Storage rooms inside Museum Wiesbaden filled with wooden crates, not after 1946 March. James J. Rorimer papers, 1921-1982. Archives of American Art, Smithsonian Institution.
Interior of Museum Wiesbaden with paintings on storage racks, not after 1946 March. James J. Rorimer papers, 1921-1982. Archives of American Art, Smithsonian Institution.
Thomas Carr Howe. Unidentified G.I. holding a painting of the Madonna and child, at Altaussee, Austria, 1945. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Soldiers loading art recovered from Neuschwanstein Castle onto trains at Füssen, Germany, 1945. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
James J. (James Joseph) Rorimer. James Rorimer's early draft of his memoir Survival: the salvage and protection of art in war, not after 1950. James J. Rorimer papers, 1921-1982. Archives of American Art, Smithsonian Institution.
Thomas Carr Howe, George Stout, and Karl Sieber in the Kammergrafen mine in Altaussee, Austria, 1945 July 9. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Michelangelo's Madonna and Child packed onto a crate by soldiers at Altaussee, Austria, 1945?. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Lieutenant Daniel J. Kern and Karl Sieber examining a panel of the Ghent Altarpiece, 1945. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
George Stout and two unidentified men loading a truck at Altaussee, Austria, 1945. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Soldiers standing in front of trucks for transporting art recovered in the salt mines at Altaussee, Austria, 1945. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Paul J. (Paul Joseph) Sachs. Paul Sachs' list of potential Monuments Men, 1943 October. W.G. Constable papers, 1905-1983. Archives of American Art, Smithsonian Institution.
Men loading a truck with a shipment of art at Munich Central Collecting Point, 1945. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
One panel of the Ghent Altarpiece being loaded onto a truck at the Munich Collecting Point, 1946. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Rose Valland at the Wiesbaden Central Collecting Point, 1946 April 24. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section Search this
Type:
Photographs
Date:
1946
Citation:
Raymond Lemaire and Edith Standen holding a Rubens portrait at Wiesbaden Collecting Point, 1946. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
Rose Valland and Edith Standen inspecting a statue at Wiesbaden Collecting Point, 1946 May 24. Thomas Carr Howe papers, 1932-1984. Archives of American Art, Smithsonian Institution.
U.S. Army plane loaded with art shipment to Holland, circa 1945. Andrew Carnduff Ritchie papers, 1907-1983. Archives of American Art, Smithsonian Institution.
Storage room filled with crates at Wiesbaden Collecting Point, 1946. James J. Rorimer papers, 1921-1982. Archives of American Art, Smithsonian Institution.