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Robert Sperry papers, 1951-2002

Creator:
Sperry, Robert H., 1927-1998  Search this
Subject:
Warashina, Patti  Search this
University of Washington  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Motion pictures (visual works)
Transcripts
Interviews
Sketches
Drawings
Photographs
Scrapbooks
Videotapes
Topic:
Works of art  Search this
Filmmakers  Search this
Potters -- Japan  Search this
Ceramicists -- Washington (State)  Search this
Ceramics -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)11125
(DSI-AAA_SIRISBib)247192
AAA_collcode_sperrobe
Theme:
Craft
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_247192
Online Media:

Rose Slivka papers, circa 1947-2006

Creator:
Slivka, Rose, 1919-2004  Search this
Subject:
Larsen, Jack Lenor  Search this
Kunitz, Stanley  Search this
Guston, Philip  Search this
De Kooning, Elaine  Search this
Cage, John  Search this
Voulkos, Peter  Search this
Slivka, David  Search this
Nevelson, Louise  Search this
World Crafts Council  Search this
American Craft Council  Search this
Craft International  Search this
Craft Horizons  Search this
Type:
Photographs
Diaries
Sound recordings
Video recordings
Topic:
Interviews  Search this
Editors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7117
(DSI-AAA_SIRISBib)209251
AAA_collcode_slivrose
Theme:
Art Theory and Historiography
Women
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209251
Online Media:

Don Reitz Papers, circa 1935-2015

Creator:
Reitz, Don, 1929-2014  Search this
Subject:
Autio, Rudy  Search this
Yamamoto, Yukio  Search this
Type:
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Topic:
Ceramicists--Arizona  Search this
Ceramics -- Equipment and supplies  Search this
Educators--Arizona  Search this
Sculptors--Arizona  Search this
Record number:
(DSI-AAA_CollID)17527
(DSI-AAA_SIRISBib)391676
AAA_collcode_reitdon
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_391676
Online Media:

L. Brent Kington papers, 1944-2012

Creator:
Kington, L. Brent (Louis Brent),, 1934-2013  Search this
Subject:
Yellin, Samuel  Search this
Hsu, Ilin  Search this
American Craft Council  Search this
Southern Illinois University at Carbondale  Search this
Artist-Blacksmith's Association of North America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Cranbrook Academy of Art  Search this
Type:
Video recordings
Photographs
Interviews
Slides (photographs)
Sketches
Sound recordings
Topic:
Blacksmithing  Search this
Blacksmiths -- Illinois  Search this
Sculptors -- Illinois  Search this
Art metal-workers  Search this
Art metal-work -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)5974
(DSI-AAA_SIRISBib)228079
AAA_collcode_kinglbre
Theme:
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_228079
Online Media:

Harold Helwig and Lenore Davis papers, 1940-2013

Creator:
Davis, Lenore, 1936-1995  Search this
Helwig, Harold B., 1938-2012  Search this
Type:
Sketchbooks
Video recordings
Topic:
Enamel and enameling  Search this
Textile design  Search this
Record number:
(DSI-AAA_CollID)17478
(DSI-AAA_SIRISBib)388783
AAA_collcode_helwharo
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_388783

Hans Christensen papers, 1924-1989, bulk 1955-1983

Creator:
Christensen, Hans, 1924-1983  Search this
Subject:
Christensen, Hans  Search this
Quinn, Eileen  Search this
American Craft Council  Search this
Rochester Area Chamber of Commerce  Search this
Rochester Institute of Technology  Search this
University of Rochester  Search this
Type:
Interviews
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Video recordings
Topic:
Art -- Study and teaching  Search this
Artisans--New York (State)  Search this
Decorative arts  Search this
Designers -- New York (State)  Search this
Jewelers--New York (State)  Search this
Metal-work--Study and teaching--New York (State)  Search this
Metal-workers--New York (State)  Search this
Silversmiths--New York (State)  Search this
Silverware  Search this
Silverwork--New York (State)  Search this
Record number:
(DSI-AAA_CollID)7413
(DSI-AAA_SIRISBib)209570
AAA_collcode_chrihans
Theme:
Lives of American Artists
Craft
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209570
Online Media:

Bob Stocksdale and Kay Sekimachi papers

Source:
Stocksdale, Kay Sekimachi  Search this
Creator:
Stocksdale, Bob  Search this
Names:
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
War Relocation Authority  Search this
Anderson, Norman  Search this
Collingwood, Peter, 1922-2008  Search this
Larsen, Jack Lenor  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Merrill, Forrest L.  Search this
Okubo, Miné, 1912-2001  Search this
Shawcroft, Barbara  Search this
Stocksdale, Bob  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Uchida, Yoshiko  Search this
Former owner:
Stocksdale, Kay Sekimachi  Search this
Extent:
19.5 Linear feet
0.125 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Date:
circa 1900-2015
Summary:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
Scope and Contents:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

The bulk of biographical materials are from Kay Sekimachi with some originating from her time spent in forced internment at Topaz and Tanforan camps. These records include identification cards, War Relocation Authority printed materials, and school records. Also found are awards, resumes, and blank stationery. Some materials are from Stocksdale's 85th birthday and memorial service.

Letters and extensive greeting cards are from friends, family, and professional acquaintances. Correspondents include Norman Anderson, Peter Collingwood, Jack Lenor Larsen, Sam and Alfreda Maloof, Forrest L. Merrill, Miné Okubo, Barbara Shawcroft, and others.

Writings and notes are scattered and include two interviews with Kay Sekimachi, hanging instructions, and notes. Writings by others are by Jack Lenor Larsen, Tran Turner, and Yoshiko Uchida.

Sekimachi's and Stocksdale's professional activities are documented through files relating to their participation at conferences, awards ceremonies, and lectures. Also found are fiber samples, order forms for materials and equipment, and notes on techniques and design by Kay Sekimachi. Exhibition records include extensive documentation on Marriage in Form, In the Realm of Nature, and Loom and Lathe as well as files for various solo and group exhibitions for both Sekimachi and Stocksdale. Gallery and institution files include material on multiple or unnamed exhibitions. Exhibiton documentation may include correspondence, writings, proposals, printed material, financial and loan records, condition reports, and photographs. Project files contain material for proposed book projects, a retrospective, and portfolio, by and about Sekimachi and Stocksdale. Also found are three commissions files for works by Sekimachi. A proposed retrospective on the work of Bob Stocksdale by Kay Sekimachi includes a digital sound recording of recollections.

Personal business records include sales books, purchase records for works of art by others, appraisals, contracts, consignment receipts, and insurance records.

Published books, clippings, exhibition announcements and catalogs, magazines, and newsletters are found within printed materials. Of note is a publication by the San Francisco Chronicle entitled "This World" which features illustrations by Miné Okubo.

Four scrapbooks compiled by Kay Sekimachi date from 1937 to 1944. Most of the scrapbooks contain printed material from magazines and other sources with images such as children, valentines, food, birds, clothing, and may include scattered sketches and notes by Sekimachi. One scrapbook dates from the end of Sekimachi's internment at Topaz and relocation to Cincinnati, Ohio. This scrapbook includes sketches and printed materials concerning local and global events. Loose material found in this series was likely meant to be pasted into a new or the forth scrapbook. These materials include relocation information, Japanese-American publications, maps, clippings, sketches, and printed programs.

The bulk of photographic materials consist of slides of various vacation locations and homes and date from the 1960s to the 1980s. Also found are scattered portraits of Kay Sekimachi and Bob Stocksdale, as well as a photo of Miné Okubo with Roy Leeper and Cecil Thompson. Artworks are largely by Kay Sekimachi and include watercolor and pencil sketches as well as designs for fabrics and a weaving portfolio. Watercolor and pencil sketches are of Tanforan Assembly Center and date from circa 1942.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1920-2003 (1.5 linear feet; Box 1-2)

Series 2: Correspondence, 1943-2014 (7.6 linear feet; Box 2-10)

Series 3: Writings and Notes, 1960s-2008 (0.2 linear feet; Box 10)

Series 4: Professional Files, 1950s-2011 (1.1 linear feet; Box 10-11, 22)

Series 5: Exhibition Files, 1951-2015 (2.9 linear feet; Box 11-14, ER01; 0.125 GB)

Series 6: Project Files, circa 1900-2004 (0.3 linear feet; Box 14)

Series 7: Personal Business Records, 1970s-2010 (0.7 linear feet; Box 14-15)

Series 8: Printed Material, 1943-2011 (2.3 linear feet; Box 15-17, 22)

Series 9: Scrapbooks, 1937-1946 (0.9 linear feet; Box 17, 21)

Series 10: Photographic Material, circa 1950-2001 (0.9 linear feet; Box 18)

Series 11: Artwork, 1942-circa 1970 (1.1 linear feet; Box 18-20, 22-23)
Biographical / Historical:
Bob Stocksdale (1913-2003) was a woodturner active in California. He was known for bowls he formed from rare types of wood. Kay Sekimachi (1926- ) is a Japanese-American fiber artist and educator also active in California. She began her career in weaving on and off the loom and was part of the New Basketry movement.

Born in Indiana, Bob Stocksdale began his interest in carving by whittling with a pocket knife. Later, he created his own lathe with a washing machine motor and turned items such as baseball bats. During World War II, he was a conscientious objector and worked at various camps performing forestry work. It was in one of the camps that he turned his first bowl on a lathe.

After the war, Stocksdale settled in the Bay Area of California where he established his own woodturning shop in his basement. He concentrated on making bowls out of rare woods. His work has been recognized throughout the world and in 1998, he received the American Association of Woodturners Lifetime Achievement Award. In 2003, he received the James Renwick Alliance Masters of the Medium Award.

Kay Sekimachi was born in San Francisco, California in 1926. As a high school student, she was forcibly interned through Executive Order 9066 issued by President Franklin D. Roosevelt which incarcerated approximately 120,000 Japanese and Japanese-American citizens during World War II. Along with her mother and siblings, Kay lived at Tanforan Assembly Center and later moved to Topaz War Relocation Center in Utah. She continued her schooling at Topaz and after 1944, was resettled in Cincinnati, Ohio.

After graduating from high school, Kay Sekimachi enrolled at the California College of Arts and Crafts and the Haystack Mountain School of Crafts where she learned the craft of weaving under Trude Guermonprez and Jack Lenor Larsen. Her early works were tapestries and garments. She later used her weaving techniques as part of the New Basketry movement to create baskets and boxes out of fibers. Also an educator, Kay taught weaving at San Francisco Community College. She received the American Craft Council Gold Medal for Consummate Craftsmanship in 2002.

After the dissolution of his first marriage through which he had two children, son Kim and daughter Joy Stocksdale, Bob married Kay Sekimachi in 1972. The two had been acquainted for many years as they were both craft artists living in the Bay Area. Although they married later in life, Kay and Bob travelled the world and exhibited their art together in many exhibitions including Marriage in Form and Loom and Lathe.

Bob Stocksdale died in Oakland, California in 2003. Kay Sekimachi continues to exhibit her work and lives in Berkeley, California.
Related Materials:
Also found in the Archives of American Art are an oral history interview of Bob Stocksdale conducted February 16-March 21, 2001, by Signe Mayfield and an oral history interview of Kay Sekimachi [Stocksdale] conducted July 26-August 6, 2001, by Suzanne Baizerman. Both interviews were conducted in Berkeley, California, during the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Bob Stocksdale and Kay Sekimachi papers were donated in 2003, 2004, and 2015 by Kay Sekimachi Stocksdale as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Bob Stocksdale and Kay Sekimachi papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Woodworkers -- California  Search this
Topic:
Fiber artists -- California  Search this
Concentration camps -- United States  Search this
Textile design  Search this
Decorative arts  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Japanese American artists  Search this
Woodwork -- Study and teaching  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Textile crafts -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stockbob

Harold Helwig and Lenore Davis papers

Creator:
Davis, Lenore , 1936-1995  Search this
Helwig, Harold B., 1938-2012  Search this
Extent:
14.5 Linear feet
7.85 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Video recordings
Date:
1940-2013
Summary:
The papers of artists and art educators Harold Helwig and Lenore Davis measue 14.5 linear feet and 7.85 GB and date from 1940 to 2013. The papers document Davis' career and personal life more heavily than Helwig's, however, material related to both individuals are present. Included is biographical information; correspondence; exhibition and business files; research and printed material; artwork and sketches; photographs; and papers and digital material related to both Helwig and Davis' teaching endeavors.
Scope and Contents:
The papers of artists and art educators Harold Helwig and Lenore Davis measue 14.5 linear feet and 7.85 GB and contains correspondence, video recordings, some in digital format, photographs and slides, exhibition ephemera, clippings and various other printed material, and artwork.

Biographical material includes resumes, school papers, artist inventories, and contacts lists. The collection's correspondence is both personal and business related, and includes a series of letters from Davis' mother, Mary Shope Davis, to her brother and sister-in-law from the 1940s. Other material found in this collection documents Helwig's and Davis' involvement in exhibitions; national and local craft-related guilds and associations, education; sale of artwork and services; research material; and printed ephemera. The collection's photographs include the personal and professional side of Helwig and Davis' life.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1952-2012 (.08 linear feet; Box 1)

Series 2: Correspondence, 1940-2009 (2.5 linear feet; Box 1-4)

Series 3: Writings, 1970-1994 (7 folders; Box 4)

Series 4: Exhibitions, 1969-2007 (10 folders; Box 4, 3.73 GB; ER01-ER02)

Series 5: Professional Files, 1971-2012 (1.0 linear feet; Box 4-5)

Series 6: Research Material, 1953-2012 (9 folders; box 5-6)

Series 7: Teaching Files, 1973-2012 (2.8 linear feet; Box 6-9, 4.12 GB; ER03)

Series 8: Personal Business Files, 1977-2003 (.5 linear feet; Box 9-10)

Series 9: Printed Material, 1955-2013 (1.0 linear feet; Box 10-11)

Series 10: Artwork, circa 1958-1995 (2.0 linear feet; Box 11-13, shoebox 15)

Series 11: Photographs, 1940-2000 (1.5 linear feet; Box 13-14)
Biographical / Historical:
Harold "Bill" Helwig (1938-2012) was an enamel artist and educator born in Wellington, Kansas in 1938. Helwig received his MS in watercolor from Fort Hayes Kansas State College in 1961. After a short stint in the military, Helwig became the assistant director of the Creative Craft Center at the State University of New York, Buffalo (he served as an assistant professor in the design department there as well). In 1977, Helwig took the position of director at Vitrearc, a division of Ceramic Coating Co., in Newport, Kentucky. After Vitrearc, Helwig's primary focus shifted towards creating enamel art and teaching its process. Included in Helwig's artistic accomplishments was a selection in the international exhibition "Objects: USA" (1969), exhibitions in the Ornamental Metals Museum in Memphis, Museum of Contemporary Crafts in New York City, and the CCA Galleries in Cambridge, England. Helwig was an active member of the American Craft Council as co-founder and editor of Glass On Metal. He received the Enamellist Society's Creative Arts Award in 2001.

Lenore Davis (1936-1995) was a fiber artist and educator born in Missoula Montana in 1936. She received her BS from the University of Michigan, Ann Arbor, Michigan in 1958. After college, Davis taught high school art, and held a position as a craft director with the US Army Special Services in Germany. After these jobs, Davis received her MFA in ceramics from Cranbrook Academy of Art, Bloomfield Hills, Michigan, in 1965, and was awarded a Fulbright scholarship to study ceramics in Portugal in 1966. After her scholarship, Davis began her career as a full-time artist showcasing her work individually and as part of group exhibitions at craft shows, galleries, and museums across the United States. She also led workshops, made instructional videos, and worked for commissions. Davis was a member of the Surface Design Association, National Institute of American Doll Artists, American Craft Council, Kentucky Guild of Craftsmen, and Greater Cincinnati Guild of Craftsmen.

Harold Helwig and Lenore Davis married in 1968. As a couple they worked collaboratively on two-person shows as well as part of larger group exhibitions. In addition to conducting various workshops and lectures, both Davis and Helwig taught classes at Penland School of Craft between the late-1970s and mid-1990s.
Provenance:
This collection was donated in 2017 by Arnelle Dow, executor of Harold Helwig's estate.
Restrictions:
The collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators  Search this
Topic:
Enamel and enameling  Search this
Textile design  Search this
Genre/Form:
Sketchbooks
Video recordings
Citation:
Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.helwharo
See more items in:
Harold Helwig and Lenore Davis papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-helwharo

Professional Files

Collection Creator:
Davis, Lenore , 1936-1995  Search this
Helwig, Harold B., 1938-2012  Search this
Extent:
1 Linear foot (Box 4-5)
Type:
Archival materials
Date:
1971-2012
Scope and Contents:
Papers related to Helwig's and Davis' involvment in professional craft organizations. For Davis, records concern the Fiber Interest Group (FIG), American Craft Council, National Institute of American Doll Artists, and Surface Design Association. Helwig's portion pertain to his work as an exhibition juror and curator; the Enamelist Society, including his work as co-founder and editor of Glass on Metal; and papers related to Thompson Enamel.
Collection Restrictions:
The collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.helwharo, Series 5
See more items in:
Harold Helwig and Lenore Davis papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-helwharo-ref107

Lenore Davis, American Craft Council

Collection Creator:
Davis, Lenore , 1936-1995  Search this
Helwig, Harold B., 1938-2012  Search this
Container:
Box 4, Folder 26
Type:
Archival materials
Date:
circa 1971-1982
Collection Restrictions:
The collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Harold Helwig and Lenore Davis papers
Harold Helwig and Lenore Davis papers / Series 5: Professional Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-helwharo-ref108

Charles Henry Sawyer papers, 1933-1977

Creator:
Sawyer, Charles Henry, 1906-2005  Search this
Subject:
Hayes, Bartlett H.  Search this
Addison Gallery of American Art  Search this
American Academy of Arts and Sciences  Search this
American Craft Council  Search this
Association of Art Museum Directors  Search this
Federal Art Project  Search this
Fogg Art Museum  Search this
Independent Schools Art Instructors Association  Search this
Museum Publishers Association  Search this
Upper Peninsula Crafts Council (Mich.)  Search this
Worcester Art Museum  Search this
Topic:
Art -- Study and teaching -- United States  Search this
Art in universities and colleges  Search this
Record number:
(DSI-AAA_CollID)9065
(DSI-AAA_SIRISBib)211258
AAA_collcode_sawychar
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211258

Dominic Di Mare papers

Creator:
Di Mare, Dominic, 1932-  Search this
Names:
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Palo Alto Arts Center  Search this
Susan Cummins Gallery  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Sketches
Drawings
Date:
1950-2003
Summary:
The papers of Dominic Di Mare measure 3.2 linear feet and date from 1950 to 2003. The collection provides an overview of Di Mare's career as a fiber artist through biographical information, correspondence, writings, printed material, artwork, and photographs.
Scope and Content Note:
The papers of Dominic Di Mare measure 3.2 linear feet and date from 1950 to 2003. The collection provides an overview of Di Mare's career as a fiber artist through biographical information, correspondence, writings, printed material, artwork, and photographs. Of particular interest is the material concerning Di Mare's 1998 retrospective exhibition, including correspondence, a guest book, writings, publications, and photographs.

Biographical material includes award certificates from the American Craft Council and an extensive professional resumé. The correspondence series includes personal and professional correspondence as well as three folders of incoming and outgoing correspondence with the Susan Cummins Gallery, revealing the relationship that Di Mare had with the gallery during the 1990s. Writings include those by Di Mare and others. Of note are numerous artist statements and an illustrated journal from 1971. The printed material provides researchers with press clippings, exhibition catalogs, announcements, and published material on Di Mare, as well as other printed material on topics that Di Mare found of interest, including craft in education and the art of his colleagues. The artwork series includes many drawings, the highlight being a sketchbook of color drawings and diagrams spanning a thirty year period. The extensive collection of photographs include many portraits of Di Mare, photos of exhibitions, and numerous photos and slides of his artwork.

An unprocessed small addition of 0.4 linear feet consists of correspondence with colleagues, arts organizations, galleries, and museums regarding exhibitions and publications; photographs of De Mare at work and of works of art, including two flash drives containing images of works of art; exhibition catalogs and announcements; and one schematic drawing of an unidentified work by De Mare, 1990.
Arrangement:
The collection is arranged into six series:

Series 1: Biographical Material, 1987-2003 (box 1; 4 folders)

Series 2: Correspondence, 1970-2002, undated (box 1; 7 folders)

Series 3: Writings, 1971-1977, undated (box 1; 7 folders)

Series 4: Printed Material, 1964-2003, undated (box 1-2; 1.5 linear feet)

Series 5: Artwork, 1950-1999, undated (box 3; 3 folders)

Series 6: Photographs, 1959-2001, undated (box 3-4; 0.7 linear feet)

Series 7: Unprocessed Addition, circa 1950-2003 (box 5; 0.4 linear feet)
Biographical Note:
Fiber artist Dominic Di Mare was born in San Francisco, California, in 1932. He grew up working on his father's fishing boat and was artistically influenced by the process of making rope and fishing lines. After finishing high school, Di Mare attended the California College of Arts and Crafts in Oakland and later received his art teaching certification at San Francisco State University. In 1960, Di Mare married Margaret Nef, bought his first loom, and began teaching at Francisco Junior High School. He and his wife had three children together, Marcello, Lorenzo, and Livia. A highly respected teacher, Di Mare taught at Francisco Junior High until 1976, when he left to work in his studio full-time.

A self taught fiber artist, Di Mare has explored, throughout his career, the imagery of the ocean and the shore. He works with fiber, wood, handmade paper, and small found objects to create unique sculptures. Since his first one person show at The Yarn Depot in 1963, Di Mare has participated in numerous national and international exhibitions and has been represented by the Anneberg Gallery and Braunstein Gallery in San Francisco, Florence Duhl Gallery in New York, and most recently the Susan Cummins Gallery in Mill Valley, California. In 1998 the Palo Alto Art Center curated "Dominic Di Mare: A Retrospective," which traveled throughout the country. In 1999 Di Mare received the American Crafts Council Gold Medal Award.
Related Material:
The Archives also has a transcribed interview of Dominic Di Mare, conducted June 4 and 10, 2002 by Signe Mayfield for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. The interview was conducted in Di Mare's home in Tiburon, California.
Provenance:
Dominic Di Mare donated his papers in 2003 and 2013 to the Archives of American Art, Smithsonian Institution.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Dominic Di Mare papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- California  Search this
Art -- Study and teaching -- California  Search this
Fiber artists -- California -- Interviews  Search this
Genre/Form:
Scrapbooks
Photographs
Sketches
Drawings
Citation:
Dominic Di Mare papers, 1950-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dimadomi
See more items in:
Dominic Di Mare papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dimadomi

Charles Henry Sawyer papers

Creator:
Sawyer, Charles Henry, 1906-2005  Search this
Names:
Addison Gallery of American Art  Search this
American Academy of Arts and Sciences  Search this
American Craft Council  Search this
Association of Art Museum Directors  Search this
Federal Art Project  Search this
Fogg Art Museum  Search this
Independent Schools Art Instructors Association  Search this
Museum Publishers Association  Search this
Upper Peninsula Crafts Council (Mich.)  Search this
Worcester Art Museum  Search this
Hayes, Bartlett H., 1904-1988  Search this
Extent:
2.8 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1933-1977
Scope and Contents:
Correspondence, reports, minutes of meetings, addresses by Sawyer and others, and printed material relating primarily to Sawyer's involvement in the areas of design and crafts, and committees which studied methods of teaching art and the arts in colleges and universities.
REELS 644-646: Files on the American Academy of Arts and Sciences Conference, 1946; the American Humanities Seminar, 1958; the Association of Art Museum Directors, 1941-1973; Design as a Function of Management conference, 1951; Ford Foundation Studies and Grants to the Arts, 1948-1963; the Fogg Art Museum at Harvard, 1934-1956; the M.I.T. Study Committee for the Visual Arts, 1952-1954; the Museum Publishers Association, 1969-1970; the Salzburg seminar "The Visual Arts in American Life," 1955-1956; the Addison Gallery, 1940-1950; the Worcester Art Museum, 1940-1948; Columbia University Bicentennial; New York State Colleges and Universities; and the American Federation of Arts.
Included in the American Humanities seminar file are lists of participants (including Sawyer), correspondence, 8 p. of quotes from participants, texts of addresses, printed articles taken from papers, clippings, and correspondence of Maxwell Goldberg, chairman, requesting suggestions for participants in the 1959 seminar. The Addison Gallery file contains correspondence between Sawyer and Bartlett Hayes, director of the Gallery; a report of the activities of the Gallery during 1946-1947, 2 typescripts concerning its display of Edward Hopper's painting "Manhattan Bridge Loop," Feb. 1940, reports and minutes of the Visiting Committee, 1950-1951, and financial statements.
UNMICROFILMED: Files concerning Federal Art Projects in New England, 1933-1937; the Museum of Modern Art, 1940-1941; Andover Committee concerning the Phillips Academy, 1950-1956; "The Arts in Universities," 1955; Visual Art Programs of the Independent Schools Art Instructors' Association, 1946; the Addison Gallery, 1964-1970; the American Craftsmen Council, 1959-1963; the first through fourth Upper Peninsula Crafts and Native Industries exhibits, 1960-1963; and the Conference on Museum Training Programs, 1972.
Biographical / Historical:
Museum director; Ann Arbor, Michigan. Director, Addison Gallery of American Art, the Worcester Art Museum, and the University of Michigan Museum of Art; Professor of Art History at Yale University and member of many committees.
Provenance:
Material on reels 644-646 lent for microfilming 1973 by Sawyer. Unmicrofilmed material donated by Sawyer 1977 and 1985. The 1985 donation included material previously filmed on reel 644, fr. 509-1071.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art museum directors -- United States  Search this
Art historians  Search this
Museum directors  Search this
Gallery directors  Search this
Topic:
Art -- Study and teaching -- United States  Search this
Art in universities and colleges  Search this
Function:
Art museums, University and college -- United States
Identifier:
AAA.sawychar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sawychar

Forms in metal : 275 years of metalsmithing in America, January 17-March 2, 1975 : 1700-1940's, Finch College Museum of Art, New York, N.Y., 1940's-1975, Museum of Contemporary Crafts of the American Crafts Council, New York, N.Y

Author:
Finch College Museum of Art  Search this
American Crafts Council Museum of Contemporary Crafts  Search this
Cranbrook Academy of Art  Search this
Physical description:
36 p. : ill. ; 22 cm
Type:
Exhibitions
Place:
United States
Date:
1975
Topic:
Art metal-work  Search this
Call number:
NK6412 .F56 1975X
NK6412.F56 1975X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_56742

Rose Slivka papers

Creator:
Slivka, Rose  Search this
Names:
American Craft Council  Search this
Craft Horizons  Search this
Craft International  Search this
World Crafts Council  Search this
De Kooning, Elaine  Search this
Guston, Philip, 1913-1980  Search this
Kunitz, Stanley, 1905-2006  Search this
Larsen, Jack Lenor  Search this
Nevelson, Louise, 1899-1988  Search this
Slivka, David, 1913-  Search this
Voulkos, Peter, 1924-2002  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
20.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sound recordings
Video recordings
Date:
circa 1947-2006
Summary:
The papers of craft expert Rose Slivka, an editor, writer, critic, and educator, measure 20.8 linear feet and date from circa 1947-2006. The papers reflect Slivka's work with associations and universities to encourage the recognition of crafts as an international and broadly defined art form. The routine business of publishing Craft Horizons magazine and the founding and operation of Craft International magazine are documented by correspondence and subject files. Correspondence is mainly professional with some scattered personal letters. Subject files concern various organizations, individuals and events related to Slivka's work and interests. Among the writings are manuscripts, notes, and research materials for her book about Peter Voulkos; also included are shorter writings on a variety of topics, poems, 2 diaries, lectures and talks. There are many interviews with craftspeople and artists conducted by Slivka and others, some undertaken as research for articles. Photographs include views of Slivka, craftspeople she observed when traveling abroad, and artwork.
Scope and Contents:
The papers of craft expert Rose Slivka, an editor, writer, critic, and educator, measure 20.8 linear feet and date from circa 1947-2006. The papers reflect Slivka's work with associations and universities to encourage the recognition of crafts as an international and broadly defined art form. The routine business of publishing Craft Horizons magazine and the founding and operation of Craft International magazine are documented by correspondence and subject files. Correspondence is mainly professional with some scattered personal letters. Subject files concern various organizations, individuals and events related to Slivka's work and interests. Among the writings are manuscripts, notes, and research materials for her book about Peter Voulkos; also included are shorter writings on a variety of topics, poems, 2 diaries, lectures and talks. There are many interviews with craftspeople and artists conducted by Slivka and others, some undertaken as research for articles. Photographs include artwork, views of Slivka, and craftspeople she observed when traveling abroad.

Interviews with craftsmen and other artists were conducted by Rose Slivka and others. Peter Voulkos is espcially well-documented. Among the artists interviewed are: Elaine de Kooning, Philip Guston, Jack Lenor Larsen, Louise Nevelson, and David Slivka. Also found are intereviews with John Cage, Stanley Kunitz, and Rose Slivka.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, circa 1947-2005 ( Box 1; 0.6 linear feet)

Series 2: Correspondence, 1950-2004 (Boxes 1-4: 3.6 linear feet)

Series 3: Interviews, 1974-2001 (Boxes 5-6; 1.6 linear feet)

Series 4: Writings, Notes, and Related Research, 1954-2001 (Boxes 6-11, OV 23; 4.8 linear feet)

Series 5: Subject Files, 1958-2004 (Boxes 11-18, 22, OV 23; 7.4 linear feet)

Series 6: Printed Material, 1952-2006 (Boxes 18-20, OV 23; 1.9 linear feet)

Series 7: Photographs, circa 1947-1990s (Boxes 20-21; 1 linear feet)
Biographical / Historical:
Crafts expert Rose Slivka (1919-2004) was an editor, educator, and critic in New York City and East Hampton, NY. Slivka edited Craft Horizons magazine from 1957-1979, and then founded Crafts International, which published its first issue in 1980.

Rose Slivka was very active in the American Crafts Council and World Crafts Council, and promoted crafts by participating in conferences around the world, acting as a juror of competitions, writing, and teaching. The author of books and articles about crafts, including the entry on "Handicrafts" in the 1961 edition of Encyclopedia Britannica, Slivka was tireless in her search for information pertaining to crafts of all nations. Her study of the subject was integrated into a strong, far-reaching campaign to include sculpture as a craft and promote crafts on a par with fine art. She was also interested in poetry and taught courses in art criticism at New York University and the New School for Social Research.

Many of Slivka's articles on craft, painting and sculpture have been published in periodicals such as Art in America, Architectural Digest, and The New York Times. Books and exhibition catalogs include The Crafts of the Modern World (1964); The Object as Poet (1976), Renwick Gallery, Washington, DC; Peter Voulkos: A Dialogue in Clay (1978); California Clay (1979), Stedelijk Museum, Amsterdam; and The Book as Art and Artist (1979), Elaine Benson Gallery, Bridgehampton, NY. Slivka's writings have been translated into at least 7 languages.

Slivka was awarded the National Endowment for the Arts Critics Fellowship in 1976 and between 1980 and 1982 conducted a research project on "Criticism and Scholarship in Modern Craft" also sponsored by the National Endowment for the Arts. She was awarded The Rhode Island School of Design President's Fellows Award in 1982, and its highest honor, the Athena Medal. In addition, she served on the boards of directors for several New York City organizations including Clayworks Studio Workshop, New York Experimental Glassworks, and Center for Book Arts.

Following her career as a magazine editor, international speaker on crafts, writer, and educator, Slivka moved to East Hampton, Long Island, where she continued to write poetry and was art critic for The East Hampton Star newspaper.

Rose Slivka's was married to sculptor David Slivka; the couple had 2 children and eventually divorced. She died of heart failure in Southampton, NY, on September 2, 2004.
Provenance:
The Rose Slivka papers were donated to the Archives of American Art by Slivka's daughter, Charlotte Slivka, in 2008 and 2012.
Restrictions:
Use of original materials requires an appointment and is limited to the Archives' Washington D.C. research center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Rose Slivka papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship with written permission from the donor.
Topic:
Interviews  Search this
Editors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Diaries
Sound recordings
Video recordings
Citation:
Rose Slivka papers, circa 1947-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.slivrose
See more items in:
Rose Slivka papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-slivrose

Oral history interview with Mary Lee Hu, 2009 March 18-19

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Baldridge, Mark S.  Search this
Choo, Chunghi  Search this
Christensen, Hans  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred  Search this
Fike, Phillip G.  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent)  Search this
Marshall, John  Search this
Matsukata, Miye  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti  Search this
American Craft Council  Search this
Cleveland Institute of Art  Search this
Cranbrook Academy of Art  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
University of Washington  Search this
Type:
Sound recordings
Interviews
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists -- Washington (State) -- Seattle -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15659
(DSI-AAA_SIRISBib)282415
AAA_collcode_hu09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282415
Online Media:

Oral history interview with Harlan Butt, 2009 July 27-28

Interviewee:
Butt, Harlan, 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent)  Search this
Lechtzin, Stanley  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene  Search this
Pijanowski, Hiroko Sato  Search this
Pujol, Elliot  Search this
Scanga, Italo  Search this
Shirk, Helen Z.  Search this
Snyder, Gary  Search this
Staffel, Rudolf  Search this
Winokur, Robert  Search this
American Craft Council  Search this
Arrowmont School of Arts and Crafts  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Rhode Island School of Design  Search this
San Diego State University  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
Tyler School of Art  Search this
University of North Texas  Search this
Type:
Interviews
Sound recordings
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Art teachers -- Interviews  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)15907
(DSI-AAA_SIRISBib)296475
AAA_collcode_butt09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296475
Online Media:

Organization Files

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Extent:
1.8 Linear feet (Boxes 19-21)
Type:
Archival materials
Date:
1965-2015
Scope and Contents:
This series contains material relating to Lipofsky's involvement and participation with arts and glass related organizations including the American Crafts Council, Bay Area Studio Art Glass, The Glass Art Society, International Sculpture Center, National Council on Education for the Ceramic Arts, and the World Crafts Council. Material may contain correspondence, founding documents and internal memoranda, lists and administrative information, printed material, and financial material.

Of note are files from the Glass Art Society, for which Lipofsky served on the board and as president, editor of the newsletter and journal, and as conference director. Additionally, files may be found on the establishment of the organization.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv, Series 7
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref294

American Crafts Council

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Container:
Box 19, Folder 28-39
Type:
Archival materials
Date:
1965-2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Lipofsky papers
Marvin Lipofsky papers / Series 7: Organization Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref295

Oral history interview with Margaret Merwin Patch, 1980 Oct. 16-1984 Sept. 25

Interviewee:
Patch, Margaret Merwin, 1894-1987  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Handicraft -- Massachusetts  Search this
Arts administrators -- Massachusetts -- Shelburne Falls -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12018
(DSI-AAA_SIRISBib)213001
AAA_collcode_patch80
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213001

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