airbrush and compressed air paint spraying equipment for industry and artists ; airbrush technique publications ; airrubbing, polishing and sanding machines ; distributor of "Sundstrand Machine Tool Co.'s airrubbing machines ; automatic aircoating and drying machines for watch, clock and instrument manufacturers ; high production airbrush equipment, suitable for aviation, automobiles, steamships, etc.
Includes:
Trade catalog and price lists
Black and white images
Color images
Physical description:
40 pieces; 4 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Chicago, Illinois, United States
Date:
1900s
Topic (Romaine term):
Architectural designs and building materials Search this
Artists; drafting; crafts materials and supplies Search this
Clocks and watches (including clock-making and watch-making equipment) Search this
Industrial equipment or mechanical machinery (including supplies and components) Search this
Paint; varnishes; adhesives; coatings; etc. Search this
Topic:
"Decoration and ornament, Architectural" Search this
It is likely that Julian Abele (1881-1950), one of the first prominent African American architects of the early twentieth century, should be credited for his design work on this project. Abele started working for Horace Trumbauer's all-white firm around 1902 after graduating from the University of Pennsylvania School of Architecture. Abele was sent by Trumbauer to study in Paris at one of the most prestigious art schools, the École, until 1906. He returned to work as the assistant to the firm's chief designer but was quickly promoted to chief designer in 1909. Between 1909 and Trumbauer's death in 1938, Abele worked on dozens, if not hundreds, of projects for the firm, predominately uncredited. Though it was custom at the time to attribute architectural designs to the head of the firm instead of the individual designers, it is notable that an early pioneering African American architect likely contributed to this project.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
It is likely that Julian Abele (1881-1950), one of the first prominent African American architects of the early twentieth century, should be credited for his design work on this project. Abele started working for Horace Trumbauer's all-white firm around 1902 after graduating from the University of Pennsylvania School of Architecture. Abele was sent by Trumbauer to study in Paris at one of the most prestigious art schools, the École, until 1906. He returned to work as the assistant to the firm's chief designer but was quickly promoted to chief designer in 1909. Between 1909 and Trumbauer's death in 1938, Abele worked on dozens, if not hundreds, of projects for the firm, predominately uncredited. Though it was custom at the time to attribute architectural designs to the head of the firm instead of the individual designers, it is notable that an early pioneering African American architect likely contributed to this project.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Wisconsin -- Sheboygan County -- Sheboygan Falls
Scope and Contents:
The folder includes worksheets, photocopies of articles, and other information.
General:
Commissioned by the parents of the present owner, Homewood is truly a family home. It was built in 1937 from an architectural design modeled after the original Homewood at Johns Hopkins University in Baltimore, Maryland, built by Charles Carroll in 1801. The architectural plan was featured in the 1939 New York World's Fair as a model home featuring a modern take on the classic Colonial design customized to meet the needs of the average American family. The home was designated as a historic landmark of Sheboygan County in 1983 and was surveyed for the Historic Preservation Division of the State Historical Society of Wisconsin.
The vegetable gardens of Homewood date back to the World War II victory garden that the present owner helped to maintain as a child. The gardens have since evolved to address issues of pest control, shade, and to increase produce yield by incorporating raised beds, lattice supports, and additional fencing to help alleviate some the challenges of growing a large vegetable garden. The gardens in their current form were established beginning in 1990, when the present owners renovated the family home.
The main vegetable plot features protective plantings of cedar trees and bittersweet vine, a raspberry patch, and a revolving assortment of vegetable beds which include plantings of greens and lettuce mixes, beans, herbs, tomatoes, and peppers, to name a few, as well as perennials such as rhubarb and asparagus. An additional kitchen garden is located close to the house, where herbs, lettuces, and tomatoes are grown. The abundant vegetable plantings yield enough produce for sharing with friends and neighbors, and canning, freezing, pickling and storage of the crops allows the harvest to last throughout the year.
A sixteen foot long arbor serves as the entrance to the main fenced and gated vegetable garden. Clematis, grapevine, and climbing roses grow on the arbor, which features a crushed limestone path and a bench to provide seating. Additional features on the property include two native prairie areas, a native tree and shrub nursery, and a steep embankment on the back of the property includes maple, oak and ash trees and a wetland abutting an adjoining river.
Persons associated with the garden include: Dr. Horace J. Hansen and Mrs. Elizabeth Hansen (former owners, 1937-1992); and Dwight James Baum (architect, 1937).
Related Materials:
Homewood related holdings consist of 1 folder (20 35 mm slides (photographs); 17 digital images; and 20 photographic prints (reference))
Additional material regarding the property is located in the Sheboygan County Historical Research Center, Sheboygan Falls, Wisconsin.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Wisconsin -- Sheboygan Falls Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
Scope and Contents:
The folder includes correspondence, articles and location map.
Biographical / Historical:
It is likely that Julian Abele (1881-1950), one of the first prominent African American architects of the early twentieth century, should be credited for his design work on this project. Abele started working for Horace Trumbauer's all-white firm around 1902 after graduating from the University of Pennsylvania School of Architecture. Abele was sent by Trumbauer to study in Paris at one of the most prestigious art schools, the École, until 1906. He returned to work as the assistant to the firm's chief designer but was quickly promoted to chief designer in 1909. Between 1909 and Trumbauer's death in 1938, Abele worked on dozens, if not hundreds, of projects for the firm, predominately uncredited. Though it was custom at the time to attribute architectural designs to the head of the firm instead of the individual designers, it is notable that an early pioneering African American architect likely contributed to this project.
General:
"The large garden is in the French style of the eighteenth century. The statues of the "Seasons" came from Versailles and the box hedge deserves attention. The long drive is a magnificent approach to the Georgian house and is in admirable scale with the whole estate."
Persons associated with the property include: Mr. and Mrs. E. T. Stotesbury (former owners); Jacques Greber (landscape architect); Horace Trumbauer (architect); Lewis & Valentine (nurseryman).
Related Materials:
Whitemarsh Hall related holdings consist of 1 folder (1 photoprint + 43 35mm slides (photographs))
See others in:
Lewis and Valentine 1918-1970.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Pennsylvania -- Philadelphia Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.