine people)  Search this
Gaddang (Philippine people)  Search this
Kankanay (Philippine people)  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Cordillera Administrative Region (Philippines)
Philippines
Date:
circa 1934-1956
Scope and Contents note:
Photographs made by Eduardo Masfere documenting the lives and culture of the Igorot (mountain) people, mainly Bontok and Kalinga. There are also a few photographs that relate to the Gaddang, Ifugao, and Kankanai. Many of the photographs are portraits, though others show pipes and tobacco use, basketry and weaving, ceremonies, and agriculture.
Biographical/Historical note:
Eduardo Masferre (1909-1995) was born in the Gran Cordillera Central region of Luzon to a Spanish father and native Filipino mother from the Kankanai tribe. Between 1914 and 1921, the Masferre family lived in Spain, where Eduardo began his education. After completing his schooling in the Philippines, Masferre followed in his father's footsteps and became a missionary teacher and then a missionary administrator in Sagada. He began photographing the mountain tribes in 1934, documenting traditions that he feared would be lost. After World War II, he opened a photographic studio in Bontok, selling studio portraits as well as photographs of nearby villages. In 1988, a book of his photographs, E. Masferre: People of the Philippine Cordillera, was produced.
Local Call Number(s):
NAA Photo Lot 91-30
Location of Other Archival Materials:
A photograph of Masferre held in the National Anthropological Archives in Photo Lot R92-43.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
These photographs cannot be published without permission from Eduardo Masferre's heirs.
Topic:
Basket making  Search this
Tobacco  Search this
Tattooing  Search this
Pottery craft  Search this
Textile fabrics  Search this
Weaving  Search this
Rites and ceremonies  Search this
Dance  Search this
Agriculture  Search this
Cooking  Search this
Dwellings  Search this
Musical instruments  Search this
Genre/Form:
Photographs
Citation:
Photo lot 91-30, Eduardo Masferre photographs of the Luzon Cordillera, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.91-30
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-91-30

Helga Teiwes photograph collection

Photographer:
Teiwes, Helga  Search this
Names:
Arizona State Museum  Search this
Gila River Indian Reservation (Ariz.)  Search this
Navajo Nation, Arizona, New Mexico & Utah  Search this
Extent:
3775 negatives (photographic)
3126 slides (photographs)
433 Photographic prints
196 Transparencies
16 Linear feet
Culture:
San Carlos Apache  Search this
Akimel O'odham (Pima)  Search this
Hopi Pueblo  Search this
Diné (Navajo)  Search this
Rarámuri (Tarahumara)  Search this
Tohono O'odham (Papago)  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Slides (photographs)
Photographic prints
Transparencies
Photographs
Place:
Cuzco (Peru)
Machu Picchu Site (Peru)
Peru
Arizona
Mexico
New Mexico
Date:
1965-2002
Summary:
The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002. For over thirty years Teiwes worked as a staff photographer for the Arizona State Museum, photographing and documenting Native American communities across the American Southwest. During this time, Teiwes also privately took photographs and built personal relationships among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes. These photographs include portraits of artists at work, families in their homes, daily life on the reservation, special events and landscape photography. Additionally, the Teiwes collection includes photographs from a 1975 trip to Peru and photographs of the Tarahumara (Rarámuri) community in Chihuahua, Mexico.
Scope and Contents:
The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002 across the American Southwest, Mexico and Peru. The majority of the photographs document daily life and activities, artists at work, and special events among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes in Arizona and New Mexico. A smaller amount of photographs documents trips Teiwes made to Mexico to photograph the Tarahumara (Rarámuri) community in Chihuahua and a 1975 summer trip to Peru. The collection is arranged into seven series with additional subseries.

Series 1, Akimel O'odham (Pima), 1965-1993, 2001, contains photographs mostly taken among the Gila River Indian Community in Arizona. These include intimate portraits, landscape views and views of farming and agriculture. Of particular note are photographs of Patricia "Pat" Stone and her family and basket weaver Julia Francisco. The majority of the photographs in Series 2, Apache, 1973-1994, are from two San Carlos Apache coming of age ceremonies, or "Changing Woman" ceremonies, from 1992 and 1994. The 1992 ceremony for Leia Tenille Johnson was held in Whiteriver, Arizona and the 1994 ceremony for Vanessa Jordan of Bylas, Arizona. A selection of 50 photographic prints from these ceremonies were later exhibited in "Western Apache Sunrise Ceremony" at the University of Kansas Museum of Anthropology. The largest series, Series 3, Diné (Navajo), 1969-2002, is divided into seven subseries by topics. This includes artists and artisans, families and individuals across the Navajo Nation, industry and agriculture, trading posts and markets, places, schools, and other topics. Of particular note are the photographs of the Greyeyes family from Tsegi Canyon, Arizona. In addition to photographing matriarch Bessie Salt Greyeyes at home with family, weaving, cooking, shopping around town and herding sheep and goats, Teiwes accompanied Pete Greyeyes to work at the Peabody Coal Mining Company. Other places and events of note include photographs of Monument Valley, Window Rock, seat of the Navajo Nation, the Hubbell and Shonto trading posts and the 1990 graduation from Navajo Community College (Now Diné College).

Series 4, Hopi, 1968-2002, highlights the work and artistry of Hopi basket weavers. Many of the photographs in this series were included in Teiwes's 1996 book Hopi Basket Weaving: Artistry in Natural Fibers. Coiled basket weavers from the Second Mesa include Madeline Lamson, Joyce Ann Saufkie, Evelyn Selestewa and Bertha Wadsworth, among others. Wicker basket weavers from the Third Mesa include Eva Hoyungowa, Abigail Kaursgowva, Vera Pooyouma and Vernita Silas, among others. Teiwes also photographed additional artists and events on the Hopi reservation including Maechel Saufkie's 1995 wedding. Series 5, Peru, 1975 includes photographs from Teiwes's 1975 summer trip to Peru. Teiwes visited and photographed several pre-Colombian archaeological sites including Sacsahuaman and Machu Piccu in addition to photographing in larger cities such as Cuzco, Lima and Quito (Ecuador). A large number of photographs in this series are from the Inti Raymi parade and festival held in Cuzco during their winter solstice. Series 6, Tarahumara (Rarámuri), 1971, 1977-1979 contains photographs from three trips to Chihuahua, Mexico to photograph the Tarahumara (Rarámuri) people for an Arizona State Museum exhibition held in 1979. Also included are photographs from the exhibition opening in Arizona. Series 7, Tohono O'odham, 1969-1995, 2002 contains photographs of the saguaro cactus harvest in addition to other special events among the Tohono O'odham people. Teiwes documented Juanita Ahill, and later her niece Stella Tucker, throughout the process of harvesting and processing the saguaro cactus plant to make jam and ceremonial wine. Additional events photographed in this series include the San Xavier Elders parade and Tumacacori festival.

The photographs in this collection range all media types: 6x6cm color/black and white negatives; 35mm color/black and white negatives; 35mm and 6x6cm color slides; 6x6cm transparencies; contact sheets; and 3x5, 4x6, 8x10 and larger color/black and white photographic prints, some matted for sale or exhibition purposes. Teiwes did include handwritten notations on the backs of some photographs and slide mounts. There is also a small amount of paper documentation.
Arrangement:
This collection is arranged into seven series by culture group or location. Series 1: Akimel O'odham (Pima), Series 2: Apache, Series 3: Diné (Navajo), Series 4: Hopi, Series 5: Peru, Series 6: Tarahumara (Rarámuri), Series 7: Tohono O'odham.
Biographical / Historical:
Helga Kulbe Teiwes was born in Büderich, near Düsseldorf, in Germany in 1930. In 1950 Teiwes began a trade apprenticeship in photography under Master photographer Erna Hehmke-Winterer, a specialist in black and white portraiture, architectural and industrial photography. In 1957 Teiwes earned her master's degree in photography and worked as an industrial photographer in Düsseldorf until she emigrated to New York in 1960. During her four years in New York City, Teiwes worked as a darkroom worker, an assistant photographer for Cartier Jewelers and as a transparency retoucher. She also continued to build her portfolio through free-lance work. In 1964, a trip to Mesa Verde inspired Teiwes to seek work in the Southwest. The same year she was hired by Dr. Emil Haury of the University of Arizona to photograph his excavation of Snaketown on the Gila River Indian Reservation. Following Snaketown, Teiwes was hired as a museum photographer for the Arizona State Museum (ASM) at the University of Arizona in Tucson. She was also sought after for other archaeological projects during the 1960s and 1970s to take publication and studio shots. During this time, Teiwes developed a deep interest in the people and cultures of the Southwest and spent a significant amount of time on reservations building personal relationships among the Hopi, Apache, Tohono O'dham and Diné (Navajo) among others. Teiwes took a particular interest in documenting Native artists and the work they produced, including basket weavers, potters, jewelers and carvers. Teiwes also worked to capture everyday life among the Native people of the Southwest in addition to documenting special events like the Apache coming of age ceremony and the Tohono O'odham Saguaro Cactus harvest. Teiwes retired from the Arizona State Museum in 1993 but continued to work as a freelance photographer and writer in Tuscon.

Throughout her career Teiwes's photographs and essays were published nationally and internationally. Her photographic study Navajo was published by the Swiss publisher U. Bar Varlag in 1991 and published in English in 1993. Her books Kachina Dolls: The Art of the Hopi Carvers and Hopi Basket Weaving: Artistry in Natural Fibers were published by the University of Arizona Press in 1991 and 1996. From October 2003 to June 2004, the Arizona State Museum held an exhibition titled "With an Eye on Culture: The Photography of Helga Teiwes" highlighting the broad scope of her career.

In 2013, Teiwes donated her collection of personal photographs, not taken for the Arizona State Museum, to the National Museum of the American Indian, Archive Center. Teiwes's photographs taken for the Arizona State Museum are housed in the ASM's photographic archives.
Related Materials:
There is a large collection of photographs at the Arizona State Museum where Teiwes worked from 1964-1993. These photographs include harvesting of mesquite, cholla, and saguaro; traditional farming of corn at Hopi and of tepary beans among the Tohono O'odham; and craftspeople and their art in basketry, katsina carving, pottery, and weaving.
Provenance:
This collection was donated by Helga Teiwes in 2013.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Please contact the NMAI Archive Center (NMAIArchives@si.edu) regarding the use of this collection, donor restrictions apply.
Topic:
Navajo Indians -- Agriculture  Search this
Navajo artists -- Photographs  Search this
Changing Woman Ceremony (Apache rite)  Search this
Indians of North America -- Arizona -- Photographs  Search this
Basket making -- Hopi  Search this
Indians of North America -- New Mexico -- Photographs  Search this
Saguaro -- Arizona  Search this
Basket making -- Pima  Search this
Navajo Indians -- Social life and customs  Search this
Indians of North America -- Southwest -- Photographs  Search this
Hopi women -- Photographs  Search this
Genre/Form:
Negatives (photographic)
Photographic prints
Slides (photographs)
Photographs
Citation:
Identification of specific item; Date (if known); Helga Teiwes Photograph Collection, Box and Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.070
See more items in:
Helga Teiwes photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-070
Online Media:

Emry Kopta collection

Creator:
Kopta, Emry  Search this
Extent:
413 Photographic prints (black and white)
103 negatives (photographic) (black and white)
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Photographs
Black-and-white negatives
Place:
Arizona
Date:
1907-1924
Summary:
The Emry collection contains images of Hopi ceremonies, including the Soyaluna Ceremony, the Niman Ceremony, Katsina dances, the Snake Dance, the Butterfly Dance and the Buffalo Dance.
Arrangement note:
Negatives: organized in envelopes; arranged by image number

Prints: organized in folders; arranged by image number
Biographical/Historical note:
Artist Emry Kopta lived and worked for more than twelve years at First Mesa with a Hopi family that adopted him. While living as part of the community, he made more than two hundred photographs of the Hopi, ranging from scenes of everyday life to religious ceremonies.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Restricted: Cultural Sensitivity
Topic:
Hopi Indians -- Rites and ceremonies  Search this
Snake dance  Search this
Hopi Indians  Search this
Hopi dance  Search this
Genre/Form:
Photographs
Photographic prints
Black-and-white negatives
Citation:
Emry Kopta collection, 1907-1924, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
Identifier:
NMAI.AC.036
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-036

Copies of Stephen E. Feraca photographs of Siouan Indians and Sun Dance

Creator:
Feraca, Stephen E., 1934-  Search this
Extent:
85 copy color slides
Culture:
Indians of North America -- Great Plains  Search this
Dakota Indians  Search this
Oglala Indians  Search this
Type:
Collection descriptions
Archival materials
Copy color slides
Photographs
Place:
Pine Ridge Indian Reservation (S.D.)
Rosebud Indian Reservation (S.D.)
Date:
circa 1954-1961
Scope and Contents note:
Copies of photographs mostly depicting Sun Dances on the Pine Ridge and Rosebud Indian Reservations. They depict Oglala, Dakota, and other Siouan Indians, encampments, wagons, tipis, and a powwow.
Biographical/Historical note:
Stephen E. Feraca was an employee of the Department of the Interior, based at the Pine Ridge Reservation in South Dakota. He earned a masters degree from Columbia University (ca. 1957); his thesis was titled "The contemporary Teton Sioux Sun Dance." He also authored the book Wakinyan: Lakota Religion in the Twentieth Century, University of Nebraska Press, 1998. Feraca retired from the Department of the Interior in 1985.
Local Call Number(s):
NAA Photo Lot R92-49
Reproduction Note:
Copy slides made by Smithsonian Institution, 1989.
Location of Other Archival Materials:
Correspondence from Feraca held in the National Anthropological Archives in the James Henri Howard Papers.
Provenance:
Originals loaned for copying by Stephen Feraca through Joallyn Archambault, 1989.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Topic:
Tipis  Search this
Wagons  Search this
Sun Dance  Search this
Camps  Search this
Genre/Form:
Photographs
Citation:
Photo Lot R92-49, Copies of Stephen E. Feraca photographs of Siouan Indians and Sun Dance, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.R92-49
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r92-49

Bill Wright photographs of Tiwa Indians of Tigua Pueblo

Creator:
Wright, Bill  Search this
Names:
Mount Carmel Mission (Los Ranchos de Albuquerque, N.M.)  Search this
Extent:
54 Prints (silver gelatin)
Culture:
Indians of North America -- Southwest, New  Search this
Tiwa Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
circa 1986-1993
Scope and Contents note:
Photographs made in connection with Wright's book The Tiguas: Pueblo Indians of Texas. They include images of Tiwa Indians, ceremonies, processions on the days of St. John and St. Anthony, dancers, bread-making, pottery, dwellings, the Tigua Visitor Center, Mount Carmel Mission, and Gran Quivira. Many photographs show Tiwa individuals at their place of work, including the Paso Pak Chili Company manufacturing plant and the El Paso County sheriff's office.
Biographical/Historical note:
Bill Wright is a businessman and photographer in Abilene, Texas. He is the author or photographer of four photography books: Portraits from the Desert: Bill Wright's Big Bend, The Tiguas: Pueblo Indians of Texas, The Texas Kicakpoo: Keepers of Tradition, and People's Lives: A Photographic Celebration of the Human Spirit.
Local Call Number(s):
NAA Photo Lot 98-39
Location of Other Archival Materials:
Additional Bill Wright photographs held in National Anthropological Archives Photo Lot 91-3.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Rites and ceremonies  Search this
Dwellings  Search this
Religion  Search this
Citation:
Photo Lot 98-39, Bill Wright photographs of Tiwa Indians of Tigua Pueblo, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.98-39
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-98-39

Copies of Mary Ogden Dranga photograph album of Hopi pueblos

Creator:
Dranga, Mary Ogden (collector and album maker)  Search this
Photographer:
Forbes, A. A.  Search this
Names:
Hodge, Frederick Webb, 1864-1956  Search this
James, George Wharton, 1858-1923  Search this
Keam, Thomas V.  Search this
Collector:
Hough, Myrtle Zuck  Search this
Hough, Walter, 1859-1935  Search this
Extent:
21 copy prints
Culture:
Indians of North America -- Southwest, New  Search this
Hopi Indians  Search this
Type:
Collection descriptions
Archival materials
Copy prints
Photographs
Place:
Walpi (Arizona)
Hopi Indian Reservation (Ariz.)
Date:
circa 1893-1895
Scope and Contents note:
Copies of photographs collected by Mary Ogden Dranga that relate to Hopi Indians. They include images of Hopi pueblos, a Snake Dance, and a Green Corn Dance, made by A. A. Forbes; an expedition party at Moqui Pueblo, including Frederick Webb Hodge and George Wharton James in 1895; and Thomas v. Keam's house. The album in which the original prints are mounted was probably originally compiled in 1895 by Mary Ogden Dranga for Myrtle Zuck, wife of anthropologist Walter Hough; a notation on the cover states: "Myrtle Zuck. December Twenty-second, Eighteen hundred and ninety-five. From Mary Ogden Dranga."
Biographical/Historical note:
Mary Ogden Dranga was a social worker who was married from 1912-1918 to Charles F. F. Campbell, founder of the Massachusetts Association of the Blind and the journal "Outlook for the Blind."
Local Call Number(s):
NAA Photo Lot R92-15
Reproduction Note:
Copy negatives and prints made by Smithsonian Institution, 1992.
Location of Other Archival Materials:
Additional Forbes photographs held in National Anthropological Archives Photo Lot 59.
Walter Hough's papers held in the National Anthropological Archives in the Department of Anthropology records.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Topic:
Snake dance  Search this
Dwellings  Search this
Dance  Search this
Pueblos  Search this
Genre/Form:
Photographs
Citation:
Photo Lot R92-15, Copies of Mary Ogden Dranga photograph album of Hopi pueblos, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R92-15
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r92-15

Emilienne Ireland photographs and audio recording of Waura dance preparation

Creator:
Ireland, Emilienne  Search this
Extent:
2 Sound cassettes
57 color slides
Culture:
Waura Indians  Search this
Type:
Collection descriptions
Archival materials
Sound cassettes
Color slides
Photographs
Audiocassettes
Place:
Parque Nacional do Xingu (Brazil)
Date:
1982-1983
Scope and Contents note:
Images of Waura Indians making dance costumes from buriti palm fiber and food for a curing ceremony.
Biographical/Historical note:
Emilienne Ireland resided in a Waura village for 18 months (1982-1983) as part of her doctoral studies in Social Anthropology at Yale University. She commissioned the making of dance costumes depicted in this collection. The garments were used in a curing ceremony after she became ill while in the village. Ireland continues to work with the Waura as a project leader for the Return of the Captured Spirits project and in collaboration with documentary filmmakers.
Local Call Number(s):
NAA Photo Lot 89-37, USNM ACC 361012
Location of Other Archival Materials:
Ireland's manuscript describing "Kwahahalu and Sapukuyawa Ceremonial Masks," which was donated at the same time as this collection, can be found in the National Anthropological Archives in MS 2000-41.
Dance costumes and a scarifier donated by Ireland can be found in the Department of Anthropology in accession 361012.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Copyrighted photographs cannot be reproduced without permission from the photographer.
Topic:
Rites and ceremonies  Search this
dance costume  Search this
Genre/Form:
Photographs
Audiocassettes
Citation:
Photo Lot 89-37, Emilienne Ireland photographs and audio recording of Waura dance preparation, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.89-37
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-89-37

MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet

Creator:
Little Chief, Daniel, d. 1906.  Search this
Annotator:
Gatschet, Albert S. (Albert Samuel), 1832-1907  Search this
Extent:
1 Item (disbound volume (65 pages) of 29 drawings and 34 pages of typescript.)
Culture:
Cheyenne -- Northern  Search this
Cheyenne Indians  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Ledger drawings
Date:
1891 February
Scope and Contents:
29 drawings and 34 pages of typed explanatory text, formerly bound together, now disbound, plus an identifying title page handwritten by Albert Gatschet and one drawing on ruled paper. The explanatory text was transcribed from Gatschet's notebook, No. 2016-b, with corrections by Gatschet. T.p. inscribed: "Crayon Pictures of Cheyenne Ceremonial Customs and Implements. Drawn by Wuxpais or Daniel Littlechief, son of the present headchief of the Cheyenne Indians of South Dakota, at the Pine Ridge Agency. Explained by notes obtained from the same Indian by Albert S. Gatschet." The last drawing in the volume is signed "T.D. Little Chief," but cannot be identified as a drawing by Daniel Little Chief. Subjects include ceremonial items, name glyphs, painted tipis, and illustrations of Cheyenne customs. A nearly identical set of drawings by Daniel Little Chief is located at the Newberry Library in Chicago. Information provided by Candace Greene.
Biographical / Historical:
Daniel Little Chief, a.k.a. Wuxpais (?-1906), was a Northern Cheyenne warrior whose band of Cheyenne were sent south to the Cheyenne-Arapaho Reservation in Indian Territory after their surrender, traveling there between 1878-1879. In 1881 this band moved north to the Pine Ridge Agency in South Dakota. In 1891 Daniel Littlechief inherited the role of head chief from his father and remained in South Dakota until his death in 1906. For more information see "American Indian Painters: A Biographical Dictionary" by Jeanne Snodgrass 1968, New York: Museum of the American Indian.
Albert S. Gatschet (1832-1907) was educated in his native Switzerland and in Germany (University of Bern [Ph.D., 1892]); University of Berlin. Early in his career, he pursued antiquarian research in European museums and wrote scientific articles. Among his interests was the etymology of Swiss place names. After coming to the United States in 1869, he worked on the American Indian vocabularies collected by Oscar Loew, of the United States Geological Survey West of the 100th Meridian (Wheeler Survey). Eventually John Wesley Powell employed him as an ethnologist with the United States Geographical and Geological Survey of the Rocky Mountain Regions. When it was founded in 1879, he joined the staff of the Bureau of American Ethnology and continued there until he retired in 1905. For the Powell Survey, Gatschet researched the ethnography of the Klamath in Oregon and the Modoc in Oklahoma. He also collected Native American material objects and investigated special problems for Powell's classification of the American Indian languages north of Mexico, working on languages of the Southeast, including groups forcibly settled in the southern Plains. He not only visited well known tribes but also searched out small groups, including the Biloxi and Tunica. He also worked with the Natchez, Tonkawa, Chitimacha, and Atakapa in the United States and Comecrudo and several other small groups in northern Mexico. Through library research, he studied the Timucua, Karankara, and the Beothuk. During the later part of his career, Gatschet was assigned comparative work on all the Algonquian languages. Although the project was never completed, he collected much about many of the languages, especially Peoria, Miami, and Shawnee. In addition, he worked with members of diverse tribes of the eastern United States. For more information, see NAA finding aid located at http://www.nmnh.si.edu/naa/guide/_g1.htm#jrg575
Local Numbers:
NAA MS 2016-a
Varying Form of Title:
Crayon pictures of Cheyenne ceremonial customs and implements / drawn by Wuxpais or Daniel Littlechief ... ; explained by notes from the same Indian by Albert S. Gatschet
Place:
United States South Dakota Pine Ridge Agency.
United States South Dakota Pine Ridge Indian Reservation.
Album Information:
MS 2016a 001
Topic:
Habitations -- Cheyenne  Search this
Sweatbaths -- Cheyenne  Search this
Music -- Cheyenne  Search this
Married people's tipi -- Cheyenne  Search this
Weapons -- Cheyenne  Search this
Pipe -- Cheyenne  Search this
Amulets and fetishes -- Cheyenne  Search this
Medicine -- Cheyenne  Search this
Mortuary customs -- Cheyenne  Search this
Names, Personal -- Cheyenne  Search this
Medicine tent -- Cheyenne  Search this
Sun Dance -- Cheyenne  Search this
Language and languages -- Documentation  Search this
Genre/Form:
Ledger drawings
Citation:
Manuscript 2016-a, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2016A
See more items in:
MS 2016-a Daniel Little Chief drawings of Cheyenne ceremonial customs and implements, with explanations by Albert Gatschet
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2016a
Online Media:

H. Arlo Nimmo papers

Creator:
Nimmo, Harry  Search this
Extent:
5 Linear feet (6 document boxes, 5 card file boxes, 1 binder box, 1 flip-top box plus 16 sound reels; and 12 maps (6 of which are duplicates))
Culture:
Filipinos  Search this
Tausug (Philippine people)  Search this
Bajau (Southeast Asian people)  Search this
Type:
Collection descriptions
Archival materials
Chants
Stories
Songs
Correspondence
Maps
Sound recordings
Slides (photographs)
Place:
Tawitawi (Philippines)
Date:
1965-1967
1963
Summary:
The papers of H. Arlo Nimmo document his field research among the Bajau (also known as Sama Dilaut) in Tawi-Tawi Province in the southern Philippines in 1963, 1965-1967, 1977, 1982, and 1997. The collection consists of correspondence, field journals, censuses, genealogies, kinship charts, transcripts of songs, unpublished manuscripts, card files, photographs, sound recordings, and maps. Nimmo's initial research focused on social change, but he collected data about other aspects of Bajau culture, including social organization, kinship, religion, fishing, boats, boat-building, art, and music.
Scope and Contents:
The papers of H. Arlo Nimmo document his field research among the Bajau (also known as Sama Dilaut) in Tawi-Tawi Province in the southern Philippines in 1963, 1965-1967, 1977, 1982, and 1997. The collection consists of correspondence, field journals, censuses, genealogies, kinship charts, transcripts of songs, unpublished manuscripts, card files, photographs, sound recordings, and maps. Nimmo's initial research focused on social change, but he collected data about other aspects of Bajau culture, including social organization, kinship, religion, fishing, boats, boat-building, art, and music.

Also in the collection are recordings of his 2001 interviews with Gerard Rixhon, an Oblates of Mary Immaculate priest, stationed in Tawi-Tawi and Jolo from 1953 to 1974. In addition, the collection contains materials regarding the Bajau from Don Hart and Rony Bautista.
Arrangement:
This collection is arranged into 6 series: (1) Correspondence; (2) Research Data; (3) Unpublished Manuscripts; (4) Maps; (5) Photographs; (6) Sound Recordings.
Biographical Note:
Harry Arlo Nimmo is a Professor Emeritus of Anthropology at California State University East Bay at Hayward. He earned his Ph.D. in anthropology from University of Hawaii in 1969. As a graduate student, he conducted six months of field research among the Bajau (also known as Sama Dilaut) of Tawi-Tawi, Philippines in 1963 and another eighteen months in 1965-67. He returned to conduct more field research in Tawi-Tawi in 1977, 1982, and 1997. As a result of civil strife, massive immigration, and economic changes following his field research in the 1960s, the Bajau culture (as studied and documented by Nimmo) no longer exists in Tawi-Tawi. In addition to his master's thesis, Social Organization of the Tawi-Tawi Badjaw (1965), and his dissertation, The Structure of Bajau Society (1969), Nimmo has published extensively on his Bajau research.

Selected Bibliography

1965 -- Social Organization of the Tawi-Tawi Badjaw. Ethnology IV (4): 421- 439.

1966 -- Themes in Badjaw Dreams. Philippine Sociological Review XIV (1): 49-56.

1968 -- The Bajau of Sulu Fiction and Fact. Philippine Studies XVI (4): 771-775. Songs of the Sulu Sea. ETC. XXV (4): 489-494. Reflections on Bajau History. Philippine Studies XVI (1): 32-59.

1970 -- Bajau Sex and Reproduction. Ethnology IX (3): 251-262. Posong, Trickster of Sulu. Western Folklore XXIX (3): 185-191.

1971 -- Bajau: Gentle Boat-Dwellers of the Philippines. Nomads of the World. Washington, D. C.: National Geographic Society.

1972 -- The Bajau of the Philippines. Ethnocentrism Series. HRAFlex Book OA8-001. New Haven: Human Relations Area Files. The Sea People of Sulu. San Francisco: The Chandler Press. You will remember us because we have sung for you. Philippine Studies XX (2): 299-322.

1973 -- A Tribe of Ancient Mariners Comes Ashore. Natural History 82 (10): 334-45.

1975 -- The Shamans of Sulu. Asian and Pacific Quarterly VII (1): 1-9.

1976 -- A Functional Interpretation of Bajau Songs. Directions in Pacific Traditional Literature, edited by Adrienne L. Kaeppler and H. Arlo Nimmo. Honolulu: Bishop Museum Press.

1977 -- The Bajau of Sulu. Filipino Heritage I: 261-265.

1978 -- The Relativity of Sexual Deviance: A Sulu Example. Papers in Anthropology XIX (1): 91-98.

1984 -- Bajau. Muslim Peoples I: 75-80. Edited by Richard V. Weekes. Westport: Greenwood Press.

1986 -- Recent Population Movements in the Sulu Archipelago: Implications to Sama Culture History. Archipel 32: 25-38.

1990 -- The Boats of the Tawi-Tawi Bajau, Sulu Archipelago, Philippines. Asian Perspectives 29 (1): 51-88. Religious Beliefs of the Tawi-Tawi Bajau. Philippine Studies 38(1): 3-17. Religious Rituals of the Tawi-Tawi Bajau. Philippine Studies 38 (2): 166-198.

1994 -- The Songs of Salanda. Seattle: University of Washington Press.

2001 -- Magosaha: An Ethnography of the Tawi-Tawi Sama Dilaut. Quezon City: Ateneo de Manila University Press.

2005 -- Silungan Baltapa. The Voyage to Heaven of a Sama Hero. (Co-authored with Nicole Revel, Alain Martenot, Gèrard Rixhon, Talib Lim Sangogot, and Olivier Tourny.) Paris: Geuthner.

2010 -- The H. Arlo Nimmo and Tarabasa Idji Collection. Voices from Sulu. Edited by Gerard Rixhon. Quezon City: The Ateneo de Manila University Press.

2012 -- A very far place: tales of Tawi-tawi. Quezon City: Ateneo de Manila University Press.
Related Materials:
An 8 mm color film (and DVD reference copy) of Tungkalang shot by H. Arlo Nimmo in 1963 was transferred to the Human Studies Film Archives. See HSFA 2011.2.1.
Separated Materials:
8 mm color film (and DVD copy) of Tungkalong shot by Nimmo in 1963 was transferred to the Human Studies Film Archives.
Provenance:
These papers were donated to the National Anthropological Archives by H. Arlo Nimmo.
Restrictions:
According to the wishes of H. Arlo Nimmo, his correspondence and field notes are restricted until his death.
Rights:
Contact repository for terms of use.
Standard copyright restrictions apply.
Topic:
Sama languages  Search this
Language and languages -- Documentation  Search this
Ethnology -- Philippines  Search this
Music  Search this
Kinship  Search this
Fishing  Search this
Rites and ceremonies  Search this
Genre/Form:
Chants
Stories
Songs
Correspondence
Maps
Sound recordings
Slides (photographs)
Citation:
H. Arlo Nimmo papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2009-17
See more items in:
H. Arlo Nimmo papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2009-17
Online Media:

Women performing rituals

Creator:
Mowry, Eli, 1880-1970  Search this
Collection Creator:
Mowry, Eli, 1880-1970  Search this
Extent:
0 Items (Black and white silver gelatin print)
Type:
Archival materials
Photographic prints
Photographs
Place:
Korea
Pyongyang (Korea)
Scope and Contents:
Women seated in a field with drums and ritual items. Caption on the back reads, "Woman worshipping spirits in a grave, by beating drums, ringing bells, etc. A table of food is offered to the spirits.
평양
Arrangement:
Photographs are numbered individually with no attempt to organize by subject.
Local Numbers:
FSA A2010.04 021
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Shamanism  Search this
Rites and ceremonies  Search this
Genre/Form:
Photographic prints
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Mowry Family Photographs of Korea, FSA.A2010.04. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Miriam Stein, 2010.
Identifier:
FSA.A2010.04, Item FSA A2010.04 021
See more items in:
Mowry Family Photographs 1909-1940
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a2010-04-ref91

Students at a shrine

Creator:
Mowry, Eli, 1880-1970  Search this
Collection Creator:
Mowry, Eli, 1880-1970  Search this
Extent:
0 Items (Black and white silver gelatin print)
Type:
Archival materials
Photographic prints
Photographs
Place:
Korea
Pyongyang (Korea)
Scope and Contents:
Two young men in student uniforms standing and sitting at the entrance to a small religious. Caption on the back reads, "a temple where spirits are worshipped."
평양
Arrangement:
Photographs are numbered individually with no attempt to organize by subject.
Local Numbers:
FSA A2010.04 025
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Rites and ceremonies  Search this
Genre/Form:
Photographic prints
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Mowry Family Photographs of Korea, FSA.A2010.04. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Miriam Stein, 2010.
Identifier:
FSA.A2010.04, Item FSA A2010.04 025
See more items in:
Mowry Family Photographs 1909-1940
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a2010-04-ref92

Audio Recording, 1969

Creator:
Smithsonian Institution  Search this
Subject:
Hirshhorn, Joseph H  Search this
Johnson, Lyndon B (Lyndon Baines) 1908-1973  Search this
Warren, Earl 1891-1974  Search this
Ripley, S. Dillon (Sidney Dillon) 1913-2001  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Physical description:
0.58 cu. ft. (0.58 non-standard size boxes)
Type:
Phonograph records
Collection descriptions
Date:
1969
Topic:
Rites and ceremonies  Search this
Local number:
SIA Acc. 03-081
See more items in:
Sound Recordings c. 1915-1941, 1969 [Smithsonian Institution]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_246874

President Roosevelt at dedication of McKinley monument, built by a million contributors. No. 10023 : stereoscopic interpositive

Topic:
KENTUCKY
Publisher:
Underwood & Underwood  Search this
Names:
McKinley, William, 1843-1901 (President)  Search this
Roosevelt, Theodore, President, 1858-1919  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Kentucky
Local Numbers:
RSN 23681
General:
Currently stored in box 3.2.33 [145].
Collection Restrictions:
The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Ceremonies -- Kentucky  Search this
Monuments -- Kentucky  Search this
Presidents -- United States -- 1900-1910.  Search this
statues -- Kentucky  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 23676-23777
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref21448

The supreme moment--Chief Justice Fuller administering the oath of office to President McKinley, March 4, 1901. 4866 interpositive

Topic:
UNITED STATES-McKinley Tour
Publisher:
Underwood & Underwood  Search this
Names:
United States Capitol (Washington, D.C.)  Search this
Fuller, Chief Justice  Search this
McKinley, William, 1843-1901 (President)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- 1900-1910
Date:
1901
Local Numbers:
RSN 26582
General:
Currently stored in box 3.2.50 [106].
Collection Restrictions:
The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Capitols  Search this
Rites and ceremonies  Search this
Presidents -- United States -- Inauguration  Search this
Presidents  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 26493-26599
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref24341

The people of Canton, Ohio, entering the Court House, Sept. 18, to pay respect to their greatest citizen. 4929 interpositive

Topic:
UNITED STATES-McKinley Misc
Publisher:
Underwood & Underwood  Search this
Names:
McKinley, William, 1843-1901 (President)  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Canton (Ohio)
Ohio
Date:
1901
Local Numbers:
RSN 26585
General:
Currently stored in box 3.2.50 [106].
Collection Restrictions:
The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Buildings  Search this
Rites and ceremonies  Search this
Presidents  Search this
Funeral rites and ceremonies  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 26493-26599
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref24344

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