This collection contains 326 photographs of jazz musicians taken by James Arkatov from 1995 to 2003.
Scope and Contents:
A collection of 326 photographs of musicians, taken by James Arkatov. Most of the photographs are performance shots or were taken in rehearsal. Most were taken at theJazz Bakery, a non-profit, volunteer-run venue for jazz in Los Angeles; others were taken at the Hollywood Bowl or other venues.
Collection is arranged one series.
Biographical / Historical:
Arkatov is a Russian-American cellist who began his career performing with the Pittsburgh Symphony in 1938. He later moved on to perform with the San Francisco Symphony, and was the principal cellist in the Indianapolis Symphony and NBC Symphony Orchestra. He founded the Los Angeles Chamber Orchestra in 1968. He began photographing musicians early in his career, and later published his works Masters of Music: Great Artists at Work (1990) and Artists: The Creative Personality (1998).
Russell, Maureen. "Highlights from UCLA's Collections: The James Arkatov Photograph Collection." Ethnomusicology Review. February 12, 2015. Accessed August 08, 2016. http://ethnomusicologyreview.ucla.edu/content/highlights-uclas-collections-james-arkatov-photograph-collection.
Donated to the Archives Center by James Arkatov in 2011.
Collection is open for research.
James Arkatov retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Scopitones are three minute long 16mm films that were viewed on a Scopitone machine, a jukebox-like player. A precursor to music videos, Scopitones -- both the films and the machines -- were popular in the United States from around 1962 to 1968. The films featured sets, costumes, and dancers in support of well-known performers singing a single song. The collection includes Scopitone films from the United States and Europe.
Scope and Contents:
The collection comprises approximately one hundred and forty 16mm color composite magnetic track motion picture prints produced to be played on a Scopitone juke box. These films were produced in Europe and the United States.
The collection is organized into one series. The order follows the original catalogue/distribution numbers.
Series 1, Original Films, 1962-1970
Biographical / Historical:
Referring to both the films and the machines that played them, a Scopitone is song-length film viewed on a juke-box like machine with a screen. Introduced in the late 1950s in France, and based on technology developed during World War Two, the Scopitone machine offered a selection of up to thirty-six titles. Patrons would insert coins (twnty-five cents per play in the United States), press the button for the film desired, and the film would appear on a small screen that formed the top of the machine.
The Scopitone films were three minute-long 16mm composite magnetic track prints that featured performers singing popular songs of the time. Like their predecessor, Soundies, and paving the way for music videos, Scopitones included basic sets, costumes, and choreography. Scopitones were made in France, Great Britain, and Germany. Scopitones (both the machines and the films) were most popular in France. Consequently, a large number of the films are in French and star performers well-known in France. One of the major producers of American Scopitone films was Harman-ee Productions, a company owned by Debbie Reynolds.
In the United States, Scopitone machines could be found in bars, restaurants, and lounges. Performers as varied as Debbie Reynolds, Neil Sedaka, and Ethel Ennis appeared in American Scopitones. In many of the films the stars sang the songs while surrounded by scantily-clad dancers. On occasion the production numbers told the "story" of the song. More often, the sets, dance moves, and costumes appeared superfluous. The "look" of the films reflected the times with choreography influenced by the Twist and other contemporary dances and clothing and hair-dos straight from a mid-1960s teen fashion magazine.
Scopitones flourished in the United States for a very short period of time. First introduced around 1962, interest in producing and viewing Scopitones had ended by 1968. Most American machines and films were tossed in the trash. Collectors acquired the remaining machines and films. Scopitone films, once a mostly forgotten genre, are now easily viewed on Youtube, introducing this short-lived cultural phenomenon to new generations of viewers.
The donor, Norman Coe, became involved with Scopitone as a business in 1964 when he purchased ten machines from the Scopitone division of Tel-A-Sign, Inc. of Chicago, Illinois. Coe placed his machines and the films in bars and restaurants around the Albany, New York area. He left the business in the late 1960s, selling all but one of his machines and several cartons of Scopitone films. He donated his remaining machine and films to the National Museum of American History in 2011.
Materials in the National Museum of American History
The Division of Culture and the Arts (now Division of Cultural and Community Life) acquired a Scopitone machine as part of the same donation. Accession #: 2011.0056
Scopitone machine and films donated by Norman and Sally Coe in 2011.
The collection is open for research.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
16mm motion picture film
[Title], Norman and Sally Coe Scopitone Film Collection, circa 1964-1970, National Museum of American History, Smithsonian Institution
Music for your eyes : Herb Alpert, sculpture & paintings / foreward [sic] by Phil Kreger ; introduction by Lois Riggins-Ezzell ; comments by Peter Frank ... [et al.] ; photography by Gerry Wersh ; edited by Lani Hall Alpert