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Fletcher Benton papers, 1934-2014

Creator:
Benton, Fletcher Chapman, 1931-  Search this
Subject:
Louchheim, Marlene  Search this
Lucie-Smith, Edward  Search this
Finn, David  Search this
Jones, Lillian E.  Search this
Bury, Pol  Search this
De Wilde, Dan  Search this
Wilke, Ulfert  Search this
Valentine, De Wain  Search this
Tooker, Dan  Search this
Sanders, Pieter  Search this
Rickey, George  Search this
Neubert, George W.  Search this
Marquand, Ed  Search this
Galerie Denino  Search this
André Emmerich Gallery  Search this
Type:
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Topic:
Artists' studios -- Photographs  Search this
Painters -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)13352
(DSI-AAA_SIRISBib)251862
AAA_collcode_bentflet
Theme:
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_251862
Online Media:

Alexander Liberman papers

Creator:
Liberman, Alexander, 1912-1999  Search this
Names:
André Emmerich Gallery  Search this
Bennington College  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Cartier-Bresson, Henri, 1908-  Search this
Chernow, Burt  Search this
Dalí, Salvador, 1904-  Search this
De Kooning, Willem, 1904-1997  Search this
Dietrich, Marlene  Search this
Emmerich, André  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hopps, Walter  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Leibovitz, Annie, 1949-  Search this
Motherwell, Robert  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Newman, Barnett, 1905-1970  Search this
Newton, Helmut, 1920-  Search this
Parks, Gordon, 1912-2006  Search this
Parsons, Betty  Search this
Penn, Irving  Search this
Picasso, Pablo, 1881-1973  Search this
Ritts, Herb  Search this
Snowdon, Antony Armstrong-Jones, Earl of, 1930-  Search this
Steichen, Edward, 1879-1973  Search this
Vogel, Lucien  Search this
Vreeland, Diana  Search this
Extent:
59 Linear feet
Type:
Collection descriptions
Archival materials
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Date:
circa 1912-2003
Summary:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.
Scope and Contents:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

Biographical materials include awards, biographies and chronologies, family history materials, membership cards, writings by Liberman's mother, and a scrapbook about his father.

Correspondence is extensive and concerns both personal and professional affairs. It is with artists and photographers, art magazines, organizations and museums, art collectors, businesses, and family. Notable correspondents include Cecil Beaton, Henri Cartier-Bresson, Burt Chernow, Salvador Dali, Robert Motherwell, Helen Frankenthaler, Barnett and Annalee Newman, Additional correspondence is found within the subject files compiled and organized by Liberman (series 6).

There are sound and video recordings and transcripts of interviews with and by Liberman, most completed for broadcast television and radio shows. Of particular interest are sound cassettes, a sound tape reel, and a transcript of an interview with Walter Hopps by Liberman.

Writings by Liberman include essays, short stories, and a play entitled 2+1. Writing project files were organized by Liberman for writing projects for which he was the author, collaborator, or subject. There are numerous files concerning Barbara Rose's book about Liberman Alexander Liberman that also include recorded interviews with Liberman and transcripts. Other books for which there are files include The Art and Technique of Color Photography, The Artist in His Studio, Vogue: The First 100 Years, Vogue History of Fashion Photography, and others.

Subject files were organized by Liberman for a wide variety of work projects, activities, topics, and entities of interest. Files cover commissions, the filming and distribution of the 1981 documentary film Alexander Liberman: A Lifetime Burning, Liberman's personal collection of art, gifts of artwork, and his relationship with galleries and dealers, particularly André Emmerich Gallery.

Exhibition files document exhibitions of Liberman's artwork, and include those held at André Emmerich Gallery, Bennington College, the Guggenheim, Museum of Modern Art, among other venues. Files contain correspondence, contracts, photographs, plans and drawings, notes, etc. Also found are inventory records of Liberman's artwork in the form of lists, index cards, bound registers, and notes.

Ten linear feet of printed materials include exhibition announcements and catalogs, books and book flyers, brochures, calendars, clippings, postcards, posters, press releases, and other materials.

There are scattered drawings and sketches found within the papers, some of which are sketches of sculpture pieces.

Nearly one-half of the collection is comprised of photographs of Liberman and his artwork, and of artists and colleagues, many of which were taken by noted photographers, including Cecil Beaton, Henri Cartier-Bresson, William Klein, Henri Lartique, Annie Leibowitz, Inge Morath, Ugo Mulas, Hans Namuth, Helmut Newton, Gordon Parks, Irving Penn, Herb Ritts, and Lord Snowden, among others. Subjects of note found in the photographs include Alfred Barr, Salvador Dali, Marlene Dietrich, Willem de Kooning, Andre Emmerich, Helen Frankenthaler, Clement Greenberg, Franz Kline, Robert Motherwell, Barnett Newman, Betty Parsons, Pablo Piccaso, Edward Steichen, Lucien Vogel, and Diana Vreeland, among many others.
Arrangement:
The collection is arranged into twelve series. Photographs retain Liberman's original numerical and alpha schemas and the corresponding indexes are found in the Inventory Records in Series 8.

Series 1: Biographical Materials, circa 1930s-1999 (1 linear foot; Box 1, 56)

Series 2: Correspondence, 1944-1997 (4 linear feet; Boxes 1-5, 56, OV 65)

Series 3: Interviews, 1946-1996 (1.4 linear feet; Boxes 5-7, 56)

Series 4: Writings, 1948-1995 (0.9 linear feet; Boxes 7-8)

Series 5: Writing Project Files, 1951-1997 (1.8 linear feet; Boxes 8-9, 56)

Series 6: Subject Files, 1946-2000 (6 linear feet; Boxes 9-15, 56, OV 66-67)

Series 7: Exhibition Files, 1954-1991 (0.7 linear feet; Boxes 15-16, 56, OV 68)

Series 8: Inventory Records, 1938-1998 (6 linear feet; Boxes 16-22)

Series 9: Printed Materials, 1932-2003 (10 linear feet; Boxes 22-31, 56-57, OV 69)

Series 10: Artwork, circa 1940s-1990s (0.4 linear feet; Boxes 32, 57, OV 70)

Series 11: Photographic Materials, circa 1912-1999 (26 linear feet; Boxes 32-55, 57-64, OVs 71-77)

Series 12: Unidentified Sound and Video Recordings, circa 1941-1999 (0.8 linear feet; Boxes 55, 64)
Biographical / Historical:
Alexander S. Liberman (1912-1999) was a sculptor, painter, photographer, graphic designer, writer, and publishing executive who worked primarily in New York City. He held senior positions at Condé Nast Publications for 32 years.

Alexander Semeonovitch Liberman was born in 1912 in Kiev Russia. He was educated in London and the École des Beaux Art in Paris. He began his journalistic career in Paris at VU magazine owned by Lucien Vogel and there he befriended photographers Henri Cartier-Bresson, Brassai, Robert Capa, and André Kértesz. He served in the French army for a short time in 1940, but he and his family fled Paris in 1941 to New York City. Condé Nast hired Liberman in 1941 as an assistant to the art director of Vogue magazine. Liberman became art director in 1943 and editorial director of Condé Nast Publications in 1962, a position he held until his retirement in 1994.

Liberman was also a photographer whose subjects included Georges Braque, Alexander Calder, Alberto Giacometti, Henri Matisse, Pablo Picasso, and Marlene Dietrich, among others, many represented in his 1960 book entitled The Artist in his Studio and Marlene: An Intimate Photographic Memoir (1992). He was also the subject of the work of noted photographers Cecil Beaton, Irving Penn, Henri Cartier-Bresson, Gordon Parks, Lord Snowden, Jill Krementz, Henri Lartique, Annie Leibovitz, and Hans Namuth.

Liberman took up painting and sculpting in the 1950s. Although his first exhibition was at the Betty Parsons Gallery, he was primarily associated with the André Emmerich Gallery in New York City. His monumental sculptures were mostly assembled from industrial parts and painted and can be seen in museums and public sites worldwide.

Liberman was briefly married to Hildegarde Sturm. He married his second wife Tatiana Yacovleff du Plessix in 1942. Before their marriage, they fled occupied France together. She was a noted hat designer, working for Henri Bendel and Saks, where she became known as Tatiania of Saks. She died in 1991 and, in 1992, Liberman married Melinda Pechangco, a nurse who had earlier cared for Tatiania. Alexander Liberman died in 1999 in Miami, Florida.
Related Materials:
Related collections found at the Archives of American Art include the Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman and numerous collections of gallery records.
Provenance:
The Alexander Liberman papers were donated to the Archives of American Art by Liberman Art Partners in 2010 via Dodie Kazanjian.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Publishers -- New York (State) -- New York  Search this
Graphic designers  Search this
Topic:
Photographers -- New York (State) -- New York  Search this
Photography  Search this
Sculptors -- France -- Paris  Search this
Sculptors -- New York (State) -- New York  Search this
Fashion photography  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- France -- Paris  Search this
Genre/Form:
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.libealex
See more items in:
Alexander Liberman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-libealex
Online Media:

Fletcher Benton papers

Creator:
Benton, Fletcher, 1931-  Search this
Names:
André Emmerich Gallery  Search this
Galerie Denino  Search this
Bury, Pol, 1922-2005  Search this
De Wilde, Dan  Search this
Finn, David  Search this
Jones, Lillian E.  Search this
Louchheim, Marlene  Search this
Lucie-Smith, Edward  Search this
Marquand, Ed  Search this
Neubert, George W.  Search this
Rickey, George  Search this
Sanders, Pieter  Search this
Tooker, Dan  Search this
Valentine, De Wain, 1936-  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
8.7 Linear feet
1.47 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Date:
1934-2014
Summary:
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career as a sculptor with international presence through certificates, personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, and photographs, sound and video recordings, and motion picture film documenting his work and career.
Scope and Contents:
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career through personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, photographs, sound and video recordings motion picture film, some of which also appears in digitized form.

Biographical Materials include personal photographs, legal documents related to a court case with book designer Ed Marquand, biographical texts, interview transcripts, and a home video made by the artist. Correspondence is with other artists, friends, galleries, museums and other institutions, including George W. Neubert, André Emmerich Gallery, Pieter Sanders, Pol Bury, George Rickey, Ulfert Wilke, Marlene Louchheim, DeWain Valentine, Lillian E. Jones, and Edward Lucie-Smith. Interviews include sound recordings of interviews with Benton by academics and journalists, including Edward Lucie-Smith, Dan Tooker, and Dan De Wilde.

Exhibition and Commission Files consist of correspondence with galleries, museums and commission patrons; financial records; shipping and subcontracting documentation; motion picture film, video, and sound recordings related to exhibitions and installations; and planning and design materials. Series includes a significant amount of oversized drawings and plans for site-specific work. There is a large volume documentation from the Folded Circle-Arc commission by Stanley Consultants, Inc. in Muscatine, Iowa; the California/International Arts Foundation Traveling Sculpture Exhibition; Double Folded Circle Ring in Brussels and Double Circle Folded by Cedars Sinai Medical Center in Los Angeles.

Printed Materials include news clippings related to Benton's career, as well as brochures, exhibition catalogs, posters and other printed materials related to exhibitions and commissions. Broadcast materials include television news footage, radio and television interviews, documentaries, and promotional materials made by galleries and other cultural institutions.

Photographic and Moving Image Materials include art-related images showing Benton in his studio and images of exhibitions, installations and inaugurations. Also found are still photographs and motion picture films of artworks, including paintings, sculptures, and kinetic drawings, and a series of photographs of sculptures taken by David Finn.

Artwork consists of an editioned art Christmas card created by Benton for Galeria Bonino in New York from 1969. An American Artist Moving Image Materials consist of 13 videocassettes (VHS) which document the production process of the documentaryFletcher Benton: An American Artist by Morgan Cavett. There is footage from interviews with Benton and with curator George W. Neubert, footage of San Francisco with comments from Benton about his time there, interviews with the artist's studio assistants, images of his studio in Dore street and a couple of almost finished rough versions of the documentary.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material (0.3 linear feet; boxes 1, 9)

Series 2: Correspondence (1 linear foot; boxes 1, 2, OV 10)

Series 3: Interviews (0.3 linear feet; box 2)

Series 4: Exhibition and Commission Files (2 linear feet, 0.50 GB; boxes 2-4, OV 11-13, RD 14, FC 15, ER01)

Series 5: Printed Materials (2.3 linear feet; boxes 4-6, OV 10)

Series 6: Broadcast Materials (1.1 linear foot; boxes 6-7)

Series 7: Photographic and Moving Image Materials (0.5 linear feet, 0.97 GB; boxes 7, 9, FC 16-17, ER02)

Series 8: Artwork (1 item; box 7)

Series 9: -- An American Artist -- Video Recordings (0.6 linear feet; boxes 7-8)
Biographical / Historical:
Fletcher Benton was born in Jackson, Ohio in 1931 to Fletcher and Nell Cavett Benton and was the oldest of three children. Benton graduated from Jackson High School in 1949. After serving in the Navy he graduated from Miami University (Oxford, Ohio) in 1956 and moved to San Francisco, where he started working as an instructor at the California College of Arts and Crafts in 1959. He was in San Francisco during the flourishing of the Beat generation, where he had a studio in the North beach area and exhibited at coffee house galleries.

After travelling around Europe in 1960, Benton moved to New York City where he tried to make his living through painting and teaching privately. During those years he was supported by Jackson's local arts patron and family friend, Lillian E. Jones. In 1960 he had his first solo exhibition at Gump's gallery in San Francisco, but his work was taken down after one day because it was considered obscene for including female nudes. He returned to San Francisco in late 1961.

In 1966 Fletcher started teaching at the San Francisco Art Institute and established himself as a primary figure of American kinetic art. In 1966, Peter Selz included his work in the exhibition Directions in Kinetic Sculpture at the University Art Gallery in Berkeley, CA. During the exhibition Benton met the artists Pol Bury and George Rickey with whom he became friends. The exhibition, along with an article "The Movement Movement" that appeared in Time magazine the same year, established Benton's reputation as a significant American Kinetic artist. He also started teaching at the California State University in San José in 1967 where he continued working until 1986.

By 1974 Benton abandoned kinetic art to continue exploring sculpture in three dimensions in a style that became known as "new constructivism." The artworks were conceived in the series Folded Circles and Folded Square Alphabets and were produced in bronze, aluminum and steel. It was also during the 1970s that he started doing large-scale commissions such as the 1977 IBM commission.

Between 1981 and 1984 Benton constructed his studio in Dore Street in the Market district of San Francisco where he continues to work today. During the 1980s Benton started his Balanced/Unbalanced series, which introduced the idea of gravity using geometric forms in different formats and sizes.

From 1984 he began to show more work in Europe, especially in Germany, where in 1993 he got a major commission to create a colossal public sculpture in Cologne entitled Steel Watercolor Triangle Ring. It was also in Germany where Benton encountered the work of Wassily Kandinsky and Kazimir Malevich, and he began work on his Construct Relief series in reponse, which he dedicated to Kandinsky. These geometric constructions are flat, canvas-like steel structures that combine features of painting and sculpture. As the series evolved, the work became more like painting, constructed to hang on the wall without a back piece, so they seem to be floating in the space.

Benton continues to live and work in San Francisco and is represented by multiple galleries in the United States and Germany.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Fletcher Benton conducted by Paul J. Karlstrom, 1989 May 2-4 is available on the Archives of American Art website.
Provenance:
Donated 2005-2006 and 2014 by Fletcher Benton. Benton's wife, Bobbie Benton, organized the material by subject matter and date.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual material without a duplicate copy requires advanced notice.
Rights:
The Fletcher Benton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Sculptors -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Painters -- California -- San Francisco  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Citation:
Fletcher Benton papers, 1934-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bentflet
See more items in:
Fletcher Benton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bentflet

Portrait of Morris Louis

Creator:
André Emmerich Gallery  Search this
Subject:
Louis, Morris  Search this
Type:
Photographs
Date:
ca. 1960
Topic:
Portrait photography  Search this
Record number:
(DSI-AAA)14617
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14617
Online Media:

An installation view of works by Morris Louis at the Andre Emmerich Gallery

Photographer:
Emmerich, Andre, 1924-2007  Search this
Subject:
Emmerich, Andre  Search this
Louis, Morris  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1966 Mar
Topic:
Color-field painting  Search this
Exhibitions  Search this
Painting  Search this
Painting, Abstract  Search this
Painting, American  Search this
Record number:
(DSI-AAA)16777
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16777
Online Media:

An installation view of works by Morris Louis at the Andre Emmerich Gallery

Photographer:
Emmerich, Andre, 1924-2007  Search this
Subject:
Emmerich, Andre  Search this
Louis, Morris  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1966 Mar
Topic:
Color-field painting  Search this
Exhibitions  Search this
Painting  Search this
Painting, Abstract  Search this
Painting, American  Search this
Record number:
(DSI-AAA)16778
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16778
Online Media:

An installation view of Morris Louis' Veils show at the Andre Emmerich Gallery

Subject:
Emmerich, Andre  Search this
Louis, Morris  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1969
Topic:
Color-field painting  Search this
Exhibitions  Search this
Painting  Search this
Painting, Abstract  Search this
Painting, American  Search this
Record number:
(DSI-AAA)16779
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16779
Online Media:

An installation view of Morris Louis' Veils show at the Andre Emmerich Gallery

Subject:
Emmerich, Andre  Search this
Louis, Morris  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1969
Topic:
Color-field painting  Search this
Exhibitions  Search this
Painting  Search this
Painting, Abstract  Search this
Painting, American  Search this
Record number:
(DSI-AAA)16780
See more items in:
Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk bulk 1965-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16780
Online Media:

Footage of artworks installed in the Andre Emmerich gallery and outdoor sculptures

Subject:
André Emmerich Gallery  Search this
Top Gallant Farm  Search this
Type:
Videorecording
Date:
198-?
Record number:
(DSI-AAA)11561
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11561

The Andre Emmerich Gallery presents Top Gallant Farm

Creator:
André Emmerich Gallery  Search this
Subject:
Top Gallant Farm  Search this
Type:
Videorecording
Date:
198-?
Topic:
Outdoor sculpture  Search this
Record number:
(DSI-AAA)11562
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11562

Installation view of Helen Frankenthaler's first show at the André Emmerich Gallery

Photographer:
Burckhardt, Rudy, 1914-1999  Search this
Subject:
Frankenthaler, Helen  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1959
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)14929
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14929
Online Media:

Installation view of Helen Frankenthaler's first show at the André Emmerich Gallery

Photographer:
Burckhardt, Rudy, 1914-1999  Search this
Subject:
Frankenthaler, Helen  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1959
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)14930
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14930
Online Media:

Installation view of Helen Frankenthaler's first show at the André Emmerich Gallery

Photographer:
Burckhardt, Rudy, 1914-1999  Search this
Subject:
Frankenthaler, Helen  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1959
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)14931
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14931
Online Media:

Installation view of Helen Frankenthaler's first show at the André Emmerich Gallery

Photographer:
Burckhardt, Rudy, 1914-1999  Search this
Subject:
Frankenthaler, Helen  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1959
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)14932
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14932
Online Media:

An installation view of Jack Bush's paintings Down Flutter and Rising

Subject:
Bush, Jack  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1970
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)16697
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16697
Online Media:

Installation view of the Jack Bush: New Paintings exhibition at the Andre Emmerich Gallery

Subject:
Bush, Jack  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1972
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)16698
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16698
Online Media:

Installation view of the Jack Bush exhibition at the Andre Emmerich Gallery in Zurich

Subject:
Bush, Jack  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1974
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)16699
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16699

Installation view of the Jack Bush exhibition at the Andre Emmerich Gallery in Zurich

Subject:
Bush, Jack  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1974
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)16700
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16700

Installation view of the Jack Bush exhibition at the Andre Emmerich Gallery in Zurich

Subject:
Bush, Jack  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1974
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)16701
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16701

Installation view of the Jack Bush exhibition at the Andre Emmerich Gallery

Subject:
Bush, Jack  Search this
André Emmerich Gallery  Search this
Type:
Photographs
Date:
1974
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)16702
See more items in:
André Emmerich Gallery records, circa 1929-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16702
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