The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Olive Rush papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Olive Rush papers, 1879-1967. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Lorser Feitelson and Helen Lundeberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lorser Feitelson and Helen Lundeberg papers, circa 1890s-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation; funding for the digitization of the collection was provided by the Terra Foundation for American Art.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Marion Sanford and Cornelia Chapin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Funding for the preservation of the Cornelia Chapin Home Movies was provided by the National Film Preservation Foundation.
The collection is open for research. Use of the originals requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Thomas Anshutz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Thomas Anshutz papers, circa 1870-1942. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
The Alfred J. Frueh papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alfred J. Frueh papers, 1904-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Parke, Davis Research Laboratory Records, Archives Center, National Museum of American History.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Karl Knaths papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Karl Knaths papers, 1890-1973, bulk 1922-1971. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Gifford Beal sketches, sketchbooks, and papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Gifford Beal sketches, sketchbooks, and papers, 1889-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Marion Sanford and Cornelia Chapin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Funding for the preservation of the Cornelia Chapin Home Movies was provided by the National Film Preservation Foundation.
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Paul Bransom papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Paul Bransom papers, 1862-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Paul Bransom papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Paul Bransom papers, 1862-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The Salish Notes and Sound Recordings of Barry Carlson are open for research. Access to the Salish Notes and Sound Recordings of Barry Carlson requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Salish Notes and Sound Recordings of Barry F. Carlson, National Anthropological Archives, Smithsonian Institution
Sponsor:
Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
The Salish Notes and Sound Recordings of Barry Carlson are open for research. Access to the Salish Notes and Sound Recordings of Barry Carlson requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
The Salish Notes and Sound Recordings of Barry F. Carlson, National Anthropological Archives, Smithsonian Institution
Sponsor:
Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
1.76 Cubic feet (consisting of 3.5 boxes, 3 folder, 5 oversize folders, 1 map case folder, plus digital images of some collection material.)
Type:
Archival materials
Collection descriptions
Business ephemera
Ephemera
Date:
1865-1934
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Animals forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
There are also advertisements, caricatures, lithographs, newspaper clippings, papers pertaining to clubs, associations and organizations for the welfare of animals, licenses and books about the care of animals. The material dates from ca.1877- 1934
Materials in box one are general images of animals. Box two is arranged by type of material. Box three contains photocopies of advertisements for various products which use images of animals. Box four contains related publications.
This material is predominately comprised of visual content, featuring domesticated and wild animals in advertising or artwork, especially on trade cards, collecting cards, and postcards. It includes advertisements, caricatures, lithographs, newspaper clippings, papers pertaining to clubs, associations and organizations for the welfare of animals, licenses and books about the care of animals. A few keepsake items, such as greeting cards and small novelties are present. Within the dogs folder are a couple of items related to kennels, breeding, and licensure. The contents of the other animals folder is also image-centric with a variety of animals depicted: fowl, hooved, amphibian, fish.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Animals advertisements, caricatures, lithographs, newspaper clippings, papers pertaining to clubs, associations and organizations for the welfare of animals, licenses and books about the care of animals.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Animals, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
![view Folder 7 Domestic Animals. digital asset: Tower of the Great Wall. Herd of sheep in foreground with shepherd. [Image #SIA2008-3141]](https://ids.si.edu/ids/deliveryService?max=170&id=https://sirismm.si.edu/siris/electronicresource.gif "Tower of the Great Wall. Herd of sheep in foreground with shepherd. [Image #SIA2008-3141]")
![View Folder 7 Domestic Animals. digital asset: Expedition crossing bridge. [Image #SIA2008-3143]](https://ids.si.edu/ids/deliveryService?max=120&id=https://sirismm.si.edu/siris/electronicresource.gif "Expedition crossing bridge. [Image #SIA2008-3143]")
