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Peter A. Juley & Son collection

Photographer:
Ward, De Witt  Search this
Peter A. Juley & Son  Search this
Juley, Peter A., 1862-1937  Search this
Juley, Paul, 1890-1975  Search this
Extent:
700 Linear feet ((approx. 127,000 negatives, with black-and-white study prints))
Type:
Collection descriptions
Archival materials
Photographs
Negatives
Date:
circa 1896-1975
Summary:
The Peter A. Juley & Son Collection is comprised of approximately 127,000 photographic negatives documenting the work of more than 11,000 American artists. Included in the collection are 4,700 photographic portraits of artists.
Scope and Contents:
This collection is comprised of 127,000 negatives from the Peter A. Juley & Son firm documenting the American art scene from 1896 up until 1975.

The Juleys photographed the work of turn-of-the-century painters such as Childe Hassam, Thomas Eakins, and Albert Pinkham Ryder; ash can school artists such as Robert Henri and John Sloan; the avant-garde group associated with Alfred Stieglitz; regionalists of the 1930 and 1940s such as Thomas Hart Benton and Grant Wood; abstract expressionists such as Hans Hoffman and Robert Motherwell; and sculptors such as Daniel Chester French and William Zorach.

The Juley collection also holds some 4,700 photographic portraits of artists. These images capture some of the best-known artists of the twentieth century, including Thomas Hart Benton, Alexander Calder, Stuart Davis, Edward Hopper, Frida Kahlo, Jacob Lawrence, Barnett Newman, Diego Rivera, and Grant Wood. Many of the portraits depict artists at work in their studios or at home with their families and offer glimpses into the artistic and social climate of the period.

Group photography by the Juley firm records the histories of the National Academy of Design and Art Students League and documents important summer art colonies at Provincetown, Massachusetts; Woodstock, New York; Old Lyme, Connecticut; and Ogunquit, Maine.

In addition to the negatives produced by the Juley's, the firm also acquired valuable negatives from other fine arts photographers, including Myra Albert, A. B. Bogart, George C. Cox, Walter Russell, A. E. Sproul, and De Witt Ward, to broaden its holdings.
Arrangement:
The collection is arranged in two series:

Series I: Photographs of art works, arranged alphabetically by artist, then by assigned negative number (673 linear feet)

Series II: Photographical portraits, arranged alphabetically by sitter name (26 linear feet)
Biographical / Historical:
Peter A. Juley (1862-1937) came to the United States in 1888 from the small German town of Alf, on the Mosel, where he was a telegrapher for the post office. How he first became interested in photography and fine arts is not known, but around 1896 he opened a small portrait studio in Cold Spring, New York, where he also worked as a staff news photographer for Harper's Weekly between 1901 and 1906. His assignments included photographing the funeral of President William McKinley and President Theodore Roosevelt's national tours. Around 1907 Juley moved the business to New York, where his son Paul P. Juley (1890-1975) joined him. A few years later they hired an assistant, Carlton Thorpe, who remained for the life of the firm.

Throughout the firm's long history from 1896 to 1975, Peter A. Juley and Son became the largest and most respected fine-art photography studio in New York, serving museums, galleries, art dealers, private collectors, corporations, conservators and many prominent artists. As members of New York's Salmagundi Club of artists, the Juleys served as official photographers for the National Academy of Design, the New York Public Library, and the Society of American Artists. In the summers, when many artists left the city to teach at colonies in Woodstock, New York, Old Lyme and Mystic, Connecticut, and Gloucester, Massachusetts, the Juleys joined them to take photographs. Combining business with pleasure, they even traveled to the West Coast, where they recorded Diego Rivera completing the murals of the San Francisco Stock Exchange, and on one of their trips they photographed artists of New Mexico's Taos and Santa Fe colonies.

When Peter died in 1937, Paul moved the studio to 225 West 57th Street, a few doors down from the Art Students League and across the street from Carnegie Hall, where many artists had studios. Throughout the 1950s and 1960s, Paul continued photographing the works of art associated with the Art Students League and the National Academy of Design. He retired in 1975, at the age of eighty-five.
Provenance:
Purchased from Paul Juley, 1966.
Restrictions:
Researchers may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Rights:
Copyright to photographs from the Juley Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Topic:
Artists -- United States -- Portraits  Search this
Portrait photography  Search this
Art, American -- Photographs  Search this
Genre/Form:
Photographs
Negatives
Citation:
Peter A. Juley & Son Collection, Smithsonian American Art Museum.
Identifier:
SAAM.Photo.JUL
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_collection:sova-saam-photo-jul
Online Media:

Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890

Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Subject:
Falconer, John Mackie  Search this
Anderson, Alexander  Search this
Juengling, Frederick  Search this
Harfin, Jean F.  Search this
Smillie, James David  Search this
Topic:
American Art Review  Search this
Prints -- 19th century  Search this
Art historians -- Massachusetts -- Boston  Search this
Art literature  Search this
Museum curators -- Massachusetts -- Boston  Search this
Artists -- United States  Search this
Record number:
(DSI-AAA_CollID)7082
(DSI-AAA_SIRISBib)209215
AAA_collcode_koehsylv
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209215
Online Media:

Meet Will Barnet

Creator:
Smithsonian American Art Museum  Search this
Type:
Youtube videos
Uploaded:
2009-01-16T14:48:36Z
Topic:
Art, American  Search this
Youtube Category:
People & Blogs  Search this
See more by:
americanartmuseum
YouTube Channel:
americanartmuseum
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:yt_dLaTQlwYxes

Negative Log Book Number 10, (77-13866 to 78-16862)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Collection descriptions
Date:
1977
1977-1978
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB10]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367107
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Zurich

Artist:
Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997  Search this
Medium:
Oil and enamel on paper mounted on fiberboard
Dimensions:
36 x 24 1/8 in. (91.4 x 61.3 cm)
Type:
Painting
Date:
1947
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.1355
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py27311daf7-e3c0-4a75-a195-dbb9a722907a
EDAN-URL:
edanmdm:hmsg_86.1355

Sylvester Rosa Koehler papers

Topic:
American Art Review
Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Names:
Anderson, Alexander, 1775-1870  Search this
Falconer, John Mackie, 1820-1903  Search this
Harfin, Jean F.  Search this
Juengling, Frederick, 1846-1889  Search this
Smillie, James David, 1833-1909  Search this
Extent:
5.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1833-1904
bulk 1870-1890
Summary:
The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.
Scope and Content Note:
The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.

Correspondence includes hundreds of letters to and from Koehler. Correspondents include many prominent artists, engravers, architects, art critics, curators, historians, journalists, authors, educators, publishers, and others during the late 1800s. Also found is correspondence with family, most of which is in German. Much of the correspondence concerns Koehler's role as editor of the publication American Art Review, and his work promoting American graphic arts.

Financial Records include Koehler's receipts, primarily from 1885, and a handwritten estimate of costs for publishing the American Art Review.

Miscellany includes biographical information on the wood engraver, Alexander Anderson, various notes by unidentified authors, news clippings, programs and handwritten song texts for music performances.
Arrangement:
The collection is arranged into 3 series:

Series 1: Correspondence, circa 1833- circa 1904 (Box 1-6; 5.1 linear feet)

Series 2: Financial Records, circa 1870-circa 1890 (Box 6; 14 folders)

Series 3: Miscellany, circa 1859-circa 1896 (Box 6; 11 folders)
Biographical Note:
Art historian and curator Sylvester Rosa Koehler was born in Leipsic, Germany in 1837. He came to the United States with his family in 1849 and settled in Roxbury, Massachusetts. In 1868 he became the Technical Manager of Louis Prang and Company, a lithograph publisher. Koehler was the founding editor of the American Art Review, which commissioned artists for original etchings, and ran from 1879-1881. Through this publication, as well as his work as writer and exhibition curator, Koehler encouraged an American etching revival in the 1880s. Koehler also published many books on American art and was the first Curator of Prints at the Museum of Fine Arts, Boston. From 1886 to 1900 he served as the first Curator of Graphic Arts at the United States National Museum, part of the Smithsonian Institution. While there, he created a permanent and traveling exhibition of graphic arts. His knowlege of the art world and his extensive personal contacts brought many important collections to the museum. Koehler died in Littleton, New Hampshire in 1900.
Related Material:
Additional correspondence can be found at the Library of Congress, which houses the Papers of S. R. Koehler, 1868-1904, and includes approximately 3,500 letters. Syracuse University Library houses S. R. Koehler Correspondence, 1879-1896, and includes 107 items.
Provenance:
The collection was purchased from Argosy Book Stores, Inc, in 1959. A letter from John Sartain and eleven letters from William Merritt Chase were donated by Charles E. Feinberg, 1955-1962. Two postcards were donated in 2009 by William A. Turnbaugh, an autograph collector. In 2017, John F. McGuigan Jr. and Mary K. McGuigan donated sixty-nine letters from A. Barry, Truman Howe Bartlett, William Merritt Chase, Timothy Cole, Edward Henry Clement, Cyrus Edwin Dallin, Robert Swain Gifford, George Inness, Anna Lea Merritt, Stephen Parrish, John Sartain, Francis Hopkinson Smith, and Frederic Porter Vinton.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Sylvester Rosa Koehler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Prints -- 19th century  Search this
Art historians -- Massachusetts -- Boston  Search this
Art literature  Search this
Museum curators -- Massachusetts -- Boston  Search this
Artists -- United States  Search this
Citation:
Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koehsylv
See more items in:
Sylvester Rosa Koehler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-koehsylv
Online Media:

Egyptian Street Scene

Original artist:
Bridgman, Frederick Arthur  Search this
Graphic artist:
Smillie, James David  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 19.5 cm x 16 cm; 7 11/16 in x 6 5/16 in
plate: 24 cm x 20 cm; 9 7/16 in x 7 7/8 in
sheet: 28 cm x 23.5 cm; 11 in x 9 1/4 in
Object Name:
print
Place Made:
United States: New York, New York City
Date made:
1881
Related Publication:
Brucia Witthoft. The Fine-Arts Etchings of James David Smillie 1833-1909
Credit Line:
Jean Leon Gerome Ferris
ID Number:
GA.14802
Catalog number:
14802
Accession number:
94830
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Ferris Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-8416-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1002329

Maine Coast

Graphic artist:
Smillie, James David  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 12.5 cm x 17.5 cm; 4 15/16 in x 6 7/8 in
sheet: 23.5 cm x 31 cm; 9 1/4 in x 12 3/16 in
Object Name:
print
Date made:
1880
Subject:
Maine  Search this
Related Publication:
Brucia Witthoft. The Fine-Arts Etchings of James David Smillie 1833-1909
Credit Line:
Jean Leon Gerome Ferris
ID Number:
GA.14869
Catalog number:
14869
Accession number:
94830
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Ferris Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-917e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1002397

Farm in Winter

Graphic artist:
Parrish, Stephen  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 14 cm x 26.5 cm; 5 1/2 in x 10 7/16 in
plate: 15 cm x 27.5 cm; 5 7/8 in x 10 13/16 in
sheet: 23.5 cm x 31.5 cm; 9 1/4 in x 12 3/8 in
Object Name:
print
Date made:
1880
1880-02
Subject:
Farming  Search this
ID Number:
GA.14892
Catalog number:
14892
Accession number:
94830
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Ferris Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-5e34-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1002421
Online Media:

Wallachian Team

Original artist:
Schreyer, Adolf  Search this
Graphic artist:
Unger, William  Search this
Publisher:
Kaeser, P.  Search this
Printer:
Kargl, F.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 10.5 cm x 22 cm; 4 1/8 in x 8 11/16 in
plate: 17.5 cm x 24 cm; 6 7/8 in x 9 7/16 in
sheet: 33.5 cm x 41 cm; 13 3/16 in x 16 1/8 in
Object Name:
print
Etching
Object Type:
Etching
Date made:
ca 1880
Subject:
Horses  Search this
ID Number:
GA.14981
Catalog number:
14981
Accession number:
94830
See more items in:
Work and Industry: Graphic Arts
Communications
Agriculture
Art
Transportation
Ferris Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-3390-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1002526

Dock Scene, Massachusetts

Graphic artist:
Gifford, Robert Swain  Search this
Maker:
Gifford, Robert Swain  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 17.5 cm x 12.5 cm; 6 7/8 in x 4 15/16 in
plate: 19 cm x 13.5 cm; 7 1/2 in x 5 5/16 in
sheet: 30.5 cm x 23.5 cm; 12 in x 9 1/4 in
Object Name:
print
Date made:
1879
Credit Line:
Jean Leon Gerome Ferris
ID Number:
GA.14871.02
Catalog number:
14871.02
Accession number:
94830
See more items in:
Work and Industry: Graphic Arts
Communications
Art
Ferris Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-cd7a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_782173
Online Media:

Mrs. Philip Nicklin (Juliana Chew)

Graphic artist:
Ferris, Stephen James  Search this
Original artist:
Stuart, Gilbert  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 18.5 cm x 14 cm; 7 9/32 in x 5 1/2 in
plate: 25.5 cm x 19 cm; 10 1/32 in x 7 15/32 in
overall: 31 cm x 23.5 cm; 12 7/32 in x 9 1/4 in
Object Name:
Etching On Medium-Weight Laid Paper
Print
Place made:
United States
Date made:
last quarter of 1800s
Subject:
Portraits  Search this
ID Number:
GA.14526.01
Catalog number:
14526.01
Accession number:
94830
See more items in:
Work and Industry: Graphic Arts
Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a8-9934-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1001994

Maud Morgan

Artist:
Olin Levi Warner, born Suffield, CT 1844-died New York City 1896  Search this
Sitter:
Maud Morgan  Search this
Medium:
plaster
Dimensions:
23 x 8 3/8 x 11 1/8 in. (58.4 x 21.3 x 28.2 cm)
Type:
Sculpture
Date:
1880
Topic:
Portrait female\bust  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mrs. Carlyle Jones
Object number:
1974.88.27
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor, 17A
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk723fe6ffe-c82c-4247-9e5c-bb85f783bcae
EDAN-URL:
edanmdm:saam_1974.88.27

The Court Jester

Artist:
William Merritt Chase, born Williamsburg, IN 1849-died New York City 1916  Search this
Publisher:
American Art Review  Search this
Medium:
etching on paper
Dimensions:
plate: 6 5/8 x 4 1/2 in. (16.9 x 11.3 cm)
Type:
Graphic Arts-Print
Date:
1881
Topic:
Figure male  Search this
Occupation\law  Search this
Architecture Interior\civic\courthouse  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase
Object number:
1975.45
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk78b0e2ce5-520d-48d5-9de5-1c959da6a186
EDAN-URL:
edanmdm:saam_1975.45

Standing Female Nude

Artist:
Elie Nadelman, American, b. Warsaw, Poland, 1882–1946  Search this
Medium:
Bronze
Dimensions:
26 x 8 5/8 x 7 3/4 in. (66 x 21.8 x 19.7 cm)
Type:
Sculpture
Date:
(c. 1909)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972
Accession Number:
72.210
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py23ab9e769-c72b-402d-8a76-7b0cd5fcd67f
EDAN-URL:
edanmdm:hmsg_72.210

The Corset

Artist:
Richard Lindner, American, b. Hamburg, Germany, 1901–1978  Search this
Medium:
Pencil, watercolor, and crayon on paper
Dimensions:
27 1/2 X 22 1/2 IN. (72.4 X 57.1 CM.)
Type:
Drawing
Date:
APRIL, 1954
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.3085
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Pop Precursors
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py259d356dc-9ec2-4a23-8119-0b6bc57d9c0a
EDAN-URL:
edanmdm:hmsg_66.3085

Steps

Artist:
Manierre Dawson, American, b. Chicago, Illinois, 1887–1969  Search this
Medium:
Oil on canvas
Dimensions:
20 1/8 x 28 1/8 in. (51 x 71.3 cm)
Type:
Painting
Date:
1907
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Dr. and Mrs. John Gedo, 1978
Accession Number:
78.63
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Early American Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py247fa236c-e822-4f14-8996-16a1702560dd
EDAN-URL:
edanmdm:hmsg_78.63

Cost estimate for publishing American Art Review

Collection Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Container:
Box 6, Folder 12
Type:
Archival materials
Date:
circa 1879
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Sylvester Rosa Koehler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890. Archives of American Art, Smithsonian Institution.
See more items in:
Sylvester Rosa Koehler papers
Sylvester Rosa Koehler papers / Series 2: Financial Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-koehsylv-ref377

Magazine, American Art Review

Collection Creator:
Selden, Dixie, 1868-1935  Search this
Container:
Box 2, Folder 16
Type:
Archival materials
Date:
1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Dixie Selden papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Dixie Selden papers, 1837-1936, 1993-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Dixie Selden papers
Dixie Selden papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selddixi-ref60

American Art Review

Collection Creator:
Pearlstein, Philip, 1924-  Search this
Container:
Box 2, Folder 14
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
Authorization for commercial use of audiovisual material for the documentary Philip Pearlstein Draws the Artists' Model requires prior arrangement with Pearlstein or his heirs.
Collection Citation:
Philip Pearlstein papers, circa 1940-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Philip Pearlstein papers
Philip Pearlstein papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pearphil-ref51

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