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MS 7563 Stabilization of Kin Klizhin, Chaco Canyon National Monument, Fiscal Year 1938

Creator:
Vivian, Gordon  Search this
Extent:
13 Pages
Type:
Archival materials
Collection descriptions
Pages
Date:
undated
Local Numbers:
NAA MS 7563
Local Note:
Carbon of typescript, bound, with photographs
Topic:
Kin Klizhin -- New Mexico -- Chaco Canyon -- stabilization  Search this
Citation:
Manuscript 7563, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7563
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7563

Maida Babson Adams American garden collection

Creator:
Adams, Molly, 1918-2003  Search this
Landscape architect:
Ireys, Alice Recknagel, 1911-2000  Search this
Stege, Friede  Search this
Weber, Nelva M.  Search this
Extent:
0 Photographic prints (color, 4 x 6 inches)
0 Photographic prints (black and white, 3 1/2 x 5 inches)
0 Photographic prints (black and white, 8 x 10 inches)
0 contact sheets (black and white)
35mm slides (photographs) (color, 2 x 2 inches)
0 Negatives (35mm negatives, color)
0 Negatives (black & white, 4 x 5 inches)
0 Negatives (120mm negatives, black and white, 2 x 2 inches)
0 film transparency (color, 4 x 5 inches)
0 Transparencies (120mm transparencies, color, 2 x 2 inches)
Type:
Collection descriptions
Archival materials
Photographic prints
Contact sheets
Negatives
Film transparency
Transparencies
Film transparencies
Color negatives
Black-and-white photographs
Photographs
Color photographs
Slides (photographs)
Black-and-white negatives
Date:
circa 1960-1994
Summary:
The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.
Scope and Contents:
The Maida Babson Adams American Gardens Collection includes a total of 7,606 images documenting close to 400 gardens photographed by Molly Adams from the 1950s to the 1990s. Although most images document gardens in New Jersey, the collection also includes gardens in Connecticut, Massachusetts, New York and Pennsylvania. While the vast majority of gardens in the collection are private, there are also some public gardens and venues like the Frelinghuysen Arboretum in New Jersey, the International Flower Show in New York City, and the White House in Washington, D.C. A number of gardens were photographed during organized garden or horticultural tours or annual meetings of the Garden Club of America. A significant number of images document the work of landscape designers Alice Ireys, Nelva Weber, and Friede Stege. Approximately 85 gardens in the collection are unidentified as to their location and/or client. Relatively few images are captioned or dated; Adams often labeled a film envelope or back of a photograph or contact sheet with just a client surname and the designer (if it was Ireys, Weber, or Stege). In some cases, additional information about a garden's location or owner's full name was gleaned from the finding aids for the Alice Recknagel Ireys Papers or the Nelva Weber Papers. Some images were accompanied by clippings from newspapers or magazines that featured one or more related images by Adams; most of these clippings date from the 1950s and 1960s. There is also a file of general clippings of Adams' work; many of these do not identify the garden that is shown.

Most of the images are black and white, though there are a number taken in color. Adams' contact sheets and photo envelopes were sometimes marked with cropping marks or photo developing notes respectively.
Biographical / Historical:
Molly (Maida Babson) Adams (1918 - 2003) had a 40+ year career as a nationally recognized free-lance garden and wildlife photographer and conservationist. Her images were published under the name "Molly Adams." Adams was born in Orange, New Jersey and lived over fifty years in Mendham Township, New Jersey. As a teenager she became interested in photography; she later attended the New York Institute of Photography and became a member of the New York Camera Club.

Her photographs were featured in numerous newspapers and magazines including the "New York Times," "New York Herald Tribune," "House Beautiful," "Horticulture," "Home Garden," and "Audubon." During the Kennedy administration, she photographed the White House Rose Garden; these photographs were later published in "Flower Grower."

Adams provided hundreds of photographs for "How to Plan and Plant Your Own Property" (1967) by landscape architect Alice Recknagel Ireys and "How to Plan Your Own Home Landscape" (1976) by landscape designer Nelva M. Weber. Her images were also published in books including "The Reader's Digest Practical Guide to Home Landscaping," and "The Complete Illustrated Book of Garden Magic." Adams also occasionally wrote garden-themed articles. A longtime member in the Somerset Hills (NJ) Garden Club, which is part of the Garden Club of America, Adams once served as the latter's official photographer.

In the 1960's Adams' photographs drew attention to conservation issues related to the Great Swamp National Wildlife Refuge in northwestern New Jersey. These widely publicized photographs rallied public support against the proposed destruction of the Great Swamp for the construction of an airport. Adams was also active as a member of the Mendham Township Environmental Commission and the North Jersey Conservation Foundation. In the 1980's she was awarded the Buckley Medal of Merit for Horticultural Achievement by the Garden Club of America for her photographs used in the postcard campaign "Save Our Vanishing Wild Flowers."
Related Archival Materials Note:
The Alice Recknagel Ireys Papers in the Sophia Smith Collection at Smith College in Northampton, Massachusetts, include photographs by Molly Adams.

The Nelva Weber Papers in the Division of Rare and Manuscript Collections at Cornell University Library in Ithaca, New York, likely include photographs by Molly Adams.
Separated Materials:
The North Jersey History & Genealogy Center at The Morristown & Morris Township Library in New Jersey has a collection of images by Molly Adams showcasing nature scenes and birds.
Provenance:
Adams' family donated her collection of garden images to the Smithsonian's Archives of American Gardens after her death in 2003.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania  Search this
Gardens -- United States  Search this
Gardens -- Connecticut  Search this
Gardens -- Massachusetts  Search this
Gardens -- New Jersey  Search this
Gardens -- New York (State)  Search this
Genre/Form:
Photographic prints
Film transparencies
Color negatives
Black-and-white photographs
Photographs
Color photographs
Negatives
Slides (photographs)
Contact sheets
Black-and-white negatives
Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM
See more items in:
Maida Babson Adams American garden collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-adm
Online Media:

Lawrence -- Restleigh

Architect:
Adams, William, 1870-1956  Search this
Former owner:
Kniffin, Howard Summers, Sr.  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Type:
Archival materials
Place:
Restleigh (Lawrence, New York)
Scope and Contents:
1 folder and 8 photographic prints. The folder includes worksheets.
General:
"Restleigh", designed c. 1911 by William Adams for Howard Summers Kniffin, Sr. It still stands at 515 Ocean Avenue in Lawrence, Nassau County per email from researcher Andrew Cronson.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New York -- Lawrence  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, File NY853
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / New York
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref1313

[Restleigh]: border looking toward patio

Photographer:
Adams, Molly, 1918-2003  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Photographic print (black-and-white, 2 x 2 in.)
Type:
Archival materials
Photographic prints
Place:
Restleigh (Lawrence, New York)
Date:
[between 1960 and 1975]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New York -- Lawrence  Search this
Trees  Search this
Shrubs  Search this
Garden borders  Search this
Lawns  Search this
Houses  Search this
Bulbs  Search this
Patios  Search this
Outdoor furniture  Search this
Chairs  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item NY853004
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / New York / NY853: Lawrence -- Restleigh
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref1314

[Restleigh]: spring flowering tree

Photographer:
Adams, Molly, 1918-2003  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Photographic print (black-and-white, 2 x 2 in.)
Type:
Archival materials
Photographic prints
Place:
Restleigh (Lawrence, New York)
Date:
[between 1960 and 1975]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New York -- Lawrence  Search this
Trees  Search this
Shrubs  Search this
Garden borders  Search this
Houses  Search this
Flowering trees  Search this
Porticoes  Search this
Columns  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item NY853006
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / New York / NY853: Lawrence -- Restleigh
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref1315

[Restleigh]: patio and side of house

Photographer:
Adams, Molly, 1918-2003  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Photographic print (black-and-white, 2 x 2 in.)
Type:
Archival materials
Photographic prints
Place:
Restleigh (Lawrence, New York)
Date:
[between 1960 and 1975]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New York -- Lawrence  Search this
Trees  Search this
Shrubs  Search this
Houses  Search this
Lawns  Search this
Patios  Search this
Outdoor furniture  Search this
Chairs  Search this
Climbing plants  Search this
Balconies  Search this
French doors  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item NY853008
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / New York / NY853: Lawrence -- Restleigh
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref1316

Lewis & Valentine company records

Creator:
Lewis & Valentine Company  Search this
Donor:
Lewis, Hewlett Withington  Search this
Names:
Lewis & Valentine Company  Search this
Lewis & Valentine Nurseries, Inc.  Search this
Longwood Gardens (Kennett Square, Pa.)  Search this
Rodin Museum (Philadelphia, Pa.)  Search this
Lewis, Harold Carman  Search this
Owner:
Auchincloss, Hugh D.  Search this
Kahn, Otto Hermann, 1867-1934  Search this
Schwab, Charles M., 1862-1939  Search this
Stotesbury, Edward T.  Search this
Woolworth, F. W.  Search this
du Pont, Eugene  Search this
du Pont, Pierre S.  Search this
Extent:
2.5 Cubic feet (documents, 366 photographs, 1 videotape.)
Type:
Collection descriptions
Archival materials
Videotapes
Brochures
Books
Lists
Correspondence
Trade catalogs
Photographs
Place:
New York (State) -- Greenvale
New York (State) -- Roslyn
Date:
1916-1971
Summary:
The Lewis & Valentine Company Collection contains records of the Lewis & Valentine Company dating from 1916 to 1971 including photographs, negatives, brochures, books, trade catalogs, company papers, letters from clients, customer lists and a history of the company written by Harold Carman Lewis. Photographs document the Rodin Museum in Philadelphia, estates in Long Island, New York, and the properties of Hugh D. Auchincloss, Eugene du Pont, Walter P. Chrysler, Otto H. Kahn, F. W. Woolworth, Pierre S. du Pont (Longwood Gardens), Charles M. Schwab and Edward T. Stotesbury. This collection contains only a sampling of the records of Lewis & Valentine and should not be considered comprehensive.
Arrangement note:
The collection is arranged into 3 series:

Series 1: Documents Series 2: Photographs Series 3: Videotape
Biographical/Historical note:
Specializing in moving and replanting large trees, Lewis & Valentine was one of the most prominent landscape contracting companies in the eastern United States during the first half of the twentieth century. The Lewis & Valentine Company was formed by five brothers whose father had hoped that his sons would grow up to be lawyers. Instead, the Lewis brothers formed a landscape design, installation and nursery firm that specialized in developing "successful methods for transplanting full-grown trees." Their success was based on "doing well the task which is usually considered impossible."

The company was the inspiration of H.C. Lewis, the oldest of seven brothers, who believed that estate owners should have the luxury of immediate landscapes, rather than waiting decades for their landscapes to mature. The Lewis brothers started their business in the early 1900s. Shortly afterwards, a Mr. Valentine, roommate of Albert Addison Lewis at the Amherst Landscape School in Massachusetts, invested in the business. After three years Mr. Valentine moved on and the Lewis brothers bought back his interest, but continued to keep Valentine part of the company's name.

Lewis & Valentine was the largest firm in America devoted to transplainting mature trees in the years leading up to the Great Depression. It claimed to be "the most experienced and most versatile, backed by an intimate knowledge of horticulture and the development of fine estates." The company was noted as a leader in providing complete landscape services, from selling and guaranteeing the plants, to designing and installation, requiring that its staff be men "of good character and not afraid of hard work." This was evident in the firm's principle of no limitations to the size of trees that they were willing to deliver. The trees were often full-grown and ranged in age from twenty to a hundred years old. Many were so large that 20 or more tons of earth had to be moved during the relocation process.

During its first 25 years in business, Lewis & Valentine opened nineteen offices east of the Mississippi serving such notable clients as Charles A. Schwab and Pierre du Pont at his estate, Longwood. The business was set up as an organization of independent companies. Each was incorporated under the laws of the state in which it operated. The offices were located in Connecticut (Darien), Florida (Palm Beach), Illinois (Chicago), Maryland (Baltimore), Massachusetts (Boston and Hanover), Michigan (Detroit), Pennsylvania (Ardmore and Pittsburg), New Jersey (Ashbury Park and Morristown), New York (Buffalo, Roslyn-Long Island, Rye, Valley Stream-Long Island, New York City), North Carolina (Winston-Salem) and Ohio (Cleveland and Cincinnati). Although no longer owned by any members of the Lewis family, the company still exists and operates in Long Island under the name Lewis & Valentine Nurseries.
Provenance:
Gift from Hewlett Withington Lewis, former owner of Lewis & Valentine Nurseries.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Nurseries (Horticulture) -- United States  Search this
Gardens -- New York (State)  Search this
Tree moving  Search this
Landscape gardening -- New York (State)  Search this
Genre/Form:
Videotapes
Brochures
Books
Lists
Correspondence
Trade catalogs
Photographs
Citation:
Smithsonian Institution, Archives of American Gardens, Lewis & Valentine Company Records.
Identifier:
AAG.LVC
See more items in:
Lewis & Valentine company records
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-lvc
Online Media:

Lewis & Valentine. Rosyln, NY: Lewis & Valentine Co.

Collection Creator:
Lewis & Valentine Company  Search this
Collection Donor:
Lewis, Hewlett Withington  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Text
Date:
1916
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Lewis & Valentine Company Records.
See more items in:
Lewis & Valentine company records
Lewis & Valentine company records / Series 1: Trade Literature and Publications
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-lvc-ref20

Basil Lee Rowe Collection

Creator:
Rowe, Basil Lee  Search this
Names:
Pan American World Airways, Inc.  Search this
West Indian Aerial Express  Search this
Lindbergh, Charles A. (Charles Augustus), 1902-1974  Search this
Rowe, Basil Lee  Search this
Extent:
5.35 Cubic feet (5 document boxes, 4 flat boxes)
Type:
Collection descriptions
Archival materials
Photographs
Logs (records)
Scrapbooks
Publications
Date:
1917-1973
bulk 1930-1968
Summary:
Basil Lee Rowe (1896-1973) enjoyed a long and successful career in aviation, initially as a military exhibition pilot, barnstormer, air racer, charter operator, flight instructor, aircraft salesman, and rumrunner, before moving to the West Indies to start an airline, the short-lived West Indian Aerial Express, bought out by Pan American Airways in 1928. Rowe became a pioneering senior pilot for Pan Am, flying with them for 28 years before his retirement in 1956. This collection includes scrapbooks, photo albums, memorabilia, and first day covers, in addition to the draft manuscript for Rowe's 1956 autobiography, Under My Wings.
Scope and Contents:
The collection consists of Rowe's pilot's log books covering his career from 1927 to 1956, assorted periodicals, cartoons featuring Rowe, scrapbooks and photo albums assembled by Rowe (featuring newspaper clippings, photographs, and ephemera), several draft manuscripts of Rowe's 1956 autobiography Under My Wings, and first day air mail postal covers collected by Rowe.
Arrangement:
Materials in this collection are grouped into series by format. See individual series Scope and Content notes for details on arrangement within that series. Note that with the exception of the chronologically arranged flight log books, Rowe did not appear to organize his materials in any particular order.
Biographical / Historical:
Basil Lee Rowe, born February 10, 1896, grew up in the small town of Shandaken, New York, in the Catskill Mountains. He began his flying career in 1914 as an apprentice to aviator Turk Adams after seeing Adams fly at a local county fair. Impatient to become a military pilot, Rowe arranged to join the Royal Canadian Air Force, but was sidelined by a ruptured appendix before he could get to Canada. By the time Rowe had recovered, the United States had entered World War I and Rowe was able to join the Aviation Section of the U. S. Army Signal Corps; he was sent to Texas. During the Third Liberty Loan drive, Rowe was assigned to a group of fliers who were to give exhibition flights; after his discharge, he used his savings to buy a used Avro biplane and barnstormed around the East Central United States, using Hadley Field (New Brunswick, New Jersey) as his home field. Rowe soon bought a second aircraft, hired pilot William S. "Bill" Wade, and moved his base of operations to the Aeromarine Base at Keyport, near Perth Amboy, New Jersey. Rowe prospered through the early 1920s, and his troupe the "Rowe Fliers" (including at various times wingwalkers Bill Stacy and Marguerite L. "Peggy" Roome) toured the eastern US giving exhibition flights and passenger rides. In the winter, Rowe moved his operation to Florida, and, with a rebuilt Curtiss Seagull, ferried passengers eager to escape Prohibition from Miami to Nassau, Bahamas--with a bit of rumrunning on the side. Back in New Jersey, Rowe formed the Chamberlin-Rowe Aircraft Corporation with fellow aviator Clarence Chamberlin to buy and resell Army surplus aircraft; the short-lived business went bust in 1924 when the government finished selling off its aircraft. Rowe, a talented racing pilot, kept busy from 1924 through 1926 on the racing circuit, winning numerous prizes.

By the end of 1926, at the age of thirty, Rowe felt that he had reached a turning point in his life. Dismayed by the increase in US government regulation of aviation, Rowe moved his operations to the West Indies, settling in Santo Domingo in the Dominican Republic. With Bill Wade, Rowe rapidly established a business flying charters around the country, with flights to neighboring Haiti and Puerto Rico. In June 1927, with financial backing provided by sugar industry businessmen and the government of the Dominican Republic, Rowe founded West Indian Aerial Express (abbreviated variously as WIAE or WIAX) to provide airline service between Cuba, Haiti, the Dominican Republic, and Puerto Rico, hoping to be well positioned to bid on future US foreign air mail routes. With this in mind, Rowe returned to the Unites States and purchased a Fairchild FC-2W floatplane (christened "La Niña") and a larger Keystone K-47 Pathfinder trimotor (the former "American Legion," r/n NX179, rebuilt by the Keystone factory following a crash in April 1927 and rechristened as "Santa Maria"). To his dismay, Rowe was forced to acquired a US transport pilot license in order to be allowed to fly the "Santa Maria" back to Santo Domingo; he hired Canadian pilot Cy Caldwell to ferry "La Niña." On the way south in mid October 1927, Rowe found himself and his two aircraft in Florida just as Pan American Airways (PAA), which had been successful in obtaining a temporary contract to deliver mail from the US to Cuba, found itself without any aircraft able to fly out of their Key West, Florida, field to fulfill the contract before it expired. PAA struck a deal with Rowe to lease "La Niña" (piloted by Caldwell) to fly the first Pan American Airways flight on October 19, 1927.

With its two new aircraft, West Indian Aerial Express started regularly scheduled twice-weekly flights on December 1, 1927, between Cuba, Haiti, Santo Domingo, and Puerto Rico, later extending the routes to St. Thomas and St. Croix in the US Virgin Islands. On June 30, 1928, WIAX filed a bid with the US government for air mail service on the route from Key West to Puerto Rico, but was outmanuevered by the more politically-savvy Pan American Airways which won the contract. A final crippling blow was dealt to WIAX in September 1928 when a severe hurricane hit their base in San Juan, Puerto Rico, destroying "La Niña" and two older Waco biplanes. Rowe made his last flight in the "Santa Maria" on September 20, 1928, before turning the aircraft over to Pan American. On October 16, 1928, PAA purchased WIAX, with Rowe becoming PAA's senior pilot.

During his first ten years with Pan Am, Rowe flew a record number of hours and surveyed most of the new air routes through the Caribbean to Central and South America, several times flying with Charles Lindbergh. When the US entered World War II, Rowe was assigned to Pan Am's Africa and Orient Division to serve with the US Army Air Forces Air Transport Command on their supply route across the South Atlantic and Africa to India and China (the "Cannonball Run"). His wife, Florence May Sharp, whom Rowe had married in 1930, served as an aircraft spotter during the war. During the Korean Conflict, Rowe was once again pressed into service, and was transferred to Pan Am's Pacific Division to fly transpacific supply routes and medical evacuation flights. May's early death in 1943 left Rowe a widower at his retirement from Pan Am in 1956. At their Coral Gables, Florida, home he wrote his autobiography, Under My Wings (The Bobbs-Merrill Company, Inc., New York, 1956) and remained active as a tennis instructor until his death on October 28, 1973.
Related Materials:
See related collection Basil Lee Rowe First Day Air Mail Covers, NASM.XXXX.0487.

Basil Lee Rowe air racing medals in the Smithsonian National Air and Space Museum collection:

Medal, 1926 National Air Races [Winner, Relay Race], A19690242000.

Medal, 1926 National Air Races [Winner, Relay Race], A19690243000.

Medal, Aviation [Dayton Air Race], A19690244000.

Medal, Third Annual Dayton Air Race Winner, A19690245000.

Medal, 1926 National Air Races [2nd Place, Free-For-All Race, 510 cu. in. Class], A19690246000.

Medal, 1926 National Air Races [Winner, First Elimination, 500 cu. in. Class], A19690247000.

Basil Lee Rowe air racing trophies in the Smithsonian National Air and Space Museum collection:

Trophy, Allen W. Hinkle, Basil L. Rowe, A19690238000 [Allen W. Hinkle Trophy for Two, Three, and Four Place Airplanes, 1924]

Trophy, Glenn H. Curtiss, Basil L. Rowe, A19690239000 [The Glenn H. Curtiss Trophy for Two Seater Low Horsepower Airplane, National Air Races, Mitchel Field L. I., 1925]

Plaque, B.B.T. Corporation, National Air Races 1926, A19690240000 [B.B.T. Corporation of America Relay Race for Commercial Planes won by Basil L. Rowe, Charles S. Jones, A. H. Kreider]

Plaque, 1926 National Air Races, Benjamin Franklin Trophy, A19690241000 [Benjamin Franklin Trophy donated by Joseph A. Steinmetz, Relay Race for Commercial Planes won by Basil L. Rowe, Charles S. Jones, A. H. Kreider]
Provenance:
Basil Lee Rowe, gift, 1969; United States Air Force Museum, transfer, 1973; NASM.XXXX.0019
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics  Search this
Aeronautics, Commercial  Search this
Aeronautics, Military  Search this
Aeronautics -- Exhibitions  Search this
Aeronautics -- Competitions  Search this
Air pilots  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Works of art  Search this
Periodicals  Search this
Genre/Form:
Photographs
Logs (records)
Scrapbooks
Publications
Citation:
Basil Lee Rowe Collection, Acc. NASM.XXXX.0019, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0019
See more items in:
Basil Lee Rowe Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0019
Online Media:

Thomas Warren Sears photograph collection

Topic:
Landscape architecture
Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Donor:
Tibbetts, Eleanor Sears  Search this
Tibbetts, Eleanor Sears  Search this
Extent:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Type:
Collection descriptions
Archival materials
Negatives
Blueprints
Albums
Plans (drawings)
Lantern slides
Date:
1899-1964
Summary:
The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.
Scope and Contents note:
The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and monographs by or about Sears. Several of the glass lantern slides are duplicates of glass plate negatives in the collection. They apparently were chosen by Sears to illustrate some of his best design work, perhaps for lecture or client purposes.

In addition, there are 56 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina. They range in date from 1917 to 1937 and from 1955 to 1964. Sears photographed some of his early plans; they are included in with the photographic images. Sears also photographed a handful of design plans by landscape architect Sibley Coslett Smith who practiced in Providence, Rhode Island; Sears and Smith shared the same business address there.

The Thomas Warren Sears Collection does not fully document the extent of Sears' design work. The use of glass plate negatives—which make up the bulk of the Thomas Warren Sears Collection—as a photography medium waned sometime during the first quarter of the twentieth century. As a result, the images in the Sears Collection capture examples of Sears' early to mid-career design work but they do not include jobs designed by Sears during the latter half of his design career.
Arrangement note:
The glass plate negatives were originally housed in numerous cardboard boxes manufactured for the sale of undeveloped glass plate negatives. Sears annotated the outside of the boxes with project or client names and/or locations, but the contents do not always match these labels. In addition, because very few of the glass plate negatives and lantern slides were labeled or captioned, it is not always evident where one job ended and another began if multiple projects were stored in the same carton. As a result, there are many instances in the Sears Collection where images have been inadvertently mislabeled because their identification is not apparent. Misidentified images are subject to correction as their proper identification is discovered. Each project has been assigned its own unique AAG job number based on its geographic origin. Those groups of images that have not been identified as to their location have been assigned a project number starting with 'SRS.' The collection is arranged into 3 series: 1) Photographic images (including glass plate negatives, film negatives, glass lantern slides, and photograph albums) 2) Plans and Drawings 3) Monographs
Biographical/Historical note:
Thomas Warren Sears was born in 1880 in Brookline, Massachusetts. He received a Bachelor of Arts degree from Harvard University in 1903 and Bachelor of Science degree in landscape architecture from the Lawrence Scientific School of Harvard in 1906. Sears was an amateur photographer who won awards for his photography while at Harvard. In 1915 his images were published in the monograph, Parish Churches of England. After graduation he worked for the firm of Olmsted Brothers Landscape Architects for two years and then briefly practiced in Providence, Rhode Island. In 1913, Sears established a landscape design office in Philadelphia, Pennsylvania where he spent the remainder of his professional career. Sears at one point was in a professional partnership; some of his design plans list the firm name of Sears and Wendell. He was made a Fellow of the American Society of Landscape Architects in 1921.

Sears designed many different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments. His designs were primarily located in Pennsylvania, Maryland, and New York. Just a few of his private landscapes include Marengo in Easton, Maryland; Sunnybrook, the Isaac H. Clothier, Jr. estate in Radnor, Pennsylvania; and Balmuckety in Pikesville, Maryland. In 1915, Sears started work on Reynolda, a country estate in Winston-Salem, North Carolina. He generated design plans for the property intermittently over the next two decades. Reynolda's formal gardens, greenhouses, and acres of fields and woodlands subsequently became part of Wake Forest University.

During World War I, Sears designed Army camps in Battle Creek, Michigan and Spartanburg, South Carolina. He also helped lay out Langley Field, at that time an experimental aviation field in Hampton Roads, Virginia. In the 1940s, Sears designed the amphitheater at Swarthmore College in Swarthmore, Pennsylvania for concerts, outdoor performances, and other special events. During that decade he also worked on Colonial Revival gardens at Pennsbury, William Penn's country estate in Bucks County, Pennsylvania located by the Delaware River. Sears retired in 1964 and died in 1966.
Related Archival Materials note:
The Philadelphia Architects and Buildings Project (PAB), administered by The Athenaeum of Philadelphia, includes references to design projects by Sears.

Harvard University's Loeb Library includes a number of images by Sears, some of them documenting gardens that he designed.

Harvard University's Fine Arts Library, Special Collections includes a collection of photographs and negatives of English parish churches by Sears, c. 1908. Some of the images were published in the monograph, Parish Churches of England.

The Reynolda House Museum of American Art in Winston-Salem, North Carolina includes plans by Sears of Reynolda in its Estate Archives.
Provenance:
Gift of Eleanor Sears Tibbetts, Sears' daughter, to the Horticulture Services Division (later Smithsonian Gardens) in 1992.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Photographers  Search this
Landscape architects  Search this
Gardens -- United States  Search this
Gardens -- Switzerland  Search this
Gardens -- Scotland  Search this
Gardens -- Italy  Search this
Gardens -- Germany  Search this
Gardens -- France  Search this
Gardens -- England  Search this
Genre/Form:
Negatives
Blueprints
Albums
Plans (drawings)
Lantern slides
Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS
See more items in:
Thomas Warren Sears photograph collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-srs
Online Media:

J. Horace McFarland Company collection

Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Names:
J. Horace McFarland Company  Search this
Mount Pleasant Press  Search this
Walsh, James  Search this
Extent:
30 Cubic feet (2718 photographs: black and white; 448 glass lantern slides; 41 glass negatives; color records; plant patents; publications. )
Type:
Collection descriptions
Archival materials
Black-and-white photographs
Lantern slides
Photographs
Place:
Pennsylvania -- Harrisburg
Breeze Hill (Harrisburg, Pennsylvania)
Date:
1899-1974
Summary:
The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.
Scope and Contents note:
The J. Horace McFarland Collection includes over 2,700 black and white mounted photographs, 448 glass lantern slides, and 41 glass plate negatives of gardens throughout the United States dating from 1899 to 1963. A small number of images show gardens in Austria, Canada, England, Mexico, Scotland and Wales. Many of the images, which were generated and used by the J. Horace McFarland Company to illustrate trade catalogs and journal and newspaper articles, indicate the publication(s) in which they appeared. A series of portraits of rosarians, many of them featured in Modern Roses 6, rounds out the image collection. The McFarland Collection also includes color records, plants patents, and miscellaneous publications. Color records are plant 'portraits' that were painted by McFarland Company staff artists in watercolor. They were referenced by the printing department in order to render illustrations of plants in colors as close to the originals as possible. The plant patents are patents for plants issued by the United States Patent Office. They include the plant name, source, filing and patent dates, patent number, and growth characteristics. Most are accompanied by a colored image of the plant identified in the patent. The miscellaneous publications are various pamphlets and booklets published by the J. Horace McFarland Company.
Arrangement:
The collection is arranged into 5 series:

1) Garden images (including mounted photographs, glass plate negatives, and glass lantern slides)

2) Portraits of Rosarians

3) Color Records

4) Plant Patents

5) Miscellaneous Publications
Biographical/Historical note:
Dr. J. Horace McFarland (1859-1948) was an influential civic leader, author, publisher, horticulturist, and authority on roses. His printing company, Mount Pleasant Press (later the J. Horace McFarland Company), was based in Harrisburg, Pennsylvania. It published many of the seed and nursery trade catalogs in the United States during the first half of the twentieth century and was one of the first to apply color processes to commercial print applications. J. Horace McFarland Company staffers photographed thousands of different gardens and plant specimens throughout the United States. These images were used to illustrate numerous nursery and seed catalogs, journals and books. Among its many services, the firm sold various themed lectures illustrated by sets of hand-colored glass lantern slides.

McFarland wrote over 200 articles in popular journals as well as a dozen books on roses and gardening. He served as the first president of the American Civic Association from 1904-1924 and led several local and national campaigns to protect communities and scenic areas from urban blight and overdevelopment including the city of Harrisburg and Niagara Falls. McFarland, who served as the president of the American Rose Society (1930-1932) and helped establish a standardized rose identification and registration method, used the gardens on his own 2.5 acre property in Harrisburg, "Breeze Hill," to test hundreds of varieties of roses and plant cultivars. "Breeze Hill" was used as the backdrop for many photographs taken by McFarland's firm.
Related Materials:
The Pennsylvania State Archives in Harrisburg, Pennsylvania includes the J. Horace McFarland Company Records (Manuscript Group 453) and the J. Horace McFarland Papers (Manuscript Group 85).

The Historical Society of Dauphin County in Harrisburg, Pennsylvania includes the J. Horace McFarland Collection (MG 229).
Separated Materials note:
The Smithsonian Institution's Botany and Horticulture Library includes seed and nursery trade catalogs, books, and published materials from the J. Horace McFarland Company.

The United States Department of Agriculture's National Agricultural Library in Beltsville, Maryland has various photographic images, nursery catalogs, publications and miscellaneous records from the J. Horace McFarland Company in its J. Horace McFarland Collection.
Provenance:
Donated in 1992 by James W. Walsh, who purchased the J. Horace McFarland Company from its founder's heirs. (The business was later renamed the Roebuck Printing Company.)
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Horticulturists  Search this
Printers -- Pennsylvania  Search this
Gardening -- Washington (D.C.)  Search this
Seeds -- Catalogs  Search this
Seed industry and trade -- United States  Search this
Gardens -- United States  Search this
Seed industry and trade -- Catalogs  Search this
Rose breeders -- United States  Search this
Printers -- United States  Search this
Genre/Form:
Black-and-white photographs
Lantern slides
Photographs
Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.
Identifier:
AAG.MCF
See more items in:
J. Horace McFarland Company collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-mcf
Online Media:

Chase Garden

Owner:
Chase, George B.  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Slide (glass lantern, col., 3 x 5 in.)
Type:
Archival materials
Slides
Place:
Chase Garden (Salem, Massachusetts)
United States of America -- Massachusetts -- Essex County -- Salem
Date:
1930
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Campanula  Search this
Summer  Search this
Perennials  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.
Identifier:
AAG.MCF, Item MA042001
See more items in:
J. Horace McFarland Company collection
J. Horace McFarland Company collection / Series 1: Garden Images / United States / Massachusetts / MA042: Salem -- Chase Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9760

Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872

Extent:
24 Reels
Type:
Collection descriptions
Archival materials
Reels
Date:
1865–1872
Summary:
The collection is comprised of digital surrogates previously available on the 24 rolls of microfilm described in the NARA publication M1908. These digital surrogates reproduced the records of the Office of the Disbursing Officer for Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872. The records of the disbursing officer are the only field records for Missouri, but they reflect his overall responsibility for freedmen affairs in the state. These records consist of bound volumes and unbound records, containing materials that include letters sent and received, registers of marriages, and other records relating to freedmen's claims and bounty payments.
Records Description:
These records consist of volumes and unbound records. The volumes reproduced in this publication were originally arranged by the Freedmen's Bureau by type of record and thereunder by volume number. No numbers were assigned to series consisting of single volumes. Years later, all volumes were assigned numbers by the Adjutant General's Office (AGO) of the War Department after the records came into its custody. In this publication, AGO numbers are shown in parentheses to aid in identifying the volumes. The National Archives assigned the volume numbers that are not in parentheses. In some volumes, particularly in indexes and alphabetical headings of registers, there are blank numbered pages that have not been filmed.

The volumes consist of letters and endorsements sent and received, press copies of letters sent, registers of letters received, registers of bounty claimants, and a marriage register. The unbound documents consist of registered letters, registered letters received by endorsement, and unregistered letters received.
Related Materials:
See also Freedmen's Bureau Digital Collection
Provenance:
Acquired from FamilySearch International in 2015.
Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Topic:
American South  Search this
Freedmen's Bureau  Search this
Reconstruction, U.S. history, 1865-1877  Search this
Slaves -- Emancipation  Search this
Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1908
See more items in:
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_collection:sova-nmaahc-fb-m1908
Online Media:

List of Book Records of Officers

Type:
Archival materials
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1908, Series 1
See more items in:
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1908-ref1

Volume 4 (10)

Type:
Archival materials
Date:
May 11–Oct. 6, 1868
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1908, Item 2.1.1.4
See more items in:
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 2: Office of the Disbursing Officer / 2.1: Correspondence / 2.1.1: Press Copies of Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1908-ref10
Online Media:

Volume 5 (11)

Type:
Archival materials
Date:
Oct. 6, 1868–Apr. 3, 1869
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1908, Item 2.1.1.5
See more items in:
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 2: Office of the Disbursing Officer / 2.1: Correspondence / 2.1.1: Press Copies of Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1908-ref11
Online Media:

Volume 6 (12)

Type:
Archival materials
Date:
Apr. 3–Dec. 21, 1869
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1908, Item 2.1.1.6
See more items in:
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 2: Office of the Disbursing Officer / 2.1: Correspondence / 2.1.1: Press Copies of Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1908-ref12
Online Media:

Volume 7 (13)

Type:
Archival materials
Date:
Dec. 21, 1869–June 9, 1870
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1908, Item 2.1.1.7
See more items in:
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 2: Office of the Disbursing Officer / 2.1: Correspondence / 2.1.1: Press Copies of Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1908-ref13
Online Media:

Volume 8 (14)

Type:
Archival materials
Date:
June 9–Nov. 5, 1870
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1908, Item 2.1.1.8
See more items in:
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 2: Office of the Disbursing Officer / 2.1: Correspondence / 2.1.1: Press Copies of Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1908-ref14
Online Media:

Volume 9 (15)

Type:
Archival materials
Date:
Nov. 7, 1870–Aug. 19, 1871
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1908, Item 2.1.1.9
See more items in:
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of Missouri, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 2: Office of the Disbursing Officer / 2.1: Correspondence / 2.1.1: Press Copies of Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1908-ref15
Online Media:

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