Search Results

Creator:

Petlin, Irving, 1934-2018  Search this

Subject:

Golub, Leon  Search this

Kitaj, R. B.  Search this

Selz, Peter Howard  Search this

Type:

Drawings

Sketchbooks

Citation:

Irving Petlin papers, 1952-2014, bulk 1970-1990. Archives of American Art, Smithsonian Institution.

Topic:

Art and war  Search this

Vietnam War, 1961-1975 -- Protest movements -- United States  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)21701

(DSI-AAA_SIRISBib)398508

AAA_collcode_peltirvi

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_398508

Creator:

Kent, Rockwell, 1882-1971  Search this

Subject:

Wildenstein, Felix  Search this

Phillips, Duncan  Search this

Hays, Lee  Search this

Untermeyer, Louis  Search this

Zigrosser, Carl  Search this

Robeson, Paul  Search this

DuBois, W.E.B. (William Edward Burghardt)  Search this

Roosevelt, Franklin D. (Franklin Delano)  Search this

Ruggles, Carl  Search this

Stefansson, Vilhjalmur  Search this

Nearing, Helen  Search this

Nearing, Scott  Search this

Pach, Walter  Search this

Rasmussen, Knud  Search this

Reeves, Ruth  Search this

Seeger, Pete  Search this

Daniel, Charles  Search this

Cleland, T. M. (Thomas Maitland)  Search this

Davies, Arthur B. (Arthur Bowen)  Search this

Chamberlain, J. E.  Search this

Boyesen, Bayard  Search this

Chase, William Merritt  Search this

Freuchen, Peter  Search this

Gellert, Hugo  Search this

Gottlieb, Harry  Search this

Hartley, Marsden  Search this

Fitzgerald, James  Search this

Keller, Charles  Search this

Miller, Kenneth Hayes  Search this

Henri, Robert  Search this

Jones, Dan Burne  Search this

United American Artists  Search this

United Office and Professional Workers of America  Search this

United Scenic Artists  Search this

National Farmers' Union (U.S.)  Search this

National Maritime Union of America  Search this

American Artists' Congress  Search this

Artists' Union (New York, N.Y.)  Search this

Artists League of America  Search this

Citizens' Committee for Government Arts Projects  Search this

Farmers Union of the New York Milk Shed  Search this

Federal Art Project  Search this

Federal Writers' Project  Search this

Macbeth Gallery  Search this

International Workers Order  Search this

Type:

Poems

Sketches

Business records

Photographs

Drawings

Citation:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.

Topic:

Designers -- New York (State)  Search this

Mural painting and decoration  Search this

Politics and culture  Search this

Authors -- New York  Search this

Art, Modern -- 20th century -- United States -- Political aspects  Search this

Dairy farms  Search this

Federal aid to the arts  Search this

Illustrators -- New York (State)  Search this

Illustration of books  Search this

Works of art  Search this

Art and war  Search this

Commercial art  Search this

World War, 1939-1945 -- Art and the war  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9557

(DSI-AAA_SIRISBib)211757

AAA_collcode_kentrock

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211757

Interviewee:

Ringgold, Faith, 1930-2024  Search this

Interviewer:

Holmes, Doloris  Search this

Subject:

Savage, Augusta  Search this

Crump, Iris  Search this

Browne, Vivian E.  Search this

Women Students and Artists for Black Liberation  Search this

Biennale di Venezia (34th : 1968 : Venice, Italy)  Search this

Type:

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Faith Ringgold, 1972. Archives of American Art, Smithsonian Institution.

Topic:

Surrealism  Search this

Minimal art  Search this

Art, African  Search this

African American artists  Search this

Women artists  Search this

Women painters  Search this

Women performance artists  Search this

Women sculptors  Search this

African American painters  Search this

African American sculptors  Search this

African American art -- African influences  Search this

Theme:

African American  Search this

Women  Search this

Record number:

(DSI-AAA_CollID)11488

(DSI-AAA_SIRISBib)214194

AAA_collcode_ringgo72

Theme:

African American

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_214194

Creator:

Freer, Charles Lang, 1856-1919  Search this

Extent:

131 Linear feet (29 architectural drawings)

Type:

Collection descriptions

Archival materials

Diaries

Financial records

Correspondence

Photographs

Place:

China

Syria

Egypt

India

London (England)

Japan

Boston (Mass.)

Detroit (Mich.)

Washington (D.C.)

Kandy (Sri Lanka)

Sri Lanka

Anuradhapura (Sri Lanka)

Date:

1876-1931

Summary:

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.

Scope Content:

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.

Organization of the Papers:

This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs

Biographical Note:

1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Korin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.

Index:

Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company

Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts

Related Material:

The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.

Provenance:

Gift of the Estate of Charles Lang Freer.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American -- Collectors and collecting  Search this

Art, Asian -- Collectors and collecting  Search this

Art -- Collectors and collecting  Search this

Architecture -- Asia  Search this

Genre/Form:

Diaries

Financial records

Correspondence

Photographs

Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

Identifier:

FSA.A.01

See more items in:

Charles Lang Freer Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3f1a0e3e0-630c-48d4-ba28-485946b1d615

EDAN-URL:

ead_collection:sova-fsa-a-01

Creator:

Bergman, Edwin  Search this

Bergman, Lindy  Search this

Names:

Cornell, Joseph  Search this

Extent:

1.6 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Video recordings

Date:

1949-2002

Summary:

The papers of Chicago art collectors Edwin and Lindy Bergman measure 1.6 linear feet and date from 1949 to 2002. The papers document the collecting activities of the Bergmans through a collection of files on artists including Joseph Cornell, Jim Nutt, and Wilfredo Lam, and others including art dealers Julien and Jean Levy, and ballerina Tamara Toumanova.

Scope and Contents:

The papers of Chicago art collectors Edwin and Lindy Bergman measure 1.6 linear feet and date from 1951 to 2002. The collection includes documents filed by subject/name. Files may include both personal and business correspondence; personal business records such as price lists, inventories, and invoices; clippings, exhibition announcements, exhibition catalogs, and other printed material; and photographs of artists and their artwork. Also found is a video recording of an interview of Edwin and Lindy Bergman, August 24, 1984, produced by the Museum of Contemporary Art, Chicago.

A significant portion of the series relates to Joseph Cornell, and material includes general correspondence, correspondence from Betty Benton and Anthony Peluso, clippings, and exhibition announcements and catalogs. Also represented are artists Jim Nutt and Wilfredo Lam, art dealers Julian and Jean Levy, and ballerina Tamara Toumanova. There are also files on art galleries including the Museum of Modern Art, Sidney Janis Gallery, and Galerie du Dragon in Paris.

Arrangement:

The collection is arranged as one series.

Biographical / Historical:

Chicago, Illinois, art collectors Edwin Bergman (1917-1986) and Lindy (Betty Jane) Bergman (1918-2014) shared a particular interest in surrealist art and over a sixty year period assembled a major art collection which included some of Joseph Cornell's most famous works. The Bergmans began collecting art in the 1950s, and established the Bergman Gallery, designed as both a studio for undergraduates and an exhibition center. In 1982 they also established the Edwin and Lindy Bergman Joseph Cornell Gallery at the Art Institute of Chicago. Edwin Bergman was a founder and past president of the Museum of Contemporary Art in Chicago.

Related Materials:

Also found in the Archives of American Art is the Edwin Bergman Interview, August 21-December 21, 1984. Possible video duplicates of the interview are in the Edwin and Lindy Bergman papers

Provenance:

The Edwin and Lindy Bergman papers were donated in 2016 by Robert H. Bergman, Carol B. Cohen, and Betty L. Rosenfield, Edwin and Lindy Bergman's children.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Collectors -- Illinois -- Chicago  Search this

Topic:

Art -- Collectors and collecting  Search this

Genre/Form:

Interviews

Video recordings

Citation:

Edwin and Lindy Bergman papers, 1949-2002. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.bergedlin

See more items in:

Edwin and Lindy Bergman papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94427aeeb-18e3-499a-8c54-44678b4e336e

EDAN-URL:

ead_collection:sova-aaa-bergedlin

Creator:

Coe, Ralph T., 1929-2010  Search this

Extent:

12.5 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Video recordings

Date:

1928-2010, bulk 1950s-2010

Summary:

The papers of museum director, curator, writer, art historian, and collector Ralph T. Coe measure 12.5 linear feet and date from 1928 to 2010, with the bulk of the records dating from the 1950s to 2010. The papers consist of some biographical material; writings by Coe for essays, articles, and book chapters; exhibition material, most notably from Lost and Found Traditions: Native American Art 1965-1985 (1985-1986); records from Coe's tenure at the Nelson-Atkins Museum of Art (1959-1982); Coe's association and membership records; files related to Coe's personal collection of Native American and European art; personal business records; printed material, photographs, and audiovisual material.

Scope and Contents:

The papers of museum director, curator, writer, art historian, and collector Ralph T. Coe measure 12.5 linear feet and date from 1928 to 2010, with the bulk of the records dating from the 1950s to 2010. Biographical material includes resumes, contact and address information, and some ephemera. Writings consist of notes, essays, articles, and book chapters written by Coe on collecting, Native American art, European art, and museology. Exhibition material, most notably from Lost and Found Traditions: Native American Art 1965-1985 (1985-1986), document Coe's involvement with various exhibitions as curator, consultant, and catalogue contributor. Records from Coe's time at the Nelson-Atkins Museum of Art (1959-1982) include administrative papers and correspondence, some exhibition material, and papers related to Coe's resignation as director in 1982. Coe's association and membership records document his affiliation with various collections, government institutions, professional societies, and non-profit organizations. Coe's collector files consist of papers related to the purchase of Native American and European art for both himself and on behalf of Henry Bloch, as well as art loans from Coe's personal collection and tours held at his home. Personal business records consist of correspondence, receipts, bills, and tax information documenting Coe's various endeavors as an art consultant and valuator, guest speaker, and writer. Printed material includes clippings on a variety of topics, and ephemera from his travels to different communities, museums, galleries, and historic sites.

Arrangement:

This collection is arranged as 11 series.

Series 1: Biographical Material, 1944-2005 (11 folders, Box 1)

Series 2: Correspondence, 1928-2010, bulk 1955-2010 (1.5 linear feet, Box 1-2)

Series 3: Writings, 1982-2010 (0.5 linear feet, Box 2-3)

Series 4: Exhibition Material, 1973-2003 (2.4 linear feet, Box 3-5)

Series 5: The Nelson-Atkins Museum of Art, 1959-2010 (7 folder, Box 5-6)

Series 6: Association and Membership Records, 1977-2005 (0.8 linear feet, Box 6)

Series 7: Collector Files, 1953, bulk 1979-2010 (0.7 linear feet, Box 6-7)

Series 8: Personal Business Records, 1974-2006 (0.7 linear feet, Box 7-8)

Series 9: Printed Material, 1930, bulk 1950s-2000s (1.5 linear feet, Box 8-9)

Series 10: Photographs, circa 1960s-2000s (2.5 linear feet, Box 9-12, OV 14)

Series 11: Sound and Video Material, 1972-2007 (1.4 linear feet, Box 12-13)

Biographical / Historical:

Ralph T. Coe (1929-2010) was a museum director, art collector, writer, and art historian who primarily focused on contemporary Native American art, but also worked on European impressionism to some extent. He was born in Cleveland Ohio, received his bachelor's degree from Oberlin College in 1953, and then his M.A. from Yale University in 1957. His first position out of Yale was as an assistant curator for the National Gallery of Art, Washington, D.C. Coe then worked for the Nelson-Atkins Museum of Art, Kansas City, Missouri from 1959 to 1982.

In 1982 Coe was officially hired by the National Museum of American Art as a senior visiting scholar, working on an acquisition/exhibition project. This project ultimately produced the traveling exhibition, Lost and Found Traditions: Native American Art 1965-1985 (1985-1986), and established the largest collection of Native American contemporary art at the time. The project was funded by The American Federation of Arts (AFA) in conjunction with the American Can Corporation. It first opened at the American Museum of Natural History, New York City, in 1986, and then traveled for two years under the auspices of the AFA. The collection was showcased at the Renwick Gallery, Smithsonian Institution, Washington, D.C., the Los Angeles County Museum of Natural History, and the Kulturhuset, Stockholm, Sweden, among others. Coe also published a book-length catalogue for the exhibit.

As an independent art historian and writer, Coe published essays, articles, and book chapters. Coe worked closely with the collections of Eugene V. Thaw and Henry Bloch, and functioned as both a committee and trustee member for several organizations including the American Federation of Arts, Association of Art Museum Directors, the National Endowment for the Arts, the Art Advisory Panel, the American Council for Cultural Policy, the Archives of American Art, and the Southwestern Association on Indian Affairs.

As an art collector, Coe consistently traveled throughout North America meeting with Native American artists and cultural representatives. Coe established a wide range of relationships with Native American communities from coast to coast as he collected their art and engaged with their cultural practices.

Provenance:

This collection was donated by the Ralph T. Coe Estate in 2013.

Restrictions:

This material is ACCESS RESTRICTED; permission; written permission is required. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- New Mexico -- Santa Fe  Search this

Arts administrators -- New Mexico -- Santa Fe  Search this

Topic:

Art -- Collectors and collecting  Search this

Museum directors  Search this

Native American artists  Search this

Genre/Form:

Sound recordings

Video recordings

Citation:

Ralph T. Coe papers, 1928-2010, bulk 1950s-2010. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.coeralp

See more items in:

Ralph T. Coe papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9366aa0e7-6880-43dc-a231-72620ac2db8a

EDAN-URL:

ead_collection:sova-aaa-coeralp

Creator:

Stussy, Jan, 1921-1990  Search this

Names:

Macdonald-Wright, Stanton, 1890-1973  Search this

Stussy, Maxine Kim, 1923-2020  Search this

Extent:

8.1 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Video recordings

Diaries

Date:

1924-2018

Summary:

The papers of Jan Stussy measure 8.1 linear feet and date from 1924 to 2018. The papers document the career of painter and educator Jan Stussy through correspondence; a resume and other professional documentation; clippings and exhibition announcements; and photographs and slides of Stussy and his artwork. The papers also document the life of artist Stanton MacDonald-Wright through correspondence with Stussy; manuscripts and other writings; lectures and discussions with Stussy; clippings, exhibition announcements and catalogs, and other printed material; and photographs of MacDonald-Wright, Stussy, and Stussy's artwork.

Scope and Contents:

The papers of Jan Stussy measure 8.1 linear feet and date from 1924-2018. The papers document the career of painter and educator Jan Stussy through correspondence; a resume and other professional documentation; clippings and exhibition announcements; and photographs and slides of Stussy and his artwork. The papers also document the life of artist Stanton MacDonald-Wright through correspondence with Stussy; manuscripts and other writings; lectures and discussions with Stussy; clippings, exhibition announcements and catalogs, and other printed material; and photographs of MacDonald-Wright.

Biographical material consists of Stussy family history, material on Fred Stussy, Stussy's Boy Scout scrapbook, and an obituary.

Correspondence consists of letters from Stussy to his wife, Maxine Kim Stussy, with various museums and institutions such as the United States Embassy in Turkey, and a collection of postcards. Also included are correspondence between Stussy and Stanton MacDonald-Wright.

Writings consist of a biography and general notes on Stanton MacDonald-Wright, articles on art, manuscripts for screenplays written by Stussy, poetry, and miscellaneous notes. Also included are some of Stussy's diaries from the 1940s and 1980s.

Personal business records consist of mainly inventory and price lists, some general account records, general invoices and related correspondence, and invoices from the Esther Robles Gallery.

Professional activity material consists of resumes, academic evaluations and promotions from his time as a professor at UCLA, awards, screenplay material, and some exhibition files. Also included are a series of audio cassette interviews between Stussy and Stanton MacDonald-Wright, an audio cassette lecture by MacDonald-Wright, and a video cassette on "The Ideals of Occidental Composition."

Printed material consists of clippings, exhibition announcements and catalogs, published articles by Stussy, a book on Stussy's art, and a book featuring some of Stussy's illustrations.

Artwork consists of sketches done by students for some of Stussy's courses in 1948, sketches by Stussy, and collages.

Photographic material consists of photographs of Stussy, Stanton MacDonald-Wright, and of Stussy's artwork. There is a large collection of slides of Stussy's artwork and of tattoo art. Also included are four 8mm film reels of photographs of primarily tattoo art.

Catalog of artwork is a catalog put together by the Jan Stussy Foundation. The catalog contains a listing of Stussy's works consisting of a general list of works, photographs of artwork on index cards, and catalog worksheets with titles and other pertinent information related to each piece.

Arrangement:

The collection is arranged into nine series.

Series 1: Biographical Material, 1924-1990 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1940-1991 (0.5 linear feet; Box 1)

Series 3: Writings, 1943-1992 (0.8 linear feet; Boxes 1-2)

Series 4: Personal Business Records, 1943-1988, 2018 (0.1 linear feet; Box 2)

Series 5: Professional Activity Files, 1950-1990 (0.6 linear feet; Boxes 2-3)

Series 6: Printed Material, 1940-2016 (1.0 linear feet; Boxes 3, 9-10)

Series 7: Artwork, circa 1948 (0.2 linear feet; Boxes 3)

Series 8: Photographic and Motion Picture Film Material, 1950-1989 (3.3 linear feet; Boxes 3-5, 7, OV 8, FC 09-12)

Series 9: Catalog of Artwork, circa 1995 (1.5 linear feet; Boxes 5-6)

Biographical / Historical:

Jan Stussy (1921-1990) was a painter and educator primarily in Los Angeles, California. Stussy was born in 1921 in Benton County, Missouri, and he taught at UCLA. Stussy studied with Stanton MacDonald-Wright and remained life-long friends with him. Stussy was married to artist Maxine Kim Stussy.

Stanton MacDonald-Wright (1890-1973) was a modern American artist and co-founder of Syncromism, an early abstract, color-based mode of painting, which was the first American avant-garde art movement to receive international attention. MacDonald-Wright was born in Charlotteville, Virginia in 1890. He moved to Los Angeles in 1918 where he would serve as director of the Southern California division of the Works Project Administration Federal Art Project from 1935 to 1943. He also taught art at UCLA.

Provenance:

The Jan Stussy papers were donated to the archives between 1976-1985 by Jan Stussy and in 2022 by Belinda Franekl, Maxine Stussy's stepdaughter.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California -- Los Angeles  Search this

Educators -- California -- Los Angeles  Search this

Topic:

Art -- Study and teaching -- California -- Los Angeles  Search this

Synchromism (Art)  Search this

Genre/Form:

Sound recordings

Video recordings

Diaries

Citation:

Jan Stussy papers, 1924-2018. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.stusjan

See more items in:

Jan Stussy papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c844e8fe-3a50-4cc9-af95-52220980bd34

EDAN-URL:

ead_collection:sova-aaa-stusjan

Creator:

Hirshhorn Museum and Sculpture Garden Programs/Curatorial Department  Search this

Subject:

Hirshhorn Museum and Sculpture Garden Programs Department  Search this

Hirshhorn Museum and Sculpture Garden Curatorial Department  Search this

Hirshhorn Museum and Sculpture Garden Department of Public Programs/Curatorial Division  Search this

Physical description:

69 cu. ft. unprocessed holdings

Type:

Manuscripts

Floor plans

Color photographs

Black-and-white photographs

Brochures

Audiotapes

Color transparencies

Clippings

Compact discs

Exhibition catalogs

Picture postcards

Floppy disks

Electronic records

Digital versatile discs

Videotapes

Date:

1976

1976-2019

Topic:

Art museums  Search this

Art, Modern  Search this

Exhibitions  Search this

Museum exhibits  Search this

Art museum curators  Search this

Local number:

SIA RS00804

Restrictions & Rights:

Materials less than 15 years old Restricted. Contact reference staff for details

See more items in:

Exhibition Records 1976-2019 [Hirshhorn Museum and Sculpture Garden Programs/Curatorial Department]

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_225508

Creator:

Arnheim, Rudolf  Search this

Names:

Harvard University  Search this

Museum of Modern Art (New York, N.Y.)  Search this

New School for Social Research (New York, N.Y.)  Search this

Sarah Lawrence College  Search this

University of Michigan  Search this

Albers, Josef  Search this

Kepes, Gyorgy, 1906-2001  Search this

Sheldon, Alice Bradley, 1915-1987  Search this

Extent:

9.6 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Interviews

Diaries

Date:

1919-1998

Summary:

The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

Scope and Contents:

The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers documents his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

Biographical material includes a bibliography, biographical sketches, contracts and agreements, sound cassettes of interviews, and other miscellaneous material.

Correspondence is with colleagues, editors, publishers, and universities on various subjects. The bulk of the correspondence is arranged by subject such as architects, art historians, dance, and film. There is correspondence with Harvard University, University of Michigan, Museum of Modern Art, and New School of Social Research, as well as various individuals such as Josef Albers, Gyorgy Kepes, and Alice Sheldon.

Writings and lectures include book reviews, articles, lecture drafts and notes, sound recordings of lectures, manuscripts, and copies of published articles.

Arnheim's diaries date from 1919 to 1987 and discuss his early life as a student in Germany and career as an educator and lecturer. Some diaries include draft writings.

Printed material includes lecture announcements, reviews, clippings, programs, brochures, assorted material from Sarah Lawrence College, and two instructional sound cassettes.

Arrangement:

The collection is arranged as 5 series.

Series 1: Biographical Material, 1939-1991 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1940-1998 (Boxes 1-5; 4.4 linear feet)

Series 3: Writings and Lectures, 1930-1989 (Boxes 5-8; 2.7 linear feet)

Series 4: Diaries, 1919-1987 (Boxes 8-9; 1.0 linear feet)

Series 5: Printed Material, 1928-circa 1990 (Boxes 9-11; 1.2 linear feet)

Biographical / Historical:

Rudolf Arnheim (1904-2007) was a writer, educator, art historian and psychologist who was born in Germany and immigrated to the United States where he primarily worked in New York and Massachusetts.

Rudolf Arnheim was born in Berlin, Germany on July 15, 1904. He received his doctorate in psychology from the University of Berlin in 1928. Arnheim worked as a film critic and editor for several magazines and journals after graduation. During this time, he gathered information which would be compiled in his book Film as Art (1932). When the Nazis came into power in 1933, Arnheim moved to Rome where he worked at the Institute for the Educational Film for six years, then moved to London in 1939 and worked as a translator for the British Broadcasting Company.

Arnheim immigrated to the United States in 1940. In 1943, he became a psychology professor at Sarah Lawrence College where he continued to teach until 1968. He also taught at the New School for Social Research during this time. From 1959 to 1960, he was a Fulbright lecturer at Ochanomizu University in Tokyo, Japan. After Sarah Lawrence College, Arnheim became a Professor of Psychology of Art at Harvard University, where he stayed until 1974 when he moved to Ann Arbor, Michigan with his wife Mary. He was a visiting professor at the University of Michigan from 1974 to roughly 1984.

Among his many publications are Art and Visual Perception, Toward a Psychology of Art, Visual Thinking, Entropy and Art, Picasso's Guernica, and The Power of Center. Arnheim died in Ann Arbor in 2007.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Rudolf Arnheim conducted by Robert F. Brown, May 16, 1972. Additional papers on Rudolf Arnheim related to psychology are available at the Archives of the History of Psychology in Akron, Ohio.

Separated Materials:

The Archives of American Art also holds microfilm of material lent for microfilming (reel 3767) including correspondence with German publishers and editors, 1959-1982; Dumont Buchverlag, 1963-1980; Carl Hanser Varlag, 1974-1981; Helmut Diederich, 1974-1981; Franz Rudolf Knubel, 1971-1981; Werner Korbs, 1976-1982; Jurgen Weber, 1972-1981; and others. The originals were returned to Rudolf Arnheim after microfilming and subsequently donated to the Schiller-Nationalmuseum Deutsches Literaturarchiv, Germany. This material is not described in the collection container inventory or the finding aid.

Provenance:

The Rudolf Arnheim papers were donated to the Archives of American Art in several installments between 1974 to 1998 by Rudolf Arnheim. Arnheim also loaned material for microfilming in 1986.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and electronic records with no duplicate access copies requires advance notice.

Occupation:

Art historians -- Massachusetts  Search this

Art historians -- New York (State) -- New York  Search this

Topic:

Art -- Study and teaching -- United States  Search this

Art--Study and teaching--Germany  Search this

Authors -- Massachusetts  Search this

Educators -- Massachusetts  Search this

Educators -- New York (State) -- New York  Search this

Genre/Form:

Sound recordings

Interviews

Diaries

Citation:

Rudolf Arnheim papers, 1919-1998. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.arnhrudo

See more items in:

Rudolf Arnheim papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw956011d71-95ed-495e-9e42-c9ae139b89ac

EDAN-URL:

ead_collection:sova-aaa-arnhrudo

Creator:

Smithsonian Institution  Search this

Subject:

German/American Provenance Research Exchange Program  Search this

Type:

Electronic records

Collection descriptions

Web sites

Date:

2019

Topic:

Museums--Public relations  Search this

Web sites  Search this

Cultural property  Search this

Museums--Collection management  Search this

World War, 1939-1945  Search this

Art--Provenance  Search this

Local number:

SIA Acc. 22-049

See more items in:

Website Records 1995-2023 [Smithsonian Institution]

Data Source:

Smithsonian Institution Archives

EDAN-URL:

edanmdm:siris_arc_404700

Creator:

Obata, Chiura, 1885-1975  Search this

Subject:

Obata, Gyo  Search this

Okubo, Miné  Search this

Central Utah Relocation Center  Search this

Tanforan Assembly Center (San Bruno, Calif.)  Search this

Type:

Diaries

Sketchbooks

Drawings

Citation:

Chiura Obata papers, 1891-2000, bulk 1942-1945. Archives of American Art, Smithsonian Institution.

Topic:

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

World War, 1939-1945 -- Japanese Americans  Search this

Asian American painters  Search this

Asian American educators  Search this

Japanese Americans -- Forced removal and internment -- 1942-1945  Search this

Theme:

Asian American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)17607

(DSI-AAA_SIRISBib)397059

AAA_collcode_obatchiu

Theme:

Asian American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_397059

Interviewee:

Bengelsdorf, Rosalind, 1916-1979  Search this

Interviewer:

Sandler, Irving, 1925-  Search this

Subject:

Browne, Byron  Search this

Hofmann, Hans  Search this

Holty, Carl  Search this

Gorky, Arshile  Search this

Greene, Balcomb  Search this

Lassaw, Ibram  Search this

Matulka, Jan  Search this

Diller, Burgoyne  Search this

De Kooning, Willem  Search this

Davis, Stuart  Search this

American Abstract Artists  Search this

Art Students League (New York, N.Y.)  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Rosalind Bengelsdorf Browne, 1968 January 29-February 16. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women art critics  Search this

Women educators  Search this

Art, American  Search this

Art, Abstract  Search this

Cubism -- New York (State) -- New York  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12786

(DSI-AAA_SIRISBib)212563

AAA_collcode_bengel68

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212563

Interviewee:

Johnson, Una E.  Search this

Interviewer:

Cummings, Paul  Search this

Subject:

Schniewind, Carl Oscar  Search this

Brooklyn Museum  Search this

Type:

Sound recordings

Interviews

Drawings -- 19th century

Drawings -- 20th century

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Una E. Johnson, 1971 Jan. 5-July 29. Archives of American Art, Smithsonian Institution.

Topic:

Curators -- New York (State) -- New York -- Interviews  Search this

Printmakers  Search this

Women museum curators  Search this

Women art historians  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12158

(DSI-AAA_SIRISBib)212752

AAA_collcode_johnso71

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212752

Interviewee:

Mallory, Margaret, 1911-1998  Search this

Interviewer:

Howe, Thomas Carr, 1904-1994  Search this

Names:

Chase, William Merritt, 1849-1916  Search this

Story, Ala  Search this

Extent:

14 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1981 Oct. 25

Scope and Contents:

An interview of Margaret Mallory conducted 1981 Oct. 25, by Thomas Carr Howe, for the Archives of American Art.

Mallory speaks of the development of her interest in art and decorative art, primarily turn-of-the century American art; her career as an art collector; a William Merritt Chase retrospective she organized; her associatons with curator Ala Story and with Clifford and Reynolds Beal; and the Santa Barbara arts scene.

Biographical / Historical:

Margaret Mallory (1911-1998) was an art collector, composer, theater critic, and filmmaker from Greenwich, Connecticut who lived and worked in New York City and Santa Barbara, California.

General:

Originally recorded on 1 sound cassette. Reformatted in 2010 as 1 digital wav file. Duration is 26 min.

Provenance:

This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Topic:

Art -- Collectors and collecting -- California -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. This interview received support from the Smithsonian American Women's History Initiative Pool.

Identifier:

AAA.mallor81

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93bd55047-42ce-4cb3-a49c-55ecf641abae

EDAN-URL:

ead_collection:sova-aaa-mallor81

Interviewee:

Breeskin, Adelyn Dohme, 1896-1986  Search this

Interviewer:

Haifley, Julie  Search this

Subject:

Cassatt, Mary  Search this

Baltimore Museum of Art  Search this

Walters Art Gallery (Baltimore, Md.)  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Adelyn Dohme Breeskin, 1979 June 20-August 14. Archives of American Art, Smithsonian Institution.

Topic:

Women art historians  Search this

Women museum curators  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12907

(DSI-AAA_SIRISBib)212154

AAA_collcode_breesk79

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212154

Interviewee:

La Follette, Suzanne, 1893-1983  Search this

Interviewer:

Karlstrom, Paul J., 1941-  Search this

Subject:

Pach, Walter  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Suzanne La Follette, 1976 January 27. Archives of American Art, Smithsonian Institution.

Topic:

Art publishing  Search this

Women journalists  Search this

Women art historians  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12755

(DSI-AAA_SIRISBib)212336

AAA_collcode_lafoll76

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212336

Interviewee:

Beer-Monti, Friederike, 1891-1980  Search this

Interviewer:

Coleman, Butler  Search this

Subject:

Stix, Hugh  Search this

Baizerman, Eugenie  Search this

Baizerman, Saul  Search this

Kokoschka, Oskar  Search this

Margules, De Hirsh  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Federica Beer-Monti, 1967 November 1. Archives of American Art, Smithsonian Institution.

Topic:

Women art dealers  Search this

Art, American  Search this

Art, European  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)11874

(DSI-AAA_SIRISBib)212524

AAA_collcode_beermo67

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212524

Interviewee:

Colby, Joy Hakanson, 1925-2014  Search this

Interviewer:

Helms, Cynthia Newman  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Joy Hakanson Colby, 1977 February 14. Archives of American Art, Smithsonian Institution.

Topic:

Art criticism  Search this

Women art critics  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12853

(DSI-AAA_SIRISBib)212593

AAA_collcode_colby77

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212593

Interviewee:

Campbell, Louisa Dresser, 1907-1989  Search this

Interviewer:

Brown, Robert F.  Search this

Subject:

Worcester Art Museum  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Louisa Dresser, 1972 October 19. Archives of American Art, Smithsonian Institution.

Topic:

Art, American  Search this

Women arts administrators  Search this

Women art historians  Search this

Women museum curators  Search this

Portrait painting -- 17th century -- New England  Search this

Painting -- 17th century -- New England  Search this

Figurative painting, American  Search this

Colonial America  Search this

Decorative arts -- United States  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)11845

(DSI-AAA_SIRISBib)212647

AAA_collcode_dresse72

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212647

Interviewee:

Borgenicht, Grace, 1915-2001  Search this

Interviewer:

Seckler, Dorothy Gees, 1910-1994  Search this

Subject:

Baskin, Leonard  Search this

De Rivera, José Ruiz  Search this

Ernst, Jimmy  Search this

Kahn, Wolf  Search this

Grace Borgenicht Gallery  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Grace Borgenicht Brandt, 1963 January 10. Archives of American Art, Smithsonian Institution.

Topic:

Women art dealers  Search this

Art -- Collectors and collecting  Search this

Art, American  Search this

Women art collectors  Search this

Theme:

Women  Search this

Record number:

(DSI-AAA_CollID)12530

(DSI-AAA_SIRISBib)213210

AAA_collcode_brandt63

Theme:

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_213210