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Oral history interview with Alfredo Jaar

Interviewee:
Jaar, Alfredo  Search this
Interviewer:
Gillespie, Benjamin, 1988-  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item (video files (23 min.) VIdeo, digital, mp4)
5 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Video recordings
Date:
2020 July 29
Scope and Contents:
An interview with Alfredo Jaar conducted 2020 July 29, by Benjamin Gillespie, for the Archives of American Art's Pandemic Oral History Project at Jaar's studio in New York, New York.
Biographical / Historical:
Alfredo Jaar (1956- ) is a Chilean-born American filmmaker, photographer, and architect based in New York. Jaar is known for socio-politically engaged conceptual and installation art.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Topic:
Chilean American artists  Search this
Latino and Latin American artists  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.jaar20
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jaar20
Online Media:

Oral history interview with Edgar Tafel

Interviewee:
Tafel, Edgar  Search this
Interviewer:
Rifkind, Carole  Search this
Names:
Solomon R. Guggenheim Museum  Search this
Van Alen, William, 1883-1954  Search this
Wolfe, Tom  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
128 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1990 May 16-July 24
Scope and Contents:
An interview of Edgar Tafel conducted 1990 May 16-July 24, by Carol Rifkind, for the Archives of American Art.
Tafel discusses his apprenticeship with Frank Lloyd Wright and his subsequent architectural career. He recalls William Van Alen, Tom Wolfe, and the construction of the Solomon R. Guggenheim Museum.
Biographical / Historical:
Edgar Tafel (1912-2011) was an architect from New York, N.Y.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 15 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Architecture, Modern -- 20th century -- United States  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.tafel90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tafel90
Online Media:

Oral history interview with Edgar Tafel, 1990 May 16-July 24

Interviewee:
Tafel, Edgar A., 1912-2011  Search this
Tafel, Edgar A., 1912-2011  Search this
Interviewer:
Rifkind, Carole  Search this
Subject:
Wright, Frank Lloyd  Search this
Wolfe, Tom  Search this
Van Alen, William  Search this
Solomon R. Guggenheim Museum  Search this
Type:
Interviews
Sound recordings
Topic:
Architecture, Modern -- 20th century -- United States  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12307
(DSI-AAA_SIRISBib)214635
AAA_collcode_tafel90
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214635

Oral history interview with Arthur Cort Holden

Interviewee:
Holden, Arthur Cort, 1890-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Solomon R. Guggenheim Museum  Search this
Sweeney, James Johnson, 1900-  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
1 Sound tape reel (Sound recording (1 hour), 5 in.)
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1971 Jan. 20
Scope and Contents:
An interview of Arthur Cort Holden conducted 1971 Jan. 20, by Paul Cummings, for the Archives of American Art. Holden speaks of Frank Lloyd Wright and his work in conjunction with Wright on the Guggenheim Museum, and difficulties in the construction of the museum. He recalls James Johnson Sweeney.
Biographical / Historical:
Arthur Cort Holden (1890-1993) was an architect from New York, N.Y.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Museum architecture -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holden71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-holden71
Online Media:

Oral history interview with Anthony Candido

Interviewee:
Candido, Anthony, 1924-  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
65 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 October 7
Scope and Contents:
Interview of Anthony Candido conducted 1970 October 7, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
Anthony Candido (1924-) is a painter and architect from New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 15 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
For information on how to access this interview contact Reference Services.
Topic:
Architecture, American  Search this
Art, American  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.candid70
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-candid70
Online Media:

Oral history interview with Vito Acconci

Interviewee:
Acconci, Vito, 1940-  Search this
Richards, Judith Olch  Search this
Extent:
4 Items (sound discs (5 hr., 2 min.), digital, 2 5/8 in.)
95 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2008 June 21-28
Scope and Contents:
An interview of Vito Acconci conducted 2008 June 21 and 28, by Judith Olch Richards, for the Archives of American Art, at Studio Milo, 20 Jay St., in Brooklyn, New York.
Biographical / Historical:
Vito Acconci (1940- ) is an installation artist, designer, and architect in Brooklyn, New York. Judith Olch Richards (1947- ) is a former director of iCI in New York, New York.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hrs., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Installations (Art)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.acconc08
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-acconc08
Online Media:

Florence Knoll Bassett papers

Creator:
Knoll, Florence, 1917-  Search this
Names:
Cranbrook Academy of Art  Search this
Cranbrook Kingswood School (Bloomfield Hills, Mich.)  Search this
Hans G. Knoll Furniture Company  Search this
Knoll Associates, inc.  Search this
Knoll International, inc.  Search this
Cheek, Leslie, 1908-  Search this
Eames, Charles  Search this
Gandhi, Indira, 1917-1984  Search this
Graham, Katharine, 1917-  Search this
Helm, John  Search this
Johnson, Philip, 1906-2005  Search this
Knoll, Walter C.  Search this
Miller, R. Craig  Search this
Milles, Carl, 1875-1955  Search this
Raseman, Rachel de Wolfe  Search this
Reagan, Nancy, 1923-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Slavin, Maeve  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Photographs
Sketchbooks
Date:
1932-2000
Summary:
The papers of architect and designer Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. Through correspondence, sketches, drawings, designs, subject files, photographs, and printed material, the collection selectively documents Knoll Bassett's education, her work with Knoll Associates from the 1940s until her resignation in 1965, and projects undertaken since her retirement. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s.
Scope and Content Note:
The papers of architect, and interior designer and planner Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. The collection selectively documents Knoll Bassett's education and her career at Knoll Associates, Inc. from the 1940s until her resignation in 1965, in addition to personal design projects and other activities after leaving the company. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s, chronicling the Knoll mission to synthesize space, furniture, and design by creating interiors based on practical use, comfort, and aesthetics.

The collection documents the growth of Knoll's international reputation for its modern furnishings and interiors and the impact of a business philosophy that encompassed design excellence, technological innovation, and mass production. The material includes a chronology of Knoll Bassett's career; a portfolio of sketches, drawings and designs; photographs of Knoll Bassett and others; subject files containing sketches and photographic material; letters from friends, colleagues, clients and others; awards received by Knoll Bassett throughout her career; and printed material.

Much of the material is annotated with historical and biographical notes written by Knoll Bassett which provide invaluable contextual information for the materials found therein. The notes are dated 1999 in the Container Listing, under the assumption that they were written by Florence Knoll Bassett as she was arranging her archival papers.
Arrangement:
Before donating her papers to the Archives of American Art, Knoll Bassett organized the material in portfolios and color-coded files and designed four containers for them. Because the method of arrangement in itself provides insight into Knoll Bassett's style and creativity the collection has been minimally processed with the addition of acid-free materials for preservation reasons and the transcription of labels which may, over time, become detached. The original order of the collection has been retained throughout.

The collection was organized into what Bassett termed "storage units," the first container being divided into three units and the collection as a whole being divided into six units. Knoll Bassett supplied a detailed inventory of the contents of each container and the subjects represented in each porfolio or folder. Subject headings from this inventory have been used in the Series Description/Container Listing. Knoll Bassett also supplied a vita summarizing her career and copies of this, and her original container inventory are enclosed with the collection and can be consulted at AAA's research center in Washington D.C.

The collection is arranged as seven series. These series represent the categories into which Knoll Bassett organized the material, with the exception that Letters and Awards are presented as two series in the finding aid. Most of the items in Series 1 to 4 are presented as portfolios in spiral-bound notebooks and the remainder of the collection is organized in folders.

Missing Title

Series 1: Biographical Material, 1932-1999 (Box 1; 1 portfolio)

Series 2: Selected Publications, 1946-1990, 1999 (Box 1; 1 portfolio)

Series 3: Drawings, Sketches, and Designs, 1932-1984, 1999 (Boxes 1-2; 2 portfolios)

Series 4: Photographs and Printed Material, 1956-1997, 1999 (Box 2; 1 portfolio)

Series 5: Subject Files, circa 1930s-1999 (Box 3; 1.0 linear ft.)

Series 6: Letters, circa 1930s-2000 (Box 4; 7 folders)

Series 7: Awards, 1954-1999 (Box 4; 6 folders)
Biographical Note:
Florence Knoll Bassett was born Florence Schust in 1917 and was affectionately known as Shu by her colleagues and friends. She was orphaned at age 12 and then cared for by Emile Tessin, a friend of the family whom her mother had appointed as Florence's legal guardian in the event of her death. When arrangements were being made for Florence to attend boarding school she was given the opportunity to make the selection. Kingswood School in Bloomfield Hills, Michigan, held a strong aesthetic appeal for her and she "made an immediate decision that it was the right place for me," beginning her architectural studies under the school's art director, Rachel de Wolfe Raseman.

At Kingswood Knoll Bassett met the Saarinen family, studying under Eliel Saarinen and developing her interest in texture and color through her friendship with Loja Saarinen who supervised the school's weaving studio. Following Florence's graduation from Kingswood in 1934, Eliel Saarinen encouraged her to spend some time at Cranbrook Academy of Art before attending an accredited architecture school. She spent the next two years at Cranbrook working closely with advanced students and artists such as the Saarinens and Carl Milles, and gaining experience in all aspects of design.

Knoll Bassett then studied for two years at the Architectural Association in London, spending summers with the Saarinens in Europe. She completed her formal training at the Illinois Institute of Technology where she studied under Mies van der Rohe, whom she credits with having "a profound effect on my design approach and the clarification of design."

After graduation Knoll Bassett worked for architecture firms in Boston and New York where she met Hans Knoll who was then in the process of establishing a furniture business. In 1943 she began working for him in her spare time as an interior space planner and designer. In 1946 the two were married and formed Knoll Associates, Inc.

As director of the Knoll Planning Unit, Knoll Bassett established herself as one of the most important and influential interior planners and designers of the second half of the twentieth century. Believing that intelligent design "strikes at the root of living requirements and changing habits," she established the practice of working closely with the corporate sector to determine the needs of the people who would actually use the spaces that her company designed. Her connections with leading contemporary architects and designers, and the company's commitment to crediting designers by name and paying them royalties, laid the foundations for the strong working relationships upon which the commercial success of Knoll Associates was built. Drawing on a pool of top architects and designers, many of whom were personal friends, Knoll Bassett directed the company's Bauhaus approach, incorporating design excellence, technological innovation, and mass production in a seamless package of "total design."

While Knoll Bassett oversaw the creative process of the Planning Unit's operations in its entirety, she was also directly responsible for many of the individual elements used in the Unit's projects. During the war years, she worked with her designers to overcome the scarcity of materials, establishing Knoll Textiles in response to the dearth of available fabrics and textile colors, and developing the company's hallmark style of spare clean lines and vibrant colors in a functional, comfortable, and aesthetically appealing space. Finding that much of the "fill-in" furniture, primarily cabinetry, that she envisaged in many of her plans was not available, Knoll Bassett designed the pieces herself. She used the Knoll showrooms as "experimental laboratories" to convince clients to use modern ideas and materials, showcasing and putting into production the classic designs of people such as Eero Saarinen, Mies van der Rohe, Jens Risom, Harry Bertoia, Isamu Noguchi, and Marcel Breuer.

After the war Knoll Associates expanded to Europe through a series of government contracts which resulted ultimately in the formation of Knoll International. When Hans Knoll died suddenly in an automobile accident in 1955 Florence became president of the company. She married Harry Hood Bassett in 1958 and began to divide her time between New York and Florida. In 1959 she sold her interest in Knoll Associates to Art Metal and retired as President of the company the following year, while continuing to work as a consultant and serving as Design Director. In 1961 she became the first woman to be awarded the Gold Medal for Industrial Design by the American Institute of Architects, one of many awards received over the course of her career. In 1965 she resigned from Knoll Associates entirely after completing the interior design for the CBS headquarters in New York.

Following her retirement Knoll Bassett devoted more time to private commissions and other interests such as her campaign against billboards in Miami in the mid 1980s. She spent summers in Vermont and winters in Florida with her husband, until his death in 1991. In July 2001, Metropolis magazine published a rare interview with Knoll Bassett in which she reflects upon the life she so skillfully documented in the extraordinary gift of her archival papers to the Archives of American Art.
Provenance:
The collection was donated to the Archives of American Art by Florence Knoll Bassett in 2000.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Architects -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Furniture designers -- New York (State) -- New York  Search this
Topic:
Interior decoration firms  Search this
Interior decoration  Search this
Design, Industrial  Search this
Women artists  Search this
Women architects  Search this
Women designers  Search this
Genre/Form:
Sketches
Drawings
Photographs
Sketchbooks
Citation:
Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.knolflor
See more items in:
Florence Knoll Bassett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-knolflor
Online Media:

Charles Nagel papers

Creator:
Nagel, Charles, 1899-1992  Search this
Names:
Brooklyn Museum  Search this
City Art Museum of St. Louis  Search this
Nagel & Dunn (Firm : St. Louis, Mo.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
St. Mark's Episcopal Church (St. Louis, Mo.)  Search this
Yale University. Gallery of Fine Arts  Search this
Hurd, Peter, 1904-1984  Search this
Kimball, Fiske, 1888-1955  Search this
Nagel, Anne, 1866-1951  Search this
Nagel, Charles, 1849-1940  Search this
Nagel, Charles, 1899-1992  Search this
Proetz, Victor, 1897-1966  Search this
Proetz, Victor, 1897-1966 -- Papers, ca. 1928-1966  Search this
Ripley, S. Dillon (Sidney Dillon), 1913-2001  Search this
Saarinen, Eero, 1910-1961  Search this
Warren, Earl, 1891-1974  Search this
Wurster, William Wilson  Search this
Extent:
3.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
ca. 1927-1992
Scope and Contents:
The bulk of the papers consist of Nagel's files on his various positions and projects (ca. 3.3 ft), containing a variety of materials, including correspondence, writings, notes, art works, clippings, photographs and printed material. Also included are files pertaining to Nagel's father, lawyer and statesman Charles Nagel, and to his mother, Anne; and papers of and relating to Nagel's friend and associate, architect Victor Proetz (0.6 ft).
Nagel's files on positions and projects are arranged chronologically, and relate to: design projects while a student at Yale University, ca. 1926-1928; his struggle with career choices (mostly typescripts of letters to his father), ca. 1927-1931; his appointment to the Yale University Gallery of Fine Arts; commissions during his partnership in Nagel & Dunn (includes photographs of Fred Dunn, St. Mark's Episcopal Church, and other designs); organizing the exhibit "Italy at Work: Her Renaissance in Design Today, 1950-1951," his publication American Furniture, 1650-1850, and other activities while director of the Brooklyn Museum, 1946-1955; his position as juror and secretary for the Jefferson National Expansion Memorial Competition and working with other jurors Fiske Kimball and William Wurster, and design winner, Eero Saarinen; the Independence National Historical Park Project, Philadelphia, Pa.; positions at the City Art Museum, St. Louis, Mo.; establishment of the National Portrait Gallery (includes photographs of staff, the building, exhibitions, and opening celebrations, 1964-1969, notably Chief Justice Earl Warren, Smithsonian Secretary S. Dillon Ripley, and artist Peter Hurd); his emigration to Cuernavaca, Morelos, Mex.; and alterations and additions to St. Michael and All Angels Church in Cuernavaca, 1983. Included in several files are photographs of Nagel, his residences, and colleagues, and architectural drawings.
Files on his father contain honorary degrees and awards, photographs and printed material relating to the naming of a post office in his honor, St. Louis, Mo., and other events honoring him.
The papers of Victor Proetz, ca. 1928-1966 (ca. 0.6 ft), include obituaries; correspondence; a Last Will and Testament; a list of Proetz's commissions, 1934-1943; writings by Proetz and others; Proetz's "The Astonishment of Words," 1971, posthumously published; a scrapbook; exhibition announcements and catalogs; printed material; and photographs of Proetz and his designs for interiors and furniture.
Biographical / Historical:
Museum director; architect. Nagel was born in St. Louis, Mo. He attended Yale University, earning a B.A. in 1923, a B.A. in architecture in 1926 and M.F.A. in architecture in 1928. Upon graduation, he was employed at the firms of Jamieson & Spearl, and Hall & Proetz, St. Louis, and with Coolidge, Shepley, Bulfinch, Abbott in Boston.
He taught art history at Yale, and served as curator of Decorative Arts at Yale's Gallery of Fine Arts, 1930-1936, returning to architecture with the firm Nagel & Dunn, St. Louis, from 1936-1942. His positions as museum director include the City Art Museum in St. Louis, 1942-1946 (acting) and 1955-1964; the Brooklyn Museum, 1946-1955; and the National Portrait Gallery, 1964-1969.
Provenance:
Donated 1992 and 1994 by Lucie O. Nagel, widow of Charles Nagel. According to Mrs. Nagel, the material relating to Victor Proetz was given to Nagel by Proetz, who was a close friend and associate, and by the Proetz estate following his death in 1966.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Museum directors -- Missouri -- St. Louis  Search this
Museum directors -- New York (State) -- Brooklyn  Search this
Museum directors -- Washington (D.C.)  Search this
Museum curators -- Connecticut -- New Haven  Search this
Architects -- Connecticut  Search this
Architects -- Massachusetts -- Boston  Search this
Architects -- Missouri -- St. Louis  Search this
Architects -- New York (State) -- New York  Search this
Interior decorators -- Missouri -- St.Louis  Search this
Interior decorators -- Washington (D.C.)  Search this
Interior decorators -- New York (State) -- New York  Search this
Topic:
Gateway Arch (Saint Louis, Mo.)  Search this
Church architecture  Search this
Function:
Art museums -- United States
Architectural firms -- United States
Genre/Form:
Drawings
Identifier:
AAA.nagechar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nagechar

Thomas Prichard Rossiter and Rossiter Family papers

Creator:
Rossiter, Thomas Prichard, 1818-1871  Search this
Names:
Archipenko, Alexander, 1887-1964  Search this
Beaux, Cecilia, 1855-1942  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Bevan, Edith Rossiter  Search this
Birch, Reginald Bathurst, 1856-1943  Search this
Cadwalader-Guild, Emma Marie, 1843-1911?  Search this
Castaigne, Andre  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Cooper, James Fenimore, 1789-1851  Search this
Cory, Fanny Y.  Search this
Cox, Kenyon, 1856-1919  Search this
Craig, Frank, 1874-1918  Search this
French, Daniel Chester, 1850-1931  Search this
Gibson, Charles Dana, 1867-1944  Search this
Hambidge, Jay, 1867-1924  Search this
Hunt, William Morris, 1824-1879  Search this
Hutt, Henry, b. 1875  Search this
Jay, John, 1817-1894  Search this
Keller, A. J.  Search this
Kensett, John Frederick, 1816-1872  Search this
Kent, Rockwell, 1882-1971  Search this
Kimball, Fiske, 1888-1955  Search this
Low, Will Hicok, 1853-1932  Search this
Melchers, Gari, 1860-1932  Search this
Morris, William H., 1834-1896  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Mowbray, H. Siddons (Harry Siddons), 1858-1928  Search this
Newell, Peter, 1862-1924  Search this
Nicholls, Rhoda Holmes  Search this
Peabody, George, 1795-1869  Search this
Pearson, Ralph M., 1883-1958  Search this
Remington, Frederic, 1861-1909  Search this
Rossiter, Ehrick Kensett, 1854-1941  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Sartain, William, 1843-1924  Search this
Scott-Moncrieff, David  Search this
Soglow, Otto, 1900-1975  Search this
Tack, Augustus Vincent, 1870-1949  Search this
Tryon, Dwight William, 1849-1925  Search this
Whitmore, Elizabeth  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Sketchbooks
Photographs
Scrapbooks
Date:
1840-1961
Summary:
The Thomas Prichard Rossiter and Rossiter Family papers measure 0.5 linear feet and date from 1840 to 1961. Included are letters to painter Thomas Prichard Rossiter and letters to his son, architect Ehrick Kensett Rossiter, documenting their friendships with many artists and Thomas Prichard Rossiter's sketchbook and loose sketches. Edith Rossiter Bevan's papers include her writings on her grandfather, Thomas Prichard Rossiter; a scrapbook; photographs of the Rossiter family; notes by Bevan; news clippings; and other printed material. Also found is Bevan's collection of artists' letters.
Scope and Content Note:
The Thomas Prichard Rossiter and Rossiter Family papers measure 0.5 linear feet and date from 1840 to 1961. Included are letters to painter Thomas Prichard Rossiter and letters to his son, architect Ehrick Kensett Rossiter, documenting their friendships with many artists. Notable letters are from James Fenimore Cooper, William Morris Hunt, John Jay, J. F. Kensett, William H. Morris, Samuel F. B. Morse, George Peabody, Cecelia Beaux, William A. Coffin, Daniel Chester French, Will H. Low, Gari Melchers, William Sartain, Augustus Vincent Tack, Dwight Tryon, and many others.

The collection contains Thomas Prichard Rossiter's sketchbook drawn while living in Italy in 1943, and three other sketches including a portrait of his family.

Also found are letters to Edith Rossiter Bevan and her writings on her grandfather, Thomas Prichard Rossiter, including a biography and checklist of his paintings. Bevan also compiled a scrapbook on his career and family history which includes drawings by Rossiter, photographs of the Rossiter family and his artwork, notes by Bevan, news clippings, and other printed material.

A collection of Edith Rossiter Bevan's artists' letters is found within the papers. Letters are from Alexander Archipenko, J. Carroll Beckwith, Reginald Birch, Emma M. Cadwalader-Guild, Andre Castaigne, Fanny Cory, Kenyon Cox, Frank Craig, Charles Dana Gibson, Jay Hambridge, Henry Hutt, A. J. Keller, Rockwell Kent, Fiske Kimball, David Scott Moncrieff, H. Siddons Mowbray, Peter Newell, Rhoda Holmes Nicholls, Ralph M. Pearson, Frederic Remington, Otto Soglow, and Elizabeth Whitmore.
Arrangement:
The collection is arranged into 2 series:

Missing Title

Series 1: Thomas Prichard Rossiter and Rossiter Family Papers, 1840-1961 (Box 1-2; 0.4 linear feet)

Series 2: Edith Rossiter Bevan Collection of Artists' Letters, circa 1891-1939, 1951 (Box 1; 2 folders)
Biographical Note:
Thomas Prichard Rossiter (1818-1871) was born in New Haven, Connecticut. He first learned painting as an apprentice for a Mr. John Boyd, and also studied with Nathaniel Jocelyn. In 1838 he exhibited two paintings at the National Academy of Design, and in 1939 moved to New York City and opened a studio.

In 1840, Rossiter traveled to Europe with Asher B. Durand, John Kensett, and John Casilaer, and while there visited Rome with Thomas Cole. He decided to stay in Italy until 1846 when he moved to New York City and shared a studio with Kensett and Louis Lang. During this period he relied on portrait painting for his income, but also painted historical and religious paintings.

In 1851 Rossiter married Anna Ehrick Parmly and they toured Europe in 1853. They settled in Paris where Anna gave birth to twins Ehrick Kensett and Charlotte. Rossiter exhibited at the Exposition Universelle in Paris in 1855. Anna died shortly after the birth of their daughter Anna, and the family moved back to New York.

For a brief period of time Rossiter had an art gallery, exhibiting his work and the work of his friends. In 1860 he married Mary (Mollie) Sterling and moved his family to Cold Spring, New York on the Hudson River. He continued to paint portraits, historical, and religious paintings, and exhibited at the National Academy of Design and the Pennsylvania Academy of the Fine Arts, until his death in 1871.

Ehrick Kensett Rossiter (1854-1941), named after his father's friend John Frederick Kensett, attended Cornell University and became an architect in New York as part of the firm Rossiter & Muller. He was a member of the Architectural League, United States Public Architects' League, and trustee of the American Fine Arts Society. In 1877 he married Mary Heath and they had three sons and a daughter. Their daughter Edith Rossiter Bevan was a historian and avid collector of historical autographs.
Related Material:
Also found in the Archives of American Art is a Thomas Prichard Rossiter letter to Elias Beirs dated January 12, 1840.
Provenance:
A portion of the collection was donated in 1957 by Edith Rossiter Bevan, daughter of Ehrick Kensett Rossiter, and granddaughter of Thomas Prichard Rossiter. Additional material was donated in 2007 by Patti Rossiter Ravenscroft, Rossiter's Great Great Granddaughter.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Sketchbooks
Photographs
Scrapbooks
Citation:
Thomas Prichard Rossiter and Rossiter Family papers, 1840-1957. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rossthom
See more items in:
Thomas Prichard Rossiter and Rossiter Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rossthom
Online Media:

Henry Varnum Poor papers

Creator:
Poor, Henry Varnum, 1887-1970  Search this
Names:
Montross Gallery  Search this
Skowhegan School of Painting and Sculpture  Search this
Benton, William, 1900-1973  Search this
Biddle, George, 1885-1973  Search this
Billing, Jules  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Caniff, Milton Arthur, 1907-1988  Search this
Ciardi, John, 1916-  Search this
Czebotar, Theodore  Search this
Deming, MacDonald  Search this
Dickson, Harold E., 1900-  Search this
Dorn, Marion, 1896-1964  Search this
Duchamp, Marcel, 1887-1968  Search this
Esherick, Wharton  Search this
Evergood, Philip, 1901-1973  Search this
Garrett, Alice Warder  Search this
Houseman, John, 1902-1988  Search this
Marston, Muktuk  Search this
Meredith, Burgess, 1907-1997  Search this
Mumford, Lewis, 1895-1990  Search this
Padro, Isabel  Search this
Poor, Anne, 1918-  Search this
Poor, Bessie Breuer  Search this
Poor, Eva  Search this
Poor, Josephine Graham  Search this
Poor, Josephine Lydia  Search this
Poor, Peter  Search this
Sargent, Elizabeth S.  Search this
Smith, David, 1906-1965  Search this
Steinbeck, John, 1902-1968  Search this
Watson, Ernest William, 1884-1969  Search this
Extent:
12.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Motion pictures (visual works)
Diaries
Prints
Photographs
Illustrations
Drawings
Watercolors
Sketchbooks
Date:
1873-2001
bulk 1904-1970
Summary:
The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.
Scope and Content Note:
The papers of Henry Varnum Poor measure 12.9 linear feet and date from 1873-2001, with the bulk from the period 1904-1970. Correspondence, writings, artwork, printed material and photographs document Poor's work as a painter, muralist, ceramic artist and potter, architect, designer, writer, war artist, educator and a co-founder of the Skowhegan School of Painting and Sculpture. Also found is extensive information about the design and construction of Crow House, his home in New City, New York, commissions for other architectural projects, and his personal life.

Henry Varnum Poor's correspondence documents his personal, family, and professional life. Correspondents include family and friends, among them George Biddle, Charles Burchfield, John Ciardi, Marion V. Dorn (who became his second wife), Philip Evergood, Lewis Mumford, John Steinbeck, David Smith, and Mrs. John Work (Alice) Garrett. Among other correspondents are galleries, museums, schools, organizations, fans, former students, and acquaintances from his military service and travels. Family correspondence consists of Henry's letters to his parents, letters to his parents written by his wife, and letters among other family members.

Among the writings by Henry Varnum Poor are manuscripts of his two published books, An Artist Sees Alaska and A Book of Pottery: From Mud to Immortality. as well as the text of "Painting is Being Talked to Death," published in the first issue of Reality: A Journal of Artists' Opinions, April 1953, and manuscripts of other articles. There are also film scripts, two journals, notes and notebooks, lists, speeches, and writings by others, including M. R. ("Muktuk") Marston's account of Poor rescuing an Eskimo, and Bessie Breuer Poor's recollections of The Montross Gallery.

Subject files include those on the Advisory Committee on Art, American Designers' Gallery, Inc., William Benton, Harold Dickson, Reality: A Journal of Artists' Opinions Sales, and War Posters. There are numerous administrative files for the Skowhegan School of Painting and Sculpture.

Artwork by Henry Varnum Poor consists mainly of loose drawings and sketches and 45 sketchbooks of studies for paintings, murals, and pottery. There is work done in France, 1918-1919, and while working as a war correspondent in Alaska in 1943. There are commissioned illustrations and some intended for his monograph, A Book of Pottery: From Mud to Immortality. Also found are a small number of watercolors and prints. Work by other artists consist of Anne Poor's drawings of her father's hands used for the Lincoln figure in The Land Grant Frescoes and interior views of Crow House by Ernest Watson.

Documentation of Poor's architectural projects consists of drawings and prints relating to houses designed and built for Jules Billing, MacDonald Deming, John Houseman, Burgess Meredith, Isabel Padro, and Elizabeth S. Sargent. Also found is similar material for the new studio Poor built in 1957 on the grounds of Crow House.

Miscellaneous records include family memorabilia and two motion picture films, Painting a True Fresco, and The Land Grant Murals at Pennsylvania State College.

Printed material includes articles about or mentioning Poor, some of his pottery reference books, family history, a catalog of kilns, and the program of a 1949 Pennsylvania State College theater production titled Poor Mr. Varnum. Exhibition catalogs and announcements survive for some of Poor's shows; catalogs of other artists' shows include one for Theodore Czebotar containing an introductory statement by Henry Varnum Poor. Also found is a copy of The Army at War: A Graphic Record by American Artists, for which Poor served as an advisor. There are reproductions of illustrations for An Artist Sees Alaska and Ethan Frome, and two Associated American Artists greeting cards reproducing work by Poor.

Photographs are of Henry Varnum Poor's architectural work, artwork, people, places, and miscellaneous subjects. This series also contains negatives, slides, and transparencies. Images of architectural work include exterior and interior views of many projects; Poor's home, Crow House, predominates. Photographs of artwork by Poor are of drawings, fresco and ceramic tile murals, paintings, pottery and ceramic art. People appearing in photographs include Henry Varnum Poor, family members, friends, clients, juries, students, and various groups. Among the individuals portrayed are Milton Caniff, Marcel Duchamp, Wharton Esherick, M. R. ("Muktuk") Marston, and Burgess Meredith. Among the family members are Bessie Breuer Poor, Marion Dorn Poor, Anne Poor, Eva Poor, Josephine Graham Poor, Josephine Lydia Poor, Peter Poor, and unidentified relatives. Photographs of places include many illustrating village life in Alaska that were taken by Poor during World War II. Other places recorded are French and California landscapes, and family homes in Kansas. Miscellaneous subjects are exhibition installation views, scenes of Kentucky farms, and a photograph of Poor's notes on glazes.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Materials, 1919-1987 (0.2 linear feet; Box 1, OV 18)

Series 2: Correspondence, 1873-1985 (1.5 linear feet; Boxes 1-2)

Series 3: Writings and Notes, circa 1944-1974 (0.6 linear feet; Boxes 2-3)

Series 4: Subject Files, 1928-1975 (0.8 linear feet; Box 3, OV 23)

Series 5: Artwork, circa 1890s-circa 1961 (3.5 linear feet; Boxes 4-6, 9-10, OV 19-22)

Series 6: Architectural Projects, circa 1940-1966 (0.7 linear feet; Box 6, OV 24-26, RD 14-17)

Series 7: Miscellaneous Records, 1882-1967 (Boxes 6, 11, FC 30-31; 0.5 linear ft.)

Series 8: Printed Material, 1881-2001 (1.2 linear feet; Boxes 6-7, 11, OV 27-29)

Series 9: Photographs, 1893-1984 (2.3 linear feet; Boxes 7-8, 12-13)
Biographical Note:
Henry Varnum Poor (1888-1970), best known as a potter, ceramic artist, and a co-founder of the Skowhegan School of Painting and Sculpture, was also an architect, painter, muralist, designer, educator, and writer who lived and worked in New City, New York.

A native of Chapman, Kansas, Henry Varnum Poor moved with his family to Kansas City when his grain merchant father became a member of the Kansas Board of Trade. From a young age he showed artistic talent and spent as much time as possible - including school hours - drawing. When a school supervisor suggested that Henry leave school to study at the Art Institute of Chicago, the family disagreed. Instead, he enrolled in the Kansas City Manual Training High School where he delighted in learning skills such as carpentry, forge work, and mechanical drawing. In 1905, he moved with his older brother and sister to Palo Alto, California and completed high school there. Because Poor was expected to join the family business, he enrolled at Stanford University as an economics major, but much to his father's disappointment and displeasure, soon left the economics department and became an art major.

Immediately after graduation in 1910, Poor and his major professor at Stanford, Arthur B. Clark, took a summer bicycling tour to look at art in London, France, Italy, and Holland. As Poor had saved enough money to remain in London after the summer was over, he enrolled in the Slade School of Art and also studied under Walter Sickert at the London County Council Night School. After seeing an exhibition of Post-Impressionism at the Grafton Galleries in London, Poor was so impressed that he went to Paris and enrolled in the Académie Julian. While in Paris, Poor met Clifford Addams, a former apprentice of Whistler; soon he was working in Addams' studio learning Whistler's palette and techniques.

In the fall of 1911, Poor returned to Stanford University's art department on a one-year teaching assignment. During that academic year, his first one-man show was held at the university's Old Studio gallery. He married Lena Wiltz and moved back to Kansas to manage the family farm and prepare for another exhibition. Their daughter, Josephine Lydia Poor, was born the following year. Poor returned to Stanford in September 1913 as assistant professor of graphic arts, remaining until the department closed three years later. During this period, Poor began to exhibit more frequently in group shows in other areas of the country, and had his first solo exhibition at a commercial gallery (Helgesen Gallery, San Francisco). In 1916, Poor joined the faculty of the San Francisco Art Association. He and his wife separated in 1917 and were divorced the following year. Poor began sharing his San Francisco studio with Marion Dorn.

During World War I, Poor was drafted into the U. S. Army, and in 1918 went to France with the 115th Regiment of Engineers. He spent his spare time drawing; soon officers were commissioning portraits, and Poor was appointed the regimental artist. He also served as an interpreter for his company. Discharged from the Army in early 1919, Poor spent the spring painting in Paris. He then returned to San Francisco and married Marion Dorn.

Once Poor realized that earning a living as a painter would be extremely difficult in California, he and his new wife moved to New York in the autumn of 1919. They were looking for a place to live when influential book and art dealer Mary Mowbray-Clarke of the Sunwise Turn Bookshop in Manhattan suggested New City in Rockland County, New York as good place for artists. In January of 1920, the Poors purchased property on South Mountain Road in New City. The skills he acquired at the Kansas City Manual Training High School were of immediate use as Poor designed and constructed "Crow House" with the assistance of a local teenager. Influenced by the farmhouses he had seen in France, it was made of local sandstone and featured steep gables, rough plaster, chestnut beams and floors, and incorporated many hand-crafted details. Poor designed and built most of their furniture, too. Before the end of the year, he and Marion were able to move into the house, though it remained a work in progress for many years. Additions were constructed. Over time, gardens were designed and planted, and outbuildings - a kiln and pottery, work room, garage, and new studio - appeared on the property.

In 1925, two years after his divorce from Marion Dorn, Poor married Bessie Freedman Breuer (1893-1975), an editor, short story writer, and novelist. Soon after, he adopted her young daughter, Anne (1918-2002), an artist who served as his assistant on many important mural commissions. Their son, Peter (b. 1926) became a television producer. Crow House remained in the family until its sale in 2006. In order to prevent its demolition, Crow House was then purchased by the neighboring town of Ramapo, New York in 2007.

Between 1935 and 1966 Poor designed and oversaw construction of a number of houses, several of them situated not far from Crow House on South Mountain Road. Poor's designs, noted for their simplicity, featured modern materials and incorporated his ceramic tiles. Among his important commissions were houses for Maxwell Anderson, Jules Billig, Milton Caniff, MacDonald Deming, and John Houseman.

Poor's first exhibition of paintings in New York City was at Kevorkian Galleries in 1920, and sales were so disappointing that he turned his attention to ceramics. His first pottery show, held at Bel Maison Gallery in Wanamaker's department store in 1921, was very successful. He quickly developed a wide reputation, participated in shows throughout the country, and won awards. He was a founder of the short-lived American Designers' Gallery, and the tile bathroom he showed at the group's first exposition was critically acclaimed. Poor was represented by Montross Gallery as both a painter and potter. When Montross Gallery closed upon its owner's death in 1932, Poor moved to the Frank K. M. Rehn Gallery.

Even though Poor's pottery and ceramic work was in the forefront, he continued to paint. His work was acquired by a number of museums, and the Limited Editions Club commissioned him to illustrate their republications of Ethan Frome, The Scarlet Letter, and The Call of the Wild.

Poor's first work in true fresco was shown in a 1932 mural exhibition at the Museum of Modern Art. Between 1935 and 1949 he was commissioned to produce several murals in fresco for Section of Fine Arts projects at the Department of Justice and the Department of the Interior, The Land Grant Frescoes at Pennsylvania State College, and a mural for the Louisville Courier-Journal. Ceramic tile mural commissions included: the Klingenstein Pavilion, Mt. Sinai Hospital, New York City; Travelers Insurance Co., Boston; the Fresno Post Office, California; and Hillson Memorial Gallery, Deerfield Academy, Deerfield, Mass.

As a member of the War Artists' Unit, Poor was a "war correspondent" with the rank of major in World War II, and for several months in 1943 was stationed in Alaska. An Artist Sees Alaska, drawing on Poor's observations and experiences, was published in 1945. A Book of Pottery: From Mud to Immortality, his second book, was published in 1958. It remains a standard text on the subject. While on the faculty of Columbia University in the 1950s, Poor and other artists opposed to the growing influence of Abstract Expressionism formed the Reality Group with Poor the head of its editorial committee. Their magazine, Reality: A Journal of Artists' Opinions, first appeared in 1953 featuring "Painting is Being Talked to Death" by Poor as its lead article. Two more issues were published in 1954 and 1955.

Along with Willard Cummings, Sidney Simon, and Charles Cuttler, in 1946 Henry Varnum Poor helped to establish the Skowhegan School of Painting and Sculpture in Skowhegan, Maine. He served as its first president. Poor and his daughter, Anne, were active members of the Board of Trustees and were instructors for many years. The summer of 1961 was Henry Varnum Poor's last as a full-time teacher, though he continued to spend summers at Skowhegan.

Henry Varnum Poor exhibited widely and received many awards, among them prizes at the Carnegie Institute, Syracuse Museum of Fine Arts, Virginia Museum of Fine Arts, Pennsylvania Academy of the Fine Arts, and the Architectural League of New York. Poor was appointed to the United States Commission of Fine Arts by President Roosevelt in 1941 and served a five year term. He was elected a member of the National Institute of Arts and Letters in 1943. The National Academy of Design named him an Associate Artist in 1954 and an Academician in 1963. He became a trustee of the American Craftsman's Council in 1956. The work of Henry Vernum Poor is represented in the permanent collections of many American museums including the Cleveland Museum of Art, Metropolitan Museum of Art, Brooklyn Museum, Addison Gallery of American Art, and Syracuse Museum of Fine Arts.

Henry Varnum Poor died at home in New City, New York, December 8, 1970.
Related Material:
An oral history interview with Henry Varnum Poor was conducted by Harlan Phillips for the Archives of American Art in 1964.
Provenance:
Gift of Henry Varnum Poor's son, Peter V. Poor, in 2007. A smaller portion was loaned to the Archives in 1973 by Anne Poor for microfilming and returned to the lender; this material was included in the 2007 gift.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
War artists  Search this
Topic:
Architects -- New York (State) -- New York  Search this
World War, 1914-1918  Search this
Authors -- New York (State) -- New York  Search this
War posters  Search this
Educators -- New York (State) -- New York  Search this
Pottery -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Ceramicists -- New York (State) -- New York  Search this
Artists' studios  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Motion pictures (visual works)
Diaries
Prints
Photographs
Illustrations
Drawings
Watercolors
Sketchbooks
Citation:
Henry Varnum Poor papers, 1873-2001, bulk 1904-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.poorhenr
See more items in:
Henry Varnum Poor papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-poorhenr
Online Media:

Oral history interview with Arthur Cort Holden, 1971 Jan. 20

Interviewee:
Holden, Arthur Cort, 1890-1993  Search this
Holden, Arthur Cort, 1890-1993  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Sweeney, James Johnson  Search this
Wright, Frank Lloyd  Search this
Solomon R. Guggenheim Museum  Search this
Type:
Sound recordings
Interviews
Topic:
Museum architecture -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13003
(DSI-AAA_SIRISBib)212416
AAA_collcode_holden71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212416

Oral history interview with Anthony Candido, 1970 October 7

Interviewee:
Candido, Anthony, 1924-  Search this
Candido, Anthony, 1924-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Type:
Sound recordings
Interviews
Topic:
Architecture, American  Search this
Art, American  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13097
(DSI-AAA_SIRISBib)212576
AAA_collcode_candid70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212576

Oral history interview with Vito Acconci, 2008 June 21-28

Interviewee:
Acconci, Vito Hannibal, 1940-  Search this
Acconci, Vito Hannibal, 1940-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Architects -- New York (State) -- New York -- Interviews  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Installations (Art)  Search this
Record number:
(DSI-AAA_CollID)15850
(DSI-AAA_SIRISBib)292693
AAA_collcode_acconc08
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_292693
Online Media:

Thomas Prichard Rossiter and Rossiter Family papers, 1840-1961

Creator:
Rossiter, Thomas Prichard, 1818-1871  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Subject:
Remington, Frederic  Search this
Rossiter, Ehrick Kensett  Search this
Rossiter, Thomas Prichard  Search this
Soglow, Otto  Search this
Tack, Augustus Vincent  Search this
Sartain, William  Search this
Scott-Moncrieff, David  Search this
Whitmore, Elizabeth  Search this
Keller, A. J.  Search this
Jay, John  Search this
Hutt, Henry  Search this
Hunt, William Morris  Search this
Low, Will Hicok  Search this
Kimball, Fiske  Search this
Kent, Rockwell  Search this
Kensett, John Frederick  Search this
Mowbray, H. Siddons (Harry Siddons)  Search this
Morse, Samuel Finley Breese  Search this
Morris, William H.  Search this
Melchers, Gari  Search this
Pearson, Ralph M.  Search this
Gibson, Charles Dana  Search this
Peabody, George  Search this
Nicholls, Rhoda Holmes  Search this
Newell, Peter  Search this
French, Daniel Chester  Search this
Craig, Frank  Search this
Hambidge, Jay  Search this
Cooper, James Fenimore  Search this
Coffin, William A. (William Anderson)  Search this
Cox, Kenyon  Search this
Cory, Fanny Y.  Search this
Birch, Reginald Bathurst  Search this
Bevan, Edith Rossiter  Search this
Castaigne, Andre  Search this
Cadwalader-Guild, Emma Marie  Search this
Archipenko, Alexander  Search this
Beckwith, J. Carroll (James Carroll)  Search this
Beaux, Cecilia  Search this
Tryon, Dwight William  Search this
Type:
Sketches
Sketchbooks
Photographs
Scrapbooks
Topic:
Architects -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8395
(DSI-AAA_SIRISBib)210569
AAA_collcode_rossthom
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210569
Online Media:

Henry Varnum Poor papers, 1873-2001, bulk 1904-1970

Creator:
Poor, Henry Varnum, 1887-1970  Search this
Poor, Henry Varnum, 1887-1970  Search this
Subject:
Burchfield, Charles Ephraim  Search this
Benton, William  Search this
Biddle, George  Search this
Ciardi, John  Search this
Caniff, Milton Arthur  Search this
Duchamp, Marcel  Search this
Dickson, Harold E.  Search this
Evergood, Philip  Search this
Esherick, Wharton  Search this
Marston, Muktuk  Search this
Garrett, Alice Warder  Search this
Meredith, Burgess  Search this
Czebotar, Theodore  Search this
Poor, Peter  Search this
Houseman, John  Search this
Watson, Ernest William  Search this
Padro, Isabel  Search this
Billing, Jules  Search this
Deming, MacDonald  Search this
Poor, Anne  Search this
Poor, Bessie Breuer  Search this
Poor, Eva  Search this
Poor, Josephine Graham  Search this
Sargent, Elizabeth S.  Search this
Poor, Josephine Lydia  Search this
Dorn, Marion  Search this
Steinbeck, John  Search this
Smith, David  Search this
Mumford, Lewis  Search this
Montross Gallery  Search this
Skowhegan School of Painting and Sculpture  Search this
Type:
Sketches
Motion pictures (visual works)
Diaries
Prints
Photographs
Illustrations
Drawings
Watercolors
Sketchbooks
Topic:
Architects -- New York (State) -- New York  Search this
World War, 1914-1918  Search this
Authors -- New York (State) -- New York  Search this
War posters  Search this
Educators -- New York (State) -- New York  Search this
Pottery -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Ceramicists -- New York (State) -- New York  Search this
Artists' studios  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Craft  Search this
Diaries  Search this
Record number:
(DSI-AAA_CollID)13442
(DSI-AAA_SIRISBib)210589
AAA_collcode_poorhenr
Theme:
Lives of American Artists
Craft
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210589
Online Media:

John Frazee papers, 1819-1966, bulk 1819-1893

Creator:
Frazee, John, 1790-1852  Search this
Frazee, John, 1790-1852  Search this
Subject:
Frazee, Noah  Search this
Audubon, John James  Search this
Alexander Hamilton United States Custom House (New York, N.Y.)  Search this
Type:
Notes
Photographs
Illustrated letters
Sketches
Poems
Topic:
Architects -- New York (State) -- New York  Search this
Sculpture, American  Search this
Sculptors -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8913
(DSI-AAA_SIRISBib)211098
AAA_collcode_frazejoh
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211098
Online Media:

Eric Gugler papers, 1889-1977

Creator:
Gugler, Eric, 1889-1974  Search this
Gugler, Eric, 1889-1974  Search this
Subject:
Gugler, Frida  Search this
Manship, Paul  Search this
Roosevelt, Eleanor  Search this
Cornell, Katharine  Search this
Type:
Sketches
Watercolors
Glass plate negatives
Paintings
Photographs
Blueprints
Topic:
Painters -- New York (State) -- New York  Search this
Architecture -- Designs and plans  Search this
Architecture, Modern -- 20th century  Search this
Architects -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)8995
(DSI-AAA_SIRISBib)211184
AAA_collcode_gugleric
Theme:
Lives of American Artists
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211184
Online Media:

Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000

Creator:
Kiesler, Lillian Olinsey, 1911-2001  Search this
Kiesler, Frederick, 1890-1965  Search this
Kiesler, Lillian Olinsey, 1911-2001  Search this
Subject:
Zogbaum, Wilfrid  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Mondrian, Piet  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer  Search this
Purdy, James  Search this
MacIver, Loren  Search this
Kiesler, Frederick  Search this
Miller, Henry  Search this
Milius, Tom  Search this
Meredith, Burgess  Search this
Hofmann, Hans  Search this
Hodges, Alice  Search this
Hawkins, Erick  Search this
Kamler, Richard  Search this
Howe, George  Search this
Holtzman, Harry  Search this
Dlugoszewski, Lucia  Search this
Dorazio, Piero  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne  Search this
Dubuffet, Jean  Search this
Duchamp, Marcel  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie  Search this
Arnaud, Leopold  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Buscemi, Steve  Search this
Castelli, Leo  Search this
Bartos, Armand P.  Search this
Bultman, Fritz  Search this
Whitney Museum of American Art  Search this
University of Iowa, Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Anthology Film Archives  Search this
Type:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Topic:
Sculptors -- New York (State) -- New York  Search this
Set Designers -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Exhibition designers  Search this
Authors -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York  Search this
Actors -- New York (State) -- New York  Search this
Theme:
Women  Search this
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)6310
(DSI-AAA_SIRISBib)223516
AAA_collcode_kieslill
Theme:
Women
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_223516
Online Media:

Harold Leeds papers, 1940s-circa 2002

Creator:
Leeds, Harold, 1913-2002  Search this
Leeds, Harold, 1913-2002  Search this
Subject:
Barr, Margaret Scolari  Search this
Frankenberg, Lloyd  Search this
Bishop, Elizabeth  Search this
MacIver, Loren  Search this
Galentine, Wheaton  Search this
Sweeney, James Johnson  Search this
Matisse, Pierre  Search this
Pratt Institute  Search this
Type:
Photographs
Place:
France -- description and travel
Topic:
Architects -- New York (State) -- New York  Search this
Expatriate artists -- France  Search this
Architecture -- Study and teaching  Search this
Interior decoration  Search this
Filmmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)16224
(DSI-AAA_SIRISBib)369704
AAA_collcode_leedharo
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_369704
Online Media:

Oscar Bluemner papers, 1886-1939

Creator:
Bluemner, Oscar, 1867-1938  Search this
Bluemner, Oscar, 1867-1938  Search this
Subject:
Lewisohn, Margaret  Search this
Liebman, Aline Meyer  Search this
Hirsch, Stefan  Search this
Hochschild, Walter  Search this
Fiene, Ernest  Search this
Friedman, Arnold  Search this
Bourgeois, Stephan  Search this
Bruce, Edward  Search this
Of, George F. (George Ferdinand)  Search this
Rothbart, Albert  Search this
Stieglitz, Alfred  Search this
Vogelstein, Ludwig  Search this
Type:
Sketches
Writings
Diaries
Photographs
Topic:
Art -- Philosophy  Search this
Works of art  Search this
Painting -- Technique  Search this
Architects -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Art -- History  Search this
Art criticism  Search this
Art, Chinese  Search this
Art, Japanese  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Art Movements and Schools  Search this
American Art and Artists in a Global Context  Search this
American Art and Artists in a Global Context  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)5735
(DSI-AAA_SIRISBib)208574
AAA_collcode_blueosca
Theme:
Diaries
Sketches & Sketchbooks
Art Materials, Techniques, and Studio Art Education
Art Movements and Schools
American Art and Artists in a Global Context
American Art and Artists in a Global Context
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208574
Online Media:

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