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Marilyn Heldman photographs

Photographer:
Heldman, Marilyn  Search this
Extent:
179 slides (photographs) (color, 35 mm)
Type:
Collection descriptions
Archival materials
Slides (photographs)
Place:
Ethiopia
Nigeria
Cameroon
Eritrea
Date:
1965-1996
Summary:
This collection is comprised of 179 slides taken by Marilyn Heldman in Ethiopia, Nigeria, Eritrea, and Cameroon. Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Anuak, Dorze, Falasha, Fulani, Gurage, Tigre, Falasha .
Scope and Contents:
Series is comprised of images taken in Bafang, Foumban, and Kribi, Cameroon of the waterfall of Mouenkeu, Boroboro peoples, trees, and other natural landscapes. Series two includes photographs taken in Aromo and Senafe, Eritrea of a priest, school children, basket weavers, and a marketplace. Series three includes photographs taken in Kano, Katsina, and Zaria, Nigeria of a view of the city of Kano, people by the City Gate of Kano, a wall and gate in Katsina, and a house in Zaria. Series four is comprised of photographs taken in Ethiopia, particularly in Addis Ababa, Gondor, and Lalibela. Subjects include churches, the Jubilee Palace (Addis Ababa), Guarge peoples, scenes in the Institute of Ethiopian Studies (IES) Museum, markets, murals, city views, castles, religious icons, Lake Tana, Dorze textiles, and one image of Haile Selasse visiting Nazareth.
Arrangement:
This collection has been arranged in four series according to geographic location:

Series 1: Cameroon, 1965-1996 (7 slides)

Series 2: Eritrea, 1965-1996 (6 slides)

Series 3: Ethiopia, 1965-1996 (162 slides)

Series 4: Nigeria, 1965-1996 (4 slides)
Biographical / Historical:
Marilyn Heldman was an Adjunct Professor of Art History at American University (Washington, D.C.). Published in such journals as the Journal of Religion in Africa, African Arts and Northeast African Studies, Heldman has also written numerous books, notably African Zion: The Sacred Art of Ethiopia (1993) (cowritten with Stuart C. Munro-Hay). Heldman received a post-doctorate fellowship from the National Endowment for the Arts to complete field work in Northern Ethiopia (1973-1974). She has also held positions as Visiting Associate Professor in the Department of Art and Art History at the University of Missouri at St. Louis and Curatorial Associate at the Museum of the Institute of Ethiopian Studies at the Addis Ababa University, Ethiopia (1966-1967).
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Citation:
Marilyn Heldman photographs, EEPA 2013-013, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2013-013
See more items in:
Marilyn Heldman photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-2013-013
Online Media:

Drew Doggett Photographs

Photographer:
Doggett, Drew  Search this
Extent:
1 Photographic print (b&w; matted, 12 x 18 in. (print); 21 x 24 in. (matted))
1 Photographic print (b&w; matted, 10 x 12 in. (print); 16 x 18 in. (matted))
18 Photographic prints (b&w; matted, 12 x 18 in. (print); 18 x 24 in. (matted))
Container:
Box 1
Map-case M4
Culture:
Africa  Search this
Type:
Collection descriptions
Archival materials
Photographs
Photographic prints
Place:
Ethiopia
Omo River Valley (Ethiopia and Kenya)
Date:
February 2011
Summary:
The collection consists of twenty matted black and white photographs taken in February 2011 that were used in Doggett's series, Omo: Expressions of a People (2012). These artistic photographs were taken in Omo Valley, Ethiopia, and depict Suri, Hamar, Dhassanac and Karo peoples.
Scope and Contents:
The collection consists of twenty matted black and white photographs taken in February 2011 that were used in Doggett's series, Omo: Expressions of a People (2012). These artistic photographs were taken in Omo Valley, Ethiopia, and depict Suri, Hamar, Dhassanac and Karo peoples. Many of the photos emphasize individuals' adornments, including headdresses, ear plates, necklaces, loin coverings, body painting and scarification and lip piercings. There are also several photographs of village scenes, cattle herding and rites of ceremonies, particularly the Hamar peoples' Jumping of the Bulls.
Arrangement:
The collection is arranged in one series by title.
Biographical / Historical:
Photographer and filmmaker Drew Doggett (b. 1984 in Maryland) received his BA from Vanderbilt University (2006), majoring in Human & Organization Development. In addition to working from 2006-2012 under prominent fashion and portrait photographers, including Steven Klein, Annie Leibovitz, Mark Seliger, Ruven Afanador and Craig McDean, Doggett has photographed remote regions in the Himalayas, Africa, France, Canada, and other areas. Solo exhibitions include Slow Road to China (2010-2011), Omo: Expressions of a People (2012), Discovering the Horses of Sable Island (2013), Dunes: Landscapes Evolving (2014-2015) and Sail: Majesty at Sea (2015). His work has garnered awards at the Px3 Prix de la Photographie Paris (2014, 1st place in Culture Photography category), Px3 White Color Trilogy Photography Competition (2015, 2nd place in Nature category) and the Nikon Photo Contest (2015, 3rd prize for Dunes: Abstract Expressions short film). In 2016 he was honored as an Associate from the Royal Photographic Society. His work is held in private collections globally and is also in the permanent collections of several museums.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Drew Doggett is the owner of copyright and other intellectual properties. Permission to reproduce requires written consent from Doggett. Any commercial exploitation of any of the works in the collection that include a person identifiable in the work is explicitly prohibited unless Doggett grants a publicity release. Contact the Archives staff for more information.
Topic:
Suri (African people)  Search this
Karo (African people)  Search this
Hamar (African people)  Search this
Citation:
Drew Doggett Photographs, EEPA 2015-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution, Washington, D.C.
Identifier:
EEPA.2015-009
See more items in:
Drew Doggett Photographs
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-2015-009
Online Media:

Francis P. Conant Papers

Creator:
Conant, Francis  Search this
Names:
Hunter College. Department of Anthropology  Search this
Goldschmidt, Walter, 1913-2010  Search this
Naguib, Mohammed, 1901-  Search this
Extent:
20 Linear feet ((43 boxes) plus 25 digital storage media and 5 map folders )
Culture:
Southern Bauchi languages  Search this
Suk (African people)  Search this
Type:
Collection descriptions
Archival materials
Field recordings
Maps
Field notes
Manuscripts
Electronic records
Correspondence
Sound recordings
Photographs
Place:
Africa, French-speaking West
Sahara
Egypt
Ethiopia
Uganda
West Pokot District (Kenya)
Bauchi Province (Nigeria)
Belgian Congo
Finland
Morocco
Sudan
Date:
1946-2011
bulk 1953-2008
Summary:
The papers of Francis P. Conant document his anthropological work and, to a lesser extent, his previous career as a journalist and photographer. Francis Paine Conant was a cultural anthropologist who pioneered the use of satellite data in anthropology. He conducted fieldwork in Nigeria and Kenya, and his research interests spanned cultural ecology, AIDS, malaria, and sex and gender studies. He was also Professor Emeritus of Anthropology at Hunter College, where he taught from 1962 to 1995.
Scope and Contents:
The papers of Francis P. Conant document his anthropological work and, to a lesser extent, his previous career as a journalist and photographer. The bulk of the collection consists of his field work in Africa, specifically his doctoral research among the Barawa in Nigeria during the 1950s; his work among the Pokot in Kenya for Walter Goldschimdt's Culture and Ecology in East Africa Project during the 1960s; and his later research among the Pokot during the 1970s incorporating remote sensing tools. These materials include his dissertation, field notes, kinship charts, maps, correspondence, photographs, and sound recordings. The collection also contains photographs, correspondence, and writings relating to the Bernheim-Conant expedition through Africa. Among the photos are Polaroids of Mohammad Naguib, first president of Egypt. Also present in the collection are his published and unpublished academic writings, his writings and correspondence as a news correspondent in Finland, and files from courses that he taught. In addition, the collection contains some of Conant's digital files, which have not yet been examined. Overall there is little correspondence in the collection, aside from some letters scattered throughout the collection relating to his research and writings (both as an academic and a journalist).
Arrangement:
Collection is organized into 9 series: 1) Nigeria, 1956-1960, undated; 2) Kenya, 1961-1974, undated; 3) Remote Sensing, 1967, 1971, 1976-1984, 1991-1992, 2002; 4) Bernheim-Conant Expedition, 1953-1956; 5) Writings, 1960-1966, 1974-1995, 2000-2006, undated; 6) University Files, 1956-1957, 1961, 1970, 1972, 1982-1995, undated; 7) Biographical Files and Letters, circa 1940, CIRCA 1946-1947, 1951, 1955, 1979, 1989-1991, 1996-2000, 2007-2011, undated; 8) Sound Recordings, 1956-1965, 1971, 1977-1978, undated; 9) Digital Files
Biographical / Historical:
Francis Paine Conant was a cultural anthropologist who pioneered the use of satellite data in anthropology. He conducted fieldwork in Nigeria and Kenya, and his research interests spanned cultural ecology, AIDS, malaria, and sex and gender studies. He was also Professor Emeritus of Anthropology at Hunter College, where he taught from 1962 to 1995.

Conant was born on February 27, 1926 in New York City. After graduating from Phillips Exeter Academy, he deferred college to enlist in the U.S. Army in 1944. He served as a field artillery observer for the 294th Field Artillery Battalion and helped liberate two concentration camps during World War II. After he was honorably discharged in 1946, he attended Cornell University, where he obtained his B.A. in 1950. While at Cornell, a Finnish student invited Conant to Finland to help relocate families, farms, and livestock further from the Russian border, a protective measure against another Russian invasion. Conant accepted his invitation and took time off from his academic studies to spend several months in Finland in 1947, as well as a summer in 1949.

After graduating from Cornell, Conant attended University of Iowa's graduate writing program for a short time. Dissatisfied with the program, he worked briefly for the Carnegie Endowment, during which time he occasionally served as a personal driver for Alger Hiss. In 1951, he returned to Finland to pursue a career in journalism. He worked for United Press International until 1953.

From December 5, 1953 to May 26, 1954, Conant traveled throughout Africa as part of the Bernheim-Conant Expedition for the American Museum of Natural History (AMNH). The expedition was led by Claude Bernheim, the father of his first wife, Miriam. They traveled 16,000 miles through Northern Central and Eastern Africa, collecting film footage and material culture for the museum. Conant served as the writer and photographer for the expedition, publishing illustrated articles in the New York Times and Natural History Magazine.

He later returned to Africa as a doctoral student at Columbia University, where he earned his PhD in Anthropology in 1960. After studying the Hausa language at the International African Institute in London, he traveled to Nigeria as a Fellow of the Ford Foundation to carry out his fieldwork in Dass Independent District, Bauchi Province. Working among the Barawa that live in the mountains of Dass, he focused on their religion and its impact on the technology, social and political organization, and structure of their society. His dissertation was titled "Dodo of Dass: A Study of a Pagan Religion of Northern Nigeria." During his fieldwork, he also collected data on rock gongs, which were first identified and written about by Bernard Fagg in 1955.

In 1961 to 1962, Conant was a research associate for Walter Goldschmidt's Culture and Ecology in East Africa Project. The purpose of the project was to conduct a controlled comparison of four different East African societies and the farmers and pastoralists within each tribe. Conant was assigned to conduct ethnographic research among the Pokot in West Pokot District in Kenya. This research would form the basis of his remote sensing work in the same area more than a decade later. Conant was first introduced to remote sensing data in 1974 when his colleague Priscilla Reining showed him Landsat imagery of one his former fieldwork sites. He was inspired by the potential applications of satellite data to study cultural and ecological relationships. In 1975, he and Reining organized a workshop on "Satellite Potentials for Anthropological Studies of Subsistence Activities and Population Change." He incorporated remote sensing tools in his 1977 to 1980 study of the changing cultivation patterns and management of livestock in West Pokot District. His research combined traditional fieldwork (which included data he had collected in the 1960s), LANDSAT data, and geospatial data collected from the ground.

Later in his career, Conant's research interests expanded to include the spread of diseases, specifically AIDS and malaria. He, along with Priscilla Reining, John Bongaarts, and Peter Way found that uncircumcised men were 86% more likely to contract HIV than circumcised men. Their findings were published in their paper "The Relationship Between Male Circumcision and HIV Infection in African Populations" (1989). His research on malaria focused on the spread of the disease during African prehistory.

Conant taught briefly at Columbia University and was an Assistant Professor at University of Massachusetts, at Amherst in 1960-1961. Most of his academic career was spent at Hunter College, where he served as Chair of the Anthropology Department several times. He also founded and headed the college's Research Institute in Aruba.

Conant was a Fulbright Senior Research Fellow at Oxford University's Pitts Rivers Museum in 1968-1969. He was also a fellow of the American Anthropological Association, the American Association for the Advancement of Science, the International African Institute, the New York Academy of Sciences, and the Royal Anthropological Institute. In addition, he was actively involved with the Human Ecology: An Interdisciplinary Journal.

Conant died at the age of 84 on January 29, 2011.

Sources Consulted

Bates, Daniel G. 2011. Francis P. Conant: A Tribute to a Friend of Human Ecology. Human Ecology 39(2): 115.

Bates, Daniel and Oliver Conant. Francis P. Conant. Anthropology News. 52(5): 25.

Conant, Veronika. Email message to Lorain Wang, October 22, 2013.

[Curriculum Vitae], Series 7. Biographical Files and Letters, Francis Conant Papers, National Anthropological Archives, Smithsonian Institution

Francis P. Conant. http://www.hunter.cuny.edu/anthropology/faculty-staff/in-remembrance/francis-p.-conant [accessed August 23, 2013].

1926 -- Born February 27 in New York City, New York

1944-1946 -- Enlists in Army and serves in World War II as a flash ranger in 294th Field Artillery Battalion

1950 -- Earns B.A. from Cornell University in English and Russian, minor in Engineering

1953-1954 -- AMNH Bernheim-Conant Expedition to northern Africa

1957 -- Conducts language studies at the International African Institute

1957-1959 -- Conducts fieldwork in northern Nigeria

1960 -- Earns PhD in Cultural Anthropology from Columbia University

1960-1961 -- Assistant Professor, Anthropology, University of Massachusetts at Amherst

1961-1962 -- Research Associate for Culture and Ecology in East Africa Project directed by Walter Goldschimdt

1962 -- Joins faculty at Hunter College

1968-1969 -- Fulbright Senior Research Fellow, Oxford University, Pitt-Rivers Museum

1977-1980 -- Sets up remote sensing monitoring area in West Pokot district in Kenya. Studies changing cultivation patterns and management of livestock

1995 -- Retires from Hunter College; Emeritus Professor

2011 -- Dies on January 29 at the age of 84
Related Materials:
For additional materials at the National Anthropological Archives relating to Francis Conant, see the papers of Priscilla Reining and John Lawrence Angel. His film collection is at the Human Studies Film Archives.

Artifacts and film collected during the Bernheim-Conant Expedition, his doctoral research in Nigeria, and his fieldwork in Kenya during the 1960s and 70s are at the American Museum of Natural History. He also deposited collections at the Pitts River Museum at the University of Oxford.
Provenance:
These papers were donated to the National Anthropological Archives by Francis Conant's widow Veronika Conant in 2012.
Restrictions:
The Francis P. Conant Papers are open for research. Access to the Francis P. Conant Papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Remote sensing  Search this
Journalism  Search this
Musical instruments -- Nigeria  Search this
Language and languages -- Documentation  Search this
Subsistence farming -- Kenya  Search this
Subsistence herding -- Kenya  Search this
Human ecology  Search this
Landsat satellites  Search this
Genre/Form:
Field recordings
Maps
Field notes
Manuscripts
Electronic records
Correspondence
Sound recordings
Photographs
Citation:
Francis P. Conant Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2012-13
See more items in:
Francis P. Conant Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2012-13
Online Media:

African Postcard Collection

Collector:
National Museum of African Art (U.S.)  Search this
National Museum of African Art (U.S.)  Search this
Extent:
61 Volumes
Type:
Collection descriptions
Archival materials
Volumes
Postcards
Place:
Algeria
Angola
Benin
Burkina Faso
Burundi
Cameroon
Cape Verde
Central African Republic
Chad
Congo (Democratic Republic)
Côte d'Ivoire
Mozambique
Morocco
Mali
Namibia
Rwanda
Niger
Nigeria
Somalia
South Africa
Sierra Leone
Sudan
Tanzania
Togo
Tunisia
Zimbabwe
Zambia
Uganda
Senegal
Kenya
Liberia
Ghana
Guinea
Mauritania
Madagascar
Malawi
Djibouti
Ethiopia
Gabon
Egypt
Eritrea
Africa
Date:
1898-[ongoing]
Summary:
This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.
Arrangement note:
Arranged by country and topic
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Postcards
Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014
See more items in:
African Postcard Collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-1985-014
Online Media:

Larry E. Thomas: The Influence of Africa on the African American Artist

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Thiel, Philip  Search this
Thomas, Larry Erskine  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
1 video recording (open reel, 1/2 inch)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Lectures
Place:
Ethiopia
Africa
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1970s
Scope and Contents:
Larry Erskine Thomas describes New York art scene; living and working in New York City; and teaching arts and crafts in Ethiopia. Thomas also describes and shows slides of the paintings he created in Ethiopia; he explains the African influence and historical context of many of his paintings.
Lecture. Part of ACM Museum Events, PR, and Ceremonies Recordings. Undated.
General:
Title transcribed from physical asset.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Occupation:
Painters  Search this
Topic:
African Americans  Search this
Artists  Search this
African American artists  Search this
African American painters  Search this
African culture  Search this
Blacks -- History  Search this
Genre/Form:
Video recordings
Lectures
Citation:
Larry E. Thomas: The Influence of Africa on the African American Artist, Record Group AV09-023, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-023, Item ACMA AV004342
See more items in:
Museum Events, Programs, and Projects, 1967-1989
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-09-023-ref553

Janet Longcope photographs of world travels

Creator:
Longcope, Janet, ca. 1886-1974  Search this
Extent:
600 mounted prints (circa 600 mounted prints, silver gelatin)
4,000 color slides (circa)
Type:
Collection descriptions
Archival materials
Mounted prints
Color slides
Photographs
Place:
Pakistan -- Description and Travel
Fiji -- Description and Travel
Ethiopia -- Description and Travel
Easter Island -- Description and Travel
Yemen -- Description and Travel
Honduras -- Description and Travel
Peru -- Description and Travel
Guatemala -- Description and Travel
Israel -- Description and Travel
Vietnam -- Description and Travel
Solomon Islands -- Description and Travel
Colombia -- Description and Travel
Thailand -- description and travel
Taiwan -- description and travel
Jordan -- Description and Travel
Uzbekistan -- Description and Travel
Singapore -- Description and Travel
Bhutan -- Description and Travel
Afghanistan -- Description and Travel
Burma -- Description and Travel
Brazil -- Description and Travel
Australia -- Description and Travel
Lebanon -- Description and Travel
Iraq -- Description and Travel
Iran -- Description and Travel
India -- description and travel
New Guinea -- Description and Travel
Syria -- Description and Travel
Nepal -- Description and Travel
Hong Kong -- Description and Travel
Cambodia -- Description and Travel
Sri Lanka -- Description and Travel
Chile -- description and travel
Mexico -- description and travel
Japan -- Description and Travel
Italy -- description and travel
Morocco -- description and travel
Spain -- description and travel
Mongolia -- Description and Travel
New Zealand -- Description and Travel
Russia -- Description and Travel
Kenya -- Description and Travel
Macau (China) -- Description and Travel
Malaysia -- Description and Travel
Yucatan -- Description and Travel
Indonesia -- Description and Travel
Date:
1954-1971
Scope and Contents note:
Photographs made by Janet Longcope during trips to countries around the world. They depict landscapes, buildings, markets, dances, agriculture, arts and crafts, ceremonies, children, cooking, musicians, and transportation. Locations depicted include Afghanistan, Australia, Bhutan, Brazil, Burma, Cambodia, Chile, Colombia, Easter Island, Egypt, Ethiopia, Fiji, Greece, Guatemala, Hawaii, Honduras, Hong Kong, India, Indonesia, Iran, Iraq, Israel, Italy, Japan, Jordan, Kenya, Lebanon, Macao, Malaysia, Mexico, Mongolia, Morocco, Nepal, New Guinea, New Zealand, Pakistan, Peru, Russia, Siberia, Singapore, Solomon Islands, Spain, Sri Lanka, Syria, Taiwan, Thailand, Uzbekistan, Vietnam, Yemen, and Yucatan. Longcope used many of these photographs in lectures.
Biographical/Historical note:
Janet Longcope (1886-1974) was a bookbinder and world traveler who gave informal lectures about her travels. Ater the death of her husband Dr. Warfield T. Longcope in 1953, she visited countries all over the world, returning to some, such as India, as many as nine times.
Local Call Number(s):
NAA Photo Lot 75-26
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Markets  Search this
Dance  Search this
Transportation  Search this
Agriculture  Search this
Cooking  Search this
Genre/Form:
Photographs
Citation:
Photo lot 75-26, Janet Longcope photographs of world travels, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.75-26
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-75-26

Christianity in Ethiopia

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
1 sound recording (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Place:
Ethiopia
Africa
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1970s
Scope and Contents:
A man presents a brief history of Christianity in Ethiopia.
Presentation. AV003522-1: Christianity history until 000120 [followed by Ghana-Guinea-Mali Calypso]. Part of ACM Museum Events, PR, and Ceremonies Recordings. Undated.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
Christianity  Search this
Genre/Form:
Sound recordings
Citation:
Christianity in Ethiopia, Record Group AV09-023, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-023, Item ACMA AV003522-1
See more items in:
Museum Events, Programs, and Projects, 1967-1989
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-09-023-ref649

Thomas Ofcansky collection

Collector:
Ofcansky, Thomas P., 1947-  Search this
Extent:
1 Booklet (sheet music)
30 Engravings
6 Photographic prints
6 Posters
1 Drawing
2 Documents
12 Maps
Type:
Collection descriptions
Archival materials
Booklets
Engravings
Photographic prints
Posters
Drawings
Documents
Maps
Letters
Pamphlets
Sheet music
Certificates
Place:
Africa -- Maps
Africa -- Colonization
Africa -- Discovery and exploration
Ethiopia
Tanzania
Sudan
Date:
1678-circa 2005
Summary:
The collection dates from 1678 to circa 2005 and consists of 58 maps, engravings, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa.
Scope and Contents:
The collection consists of 58 maps, engravings, particularly satirical comics, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa. A number of engravings feature Benito Mussolini, Menelik, and the first Italian-Ethiopian War of 1895-1896. Additionally, there is a photograph of Haile Selassie. Many of the chromolithographs appeared in popular publications in England, France and the U.S., including Punch, or The London Chariviari, The London Illustrated News, The Graphic, and Le Petit Journal during the late 19th – early 20th century.

There are a few ephemeral items related to travel and transportation in Africa, including African Steamship travel tickets, menus and a Uganda railway poster. Other items are related to exploration, hunting and safaris, including original sketches and engravings of motor safari camps in East Africa.
Arrangement:
Arranged in one series by medium.
Biographical / Historical:
Thomas P. Ofcansky (1947-) is a former African affairs analyst with the State Department Bureau of Intelligence and Research, and a retired professor of political science from the University of West Virginia. In the 1990s, he developed a detailed database that tracked the suppliers and shipments of small arms to Africa (PBS/Frontline interview, February, 2002). Ofcansky is the author of numerous publications including Uganda: Tarnished Pearl of Africa (1999), Paradise Lost: A History of Game Preservation in East Africa (2002), and has co-authored numerous volumes in the Historical Dictionary of Africa series and Ethiopia: A Country Study (1993–2014).
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Engravings
Letters
Posters
Pamphlets
Sheet music
Certificates
Photographic prints
Citation:
Thomas Ofcansky Collection, EEPA 2015-012, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.2015-012
See more items in:
Thomas Ofcansky collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-2015-012
Online Media:

Betty LaDuke collection

Creator:
LaDuke, Betty  Search this
Sponsor:
Heifer International  Search this
Extent:
2 electronic discs (dvd)
4 Boxes (Printed Material (non-photographic))
11 Posters ((Oversize))
24 prints (visual works)
2488 negatives (photographic) (color , 35 mm)
3,194 Photographs (color , 20 x 24 inches or smaller)
Culture:
Ethiopians  Search this
Type:
Collection descriptions
Archival materials
Electronic discs (dvd)
Posters
Prints (visual works)
Negatives (photographic)
Photographs
Color photographs
Portraits
Textiles
Drawings
Color negatives
Photographic prints
Place:
Africa
Lalibela (Ethiopia)
Eritrea
Nāq̄fā (Eritrea)
Asmara (Ethiopia)
Ethiopia
Mits'iwa (Eritrea)
Date:
circa 1981-2018
Summary:
The collection dates from circa 1981 to 2018 and consists of photographic prints, negatives, posters, art prints, DVDs and printed and manuscript materials. Photographs depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps. Locations include villages in Ethiopia and Eritrea, particularly Senafe, Nakfa and Massawa, as well as Border War zones various battlefields and camps for internally displaced persons.
Scope and Contents:
The collection consists of 3,194 color photographs (20 x 24 inches or smaller), 2,488 color 35 mm negatives, a copy of a sketchbook, 11 posters, 24 art prints, biographical materials, correspondence, printed materials, and 3 DVDs, created by Betty LaDuke in circa 1981-2018.

The majority of the photographs were taken in Eritrea, including in Agordat, Asmara, Barentu, Emebet, Geleba, Keren, Massawa, Mendefera, Nakfa, Senafe and Serona, though some were taken in Ethiopia, especially in Lalibela. Images depict architecture, agricultural work, beadwork, weaving, village scenes, artists, artists at work, artworks, markets, celebrations, scenic views, animals, churches and mosques. Most of the photos depict Kunama or Saho peoples, particularly women and children. LaDuke also regularly photographed war zones during the Border War, especially those in Nakfa and Gelebe, portraying Internally Displaced Persons (IDP) camps, Red Cross workers, World Food Program supply tents and the Tacoumbia Food Distribution Center. Other notable subjects include the National Union of Eritrean Women (NUEW), artwork in the Saint George Gallery and children at Dekemhare School.

LaDuke frequently documented art workshops that she attended, artwork and exhibits. Many of her photos depict artwork by Berhane Adonais, Michael Adonais, Mussie Asgodam, Haile Berthe, Danny Dafla, Isak Fasil, Josief Idris, Terhas Iyassu, Elsa Yacob, Abraham Mogos, Kiros Adebe, Tzeghereda Yohannes, Teamrat Ghidei, Afewerki Asmeron, Demoz Russom and Jacob Abraha, as well as the artists themselves at work, socializing or posing by their finished artwork. Additionally, the collection includes four pen and ink drawings by the artists Afewerki Haile, Yoseirf G. Idris and Fessahaie Zemicael, and a number of art prints by LaDuke.

A copy of LaDuke's sketchbook depicts scenes in Asmara and surrounding areas, Tekul, Aidkeh, Keren, Barantu, Tocumbia, Mendefera, Senafe and Massawa. LaDuke sketched village, market and street scenes, celebrations, churchgoers at a Coptic Church, animals, Saho basketmakers, Kunama peoples, St. George's Restaurant and grain mill workers, among other subjects.

Biographical Materials include artist statements and biographical notes, a letter announcing LaDuke as winner of the Vida Scudder Award, a blank registration form for the Northern National Art Competition, for which LaDuke served as judge, a letter to LaDuke from Secretary-General Kofi A. Annan, exhibit schedules and a resume.

The printed material in the collection includes clippings of publications in which LaDuke's artwork is featured, such as Sojourners, Ashland Magazine, School Arts Magazine and Calyx, promotional materials and a holiday notecard produced by Heifer International, announcements and posters. Exhibition files for LaDuke's shows include clippings, announcements, catalogs, photos, correspondence and a CD-ROM of her photos. Additionally, there are a substantial number of exhibit reviews published in such magazines and newspapers as The Oregonian, The Christian Science Monitor and the Durango Herald.

Finally, the collection contains three DVDs entitled Africa Between Myth and Reality (circa 2000), Betty LaDuke: Art Reflection Life (2006), and With Love from Eritrea (2018)which document LaDuke's artistic process and artwork.
Arrangement note:
The collection is organized into 10 series:

Series 1: Photographic Prints, 1994-2002 (3,031 prints; Binders 1-7)

Series 2: Sketchbook (Copy), circa 1998 (1 Book; Binder 8)

Series 3: Color Photographic Prints, 1986-2003 (135 items; Boxes 9-10)

Series 4: Exhibition-Related Prints, Photographs and Posters, circa 1992-circa 2002 (21 items; Box 11)

Series 5: Art Prints and Matted Color Photographic Prints by LaDuke, 2001, 2008, undated (38 items; Boxes 12-13)

Series 6: Biographical Materials, circa 1999-circa 2009 (6 folders; Box 15)

Series 7: Printed Material, 1996-2008 (32 folders, Boxes 15-16)

Series 8: A/V Material, circa 2000-2018 (3 DVDs, Box 17)

Series 9: Art Prints and Poster by Other Artists, 1994, undated (5 items; Box 18)

Series 10: Negatives, 1994-2002 (2,488 items)
Biographical/Historical note:
Artist, writer, professor and multicultural women's art advocate Betty LaDuke (b. 1933) was born in the Bronx to Russian and Polish immigrant parents. She attended California State University in Los Angeles and the Otis College of Art and Design. After three years of teaching junior high art in East Los Angeles, LaDuke moved to Ashland, Oregon in 1964 to accept a position in the art department at Southern Oregon University, where she would teach for over 30 years. Beginning in 1972, she began to undertake annual research journeys to Asia, Latin America, Oceania and Africa, where she found inspiration for the paintings and prints that would make up her circulating exhibits. Upon her retirement from teaching in 1996, LaDuke began to travel to project sites of Heifer International, a humanitarian organization concerned with world hunger and environmental sustainability. These experiences inspired a new phase of her work, including a return to mural painting. LaDuke has published several books on women's art and has been the subject of a book by Gloria Feman Orenstein, entitled Multi-Cultural Celebrations: the Paintings of Betty LaDuke 1972-1992.
Restrictions:
Use of original records requires an appointment. The negatives are located in cold storage. All negatives have been digitized and are available online.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Women artists  Search this
Weddings  Search this
Schools  Search this
Church buildings  Search this
Beadwork  Search this
Basket making  Search this
Internally displaced persons  Search this
Rites and ceremonies -- Africa  Search this
Refugee camps  Search this
Mosques  Search this
Natural landscapes  Search this
Works of art  Search this
Weaving -- Ethiopia  Search this
Markets  Search this
Artists -- Ethiopia  Search this
Genre/Form:
Color photographs
Photographs
Portraits
Textiles
Drawings
Posters
Color negatives
Photographic prints
Citation:
Betty LaDuke collection, EEPA 2007-003, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2007-003
See more items in:
Betty LaDuke collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-2007-003

Klara Farkas photographs

Photographer:
Farkas, Klara  Search this
Extent:
8 slides (photographs) (1 volume, color, mounted, 35 mm.)
Container:
Binder 1
Type:
Collection descriptions
Archival materials
Slides
Slides (photographs)
Color slides
Place:
Ethiopia
Lalibela (Ethiopia)
Africa
Date:
1971
Summary:
Photographs taken by Klara Farkas in Ethiopia in 1971.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Natural landscapes  Search this
Children  Search this
Weaving -- Ethiopia  Search this
Cultural landscapes  Search this
Genre/Form:
Color slides
Citation:
Klara Farkas Photographs, EEPA 1971-0001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1971-001
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-1971-001

Ethiopia Photograph Album

Extent:
269 Photographic prints (1 box, 1 album; black & white, 12 x 16 cm. )
Container:
Box 1
Culture:
Afar (African people)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Black-and-white photographs
Black-and-white negatives
Place:
Africa
Ethiopia
Date:
1936-1941
Summary:
This collection includes one photographic album containing 269 silver gelatin black and white prints (12 x 16 cm.) and dates from 1936-1941. The photographs were taken in northern Ethiopia, and possibly Somalia. The images highlight peoples including the Danakil and Afar, dress, adornments, coiffures, churches, and historical residence, among other subjects.
Scope and Contents:
This collection includes one photographic album containing 269 silver gelatin black and white prints (12 x 16 cm.) and dates from 1936-1941. The photographs were taken in northern Ethiopia (Afar region) and possibly Somalia, and may have been produced by Italian military members during the occupation and war with Ethiopia. The images largely depict groups and portraits of African peoples, including the Danakil and Afar, scenic views, soldiers, vernacular architecture, churches, and towns. Many photographs depict animals, including lions, camels, warthogs, wildebeest, porcupines, hyenas, baboons, cheetahs, snakes, and ostriches. Of particular note are photos of an Ethiopian priest with a cross, an Ethiopian horseman with a shield, and clergy in full ceremonial attire.
Arrangement note:
Original album order maintained.
Historical note:
Unknown photographer. The album was likely compiled by Italian military officers around the beginning of World War II. At the time, Italy had colonies in Libya and Italian East Africa (now Libya). The cover of the album reads: "FONDAZIONE DELL IX IMPERO ANNO XIV MAGGIO", which translates to "Foundation of the Ninth Empire year 14 May"
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Animals -- Africa  Search this
Vernacular architecture  Search this
Religious processions -- Ethiopia  Search this
Genre/Form:
Photographic prints
Black-and-white photographs
Black-and-white negatives
Citation:
Ethiopia Photograph Album, EEPA 1995-019, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1995-019
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-1995-019
Online Media:

A.O. (Africa Orientale) Battitura della "dura."

Creator:
Societa Editrice Cartoline (Torino)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (collotype., b&w, 9 x 14 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Picture postcards
Place:
Africa
Eritrea
Ethiopia
Date:
ca. 1910
Scope and Contents:
Printed caption on verso reads: "A.O. - Battitura della 'dura'."
Additional printed text on verso reads: "S.E.C. - Torino."
Local Numbers:
EEPA EA-12-01
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Households  Search this
Vernacular architecture -- Africa  Search this
Portrait photography -- Africa  Search this
Children  Search this
Domestic scenes  Search this
Genre/Form:
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 1995-026-0021
See more items in:
African Postcard Collection
African Postcard Collection / Series 17: Eritrea (EA)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref3995

Painting on ceiling of Debre Berhan Selassie Church in Gondar

Creator:
Gerster, photographer  Search this
Ethiopian Tourism Commission (Addis Ababa)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (halftone., col., 10.5 x 15 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Paintings
Picture postcards
Place:
Africa
Ethiopia
Ethiopia -- Āmara region -- Debre Birhan Selassie Church
Date:
ca. 1980
Scope and Contents:
Printed caption on verso reads: "26. Painting on ceiling of Debre Berhan Selassie Church in Gondar."
Series title on verso reads: "13 Months of Sunshine."
Additional printed text on verso reads: "Photo: Gerster / Produced by Ethiopian Tourism Commission, P.O. Box 2183, Addis Ababa."
Local Numbers:
EEPA ET-03-12
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Religious buildings  Search this
Genre/Form:
Paintings
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 2005-011-0008
See more items in:
African Postcard Collection
African Postcard Collection / Series 18: Ethiopia (ET)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref3999

Happy Christmas from Ethiopia

Creator:
Foto Eritrea (Asmara)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (halftone., col., 10.5 x 15 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Picture postcards
Place:
Africa
Ethiopia
Date:
ca. 1970
Scope and Contents:
Printed caption on verso reads: "Happy Christmas from Ethiopia."
Additional printed text on verso reads: "Ediz. Foto Eritrea - Asmara / P. Marzari S.R.L. Schio / Stampato in Italia."
Item number on verso: "138."
Local Numbers:
EEPA ET-20-24
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portrait photography  Search this
Children  Search this
Holidays  Search this
Christmas  Search this
Crèches (Nativity scenes)  Search this
Animals -- Africa  Search this
Genre/Form:
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 2006-002-0011
See more items in:
African Postcard Collection
African Postcard Collection / Series 18: Ethiopia (ET)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref4000

Warrior in traditional dress Ethiopia

Creator:
Kyriazis-Zervos  Search this
Ethiopian Tourism Commission (Addis Ababa)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (halftone., col., 14 x 10.5 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Picture postcards
Place:
Africa
Ethiopia
Date:
circa 1970
Scope and Contents:
Printed caption on verso reads: "6. Warrior in Traditional Dress, Ethiopia."
Series title on verso reads: "13 Months of Sunshine."
Additional printed text on verso reads: "Photo: Kyriazis-Zervos / Produced by Ethiopian Tourist Organization, P.O. Box 2183, Addis Ababa."
Local Numbers:
EEPA ET-20-25
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portrait photography  Search this
Costume -- Africa  Search this
Animals -- Africa  Search this
Horses  Search this
Genre/Form:
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 2006-002-0016
See more items in:
African Postcard Collection
African Postcard Collection / Series 18: Ethiopia (ET)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref4001

Dorze Dancers, at H. S. I. International Airport

Creator:
Hapte Selassie, photographer  Search this
Ethiopian Tourism Commission (Addis Ababa)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (halftone., col., 15 x 10.5 cm.)
Container:
Volume 1
Culture:
Dorze (African people)  Search this
Type:
Archival materials
Postcards
Postcards
Picture postcards
Place:
Africa
Ethiopia
Date:
ca. 1980
Scope and Contents:
Printed caption on verso reads: "10. Dorze Dancers, at H. S. I. International Airport."
Series title on verso reads: "13 Months of Sunshine."
Photo credit on verso reads: "Photo: Hapte Selassie."
Additional printed text on verso reads: "Produced by Ethiopian Tourist Organization, P.O. Box 2183, Addis Ababa."
Local Numbers:
EEPA ET-08-01
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Dance  Search this
Costume  Search this
Genre/Form:
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 2006-002-0018
See more items in:
African Postcard Collection
African Postcard Collection / Series 18: Ethiopia (ET)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref4002

Ethiopia Girls with sampls of the local cottage industry

Creator:
Foto Eritrea (Asmara)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (halftone., col., 10.5 x 15 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Picture postcards
Place:
Africa
Ethiopia
Date:
ca. 1980
Scope and Contents:
Printed caption on verso reads: "Ethiopia - Girls with sampls of the local cottage industry."
Caption repeated in Italian.
Additional printed text on verso reads: "Ediz. Foto Eritrea - Asmara / P. Marzari S.R.L. Schio / Stampato in Italia."
Item number on verso: "82."
Local Numbers:
EEPA ET-03-01
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Calabashes  Search this
Basket making  Search this
Genre/Form:
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 2006-002-0023
See more items in:
African Postcard Collection
African Postcard Collection / Series 18: Ethiopia (ET)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref4003

Painting in Debre Berhan Selassie Church at Gondar

Creator:
Gerster, photographer  Search this
Ethiopian Tourism Commission (Addis Ababa)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (halftone., col., 10.5 x 15 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Paintings
Picture postcards
Place:
Africa
Ethiopia
Ethiopia -- Āmara region -- Debre Birhan Selassie Church
Date:
ca. 1980
Scope and Contents:
Printed caption on verso reads: "22. Painting in Debre Berhan Selassie Church at Gondar."
Series title on verso reads: "13 Months of Sunshine."
Additional printed text on verso reads: "Photo: Gerster / Produced by Ethiopian Tourist Organization, P.O. Box 2183, Addis Ababa."
Items EEPA ET-03-02 and EEPA ET-03-08 are duplicate postcards.
Local Numbers:
EEPA ET-03-02
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Religious buildings  Search this
Genre/Form:
Paintings
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 2006-002-0025
See more items in:
African Postcard Collection
African Postcard Collection / Series 18: Ethiopia (ET)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref4004

Wall painting from island monastery on Lake Tana

Creator:
Hapte Selassie, photographer  Search this
Ethiopian Tourism Commission (Addis Ababa)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (halftone., col., 10.5 x 15 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Paintings
Picture postcards
Place:
Africa
Ethiopia
Ethiopia, -- Āmara region, -- T'ana Hāyk' (Lake Tana)
Date:
ca. 1980
Scope and Contents:
Printed caption on verso reads: "35. Wall painting from island monastery on Lake Tana."
Series title on verso reads: "13 Months of Sunshine."
Additional printed text on verso reads: "photo by Habte Selassie / Produced by Ethiopian Tourist Organization, P.O. Box 2183, Addis Ababa."
Local Numbers:
EEPA ET-03-03
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Religious buildings  Search this
Genre/Form:
Paintings
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 2006-002-0026
See more items in:
African Postcard Collection
African Postcard Collection / Series 18: Ethiopia (ET)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref4005

Painting on ceiling of Debre Berhan Selassie Church in Gondar

Creator:
Gerster, photographer  Search this
Ethiopian Tourism Commission (Addis Ababa)  Search this
Collection Collector:
National Museum of African Art (U.S.)  Search this
Extent:
1 Postcard (halftone., col., 10.5 x 15 cm.)
Container:
Volume 1
Type:
Archival materials
Postcards
Postcards
Paintings
Picture postcards
Place:
Africa
Ethiopia
Ethiopia -- Āmara region -- Debre Birhan Selassie Church
Date:
ca. 1980
Scope and Contents:
Printed caption on verso reads: "26. Painting on ceiling of Debre Berhan Selassie Church in Gondar."
Series title on verso reads: "13 Months of Sunshine."
Additional printed text on verso reads: "Photo: Gerster / Produced by Ethiopian Tourist Organization, P.O. Box 2183, Addis Ababa."
Local Numbers:
EEPA ET-03-04
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Works of art in situ  Search this
Religious buildings  Search this
Genre/Form:
Paintings
Picture postcards
Collection Citation:
African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.1985-014, Item EEPA EA 2006-002-0027
See more items in:
African Postcard Collection
African Postcard Collection / Series 18: Ethiopia (ET)
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1985-014-ref4006

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