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MS 7563 Stabilization of Kin Klizhin, Chaco Canyon National Monument, Fiscal Year 1938

Creator:
Vivian, Gordon  Search this
Extent:
13 Pages
Type:
Archival materials
Collection descriptions
Pages
Date:
undated
Local Numbers:
NAA MS 7563
Local Note:
Carbon of typescript, bound, with photographs
Topic:
Kin Klizhin -- New Mexico -- Chaco Canyon -- stabilization  Search this
Citation:
Manuscript 7563, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7563
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7563

MS 7523 The Lumbee petition for federal acknowledgement

Creator:
Lumbee River Legal Services  Search this
Pierce, Julian T.  Search this
Hunt-Locklear, Cynthia  Search this
Consultant:
Campisi, Jack  Search this
Taukchiray, Wes  Search this
Extent:
3 Volumes
260 Items (pages and 6 charts, 1 map, and 2 pages errata + 166 pages + 6 pages )
Culture:
Lumbee Indians  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Volumes
Date:
1987
Local Numbers:
NAA MS 7523
Rights:
Under copyright
Topic:
Federal-Indian relations -- Lumbee recognition  Search this
Citation:
Manuscript 7523, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7523
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7523

William L. Bird Holidays on Display Collection

Creator:
Bird, William L.  Search this
Extent:
6.5 Cubic feet (19 boxes, 1 oversize folder)
Type:
Collection descriptions
Archival materials
Date:
1877 - 2010
Summary:
The collection consists of archival materials assembled by National Museum of American History Curator William Lawrence Bird. The materials were used as background research for the publication of his book Holidays on Display (New York: Princeton Architectural Press, 2007), and as exhibit objects for the exhibit by the same name that opened shortly after the museum's architectural renovation (November 2009-September 2010). The materials include advertising and trade literature, especially for department stores and with emphasis on the display of toys; catalogs; photographs and slides; postcards; parade programs; design drawings; correspondence; stock certificates, and miscellaneous items relating to department stores and their displays, parades and the amusement industry.
Scope and Contents:
The collection consists of archival materials assembled by National Museum of American History Curator William Lawrence (known as Larry) Bird. The materials were used as background research and as exhibit objects for the exhibit "Holidays on Display" (November 2009-September 2010). The materials include advertising and trade literature (especially for department stores and with emphasis on the display of toys); catalogs; photographs and slides; postcards; parade programs; design drawings; correspondence; stock certificates, and miscellaneous items relating to department stores and their displays, parades, and the amusement industry.
Arrangement:
The collection is arranged into fourteen series.

Series 1, Advertisements, 1925, 1954, undated

Series 2, Articles/Newspaper clippings, 1922-2009 and undated

Series 3, Artwork/Drawings, 1952, 1966

Series 4, Buttons/Pins (souvenir), 1901-2009

Series 5, Certificates, 1975-1976

Series 6, Correspondence, 1928

Series 7, Department Stores, 1903-2001

Series 8, Design/Display Companies, 1890-2001

Subseries 8.1, Adler-Jones Company, 1947

Subseries 8.2, American Decorative Flower Company, Inc., undated

Subseries 8.3, Chance Manufacturing Company, Inc., 1975

Subseries 8.4, Chicago Artificial Flower Company, 1938-1939, 1951

Subseries 8.5, Eden Musee, 1892-1910 and undated

Subseries 8.6, Dennison Manufacturing Company, 1913-1956

Subseries 8.7, Display Sales, 2008 and undated

Subseries 8.8, Garrison-Wagner Company, 1949-1952, 1959

Subseries 8.9, Gasthoff's Display Service, Inc., 1937-1938, 1956

Subseries 8.10, General Electric, 1931, 1938, 2000

Subseries 8.11, D. Glosser and Associates, Inc., undated

Subseries 8.12, Hamberger Displays, Inc., 1989., 1997-1998, 2001

Subseries 8.13, Intamin AG (observation towers), undated

Subseries 8.14, International Register Company, 1931

Subseries 8.15, Heinrich Mark, undated

Subseries 8.16, Maytag Parade Floats and Moving Displays, [1938?]

Subseries 8.17, Roberto Meluzzi, undated

Subseries 8.18, Messmore & Damon, 1890-1960s

Subseries 8.19, Modern Art Studios, circa 1920s

Subseries 8.20, Motion Machines, Inc., undated

Subseries 8.21, Phoenix Decorating Company, 2006-2010

Subseries 8.22, Pinfari, undated

Subseries 8.23, Pittsburgh Display Advertising, Inc., 1952

Subseries 8.24, S.B. Ramagosa and Sons, 1974

Subseries 8.25, Rubies Costume Company, Inc., 2000

Subseries 8.26, Schack's Artificial Flower Company, 1922

Subseries 8.27, Anton Schwarzkopf, undated

Subseries 8.28, Sherman Display Guide, 1942

Subseries 8.29, Vaughan's, Inc., 1950s, 1992 and undated

Subseries 8.30, Venture Ride Manufacturing, Inc., 1975

Subseries 8.31, Victory Corporation, 1978-2000

Series 9, Parade Programs, 1909-2009

Series 10, Photographs, 1877-2009

Subseries 1, Parades, 1877-1980s

Subseries 2, Window Displays, circa 1930s-2000s

Subseries 3, Miscellaneous, 1935-1965 and undated

Subseries 4, Slides, 1948-1976

Subseries 5, Lantern Slides, undated

Series 11, Postcards, 1909-1973 and undated

Series 12, Publications, 1938-1989

Subseries 12.1, Amusement Business, 1962-1967

Subseries 12.2, Chicago Railroad Fair Official Guide Book, 1948

Subseries 12.3, Commercial Christmas Decor, 2001-2002

Subseries 12.4, Department Store Economist, 1963 July

Subseries 12.5 Display World, 1949, 1950-1952

Subseries 12.6, The Fellow Worker (Jordan Marsh Company), 1928 December

Subseries 12.7, Good Year News (Good Year Tire and Rubber Company), 1962 November

Subseries 12.8, The Holiday Messenger, 1891-1892

Subseries 12.9, The Hudsonian (J. L. Hudson Company), 1937-1954

Subseries 12.10 International Correspondence Schools, 1946-1956

Subseries 12.11, Jolly Book for Boys and Girls (John Wanamaker and Company), 1929-1931

Subseries 12.12, Koester School Year Book, [circa 1920s?]

Subseries 12.13, Merchants Record and Show Window, 1906,1917, 1918

Subseries 12.14, Signs of the Times (National Journal of the Advertising Display), 1953 January

Subseries 12.15, Sparks (R.H. Macy and Company), 1938-1947

Subseries 12.16, Store Chat (Strawbridge and Clothier), 1949, 1951, 1957

Subseries 12.17, Time Magazine, 1948 December 27

Subseries 12.18, Tourist Attractions and Parks, 1989 February

Subseries 12.19, Childrens Souvenir Books, 1926-2003 (bulk 1920s)

Series 13, Travel/Tourism, 1927-2007

Series 14, Tru-Vue, circa 1940s
Historical Note:
The collection consists of archival materials assembled by National Museum of American History Curator William Lawrence Bird. The materials were used as background research for the publication of his book Holidays on Display (New York: Princeton Architectural Press, 2007), and as exhibit objects for the exhibit by the same name that opened shortly after the museum's architectural renovation (November 2009-September 2010).
Related Materials:
Materials held in the Archives Center, National Museum of American History

Messmore & Damon Company Records, 1892-1998 (AC0846)

Landy R. Hales Papers, 1908-1969 (AC0906)

Hudson-Fulton Celebration Photograph Album, 1909 (AC1149)
Provenance:
The collection was assembled and donated by William L. Bird.
Restrictions:
The collection is open for research. Gloves must be worn when handling unprotected photographs, negatives, and slides.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Citation:
William L. Bird Holidays on Display Collection, 1877-2010, undated, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1288
See more items in:
William L. Bird Holidays on Display Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1288
Online Media:

Political Machines: Innovations in Campaigns and Elections

Moderator:
Molella, Arthur P., 1944-  Search this
Brodie, Jeffrey L.  Search this
Bedi, Joyce  Search this
Hintz, Eric  Search this
Speaker:
Teachout, Zephyr  Search this
West, Darrell M., 1954-  Search this
Cohen, Jon  Search this
Bird, William L.  Search this
Igo, Sarah Elizabeth, 1969-  Search this
Grinspan, Jon  Search this
David Becker  Search this
Creator:
Hall, Thad E. ((Thad Edward),), 1968-  Search this
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this
Names:
Political Machines: Innovations in Campaigns and Elections (November 2-3, 2012)  Search this
Extent:
1 Gigabyte
Type:
Collection descriptions
Archival materials
Gigabytes
Mp3
Born digital
Date:
2012-11-02-2012-11-03
Scope and Contents:
Records of a symposium held by the National Museum of American History's Lemelson Center, November 2-3, 2012. The symposium featured speakers and panel discussions. Participants were Arthur Molella, David Schwartz, Joyce Bedi, Darrell M. West, Jon Grinspan, Zephyr Teachout, Eric S. Hintz, Sarah E. Igo, Joh Cohen, William L. Bird, David Beker, Thad E. Hall and Jeffrey L. Brodie.

Files include: 20 files digital, wav; 10 files digital, pdf.
Arrangement:
Collection is arranged into one series.
Provenance:
Collection made for the the National Museum of American History by Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation, Smithsonian Institution.
Restrictions:
Collection is open for research. Please contact the Archives Center for information on how to access.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Elections  Search this
Political campaigns  Search this
Voting  Search this
Congresses and conventions  Search this
Genre/Form:
MP3
Born digital
Citation:
Political Machines: Innovations in Campaigns and Elections, November 2-3, 2012, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1364
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1364

William L. Bird Postcard Collection

Source:
Bird, William L.  Search this
Former owner:
Bird, William L.  Search this
Extent:
6 Cubic feet (19 boxes)
Type:
Collection descriptions
Archival materials
Picture postcards
Postcards
Place:
United States -- description and travel
Date:
1900-1990
Summary:
Collection consists of postcards on numerous subjects.
Content Description:
Postcards, on numerous subjects including American architecture, infrastructure, attractions, businesses, and travel related subjects.
Arrangement:
Collection is unarranged.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Airports  Search this
Architecture -- United States  Search this
Beaches  Search this
Bridges -- United States  Search this
Cities and towns  Search this
Dams  Search this
Highways  Search this
Hotels  Search this
Kitsch -- United States  Search this
Museums -- United States  Search this
National parks  Search this
Restaurants -- United States  Search this
Shopping malls -- United States  Search this
State parks  Search this
Genre/Form:
Picture postcards -- 20th century
Postcards -- 20th century -- United States
Citation:
William L. Bird Postcard Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1465
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1465

Underwood & Underwood Glass Stereograph Collection

Creator:
Underwood & Underwood  Search this
Publisher:
American Stereoscopic Co.  Search this
H. C. White Co.  Search this
Killela, J.J.  Search this
Underwood, Bert, 1862-1943  Search this
Underwood, Elmer, 1859-1947  Search this
Photographer:
Ponting, Herbert George, 1870-1935  Search this
Underwood, Bert, 1862-1943  Search this
Underwood, Elmer, 1859-1947  Search this
White, Clarence W.  Search this
Extent:
160 Cubic feet
Type:
Collection descriptions
Archival materials
Stereographs
Photographs
Stereoscopic photographs
Lantern slides
Date:
1895-1921
Scope and Contents:
The major part of the collection, series 1-4, contains nearly 28,000 glass plates, including original stereoscopic negatives, interpositives, and both negative and positive non-stereoscopic plates used to produce lantern slides and paper prints. The photographs were taken all over the world. The majority are from the Underwood & Underwood active files, but plates from other publishers are also included. Series 5 is a small collection of paper stereographs. Series 6 contains 4 Underwood & Underwood descriptive sales catalogs and 1 H. C. White & Co. catalog (numbers on the Underwood plates correspond to the numbers on catalog captions). Series 7 is apparatus--four stereoscopes.

The approximately 28,000 glass plates in this collection have not been completely inspected at this point due to handling problems associated with asbestos contamination of the collection. A preliminary survey, however, indicated that the selections of images cover the full range of subject matter encompassed by the "Underwood Travel System." The subject matter is most easily comprehended by consulting one of the Underwood sales catalogs which accompany the collection. The catalog captions are arranged geographically, for the most part, and generally represent an organized "tour" which could be purchased as a boxed set, complete with maps and guide book, although individual images could be purchased separately. The catalogs indicate that the Underwood files were continually updated, for extensive modifications in some of the sets can be seen from edition to edition, and actual inspection of published stereographs shows that alternate views with identical Underwood catalog numbers were substituted from time to time, and that new subjects (with new catalog numbers) were sometimes introduced into the sets and old subjects were retired. There are glass plate negatives as well as positives in this collection. The positive images were probably interpositives used for the production of duplicate negatives. Some of the original stereo negatives were cut apart and the images transposed; they were then bound with an additional glass support (in many cases the tape has deteriorated). Half stereo positives also appear in the collection: these probably were intended for use in lantern slide production. Frequently a drawer of plates contains several incarnations of a single image, including the original negative, a copy negative, an interpositive, and a positive lantern slide. In other cases a drawer may contain only a single mode, e.g., original negatives, while corresponding positives and/or lantern slides appear in separate drawers.

A small quantity of the Underwood & Underwood plates are not from the Travel System, but represent humorous and genre subjects which were cataloged and marketed separately. The work of several other publishers, usually without Underwood catalog numbers, is also represented, including H. C. White, American Stereoscopic Company, and J. J. Killela.

The arrangement of the collection seems to reflect a combination of permanent reference storage as well as active use files. The apparent anomalies or inconsistencies probably indicate the pulling of plates from permanent files into temporary work files, and the collection may consist of a combination of permanent storage and temporary working files. As the drawers do not appear to have been renumbered according to any easily discernible pattern, they have become intermixed and rearranged in storage. The contents of each drawer usually have been found in good order, however, and the plates were nearly always arranged numerically,usually with the low numbers at the rear of the drawer and the highest number at the front. As the plates have been rehoused, the reverse numerical order has been corrected. When all the plates have been rehoused and inventoried, consideration will be given to general collection rearrangement and renumbering of the containers, either strictly in numerical order or topically and/or geographically with a numerical sequence within each group.

The collection is in good condition for the most part, although conservation attention will be required. There is a certain amount of emulsion peeling or frilling at the edges of some plates, but this is a condition to which emulsions on glass frequently are prone. A few plates, bound in a sandwich arrangement between cover glass and acetate facing the emulsion, have suffered severe damage, peeling, and image losses through the apparent ferrotyping and sticking of emulsion to the plastic, probably under conditions of high humidity at some stage. There is surprisingly little glass breakage within the collection.

Most of the stereoscopic negatives and many of the positives are defaced with a double "XI' scratched into the emulsion of either the left or right side, as described above in the historical note. Of particular interest and presumed rarity are cards found interfiled with plates in many of the drawers. These cards, filed by Underwood (i.e., catalog) numbers, bear printing'or production dates and notes, along with the unique, chronological accession numbers which the company assigned to each plate, regardless of the "active" number which it might eventually receive. A check mark on a card usually refers to a plate actually in the collection and with which the card is found physically associated; additional accession numbers without check marks listed on the cards possibly refer to variant views which were discarded or may in fact be in the Keystone Mast Collection (pending further research). For ease of handling and in the interest of conservation, the cards have been separated from the plates within each drawer and are arranged as a group at the rear, but can still be located easily. Frequently when a plate and/or its original envelope does not bear both the "active" and accession numbers, the missing number can be located on one of these cards.

Photographers represented include Herbert G. Ponting and Clarence W. White. A photographer and/or publisher named J. J. Killela is also represented.
Arrangement:
This collection is arranged in seven series. Series 1, 2, and 3 are each divided into negative and positive subseries. Plates are arranged numerically in groups based on geographical and subject content. Controlled at the series level in the finding aid and at the item level in a computer database.

Series 1, H. C. White glass plates

Series 2, American Stereoscpopic Co. glass plates

Series 3, Underwood & Underwood glass plates

Series 4, Broken glass plates

Series 5, Original company catalogs

Series 6, Paper stereographs

Series 7, stereoscopes (viewers)
Biographical / Historical:
Underwood & Underwood was established at Ottawa, Kansas, by the young brothers Elmer and Bert Underwood in 1882. They initially operated as distributors for eastern photographers' stereographs to new markets in the West. Their activities included door to door canvassing with views by Charles Bierstadt, J. F. Jarvis, and Littleton View Co.(1) Underwood & Underwood, Publishers, opened a branch office in Baltimore in 1887.(2)

Soon Underwood & Underwood and other large stereograph publishers began recruiting college students to work as salesmen during summer months (1890). Underwood and Underwood claimed that their organization alone sent out as many as 3,000 college students in one Summer [sic]. With the other ... big companies each employing more than 1,000, it is easy to understand how the countryside of the Nation literally swarmed with stereograph salesmen throughout the summer months! ... The competition between the salesmen themselves was likewise aggressive, with no holds barred. Many successful business and professional men of today relate with considerable pride that they got their start on their careers in this practical and very effective school of salesmanship.(3)

The company moved its main office from Ottawa, Kansas to New York City (1891),(4) and gradually began to publish its own stereographs. Bert Underwood finally took photography lessons from M. Abel in Mentone, France during the same year.(5) B. L. Singley, erstwhile salesman for the Underwood & Underwood and James M. Davis & Co. firms, in 1892 formed the Keystone View Company of Meadville, Pennsylvania, which was to become Underwood & Underwood's chief competitor and imitator.(6)

Underwood & Underwood entered the education market (1895) by producing packaged sets of 100 or more stereographs with descriptive texts.(7) From 1897 the firm employed full time staff photographers as well as free lancers. By 1901 the Underwoods were publishing 25,000 stereographs per day (i.e.,total number of cards). Increasing production levels led them to gain control of the Jarvis, Bierstadt, and William H. Rau photoprinting facilities in 1897 1898.(8)

The Keystone view Company created its own Educational Department in 1898. This division sustained the Keystone View Company past the period of the stereograph's popularity. In this year Underwood & Underwood reprinted Oliver Wendell Holmes's series on the stereograph and stereoscope which originally appeared in The Atlantic Monthly between 1859 and 1863. This eighty page booklet included testimonials from eminent scholars on the value of the stereograph in education. The company had been test marketing what itlater called "The Underwood Travel System." This consisted of a boxed set of stereo views of a country or region, a guide book describing the significance of the places shown, and a map showing their location and the viewpoints from which the stereographs were taken. Captions on the backs of the stereographs were sometimes printed in six languages.(9) As stereographs began to be used in schools as visual aids, the firm promoted its Travel System with endorsements from prominent educators, citing the usage of the system by various schools and universities.(10)

The H. C. White Company, which had manufactured stereoscopes for several decades, entered the stereo publication field in 1899.(11) Much of its production seemed to imitate Underwood & Underwood cards, including typography and the color of mount stock. Underwood & Underwood expanded into news photography by 1910 and gradually decreased its stereographic work. Few new stereo negatives were added to the file after 1912 except for a flurry of activity during the early war years, 1914 1916. The total number of Underwood & Underwood "titles" in stereo were from 30,000 to 40,000 (there might be a substantially larger number of actual negatives, since the files frequently were updated with newer views for old catalog numbers).(12)

Underwood & Underwood sold a portion of its negative file to the educational division of Keystone View Company in 1912,(13) and between 1921 1923 conveyed to this competitor their remaining stereo stock (presumably both cards and negatives) and rights.(14) In addition to its involvement as a news photographic agency, the company eventually opened portrait studios which flourished during the World war II years. A former Smithsonian employee, Vince Connolly, worked for Underwood & Underwood, which competed with Harris & Ewing in general portrait work during that period: he did portraiture and other photography, but says he was unaware of his employer's earlier stereo publishing activities.

Underwood & Underwood donated approximately 6000 negatives to the Section of Photography of the Division of Graphic Arts (1964). These photographs are primarily 4" x 5", captioned glass plate and film negatives. The subjects are news events and theatrical, sports, and political subjects of the early 20th century. In a letter to the Smithsonian of March 25, 1966 (in accession number 270586), Mrs. John M. Stratton described another collection of Underwood & Underwood photographs, stating that her husband had been a partner in Underwood & Underwood Illustrations and owned Underwood & Underwood News Photos. In November of the same year Mr. and Mrs. Stratton donated this collection of glass plates by Underwood & Underwood and other publishers to the Division of Photographic History (then the Section of Photography of the Division of Graphic Arts) . This material consists of both negative and positive stereographic plates, as well as non stereoscopic plates, chiefly copies made from the stereographs, with some catalogs, stereoscopes, and other material. The donor estimated 12,900 plates, but in 1983 the Smithsonian Institution inventory yielded a total of approximately 28,000 plates.

The Keystone View Company's stereoscopic production continued much later than Underwood & Underwood's. It was not until 1939 when declining interest in stereography led the firm to discontinue stereograph production and enter the field of visual optometrics. The stereoscopic negative collection, including material obtained from Underwood & Underwood and other firms, was placed in storage in concrete vaults. The Mast family of Davenport, Iowa, eventually purchased the collection in 1963, and in 1977 donated the collection to the University of California for its California Museum of Photography in Riverside. The University took physical possession of this vast collection in 1979.(15)

Many of the Underwood & Underwood plates donated by the Strattons (which were transferred to the Archives Center in 1983), in effect have been cancelled by having diagonal lines (double "X" marks) scratched into the emulsion of either the left or right image of each stereo pair (never both sides). These cancellation marks do not appear on the Underwood & Underwood plates in the Keystone Mast Collection in Riverside. This leads to several theories: (a) that these cancellations were in fact the reason that the Smithsonian plates were not purchased by Keystone in either 1912 or 1921, since Keystone clearly intended to use the Underwood material for stereograph production and the defaced plates would be of no value to them for this purpose; or (b), as stereo collector John Waldsmith suggests, that the cancellations were part of an agreement between Underwood & Underwood and Keystone: Keystone may have asked Underwood & Underwood to cancel one side of each stereoscopic plate not being sold to Keystone so that Underwood & Underwood would no longer be able to compete with Keystone in the stereo market. The defaced plates, as well as other material which Keystone did not purchase, apparently remained in Underwood custody and eventually were acquired by Mr. and Mrs. Stratton. The cancellation marks in the Smithsonian's collection are the subject of further conjecture. Edward Earle at Riverside feels that, since Underwood & Underwood sought to abandonded stereograph production much earlier than Keystone's departure from the field in order to enter the non stereoscopic lantern slide market, the cancellation may have served to indicate which side of each sterescopic pair should be converted to lantern slide production use; the existence of the 4" x 5" copy negatives and positives from stereographs in this collection seem to corroborate this. The Underwood & Underwood conversion from stereograph to lantern slide materials seems to coincide with the ascendance of lantern slide projection as visual aids in schools. The company apparently modified the type of photographic product which they published at least partially in recognition of this new educational trend.

NOTES

1. edward W. Earle, ed., Points of View: The Stereograph in America A Cultural @ Visual 'g . E!Ltory, Rochester, F.Y., Th Studies Workshop ress, 1979, p. 60; William Culp Darrah, The World of Stereographs, Gettysburg, Pa., 1979, p. 46.

2. Tbid., p. 62.

3. George E. Hamilton, Oliver Wendell Holmes, His Pioneer SLtuereoscope and Later Industry, New York, New )men Society, 1949, p. 17, quoted in Points of 1=e w:, 6 4 . P.

4. Points of View., p. 66.

5. Darrah, p. 47.

6. points of View, p. 66.

7. Ibid., p. 68.

8. Darrah, p. 47.

9. Points of View, p. 70.

10. Howard S. Becker, "Steteographs: Local, National, and International Art Worlds," in Points of View, p. 95. 11. points of View, p. 72.

12. Darrah, p. 48.

13. Darrah, p. 48, quoted in Points of View, P. 82.

14. Darrah, p. 48.

15. Chris J. Kenney, introduction to "Perspective and the Past: The Keystone Mast Collection," CMP Bulletin, Vol. 1, No. 2, 1982.
Related Materials:
California Museum of Photography, University of California--Riverside, Riverside, California 92521.

Underwood & Underwood stereographs in this collection and the Smithsonian Underwood & Underwood Collection originally were components of the same company file.
Provenance:
Collection donated by June Stratton (Mrs. John M.) on December 19, 1966.
Restrictions:
The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Traveling sales personnel  Search this
Travel photography -- 1890-1930  Search this
Genre/Form:
Stereographs -- 1890-1930
Photographs -- Interpositives -- Glass -- 1890-1930
Photographs -- Black-and-white negatives -- Glass -- 1890-1930
Photographs -- 1900-1950
Stereoscopic photographs -- Glass -- 1890-1930
Lantern slides
Photographs -- 1890-1900
Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0143
See more items in:
Underwood & Underwood Glass Stereograph Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0143
Online Media:

Tad Hershorn Collection

Creator:
Hershorn, Tad  Search this
Names:
Granz, Norman  Search this
Extent:
1 Cubic foot (1 box)
Type:
Collection descriptions
Archival materials
Clippings
Concert programs
Programs
Photographs
Typescripts
Date:
1956-1991.
Scope and Contents note:
Materials relating to jazz, including photographs of jazz performers; printed material, including clippings about the jazz promoter Norman Granz, and nine concert programs; and a typescript history of jazz at the Philharmonic.
Arrangement:
Divided into 5 series.
Provenance:
Collection donated by Tad Hershorn. ,Rutgers Institute of Jazz Studies, Dana Library.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- 1950-2000 -- United States  Search this
Musicians -- 1950-2000  Search this
Jazz -- 1950-2000  Search this
Genre/Form:
Clippings -- 1950-2000
Concert programs
Programs -- Concerts
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Typescripts
Citation:
Tad Hershorn Collection, 1956-1991, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0680
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0680
Online Media:

Rudolph Hering Collection

Source:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Creator:
Hering, Rudolph, 1847-1923  Search this
Former owner:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Extent:
8.1 Cubic feet
Type:
Collection descriptions
Archival materials
Date:
circa 1863-1919.
Scope and Contents note:
This collection contains pamphlets and papers, collected by Hering, on waste disposal, m
Arrangement:
1 series. Arrangement: By type of material.
Biographical/Historical note:
Rudolf Hering was a consulting hydraulic and sanitary engineer working in Philadelphia, 1869-1886, and New York.
Provenance:
Collection donated by Samuel A. Greely of Greely and Hansen, 1967.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Hydraulic engineering and engineers  Search this
Citation:
Division of the History of Technology, National Museum of American History.
Identifier:
NMAH.AC.0989
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0989

G. P. Herrick Collection

Creator:
Herrick, Gerard Post, 1873-1955  Search this
Source:
Work and Industry, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Former owner:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Work and Industry, Division of, NMAH, SI  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Patents
Clippings
Brochures
Correspondence
Photographs
Place:
New York
Date:
1842-1912
Scope and Contents note:
The collection documents Herrick's blast furnace and rotary steam engine business, including business correspondence, patent documents, drawings, machine operations data, and publications.
Arrangement:
One series.
Biographical/Historical note:
Gerardus Post Herrick, an attorney in New York City who turned inventor, graduated from Princeton in 1895. He improved the original design of the blast furnace, and later invented a rotary steam engine.
General Note:
Originally M&CE #51. Duplicate SIRIS record, Bib. # 234612, deleted 4/24/08.
Provenance:
Collection donated by Mrs. G. P. Herrick.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Steam-engines  Search this
Rotary steam engines  Search this
Blast furnaces  Search this
Genre/Form:
Patents -- 20th century
Clippings -- 20th century
Brochures
Correspondence -- 20th century
Photographs -- 20th century
Citation:
G. P. Herrick Collection, 1842-1912, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1058
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1058

Jean Bartel Miss America 1943 Photographs

Source:
Sports, Entertainment and Leisure, Division of, NMAH, SI  Search this
Creator:
Bartel, Jean  Search this
Former owner:
Sports, Entertainment and Leisure, Division of, NMAH, SI  Search this
Extent:
0.66 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Date:
1943-1970, undated
Summary:
Photographs of Jean Bartel during the Miss America Pageant in 1943 and her activities during her reign.
Scope and Contents:
Series 1, Miss America Competition, 1943, consists of photographs taken during the Miss America pageant in Atlantic City, New Jersey. The photographs are arranged by the activity during the competition.

Series 2, Miss America Reign, 1943-1944, consists of photographs taken during the year Bartel served as Miss America and highlights her travels around the country. Notably featured is New York, where Bartel visited Leon and Eddie's nightclub, the Waldorf Astoria, Madison Square Garden, Stage Door Canteen, and the Empire State Building. Also included is a signed note from Eddie Davis, owner of Leon and Eddie's. Bartel is photographed visiting with various people and participating in a variety of events. The series ends as she crowns Miss America 1944, Venus Ramey. The materials are arranged in chronological order.

Series 3, Post Miss America, 1954, 1970, undated, includes photographs taken after Bartel's reign as Miss America. The photographs mostly document her professional career as an actress. There is one photograph of her wedding in 1970. The materials are arranged in chronological order.
Arrangement:
The collection is arranged in three series.

Series 1: Miss America Competition

Series 2: Miss America Reign

Series 3: Post Miss America
Biographical / Historical:
Jean Bartel was born in Los Angeles, California, in 1924. She was strongly encouraged by her parents to follow her dream of performing on Broadway. Bartel entered the Miss America Pageant in 1943 after she learned that the financial backer of Oklahoma, Horace Schmidlapp, was going to be a pageant judge. For the talent portion of the competition, she sang Cole Porter's Night and Day and won the title of Miss America.

During her reign as Miss America, Bartel was given many opportunities to combine her love for singing and traveling. Her talent was often used to entertain American troops. Bartel also was involved in a bond-selling tour and was honored by the United States Treasury Department as the individual who sold the most Series E Bonds that year. Women purchased most of the two and one half million dollars of these bonds.

After she relinquished the title, Bartel performed for radio and television traveling to South America, the Middle East, Europe, Canada, and in every state except Maine. Bartel was the first Miss America to star in a Broadway musical, Of Thee I Sing, in 1952.

Bartel met William J. Hogue while she was working for Japanese television and he was a consultant for the Mitsubishi Company. They were married in Kyoto, Japan, in 1970. Bartel continued to perform on the stage. She also worked for American television appearing in programs including The Red Skelton Show, The Danny Thomas Show, Perry Mason, Robert Montgomery Theatre, The Ed Wynn Show, Stop the Music, The Milton Berle Show, and Broadway TV Theatre. She also did television work in Paris, Cannes, London, Beirut, Athens, Rio de Janeiro, San Paulo, Hong Kong, Tokyo, and Scandinavia. Bartel received a special showing of It's a Woman's World at the Montreux International Television Festival in Switzerland in which she was the host and star. Other television and feature film work included The Rockford Files and The Debtors.

In 2001, Bartel lost her husband of thirty-one years. Bartel currently owns Jean Bartel and Associates, an international travel consultation firm. She resides in Los Angeles, California and continues to be active in church work, the Academy of Television Arts and Science, the Hollywood Radio and Television Society and in supporting the Veteran's Cemetery. Scope and Content: This collection primarily documents Bartel's reign as Miss America from 1943-1944. There are some photographs of the Miss America pageant including images of other contestants and Atlantic City, New Jersey. In addition, there are a few photographs of Bartel after her reign ended.
Separated Materials:
Bartel donated her Miss America crown to the Museum's Division of Culture and the Arts. See accession number: 2005.3069.
Provenance:
Jean Bartel donated this collection in 2005.
Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Citation:
Jean Bartel Miss America 1943 Photographs, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0902
See more items in:
Jean Bartel Miss America 1943 Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0902
Online Media:

Standards Western Automatic Computer Circuit Notebooks

Topic:
Standard Western Automatic Computer
Collector:
Science, Medicine and Society, Division of (NMAH, SI).  Search this
Science, Medicine and Society, Division of (NMAH, SI).  Search this
Creator:
Huskey, Harry D.  Search this
Larson, Harry  Search this
Rutland, Dave  Search this
Names:
United States. National Bureau of Standards  Search this
Extent:
0.5 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Drawings
Notebooks
Date:
1946-1952
Summary:
Collection documents circuit development for the Standards Western Automatic Computer (SWAC). SWAC was an early digital computer built in 1950 by the U.S. National Bureau of Standards in Los Angeles, California.
Scope and Contents:
Three bound notebooks maintained by Harry Huskey, Dave Rutland and Harry T. Larson, documenting circuit development for the Standards Western Automatic Computer (SWAC). SWAC was an early digital computer built in 1950 by the U.S. National Bureau of Standards in Los Angeles, California. Additional materials include one folder of test routines and coding sheets, from 1952.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Designed in 1950 by Huskey, and built by the U.S. National Bureau of Standards in Los Angeles, California, SWAC was an early version of an electronic digital computer.
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Computers -- History -- 1940-1950  Search this
Genre/Form:
Drawings
Notebooks
Citation:
Standards Western Automatic Computer Circuit Notebooks, 1946-1952, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1217
See more items in:
Standards Western Automatic Computer Circuit Notebooks
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1217

Henry Booth Collection

Creator:
Booth, Henry, 1895-1969  Search this
Names:
Amalgamated Textiles Limited.  Search this
Eastman Kodak Co.  Search this
Hillandale Farms  Search this
Hillandale Handweavers  Search this
PhotoMetric Corporation  Search this
Richard Bennett Associates, Inc.  Search this
Booth, Virginia  Search this
Extent:
2.5 Cubic feet (7 boxes)
Type:
Collection descriptions
Archival materials
Scrapbooks
Glass plate negatives
Pamphlets
Photographs
Date:
1942 - 1974
Summary:
Papers document Henry Booth's invention, use, and marketing of the PhotoMetriC custom tailoring system.
Scope and Contents:
The Henry Booth Collection, 1942-1974, focuses primarily on the PhotoMetriC custom tailoring system. It consists of advertisements, brochures, photographs, glass slides, a 16mm film, correspondence, financial records, meeting minutes, an operating manual, scrapbooks, magazines, and a guest register.
Arrangement:
The collection is organized into five series.

Series 1: PhotoMetriC Apparatus Materials, 1948-1965

Series 2: PhotoMetriC Advertising and Press Materials, 1942, 1948

Series 3: PhotoMetriC Retail Materials, 1958-1974

Series 4: PhotoMetriC General Business Materials, 1947-1974

Series 5: Hillandale Handweavers, 1960-1962
Biographical / Historical:
Henry Booth was a textile jobber who invented the PhotoMetriC custom tailoring system in the 1940s, an innovation which temporarily revolutionized a small corner of the custom clothing industry.

Henry Booth (1895-1969), son of a Methodist minister, was born in Canada and raised in England where his grandfather, General William Booth, founded the Salvation Army. In 1911, Henry Booth came to the United States from England on the Lusitania. He worked in the textile industry for a few years; specifically as a manager for John B. Ellison jobbing offices in Portland and Seattle. In 1922 he formed his own firm with Harry Kemp and Robert Walker. By 1929, Booth moved east to New York City in order to pursue his career in the textile industry. He formed Amalgamated Textiles Limited with John and Blake Lawrence. In 1938, Booth met Curt Erwin Forstmann and entered into an agreement whereby Amalgamated Textiles Limited became fabric stylists and sole agents for the Forstmann Woolen Companies.

In the early 1940s, Booth came up with the idea for the PhotoMetriC camera system to be used in the custom tailoring industry. The system consisted of a specially-designed arrangement of nine mirrors. Eight mirrors reflected separate views of the customer and one mirror reflected the customer's name and other information. These angled mirrors allowed a photograph to be taken which showed the customer from the front, back, side, and top. A slide of this photographic measurement would be sent, along with the customer's garment order, to the manufacturer. When the order arrived, the tailor would project the customer's image on a special screen which facilitated the taking of certain physical measurements. With the aid of the PhotoMetriC calculator, the tailor translated the measurements into specifications for a customer-specific garment. When finished, the garment would be mailed directly to the customer's home. According to testimonials in the collection, the garments fit perfectly the first time, every time. The PhotoMetriC system both saved the tailor money and relieved the customer of the inconvenience of having to return to the tailor again and again for time-consuming fittings, alterations, and adjustments.

The camera which supported this invention needed to be virtually foolproof, enabling the average shop clerk to reliably collect the necessary data. To this end, Booth took his idea to the Eastman Kodak Company, where he worked with Dr. Kenneth Mees, Director of Research and Fred Waller, a camera expert. Waller designed the camera; the remainder of the system design was done by Booth. The PhotoMetriC system made its debut in two Richard Bennett stores in New York City on May 17, 1948. It was subsequently licensed to other select retailers such as: The Custom Gentleman (Englewood, NJ); Nathan's (Richmond, VA); The Golden Fleece (Point Pleasant Borough, NJ); and Joseph's (Terre Haute, IN).

Hillandale, a Brooklyn, CT farm which Booth purchased about 1940, was later used to produce hand woven wool fabrics. These fabrics were used extensively by various PhotoMetriC retail outlets. Henry Booth's son, Robert (b. 1924), took over farm operations circa 1960 and opened a retail outlet on the premises which featured a PhotoMetriC fitting room which provided custom tailoring until the mid-1970s. Robert Booth, with his wife, Jimmie, operated the Golden Lamb Buttery Restaurant in Brooklyn, Connecticut. It closed in 2017.

Patents of Henry Booth:

United States Patent: #2,037,192/RE #20,366, "Visible inventory and sales recording device, April 14, 1936

United States Patent: #2,547,367, "Method and apparatus for testing fabrics, April 3, 1951

United States Patent: #2,547,368, "Cloth rack," April 3, 1951

United States Patent: #2,563,451, "Photographic fitting method," August 7, 1951

United States Patent: #2,624,943, "Proportionally balancing garments," January 13, 1953

United States Patent: #2,664,784,"Apparatus for measuring objects by photography," January 5, 1954

United States Patent: #2,688,188, "Apparatus for proportionally balancing garments," September 7, 1954
Related Materials:
Materials in the Archives Center

Virginia "Jimmie" Booth Collection, 1936-1998 (AC0729). Jimmie Booth is the wife of Robert Booth and she was a buyer for Lord and Taylor.

Materials in the National Museum of American History

The Division of Information Technology, and Society, now the Division of Culture and the Arts, holds a PhotoMetric camera, stand, and measuring harness in the Photographic History collection.
Provenance:
This collection was donated by Henry Booth's son, Robert Booth, in April 2000.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Tailoring  Search this
Fashion  Search this
advertising -- 20th century  Search this
Garment cutting  Search this
Inventions -- 1920-2000 -- United States  Search this
Inventors -- 1940-1990  Search this
PhotoMetric (camera system)  Search this
Photography -- Equipment and supplies  Search this
Genre/Form:
Scrapbooks -- 20th century
Glass plate negatives
Pamphlets -- 1950-2000
Photographs -- Black-and-white photoprints -- 1940-2000
Photographs -- Glass -- Silver gelatin -- 20th century
Citation:
Henry Booth Collection, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0726
See more items in:
Henry Booth Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0726
Online Media:

Virginia "Jimmie" Booth collection

Creator:
Booth, Virginia  Search this
Names:
Lord & Taylor  Search this
Davies, Donald  Search this
McCardell, Claire  Search this
Potter, Clare  Search this
Extent:
3 Cubic feet (6 boxes, 3 oversize folders)
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Correspondence
Design drawings
Date:
1936 - 1998
Summary:
Papers relating to Virginia "Jimmie" Booth's career as a buyer for Lord and Taylor, where she worked for Dorothy Shaver. Papers include correspondence; photographs; original drawings by designer Clare Potter; printed material including articles, magazine advertising and catalogs; a scrapbook of clippings and memorabilia.
Scope and Contents:
The Virginia "Jimmie" Booth Collection, 1936-1998, focuses primarily on Booth's career as a buyer for Lord & Taylor. The collection includes correspondence, photographs, drawings, clippings, and a scrapbook, and is arranged into seven series.

Series 1: Personal Papers, Photos, and Memoribilia, 1936-1998, includes materials dating from Booth's college days and recent years.

Series 2: Hillandale Business, 1948, 1949, 1972, undated, consists of advertisements, articles, and correspondence. Hillandale Handweavers was the company founded by Booth's father-in-law, Henry Booth.

Series 3: Lord & Taylor Country Clothes Shop, 1952-1960s, contains photographs of the store, advertising, news articles, original illustrations and catalogues.

Series 4: Irish Materials, 1950s-1960s, is made up of articles and photographs of the weavers at work.

Series 5: European Designers, 1955, 1967, 1997, undated, includes articles and photographs related to Donald Davies and Von Eckerman.

Series 6: American Designers, 1948, 1951-1957, undated The bulk of this series consists of a large number of original sketches by Clare Potter, including fabric swatches. There is also a large scrapbook of Potter's featuring articles and advertisements.

Series 7: Miscellaneous, 1962, consists of an issue of the trade publication, The Ambassador.
Arrangement:
Collection is organized into seven series:

Series 1: Personal Papers, Photos, and Memorabilia, 1936-1998

Series 2: Hillandale Business, 1948, 1949, 1972, undated

Series 3: Lord & Taylor Country Clothes Shop, 1952-1960s

Series 4: Irish Materials, 1950s-1960s

Series 5: European Designers, 1955, 1967, 1997, undated

Series 6: American Designers, 1948, 1951-1957, undated

Series 7: Miscellaneous, 1962
Biographical / Historical:
Virginia Wagoner Booth, known as Jimmie Booth, studied printing and engineering at Syracuse University. An engineer with Pratt & Whitney during World War II, she entered the fashion world as a bridal consultant at G. Fox in Hartford in 1945.

In 1952 Dorothy Shaver, of Lord & Taylor, hired Booth for the Hartford store and asked her to develop and manage The Country Clothes Shop in the 5th Avenue store in New York. There, Booth collaborated with and promoted such American designers as Clare Potter, Bonnie Cashin, and Claire McCardell. Booth also worked extensively with European designers.

Married to Bob Booth of Hillandale Weavers, Jimmie promoted the use of both American and European hand-loomed fabrics by her designers. She frequently modeled the fashions herself. Her casual, yet elegant, style is the epitome of "the American Look" still popular today.

In 1998, Jimmie Booth, Dorothy Shaver, and other creators of The American Look were saluted in the exhibition, "Designing Women: American Style 1940-1960" at the Wadsworth Atheneum in Hartford.

In addition to her design work, Booth was a violinist with the Hartford Symphony in the 1940s, and later became the chef at the Brooklyn, Connecticut, Golden Lamb Buttery, which she and her husband, Bob, owned and operated.
Related Materials:
Materials in the Archives Center

Henry Booth Collection, 1948-1974, AC0726

Dorothy Shaver Papers, circa 1922-1959, AC0631
Provenance:
The collection was donated by Virginia "Jimmie" Booth, in May 2000.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Costume design  Search this
Genre/Form:
Scrapbooks -- 20th century
Photographs -- 1940-1970
Correspondence -- 20th century
Design drawings
Citation:
Virginia "Jimmie" Booth Collection, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0729
See more items in:
Virginia "Jimmie" Booth collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0729

John Bucheimer Papers

Creator:
Bucheimer, John  Search this
Names:
Head Ski Company.  Search this
Head, Howard, 1914-1991 (inventor, business executive)  Search this
Extent:
4 Cubic feet (11 boxes, 5 map folders)
21 Film reels
Type:
Collection descriptions
Archival materials
Film reels
Drawings
Correspondence
Photographs
Business records
Audiovisual materials
Financial records
Blueprints
Date:
1954 - 1977
Summary:
Papers relate to John Bucheimer's work as manager of new product manufacturing in the Engineering Department at Head Ski Company.
Scope and Contents:
These records were assembled and saved by John Bucheimer in conjunction with his work at Head Ski Company. The bulk of the records relates to engineering matters and detail how the skis were manufactured. The records also provide insight into the daily operations and activities of the Head Ski Company factory.

Series 1, Operational Records, 1967-1973, include an organizational chart, company and management profile, annual reports, inter office correspondence, memoranda, management notes, the Management News Bulletin, and plant information. The organizational chart of 1969 provides the job title and name of the employee for specific positions within Head Ski Company, Head Ski and Sportswear, American Athletic Equipment, Wayne Plastics, Wing Archery, and Head International AG.

This series contains the Management News Bulletin, 1967-1970. An internal communication from the president, the news bulletin provided a forum for announcements, resignations, work plans, reorganizations, organizational charts, employee changes, and general work flow issues. While small in size, the content is rich for getting a sense of the management style at Head Ski Company.

The management notes, 1968-1971, are handwritten by Bucheimer and contain information on training, responsibilities, manufacturing expenses, production schedules, regional sales meetings, and job postings. There are a few management pamphlets published by the Economic Press, Inc. These pamphlets provided "tips" to managers. Also, the management notes contain two union fliers addressing the issue of union dues. Both fliers urge employees to "keep your take home pay free from Union dues. Vote no union." Other materials include inventories of office surplus and plant information. There are instructions of how to conduct a tour of the plant and ADT protective service documentation. Bucheimer was the designated ADT card holder for the company.

Series 2, Employee Records, 1957-1973, consist of employee handbooks and insurance materials, a job description for manager of manufacturing projects, and vacation schedules for several employees. Some salary information is here.

Series 3, Marketing/Sales Records, 1969-1972, includes one catalog from 1972, three news releases, sales information, and ski show and shipment information. The ski show materials document specific shows—Canada, Chicago, Los Angeles, and New York—and the ski models displayed and, in some instances, orders placed. The special shipments, 1969-1971, include invoices, correspondence, notes, and material move tickets for companies such as Cell Pack, Ltd., Standard Metalwerke, Dura Fiber Corp., and United Shoe Machinery Corp.

Series 4, Financial/Accounting Records, 1967-1971, contains reports, inventories, expenses, and some payroll information. The majority of these records date from September 1969 to October of 1969. The expense statements reveal how much was budgeted and spent for materials, direct labor, payroll taxes, Christmas bonuses, travel, postage, maintenance, and ski parts, to name a few categories. There is some payroll information with the payroll control sheets.

Series 5, Engineering/Manufacturing Records, 1956-1977, comprise the largest and richest series within the collection. The records are subdivided into seven subseries: inventories, instructions, repair information, reports, drawings and specifications, testing information, and miscellaneous.

The inventories provide valuable information on the types of materials used, the quantities, and in some instances the cost. The raw material inventory of 1967 details material types (e.g. glue, plywood, aluminum, poles, saw blades), account numbers, date, quantity, price and actual cost. Like the raw material inventory, the perpetual inventory of 1966 is divided according to material type (e.g. aluminum, plastic, cloth tape, wood, rubber, steel) unit measure (typically in pounds), conversion factor, dates, and a balance amount.

The instructions include detailed information on "how to" for a variety of operations such as aluminum sandblasting bottom ski skin assembly, degreasing nosepieces, and sanding, gluing, and cutting "L" steel edges. The instructions consist of a workplace layout diagram, tools needed, and step by-step instruction elements. Of note is the material flow processes for the company. There are flow charts for each operational sequence performed. There are photographs of equipment with the flow charts, but they are not keyed to specific operational tasks.

The repair information contains procedures and lists of parts for skis. The repair procedures describe the repair needed and what model ski is affected. A detailed description of the repair is documented along with the materials required, tools, and how effective the repair was. The repairs documented here include finishing, grinding, bottom waxing, replacing edges, inlays, and remolding. The company had a program titled "rework" that handled returned skis. Many of the skis documented appear to have had cavity problems and were sent back to be remolded. There is some ski rejection analysis documentation citing why skis are being sent to the rework program. Additional information on cavity problems and production is also here. The parts list, 1969-1970, details various parts used on ski models JR-90, JR-60, 720-TA, 320-W, 240-B, K-short ski, deep powder-DP, Giant Slalom, slalom, 360-AR, 320-E and the downhill models. The part number and name, quantity, and any remarks are provided.

The reports, logs, and notes subseries contain manufacturing and production notes, and a variety of reports documenting engineering department activities. The inter-shift reports, 1963-1967, were maintained in spiral bound shorthand notebooks. They detail daily activities, operational suggestions, reminders to staff, materials available, and what work needs to be completed. Other reports include accidents, 1958-1961, and quality control reports, 1970-1971, which were created daily to provide detailed information on all aspects of the skis at final inspection time. The number of skis inspected with percentage information is summarized. The non-conforming material recovery reports, 1970, give the reasons why skis were rejected and indicate if skis were returned to vendors or used "as is."

The drawings and specifications, 1964-1970, are comprised of oversize drawings ranging from 8" x 10" to 34" x 43 _". The drawings are copies and include information on the short, slalom, giant slalom, downhill, and deep powder skis. The finished ski specifications, 1964-1967, document material types, assembly and subassembly procedures, ski data, ski poles, packaging material, and miscellaneous material. For each specification there is a corresponding instruction/narrative and, in some instances, a drawing.

The testing documentation is material specific (rubber, steel, plastic, adhesives) or ski model specific. It provides some insight into what materials the company worked with and under what conditions, such as, pulling, heating, or actual pilot ski runs. The suppliers, 1971-1973, include forms, receipts, bills, invoices, correspondence, receiving tickets, and descriptive inventories from companies that Head Ski Co. purchased supplies from.

Series 6, The General Files, 1954-1977, cover a variety of miscellaneous topics, such as the National Ski Patrol and postage, and are arranged alphabetically.

Series 7, Moving Image, no date, consists of twenty-one reels of 16 mm film which are unprocessed.

Series 8, Personal Materials, circa 1960s, contain greeting cards and notes and a photograph of Bucheimer with Howard Head.
Arrangement:
Collection organized into eight series.

Series 1: Operational Records, 1967-1973

Series 2: Employee Records, 1957-1973

Series 3: Marketing/Sales Records, 1969-1972

Series 4: Financial/Accounting Records, 1967-1971

Series 5: Engineering/Manufacturing Records, 1956-1977

Subseries 1, Inventories, 1966-1971

Subseries 2, Instructions, 1967-1970

Subseries 3, Repair Information, 1969-1971

Subseries 4, Reports, logs, and notes, 1956-1971

Subseries 5, Drawings and Specifications, 1964-1970

Subseries 6, Testing Information, 1963-1970

Subseries 7, Miscellaneous, 1967-1973

Series 6: General Files, 1954-1977

Series 7: Moving Image, no date

Series 8: Personal Materials, circa 1960s
Biographical / Historical:
John Bucheimer was born on December 7, 1919. During the 1940s, he worked with Howard Head at Glenn L. Martin Company, an aircraft company founded by aviation pioneer Glenn L. Martin (1886-1955) in Middle River, Maryland. At Martin, Bucheimer supervised work on planes and oversaw structural testing. Primarily self taught, he learned electronics and drafting skills on the job. Head left the Glenn L. Martin Company to start his own company, Head Ski Company in 1948, and Bucheimer joined him.

Head, a former aircraft engineer, developed, designed, manufactured, and marketed the first metal laminate skis in 1950 called the "Head Standard. These skis revolutionized the industry. They were made of two layers of aluminum bonded around a core of plywood at very high pressure; the outer layer was made of plastic. By 1952, Head introduced skis with edges made of tempered steel. His skis were lighter and faster than wood and earned the nickname "cheaters" by the industry. In 1969, Head introduced a fiberglass/metal ski, but this ski combined with a diversified product line of javelin and aluminum tennis rackets could not strengthen his company nor stop a takeover by AMF in 1970.

At Head Ski Company, Bucheimer held the position of manager of new products manufacturing. He trained employees on every aspect of work flow.
Related Materials:
Materials in the Archives Center

Howard Head Papers, 1926-1991, AC0589

Materials in the National Museum of American History

The Division of Culture and the Arts, formerly the Division of Music, Sports, and Entertainment, holds artifacts related to the Howard Head Papers. These artifacts include downhill skis, ski poles, ski boots, ski bindings, and cross sections of downhill skis.
Provenance:
The collection was donated by John Bucheimer on April 26, 2005.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Sporting goods industry  Search this
Skis and skiing  Search this
Genre/Form:
Drawings -- 20th century
Correspondence -- 1950-2000
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Business records -- 1950-2000
Audiovisual materials
Financial records -- 20th century
Blueprints -- 1950-2000
Citation:
John Bucheimer Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0889
See more items in:
John Bucheimer Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0889
Online Media:

MS 7306 Miscellaneous material relating to the Southeast and to southeastern Indians, 1540-1711

Creator:
Higginbotham, Jay  Search this
Extent:
3 Inches
Culture:
American Indian -- Southeast  Search this
American Indian -- Southeast Indians  Search this
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Includes letters, copies of maps, copies of documents, notes, and printed material. Much of the material relates to the coasts of Alabama and Florida, particularly to Mobile. Some relates to the entire Southeast.
Local Numbers:
NAA MS 7306
Topic:
Mobile -- Alabama -- 16th-18th centuries  Search this
Southeastern United States  Search this
Citation:
Manuscript 7306, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7306
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7306

MS 7466 A map of that part of Georgia occupied by the Cherokee Indians

Creator:
Bethune, John  Search this
Extent:
1 Item (One sheet ca. 25 3/8 x 20 1/2 in. at neat line)
Culture:
Cherokee -- land -- Georgia  Search this
Type:
Collection descriptions
Archival materials
Maps
Date:
1831
Scope and Contents:
Includes the northwestern corner of Georgia west and north of the Chattahoochie River. The scale is approximately 1 inch to 4 3/4 miles.
Biographical / Historical:
The complete title of the maps indicates that Bethune carried out a survey in 1831 in pursuance of an act of the George general assembly.
Local Numbers:
NAA MS 7466
Local Note:
Printed document, hand colored
Topic:
Georgia -- Maps  Search this
Genre/Form:
Maps
Citation:
Manuscript 7466, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7466
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7466

J. Walter Wilkinson Papers

Creator:
Wilkinson, Walter Gandy, 1917-  Search this
Interviewer:
Bird, William L.  Search this
Author:
Wilkinson, J. Walter (commercial artist)  Search this
Extent:
1 Cubic foot (2 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Audiocassettes
Sketches
Date:
ca. 1932-1935, 1940-1964, 1985-1987.
Scope and Contents:
Originals and copy photographs of advertisements and other commercial art work, original sketches, materials documenting a mechanical drafting instrument patented by the WIlkinson and his son, Walter G. Wilkinson, and a scrapbook of clippings, photographs, awards, and other materials documenting the Wilkinsons' careers. Also included are audiocassettes containing interviews of Wilkinson, conducted by National Museum of American History curator, Larry Bird.
Biographical / Historical:
J. Walter Wilkinson (1892- ) is an award winning commercial artist, perhaps best known for a series of six war bond posters he and his son Walter G. Wilkinson (1917-1971) created for the United States Treasury Department. J. Walter Wilkinson was born on Maryland's eastern shore, received formal academic training in art, and worked on newspapers and at an advertising agency before becoming a free lance artist. In addition to his war posters and other government commissions, he created a number of outdoor and magazine advertisements and many magazine covers. Major products for which Wilkinson did advertising art work included Ivory soap, Pabst beer, and Ballantine ale.
Provenance:
Collection donated by J. Walter Wilkinson, 1984, September 13.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
War posters  Search this
advertising  Search this
Soap  Search this
Commercial artists  Search this
Genre/Form:
Photographs -- 20th century
Scrapbooks
Audiocassettes
Sketches
Citation:
J. Walter Wilkinson Papers, ca. 1932-1937, 1940-1964, 1985-1987, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0116
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0116

Gerard Post Herrick Papers

Creator:
Herrick, Gerard Post, 1873-1955  Search this
Names:
Convertoplane Corp  Search this
Herrick, Gerard Post, 1873-1955  Search this
Extent:
17.68 Cubic feet (2 records center boxes; 5 drawers)
Type:
Collection descriptions
Archival materials
Clippings
Black-and-white negatives
Publications
Motion pictures (visual works)
Correspondence
Drawings
Date:
1909-1963
bulk 1909-1921
Summary:
This collection consists of correspondence, newspaper and magazine clippings, handwritten technical notes, drawings, photographs, reports, and affidavits in support of historical statements. Also included are several hundred black-and-white negatives and three reels of motion-picture film of the Herrick Vertoplane.
Scope and Contents:
The material in this collection was donated to the National Air and Space Museum (NASM) in December 1958 and relates to Herrick, the Herrick Balanced Rotary Engine, and the Herrick Vertoplane/Convertoplane series. The material consists primarily of correspondence, news clippings, and engineering drawings or sketches. Portions of the collection were discovered in the Paul E. Garber Papers (NASM Archives Accession 1991-0063) during the preliminary processing of that collection and were returned to the Herrick Collection at that time. Only the materials that now make up the bulk of Series I (Patent Related Material) and Series II (Technical Material) were found in their original enclosures (mostly envelopes) and were organized based on those enclosures. Series III (Miscellaneous Material) was created during processing primarily from loose, unorganized materials. Series IV (Engineering Drawings) consists of oversized materials and engineering drawings which had been stored rolled or folded.

A collection of negatives donated with the accession are currently housed in the curatorial files of the NASM Aeronautics Department. Some photographs from the collection were included in the NASM Archives Videodisc project; such photographs and others from the collection are housed in the NASM Archives Technical Reference Files. Three motion picture films from the collection were transferred to the NASM Film Archives in January 1995.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.
Arrangement:
The collection has been divided into four series. The first series contains patent-related material. The second pertains to technical materials. The third series, created during processing primarily from loose, unorganized materials, consists of miscellaneous material. The fourth series contains engineering drawings and oversized material which had been stored rolled or folded.

A collection of negatives are currently housed in the curatorial files of the NASM Aeronautics Department. Some photographs from the collection were included in the NASM Archives Videodisc project; such photographs and others from the collection are housed in the NASM Archives Technical Reference Files. Three motion picture films from the collection were transferred to the NASM Film Archives in January 1995.

SERIES I: Patent-Related Material

SERIES II: Technical Material

SERIES III: Miscellaneous Material

SERIES IV: Engineering Drawings and Oversized Material
Biographical / Historical:
Gerard Post Herrick (1873-1955) was a lawyer and engineer who is known as the inventor of the convertible aircraft. In 1911 Herrick, a graduate of Princeton (A.B.1895) and the New York Law School (L.L.B.1897), founded the Herrick Engine Co. to market his "balanced rotary engine" concept. During World War I, he served as a captain in the Army Air Service (1918-19). After the war, Herrick developed the concept of the convertible aircraft, which could operate both as a fixed-wing airplane and as a giroplane. In late 1930, Herrick engaged F. E. Seiler, ex-chief engineer of Kellett Aircraft Corp, to assist in the design of a full-scale Vertoplane, as Herrick called his invention. After delivering a number of drawings and reports to Herrick, Seiler began work at Heath Aircraft Co. and, before his death in mid-1931, pedaled the convertible aircraft concept and the data from his work with Herrick to C. L. Stauffer, a promoter and Heath dealer. In the meantime, Ralph H. McClarren, who had met Herrick in the late 1920s at the Guggenheim School of Aeronautics and had been Seiler's assistant at Kellett, left Kellett to join Heath, where he uncovered Seiler's and Stauffer's activities.

By this time Herrick had established the Vertoplane Development Corp. of New York to finance his aircraft. Herrick contracted with Heath for the actual construction of the craft, the design of which fell to McClarren. The first aircraft, the HV-1, was ready on November 6, 1931. The test pilot, Merrill Lambert, made several successful test flights in both fixed- and rotating-wing mode, but when he attempted an in-flight transition between the two, the aircraft fell out of control and crashed. Lambert bailed out of the aircraft, but was killed when his parachute failed to open.

Post-crash analysis found no fault with the basic convertible aircraft concept and Herrick continued development work with McClarren remaining as consulting engineer. The new aircraft, the HV-2, was flight tested beginning October 31, 1936 with George Townson as test pilot. Although the aircraft flew in both fixed- and rotating-wing mode, vibrations in the rotating wing delayed the first in-flight conversion until July 30, 1937.

Herrick continued to develop the convertible airplane concept with McClarren and others, including designs with both powered and unpowered rotors, as well as a variety of configurations and power plants. In the immediate post-World War II years, he changed the company name to Convertoplane Corp. and unsuccessfully lobbied financial interests and the government for support. He remained the president of Covertoplane and stayed active in the development process until his death in 1955.
Provenance:
Gerard P. Herrick, gift, 1958, NASM.XXXX.0097, unknown.
Restrictions:
Please see NASM Archives for restrictions.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Autogiros  Search this
Herrick Vertaplane Family  Search this
Herrick rotary engine  Search this
Aeronautics, Commercial -- United States  Search this
Genre/Form:
Clippings
Black-and-white negatives
Publications
Motion pictures (visual works)
Correspondence
Drawings
Citation:
Gerard Post Herrick Papers, NASM.XXXX.0097, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0097
See more items in:
Gerard Post Herrick Papers
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0097
Online Media:

Sandra and Gary Baden Collection of Celebrity Endorsements in Advertising

Creator:
Baden, Gary  Search this
Baden, Sandra  Search this
Extent:
2 Cubic feet
Type:
Collection descriptions
Archival materials
Tear sheets
Magazines (periodicals)
Date:
circa 1897-1979
Scope and Contents:
A wide-ranging collection of over 1,000 celebrity advertising endorsements, ca. 1897-1979. The endorsements were culled by a collector/hobbyist from high-end magazines publications such as Fortune, McCalls, Playbill and Vogue. They feature a wide range of celebrities from the fields of performing arts, sports, business, politics and "society." The products endorsed vary greatly with heavy concentrations of cigarettes, beauty products and electronic equipment predominating. The bulk of the collection covers the 1920s-1970s with an especially high concentration of material from the 1930s-1940s. The majority are in color.

Advertisements are filed according to the profession or background of the endorser Thereunder, ads are arranged alphabetically by the last name of the endorser. Where more than one endorser is featured, the advertisement is filed under the last name of the endorser most prominently featured in the advertisement. If they are all of equal status within the advertisement, the advertisement is filed under the last name appearing earliest in the alphabet.
Arrangement:
The collection is arranged into five series.

Series 1: Performing Arts

Series 2: Business/Politics

Series 3: Sports

Series 4: Society, fashio, Royalty

Series 5: Writers, Musicians, Artists, Singers
Biographical / Historical:
The use of celebrities for promoting a product is an advertising device that has been used with increasing frequency since the latter part of the 19th century. Personalities from all walks of life, society, sports, and entertainment have regularly lent their image for product endorsement. These products have ranged from alcohol to moth crystals to cigarettes and a variety of other products. The trend continues to grow and refine itself expanding from the realm of print media into television, radio, motion pictures, and the internet.
Provenance:
The collection was donated to the Archives Center of the National Museum of American History by Gary and Sandra Baden, of Chevy Chase, D.C., in 1997.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Celebrities  Search this
Endorsements in advertising  Search this
advertising  Search this
Genre/Form:
Tear sheets
Magazines (periodicals) -- 20th century
Citation:
The Sandra and Gary Baden Collection of Celebrity Endorsements in Advertising, 1897-1979, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0611
See more items in:
Sandra and Gary Baden Collection of Celebrity Endorsements in Advertising
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0611
Online Media:

Computer Oral History Collection

Creator:
Blanch, Gertrude  Search this
Bloch, Richard M.  Search this
Bradburn, James  Search this
Brainerd, John G.  Search this
Brown, George W.  Search this
Brown, Gordon S.  Search this
Buchholz, Werner  Search this
Burns, Robert  Search this
Atanasoff, John V.  Search this
Atchison, William  Search this
Auerbach, Issac  Search this
Bartik, Jean  Search this
Bauer, William  Search this
Beek, Allan  Search this
Bernstein, Mort  Search this
Bigelow, Julian  Search this
Coleman, [Ichel?]  Search this
Cohen, I. Bernhard  Search this
Computer History Forum.  Search this
COT Meeting.  Search this
Coombs, John  Search this
Crawford, Perry O.  Search this
Couret, Lynn  Search this
Campbell, Robert V.  Search this
Campaigne, Howard  Search this
Cannon, Edward  Search this
Canning, R.G.  Search this
Clem, Mary  Search this
Cass, James  Search this
CODASYL Meeting.  Search this
Clippinger, Richard F.  Search this
MIT Club Talks (Brown & Wiener).  Search this
Andrews, Ernest G.  Search this
American Federation of Information Processing Societies  Search this
Alt, Franz  Search this
Alrich, John  Search this
Association for Computing Machinery.  Search this
Association for Computing Machinery, 8/14/72  Search this
Argonne National Laboratories R.  Search this
Allard, Gerry  Search this
Aiken, Howard  Search this
Adams, Charles  Search this
Acton, Forman  Search this
Halstead, Maurice H.  Search this
Harmon, Leon  Search this
Harvey, Samuel  Search this
Hazen, Dean Harold  Search this
Gruenberger, Fred  Search this
Gunning, William  Search this
Hagen, Glenn E.  Search this
Hall, W.  Search this
Greenwald, Irwin  Search this
Greenwarld, Sidney  Search this
Griswold, Ralph E.  Search this
Grosch, Herbert R. J.  Search this
Goheen, Harry E.  Search this
Good, I.J.  Search this
Goteib, C.C.  Search this
Granholm, Jackson  Search this
Israel, David R.  Search this
Huskey, Harry D.  Search this
Kates, Josef  Search this
Juncosa, Mario  Search this
Householder, Alston S.  Search this
Horwitz, Bernhard R.  Search this
Hurd, Cuthbert R.  Search this
Howard, Bernard  Search this
Hopper, Grace Murray, 1906- (mathematician)  Search this
Holbrook, Bernard  Search this
Horner, Joseph  Search this
Horn, Robert J.  Search this
Herold, Henry  Search this
Herget, Paul  Search this
Holberton, Betty  Search this
Hertz, Ted  Search this
Elkins, Harold  Search this
Estrin, Gerald  Search this
Edwards, Walt  Search this
Elbourn, Robert  Search this
Eckert, J. Presper (John Presper), 1919-1995  Search this
Eddy, Robert Philip  Search this
Downey, William  Search this
Eckdahl, Donald  Search this
Dodd, Stephen  Search this
Dotts, Richard D.  Search this
Dietzhold, Robert  Search this
Dimsdale, Bernard  Search this
Desch, Joseph  Search this
Dickinson, Arthur H.  Search this
Curtiss, John H.  Search this
Dederick, [Louis?] S.  Search this
Glazer? T.  Search this
Givens, Wallace  Search this
Gill, Stanley  Search this
Geisler, Murray  Search this
Garrison, Ken  Search this
Frankel, Stanley  Search this
Forrester, Jay W.  Search this
Forrest, Cameron B.  Search this
Forbes, George  Search this
Fenaughty, Alfred L.  Search this
Fein, Louis  Search this
Feign, David  Search this
Farrand, William R.  Search this
Fall Joint Computer Conference, 12/6/72.  Search this
Fall Joint Computer Conference, 11/17/71.  Search this
Everett, Robert  Search this
Nelson, Eldred  Search this
Neisius, Vincent  Search this
Northrop, John  Search this
Neovius, G.  Search this
Parker, R.D.  Search this
Palevsky, Max  Search this
Phelps, Byron R.  Search this
Patrick, Robert  Search this
Pickrell, D.  Search this
Phister, Montgomery  Search this
Pollmyer, R.  Search this
Polachek, Harry  Search this
Quady, Emmett  Search this
Postley, John A. R.  Search this
Rajchman, Jan  Search this
Ream, Norman  Search this
Reed, Irving S.  Search this
Rees, Mina  Search this
Rhodes, Ida  Search this
Rice, Rex  Search this
Rochester, Nathaniel  Search this
Rogers, Jim  Search this
Rogers, Stanley  Search this
Rosenberg, Milton  Search this
Rosenthal, Paul R.  Search this
Rubinoff, Morris R.  Search this
Salzer, John M.  Search this
Samuel, Arthur L. R.  Search this
Sarkissian, Harold  Search this
Schuette, Roger  Search this
Serrell, Robert R.  Search this
King, Paul  Search this
Kilpatrick, Lester  Search this
Killian, James  Search this
Kaufold, Leroy R.  Search this
Lanzarotta, Sandy R.  Search this
Kreuder, Norman L.  Search this
Korn, Irving  Search this
Kirsch, Russell  Search this
Lovell, Clarence A.  Search this
Lehmer, Derrick H.  Search this
Legvold, Sam  Search this
Larson, Harry  Search this
Martin, Richard R.  Search this
Marden, Ethel  Search this
Madden, Don R.  Search this
Lowe, John  Search this
McPherson, John C.  Search this
Mendelson, Jerry  Search this
Mason, Daniel R.  Search this
Mauchly, John R.  Search this
Michel, J.G.L. R.  Search this
Miller, Frederick G.  Search this
Menzel, Donald H.  Search this
Metropolis, Nicholas C.  Search this
Mitchell, Joel  Search this
MITRE Meeting.  Search this
Mills, Roger L.  Search this
Morton, Paul  Search this
Mumford, Louis  Search this
Mock, Owen  Search this
Morse, Philip B.  Search this
Wilkinson, James H. R.  Search this
Wilkes, Maurice R.  Search this
Wizenbaum, Joe  Search this
Williams, Charles  Search this
Wieselman, Irving  Search this
Wiener, Robert  Search this
Wild, Arthur  Search this
Wieser, C. Robert  Search this
Wrench, John W. R.  Search this
Woodger, Michael  Search this
Yowell, E.C. R.  Search this
Youtz, Pat  Search this
Woo, Way Dong  Search this
Wolfe, Philip  Search this
Woodbury, William R.  Search this
Wood, Ben D.  Search this
Zemanek, Heinz  Search this
Zuse, Konrad  Search this
Smagorinsky, Joseph  Search this
Slutz, Ralph R.  Search this
Skramstad, Harold R.  Search this
Skillman, Sherwood R.  Search this
SIAM/SIGNUM Meeting.  Search this
SIAM-72.  Search this
SHARE XXXVIII.  Search this
SHARE Meeting for Pioneers.  Search this
Taylor, Norman  Search this
Tanaka, David  Search this
Strong, Jack  Search this
Stibitz, George  Search this
Steele, Floyd G. R.  Search this
Sprague, Richard E.  Search this
Snyder, Samuel  Search this
Smith, Charles V.L.  Search this
TV Program KQED.  Search this
Uncapher, Keith  Search this
Torfeh, Mark  Search this
Travis, Irven  Search this
Todd-Tausskky, Olga  Search this
Tomash, Erwin  Search this
Toben, Gregory  Search this
Todd, John  Search this
Wheeler, R.J.  Search this
Whirlwind Discussion.  Search this
Ware, Willis H.  Search this
Wegstein, Joseph Henry  Search this
Wagner, Frank  Search this
Wang, An R.  Search this
von Hippel, Arthur  Search this
von Neumann, John  Search this
Armer, Paul, 1924- (computer technician)  Search this
Rabinow, Jacob, 1910-  Search this
Source:
Computers, Information and Society, Division of (NMAH, SI).  Search this
Former owner:
Computers, Information and Society, Division of (NMAH, SI).  Search this
Extent:
43.5 Cubic feet (158 boxes)
Type:
Collection descriptions
Archival materials
Videotapes
Oral history
Audiotapes
Transcripts
Interviews
Date:
1969-1973, 1977
Summary:
The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer.
Scope and Contents:
This collection consists of approximately 43.5 cubic feet of material documenting the development of the computer.
ABC -- Atanasoff-Berry Computer

ACE -- Automatic Computing Engine

ACM -- Association for Computing Machinery

ALGOL -- ALGOLrithmic Language

ALWAC -- Axel Wenner-Gren Automatic Computer

ARPA -- Advanced Research Projects Agency

BACAIC -- Boeing Airplane Company Algebraic Interpretative Computing System

BARK -- Binar Automatisk Rela Kalkylator

BINAC -- Binary Automatic Computer

BIZMAC -- Business Machine

BMEW -- Ballistic Missile Early Warning (System)

BUIC -- Back-up Interceptor Control

CADAC -- Cambridge Digital Automatic Computer

CALDIC -- California Digital Computer

CEC -- Consolidated Electrodynamics Corporation

CEIR -- Council for Economic and Industry Research

COBOL -- Common Business-Oriented Language

CODASYL -- Conference on Data Systems Languages

CONAC -- Continental Automatic Command

COMTRAN -- Commercial Translator

CPC -- Card Programmed Calculator

CRC -- Computer Response Corporation

DARPA -- Defense Advanced Research Projects Agency

DINA -- Digital Network Analyzer

DDA -- Digital Differential Analyzer

EDSAC -- Electronic Delay Storage Automatic Calculator

EDVAC -- Electronic Discrete Variable Automatic Computer

EAM -- Electric [or Electronic] Accounting Machines [or Methods]

ENIAC -- Electronic Numerical Integrator and Automatic Computer

ERA -- Engineering Research Associates

ERMA -- Electronic Recording and Machine Accounting

FADAC -- Field Artillery Data Computer

FSQ -- Fixed Special eQuipment

IAS -- Institute for Advanced Study (Princeton University)

ICBM -- Intercontinental Ballistic Missile

ILLIAC -- Illinois Automatic Computer

INTERCOM -- Intercommunication System (Programming Language)

JOHNNIAC -- John [von Neumann's ] Integrator and Automatic Computer

JOSS -- Johnniac [John's Integrator and Automatic Computer] Open Shop System

LARK -- Livermore Atomic Research Computer

LAS -- Laboratories of Applied Science

LGP -- Librascope

MAC -- Magnetic Automatic Calculator/Multiple Access Computer

MADDIDA -- Magnetic Drum Digital Differential Analyzer

MAGIC -- Machine for Automatic Graphics Interface to a Computer

MANIAC -- Mathematical Analyzer, Numerical Integrator, and Computer

MIDAC -- Michigan [University of] Digital Automatic Computer

MIDSAC -- Michigan [University of} Digital Special Automatic Computer

MINAC -- Minimal Automatic Computer

MIT -- Massachusetts Institute of Technology

MITRE -- Massachusetts Institute of Technology Research Establishment

MX -- Missile, Experimental

NATDAN -- North American Digital Anaylzer

NATPAC -- North American Programmed Automatic Computer

NDRC -- National Defense Research Committee [of Office of Scientific Research and Development, World War II]

NELIAC -- Naval Electronics Laboratory International Algebraic Compiler

NORC -- Naval Ordnance Research Calculator [or computer] [Naval Ordnance Proving Ground]

NTDS -- Naval Tactical Data Systems

ONR -- Office of Naval Research

ORACLE -- Oak Ridge Automatic Computer and Logical Engine

ORDVAC -- Ordnance Discrete Variable Automatic Computer [AEC]

OSRD -- Office of Standard Reference Data [National Bureau of Standards]

PACT -- Project for the Advancement of Coding Techniques

QUAC -- Quadratic Arc Computer

RAMAC -- Random Access Memory Accounting Machine

RAYDAC -- Raytheon Digital Automatic Computer

REAC -- Reeves Electronic Analog Computer

RECOMP -- Reliable COMPuter

RESISTOR -- Reusable Surface Insulation Stresses [NASA computer program]

SCERT -- Systems and Computer Evaluation Review Technique

SCM -- Smith Corona Merchant

SEAC -- U.S. Bureau of Standards Eastern Automatic Computer

SHARE -- Society to Help Avoid Redundant Effort

SHOT -- Society for the History of Technology

SIAM -- Society for Industrial and Applied Mathematics

SILLIAC -- Sydney [version of the ] Illiac

SIMSCRIPT -- Simulation Script

SNOBOL -- String-Oriented Symbolic Language

SSEC -- Selective Sequence Electronic Calculator

SUBROC -- Submarine Rocket

SWAC -- U.S. Bureau of Standards Western Automatic Computer

TPM -- Tape Processing Machine

UDEC -- United Digital Electronic Computer

UNIVAC -- Universal Automatic Computer

WEIZAC -- Weizmann Automatic Computer [at Weizmann Institute]

WISC -- Wisconsin Integrally Synchronized Computer
NT=No Transcript

R=Restricted
Arrangement:
The collection is divided into six series.

Series 1: Transcripts, 1967-1973, 1977

Series 2: Supplemental Documentation, 1922-1974

Series 3: Patents, 1940-1973

Series 4: John Vincent Atanasoff's Materials, 1927-1968

Series 5: Audio Tapes, 1967-1974, 1977

Series 6: Video Tapes, 1968-1972
Biographical / Historical:
The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer. The project collected taped oral interviews with individuals who figured prominently in developing or advancing the computer field and supplemental written documentation--working papers, reports, drawings, and photographs. The AFIPS provided the "seed" money to support the project and to aid the Smithsonian with its expenditures. Interviews were conducted by I.B. Cohen, A. Dettinger, Bonnie Kaplan, Elizabeth Luebbert, William Luebbert, Robina Mapstone, Richard Mertz, Uta Merzbach, and Henry Tropp. In some instances, the audio tapes and/or transcripts are not "formal" interviews, but rather moderated panel discussions/meetings, or lectures delivered by interviewees.
Related Materials:
The Archives Center contains several "computer" related collections:

American National Standards Institute, 1969-1979

Association for Computing Machinery Collection, 1958-1978 (Washington, D.C., Chapter)

N.W. Ayer Advertsing Agency Records, 1889-1972

Paul Armer Collection, 1949-1970

Robert G. Chamberlain Numerical Control Collection, 1954-1984

J. Childs Numerical Control Collection, 1952-1970

Computer Standards Collection, 1958-1978

Computer World Smithsonian Awards Collection, 1989-2001

Data Processing Digest Collection, 1955-1974

Max Holland Machine Tool Industry Collection, c. 1941-1990

Grace Murray Hopper Collection, 1944-1965

Information Age Exhibition Records, 1979-1990

Institute for Advanced Study Computer Project Records, 1950-1957

Instrument Society of America Collection, 1911-1969

Odex I Walking Robot Collection, 1973-1986

Jacob Rabinow Papers, 1910-1917; 1947-1990

Terry M. Sachs Collection, 1965-1969

Scientists and Inventors Portrait File, c. 1950-1980

Share Numerical Analysis Project Records, 1964-1970

SHARE Records, c. 1954-1984

Cliff Shaw papers, c. 1954-1985

Society for the History of Technology (SHOT) Records, 1956-1992

Warshaw Collection of Business Americana, c. 1754-1965

Whirlwind I Computer Collection, 1945-1959

B.H. Worsley, 1946-1959

Within the National Museum of American History there are other related collections that may be found in the Division of Medicine and Science. These collections contain both artifacts and documents. Artifacts include: digital computing machines, automatic digital computers and electronic calculators, logic devices, card and tape processors, slide rules, integrators and integraphs, harmonic analyzers and synthesizers, differential analyzers, other analog computing devices, space measurement and representation, time measurement, and combination space and time measurement. Documentation includes the Electronic Computers History Collection and the Mathematical Devices History Collection. Photographs and video materials can also be found. The Smithsonian Institution Archives contains administrative documentation regarding the Computer History Project.
Provenance:
The Computer Oral History Collection was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 and was concluded in 1973. This collection was transferred to the Archives Center in approximately 1986 from the Division of Information, Technology & Society, formerly known as the Division of Electricity.
Restrictions:
The collection is open for research use.

Reference copies do not exist for all of the audio. Use of these materials requires special arrangement with Archives Center staff.

Original audio tapes are stored offsite. Contact repository for details.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Scientists  Search this
Physicists  Search this
Computers  Search this
Mathematics  Search this
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Engineers  Search this
Genre/Form:
Videotapes
Oral history
Audiotapes
Transcripts
Interviews -- 1950-2000
Citation:
Computer Oral History Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0196
See more items in:
Computer Oral History Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0196
Online Media:

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