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Departmental Records

Creator::
Renwick Gallery  Search this
Extent:
25 cu. ft. (25 record storage boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Clippings
Brochures
Exhibition catalogs
Architectural drawings
Floor plans
Black-and-white photographs
Color transparencies
Color photographs
Black-and-white negatives
Color negatives
Date:
1957, 1961-1989, 1997-2003
Descriptive Entry:
This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with museums within and outside of the United States and with artists; the museum shop; exhibitions; repair and renovation of the Renwick Gallery building; special events; and lectures.

Exhibitions documented include: The Object As Poet; Craft Multiples; Americas: The Decorative Arts in Latin America in the Era of the Revolution; Costumes from Arab World; The Decorative Designs of Frank Lloyd Wright; Design Is. . .; The Grand Renwick Souvenir Show; Ryijy Rugs from Finland: 200 Years of a Textile Art; Irena Brynner: Jewelry Since 1950; A Feast of Color: Corpus Christi Dance Costumes from Ecuador; Grass; Arne Jacobsen: Danish Architect and Designer; An Interior Decorated: Joyce Kozloff; The Designs of Raymond Loewy; Glass by Dale Chihuly: The Cylinder and Basket Series; Signs of Life: Symbols in the American City; Ronald Pearson: Silver and Gold; Bo'Jou Neefee! Profiles of Canadian Indian Art; French Folk Art; Figure and Fantasy; A Modern Consciousness: D. J. DePree and Florence Knoll; New Stained Glass; Belgian Lace; Man Made Mobile: The Western Saddle; Contemporary Textile Art from Austria; The New Fabric Surface: Printed, Painted, and Dyed; 200 Years of Royal Copenhagen Porcelain; Boxes and Bowls: Decorated Containers by the 19th Century Haida, Tlingit, and Tsimshian Indian Artists; Contemporary Nigerian Art: Craftsmen from Oshogbo; Painted Weavings by Lia Cook and Neda Alhilali; Twills With Titles: H. Theodore Hallman, Weaver Kenneth G. Mills, Poet; Skoogfors, 20th Century Goldsmith; The Woven and Graphic Art of Anni Albers; Material Evidence: New Color Techniques in Handmade Furniture; Masterworks of Louis Comfort Tiffany; Bound to Vary: Billy Budd, Sailor; The Boat Show: Fantastic Vessels, Fictional Voyages; Treasures from the Land, Twelve New Zealand Craftsmen and their Native Materials; Harvey K. Littleton Retrospective Exhibition; Celebration: A World of Art and Ritual; Dan Dailey: Glass, 1972-1987; Material Evidence: New Color Techniques in Handmade Furniture; Lost and Found Traditions: Native American Art 1965-1985; Clay Revisions: Plate, Cup, Vase; American Art Pottery; Stephen de Staebler: The Figure; The Goldsmith; Chicago Furniture; The Tibetan Yak in Art and Craft; Contemporary Australian Ceramics; Edward Colonna; Scandinavian Modern 1880-1980; The Animal Image: Contemporary Objects and the Beast; William Harper: Recent Works in Enamel; Georg Jensen, Silversmithy: 77 Artists, 75 Years; The Harmonious Craft: American Musical Instruments; Cynthia Schira: New Work; Lafayette Square, 1963-1983: Architecture, Preservation, and the Presidency; Quilts from the Indiana Amish; Russia: The Land, The People, 1840-1910; Frank Lloyd Wright and the Johnson Wax Building: Creating a Corporate Cathedral; Fanfare: Fans from the 18th Century - 20th Century, Parts I, II, III; Architecture in Silver; The Art of Turned Wood Bowls; The Flexible Medium: Art Fabric from the Museum's Collection; Threads: Seven American Artists and Their Miniature Textile Pictures; Paint on Wood: Decorated American Furniture Since the 17th Century; Venini Glass; American Art Deco; New Glass; American Porcelain: New Expressions in an Ancient Art; Good as Gold: Alternative Materials in American Jewelry; Newcomb Pottery; Clay for Walls; Russel Wright: American Designer; and A Century of Ceramics in the U.S., 1878-1978.

Some of these materials date from the time when the Smithsonian American Art Museum was known as the National Collection of Fine Arts and the National Museum of American Art. Materials include correspondence, memoranda, trip reports, brochures, staff meeting notes, artists' surveys, images, exhibition catalogs, checklists, postcards, invitations, brochures, exhibition labels, research materials, architectural drawings, floor plans, and clippings.
Topic:
Museums -- Administration  Search this
Art museums  Search this
Art museum directors  Search this
Art museum curators  Search this
Museum exhibits  Search this
Decorative arts  Search this
Lectures and lecturing  Search this
Craft festivals  Search this
Buildings -- Repair and reconstruction  Search this
Special events  Search this
Museum stores  Search this
Genre/Form:
Manuscripts
Clippings
Brochures
Exhibition catalogs
Architectural drawings
Floor plans
Black-and-white photographs
Color transparencies
Color photographs
Black-and-white negatives
Color negatives
Citation:
Smithsonian Institution Archives, Accession 10-128, Renwick Gallery, Departmental Records
Identifier:
Accession 10-128
See more items in:
Departmental Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa10-128

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