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Conde Tiemoko wearing large gold bicone bead, Bamako, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Fulbe (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
"Among the finest gold ornaments of the Sahel are the Peul earrings worn in the Mopti, Jenne and Macina regions of Mali. gold bicone beads are often profusely adorned with granulation, a technique in which tiny granules of gold are attached to produce a rich, shimmering effect." [Garrard T., 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 4 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 37
Frame value is 11.
Slide No. D 1 BMB 4 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Jewelry  Search this
Women  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2535
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17628

Conde Tiemoko wearing large gold bicone bead, Bamako, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Fulbe (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
"Among the finest gold ornaments of the Sahel are the Peul earrings worn in the Mopti, Jenne and Macina regions of Mali. gold bicone beads are often profusely adorned with granulation, a technique in which tiny granules of gold are attached to produce a rich, shimmering effect." [Garrard T., 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 4.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 37
Frame value is 5.
Slide No. D 1 BMB 4.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Jewelry  Search this
Women  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2536
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17639

Conde Tiemoko wearing large gold bicone bead, Bamako, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Fulbe (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
"Among the finest gold ornaments of the Sahel are the Peul earrings worn in the Mopti, Jenne and Macina regions of Mali. gold bicone beads are often profusely adorned with granulation, a technique in which tiny granules of gold are attached to produce a rich, shimmering effect." [Garrard T., 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 4.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 37
Frame value is 13.
Slide No. D 1 BMB 4.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Jewelry  Search this
Women  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2537
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17650

Conde Tiemoko wearing large gold bicone bead, Bamako, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Fulbe (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
"Among the finest gold ornaments of the Sahel are the Peul earrings worn in the Mopti, Jenne and Macina regions of Mali. gold bicone beads are often profusely adorned with granulation, a technique in which tiny granules of gold are attached to produce a rich, shimmering effect." [Garrard T., 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 4.3 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 37
Frame value is 4.
Slide No. D 1 BMB 4.3 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Jewelry  Search this
Women  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2538
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17661

Conde Tiemoko wearing large gold bicone bead, Bamako, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Fulbe (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
"Among the finest gold ornaments of the Sahel are the Peul earrings worn in the Mopti, Jenne and Macina regions of Mali. gold bicone beads are often profusely adorned with granulation, a technique in which tiny granules of gold are attached to produce a rich, shimmering effect." [Garrard T., 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 4.4 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 37
Frame value is 8.
Slide No. D 1 BMB 4.4 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Jewelry  Search this
Women  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2539
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17672

Conde Tiemoko wearing large gold bicone bead, Bamako, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Fulbe (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
"Among the finest gold ornaments of the Sahel are the Peul earrings worn in the Mopti, Jenne and Macina regions of Mali. gold bicone beads are often profusely adorned with granulation, a technique in which tiny granules of gold are attached to produce a rich, shimmering effect." [Garrard T., 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 4.5 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 37
Frame value is 3.
Slide No. D 1 BMB 4.5 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Jewelry  Search this
Women  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2540
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17683

Conde Tiemoko wearing large gold bicone bead, Bamako, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Fulbe (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
"Among the finest gold ornaments of the Sahel are the Peul earrings worn in the Mopti, Jenne and Macina regions of Mali. gold bicone beads are often profusely adorned with granulation, a technique in which tiny granules of gold are attached to produce a rich, shimmering effect." [Garrard T., 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 4.6 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 37
Frame value is 2.
Slide No. D 1 BMB 4.6 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Jewelry  Search this
Women  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2541
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17694

Conde Tiemoko wearing large gold bicone bead, Bamako, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Fulbe (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
"Among the finest gold ornaments of the Sahel are the Peul earrings worn in the Mopti, Jenne and Macina regions of Mali. gold bicone beads are often profusely adorned with granulation, a technique in which tiny granules of gold are attached to produce a rich, shimmering effect." [Garrard T., 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 5 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 37
Frame value is 16.
Slide No. D 1 BMB 5 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Jewelry  Search this
Women  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2542
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17706

Bamana woman with traditional hairstyle, Bin village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 8 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 33
Frame value is 21.
Slide No. D 1 BMB 8 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Body marking -- Africa  Search this
Cultural landscapes  Search this
Hairstyles -- Africa  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2543
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17717

Bamana woman with traditional hairstyle, Bin village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 8.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 33
Frame value is 22.
Slide No. D 1 BMB 8.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Body marking -- Africa  Search this
Cultural landscapes  Search this
Hairstyles -- Africa  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2544
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17728

Bamana woman with traditional hairstyle, Bin village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1959
Scope and Contents:
This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
D 1 BMB 8.2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Time Life no. 57938 1 33
Frame value is 19.
Slide No. D 1 BMB 8.2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Body arts  Search this
Body marking -- Africa  Search this
Cultural landscapes  Search this
Hairstyles -- Africa  Search this
Portraits  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2545
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17739

Two Bamana women in front of mosque, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1970
Scope and Contents:
During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
D 1 BMB 9 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 37.
Slide No. D 1 BMB 9 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Hairstyles -- Africa  Search this
Vernacular architecture  Search this
Religious buildings  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2546
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17750

Two Bamana women in front of mosque, Bougouni village, Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1970
Scope and Contents:
During his trip to Mali, Elisofon visited the village of Bougouni, in the Bamana region. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
D 1 BMB 10 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 36.
Slide No. D 1 BMB 10 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Portraits  Search this
Hairstyles -- Africa  Search this
Vernacular architecture  Search this
Religious buildings  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 2547
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref17761

Masked performer wearing male Chi wara headdress, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"The male ci wara headdress epitomizes what art historian Robert Goldwater describes as the 'vertical' style, one of the three distinctive regional idioms developed by Bamana blacksmiths that draw upon the form of the antelope to interpret the mythical figure Ci Wara. The soaring vertical axis of the male antelope's horns suggests power and grace. They angle ever so slightly as they rise, bending sharply at the summit in hooked tips. that upward movement is echoed by the ears, which are elongated, narrow vertical volumes. The rest of the headdress, in contrast, is wavy lines and rounded curves. Ci wara headdresses are often augmented with jewelry in anticipation of performances. James Brink comments that 'men are responsible for preparing the headdresses and dressing the performers; women take care of washing the costume and providing the jewelry that will make the headdresses beautiful'." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
7

E 1 BMB 1 EE 71
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Selgem EE11915400
A photographic print resides in the collection.
Series Reference: 1.
Frame value is 18.
Slide No. E 1 BMB 1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Masquerades  Search this
Masks  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Wood-carving  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3363
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19735

Masked performer wearing male Chi wara headdress, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"The male ci wara headdress epitomizes what art historian Robert Goldwater describes as the 'vertical' style, one of the three distinctive regional idioms developed by Bamana blacksmiths that draw upon the form of the antelope to interpret the mythical figure Ci Wara. The soaring vertical axis of the male antelope's horns suggests power and grace. They angle ever so slightly as they rise, bending sharply at the summit in hooked tips. that upward movement is echoed by the ears, which are elongated, narrow vertical volumes. The rest of the headdress, in contrast, is wavy lines and rounded curves. Ci wara headdresses are often augmented with jewelry in anticipation of performances. James Brink comments that 'men are responsible for preparing the headdresses and dressing the performers; women take care of washing the costume and providing the jewelry that will make the headdresses beautiful'." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 2 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
7
Frame value is 21.
Slide No. E 1 BMB 2 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3364
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19736

Masked performer wearing male Chi wara headdress, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"The male ci wara headdress epitomizes what art historian Robert Goldwater describes as the 'vertical' style, one of the three distinctive regional idioms developed by Bamana blacksmiths that draw upon the form of the antelope to interpret the mythical figure Ci Wara. The soaring vertical axis of the male antelope's horns suggests power and grace. They angle ever so slightly as they rise, bending sharply at the summit in hooked tips. that upward movement is echoed by the ears, which are elongated, narrow vertical volumes. The rest of the headdress, in contrast, is wavy lines and rounded curves. Ci wara headdresses are often augmented with jewelry in anticipation of performances. James Brink comments that 'men are responsible for preparing the headdresses and dressing the performers; women take care of washing the costume and providing the jewelry that will make the headdresses beautiful'." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
7
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
7
Frame value is 22.
Slide No. E 1 BMB 3 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3365
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19737

Masked performers wearing pair of male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 4 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
"Convergence," organized and held by Morgan State University on view from December 14, 2002 thru April 13, 2003. LL03-0015
Local Note:
Caption: Bamana Chi-wara (antelope) headdress dancers, near Bamako, Mali. Photograph by Eliot Elisofon, April, 1971. Image no. EEPA 3366. Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
48
Frame value is 33.
Slide No. E 1 BMB 4 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3366
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19738

Masked performers wearing pair of male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 4.1 EE 71
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
Contexual image in "African Masks from the Noel Collection" held by the Tubman African American Museum in Macon, Georgia, 2003. LL03-0069
Local Note:
48
Frame value is 32.
Slide No. E 1 BMB 4.1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3367
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19739

Masked performers wearing pair of male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 5 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
49
Frame value is 8.
Slide No. E 1 BMB 5 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3368
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19740

Drummers accompanying masked performers with male and female Chi wara headdresses, Bamako (national district), Mali

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Slide (col.)
Culture:
Bamana (African people)  Search this
Type:
Archival materials
Slides
Color slides
Place:
Africa
Mali
Date:
1971
Scope and Contents:
"In Antilopes du soleil, his 1980 survey of ci wara, Dominique Zahan classifies this corpus of works in group I, which comprises pairs that overtly emphasize the differentiation of the male and female forms. Zahan notes that the social distinctions between men and women that suffuse Bamana society are referenced in the antelope sculptures through sexual attibutes: the male's penis and the infant carried by the female. Female ci wara headdress are also generally smaller than the males. The fawn depicted on her back is invariably a miniature representation of either the adult male or female. The fundamental differences underlying the designs of the male and female headdresses in this style derive from the fact that they are modeled on different species of animal. The head, neck, ears, and horns of the male form draw upon features of the roan antelope, known as dage, and its lower part refers to the aardvark. The female form is inspired by the oryx antelope." [La Gamma A., 2002: Genesis: Ideas of Origin in African Sculpture. The Metropolitan Museum of Art, New York. Yale University Press, New Haven and London]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
E 1 BMB 6 EE 71
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
"The World Journey: Art in African Art," held by the Speed Art Museum, Louisville, KY, , beginning August, 20, 2002. LL01-0212.
"African Art from the Permanent Collection," exhibited by the Neuberger Museum of Art, beginning in November, 2001. LL02-0040.
Local Note:
48
Frame value is 6.
Slide No. E 1 BMB 6 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Rites and ceremonies -- Africa  Search this
Dance  Search this
Masquerades  Search this
Masks  Search this
Wood-carving  Search this
Animals in art  Search this
Animals in art -- antelopes  Search this
Animals in art -- Composite animals  Search this
Headdresses -- headgear -- Africa  Search this
Musical instruments  Search this
Music  Search this
Genre/Form:
Color slides
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EECL 3369
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Mali
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_component:sova-eepa-1973-001-ref19741

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