Skip to main content Smithsonian Institution

Search Results

Collections Search Center
387 documents - page 1 of 20

NMAH - W - Wayne State University - national touring exhibition on the History of African American Education

Container:
Box 15 of 27
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-091, National Museum of American History. Office of the Director, Subject Files
See more items in:
Subject Files
Subject Files / Box 15
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-091-refidd1e7034

"A Voice From the South." The life and writings of Anna J. Cooper, an African American educator and advocate of human rights whose career spanned the post-Civil War era to World War II.

Container:
Box 8 of 11
Type:
Archival materials
Collection Restrictions:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if listening copies are not currently available. Listening copies can be made for a fee. Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Record Unit 589, Smithsonian Institution. Office of Telecommunications, Productions
See more items in:
Productions
Productions / Box 8
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0589-refidd1e4450

Francis Junior High School graduates : [acetate film photonegative,]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Francis Junior High School  Search this
Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Extent:
1 Item
Type:
Archival materials
Photographs
Date:
1939
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans -- Education -- 1930-1940 -- Washington (D.C.)  Search this
Portraits, Group -- 1930-1940 -- Washington (D.C.).  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client / 4.3: Black and white negatives in freezer storage arranged by client / Francis Junior High School
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80a128fc0-2a0b-42fb-a25e-48f3c2dbd328
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-03-ref2896

Wilson Bruce Evans pose with Armstrong Manual Training School Students

Creator:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Evans, Wilson Bruce, 1866-1918  Search this
Collection Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Collection Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
1 photographic_print_mounted_on_cardboard (8 1/12 x 6 1/2 inches)
Container:
Box 20, Folder 16
Type:
Archival materials
Photographs
Photographic_print_mounted_on_cardboard
Place:
Washington (D.C.)
Date:
Circa 1906
Scope and Contents:
Dr. Wilson Bruce Evans pose with students on the steps of Armstrong Manual Training School.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits, Group -- African Americans  Search this
African American educators  Search this
African American students  Search this
Collection Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016, Item PH2003_7063_514-a
See more items in:
Evans-Tibbs Collection
Evans-Tibbs Collection / Series 5: Photographs / Family / Evans Family
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa752ee6d6e-33cc-4967-a865-8610a4de9ab2
EDAN-URL:
ead_component:sova-acma-06-016-ref1349

Power of Giving 2020 | Educational Equity – A Conversation with Secretary Lonnie G. Bunch III

Creator:
National Museum of American History  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2021-03-23T13:59:37.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_w1FqpqoGsVY

Smithsonian Power of Giving 2020 Symposium | Philanthropy’s Impact on Educational Equity, Day 1

Creator:
National Museum of American History  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2021-03-22T17:29:48.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_1ntfbTWt6nk

Jacob Lawrence and Gwendolyn Knight papers

Creator:
Knight, Gwendolyn  Search this
Lawrence, Jacob, 1917-2000  Search this
Names:
Bearden, Romare, 1911-1988  Search this
Bocour, Leonard, 1910-1993  Search this
Dintenfass, Terry, 1920-  Search this
Eichenberg, Fritz, 1901-1990  Search this
Evergood, Philip, 1901-1973  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Extent:
25.35 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Date:
1816
1914-2008
bulk 1973-2001
Summary:
The papers of African American painter and educator Jacob Lawrence and his wife, artist Gwendolyn Knight measure 25.35 linear feet and 0.001 GB date from 1914 to 2008, with one item from 1816 and the bulk of the material dating from 1973 to 2001. The collection includes biographical material; correspondence including condolence letters to Gwendolyn Knight after Jacob Lawrence's death; writings by Jacob Lawrence and others; printed and digital material; photographs; personal business records; artwork; records from the Jacob Lawrence Catalogue Raisonné Project; materials related to the Jacob and Gwendolyn Knight Lawrence Foundation; professional files; and material related to awards and honors received by Jacob Lawrence and Gwendolyn Knight.
Scope and Content Note:
The papers of African American painter and educator Jacob Lawrence and his wife, artist Gwendolyn Knight measure 25.35 linear feet and 0.001 GB and date from 1914 to 2008, with one item from 1816 and the bulk of the material dating from 1973 to 2001. The collection includes biographical material; correspondence including condolence letters to Gwendolyn Knight after Jacob Lawrence's death; writings by Jacob Lawrence and others; printed and digital material; photographs; personal business records; artwork; records from the Jacob Lawrence Catalogue Raisonné Project; materials related to the Jacob and Gwendolyn Knight Lawrence Foundation; professional files; and material related to awards and honors received by Jacob Lawrence and Gwendolyn Knight.

Biographical material includes appointment and address books; education and personal identification certificates and documents; awards, certificates, curriculum vitae, and chronologies; biographical material related to other individuals, including identification documents and memorial programs; and transcripts of interviews with Jacob Lawrence and Gwendolyn Knight.

The correspondence series includes extensive personal and professional correspondence with family, friends, artists, admirers (including students in a number of elementary and middle schools), university students, government agencies, art schools, galleries, museums, publishing houses, and others. Included in this series are condolence letters received by Gwendolyn Knight after Jacob Lawrence's death in 2000.

Writings include published and unpublished writings by and about Jacob Lawrence, as well as writings by others. These writings include speeches, notes, essays, articles, lists, and short stories. Also included is a visitor comment book from the Los Angeles County Museum exhibition of Jacob Lawrence's Harriet Tubman and Frederick Douglass series.

Printed material includes books; brochures; business cards; clippings; exhibition and event announcements, invitations, catalogs, and programs; magazines; newsletters; posters; post cards; and press releases. Books in this collection may include illustrations by Jacob Lawrence or have personal inscriptions from the author to Jacob Lawrence and Gwendolyn Knight.

Photographs include photographs of Jacob Lawrence artwork, photographs and reproductions of Gwendolyn Knight artwork, and photographs of Jacob Lawrence, Gwendolyn Knight, and other individuals. Also included in this series are photographs and reproductions of work by others.

Personal business records include a ledger; consignment, financial, and shipping records related to the Terry Dintenfass Gallery; contracts and agreements; and estate documents.

Artwork includes sketches by Jacob Lawrence, a blank sketchbook inscribed by Jacob Lawrence to Gwendolyn Knight, and artwork by other artists.

Jacob Lawrence Catalogue Raisonné Project Records include materials generated by the Jacob Lawrence Catalogue Raisonné Project, a non-profit created with the goal of producing a catalogue raisonné (and later, a digital archive) of Jacob Lawrence's work. These records include address books and phone logs; copies of Jacob Lawrence's CV; founding documents, bylaws, and meeting minutes; correspondence; writings, including draft pages of the catalogue raisonné; business records, including employment files, contracts, invoices, insurance, and tax information; printed and digital material; and photographs and artwork.

The Jacob and Gwendolyn Knight Lawrence Foundation and Related Material series includes founding documents and foundation bylaws, correspondence, financial documents, reports, and proposals. Found within this series are materials related to the Lawrence Center for the Visual Arts, a subsidiary foundation of the Jacob and Gwendolyn Knight Lawrence Foundation.

Professional files include material related to projects and exhibitions, teaching files and inclusion in curricula, files regarding possible fake Jacob Lawrence works, and gallery files.

The honors series is divided into two subseries: awards and certificates, and government honors. Awards and certificates includes honorary degrees, arts prizes, and any other honors awarded to Jacob Lawrence or Gwendolyn Knight. Government honors include resolutions, proclamations, and keys to cities. Also included in this series are correspondence related to awards and honorary degrees, commencement programs, plaques, and medals.
Arrangement:
The collection is arranged in 11 series.

Missing Title

Series 1: Biographical Material, 1914-2005 (Boxes 1, 11, 26, OV 10; 0.5 linear feet)

Series 2: Correspondence, 1943, 1952-2005 (Boxes 1-5, 12-14, 26; 7.7 linear feet)

Series 3: Writings, 1954-1959, 1973-2005, undated (Boxes 5-6, 14-15; 0.5 linear feet)

Series 4: Printed Material, 1816, 1926, 1937, 1945-2008 (Boxes 6-9, 15-17, 26, OV 30, OV 31; 6.8 linear feet)

Series 5: Photographs, circa 1970-1997, undated (Boxes 9, 17, OV 10; 0.4 linear feet)

Series 6: Personal Business Records, 1962-2005 (Boxes 9, 17; 0.3 linear feet)

Series 7: Artwork, 1984, 1990-1994, undated (Boxes 9, 18, 26; 0.3 linear feet)

Series 8: Jacob Lawrence Catalogue Raisonne Project Records, 1982-2002 (Boxes 18-23, Box 26; 5.1 linear feet, ER01; 0.001 GB)

Series 9: Jacob and Gwendolyn Knight Lawrence Foundation and Related Material, 1997-2005 (Box 23; 0.6 linear feet)

Series 10: Professional Files, 1964-2004 (Boxes 23-24; 1.2 linear feet)

Series 11: Honors, 1948, 1966-2005 (Boxes 24-25, 27-29, OV 30; 2.3 linear feet)
Biographical Note:
Modernist painter and educator Jacob Lawrence (1917-2000) was born in 1917 as Jacob Armstead Lawrence in Atlantic City, New Jersey. He began his art studies at the Utopia Children's Center in New York City's Harlem district where he studied under the painter Charles Alston. Lawrence dropped out of high school at the age of sixteen to continue his art instruction with Alston, this time at the Harlem Art Workshop, where he met several artists associated with the Harlem Renaissance including the sculptor Augusta Savage.

Gwendolyn Knight (1913-2005) was born in Barbados and moved to New York City with her adoptive parents when she was seven. She attended New York's Wadleigh High School and later Howard University in Washington, D.C. where she studied fine arts with Lois Mailou Jones and James Porter. Forced to leave her studies at Howard because of the Depression, Knight returned to Harlem and continued her artistic pursuits in Augusta Savage's workshop. In 1935, Knight joined the Harlem Mural Project of the Works Progress Administration (WPA) working under Selma Day and Charles Alston. Lawrence and Knight met in Savage's workshop and married in the summer of 1941.

During the Depression, Lawrence also joined the WPA Federal Arts Project in Harlem. Finding WPA murals overwhelming, Lawrence concentrated on traditional painting instead. He produced his first major works in the late 1930s, most notably the Toussaint L'Ouverture series, images that document the life of the revolutionary hero and Haiti's struggle for independence. Other significant works include visual narratives of the lives of abolitionists Harriet Tubman and Frederick Douglass. In 1940, Lawrence received the prestigious Julius Rosenwald Fellowship, which made it possible for him to purchase his first art studio on 125th Street in the heart of Harlem. He soon portrayed Harlem street life in paintings that became commentaries on the role of African Americans in United States society with highly developed themes of resistance and social opposition. That same year, Lawrence began his most celebrated series, The Migration of the American Negro, multiple tempera panels depicting the exodus of African American sharecroppers in the south to northern industrial cities in search of better employment and social opportunities. Edith Halpert exhibited the works in their entirety at her Downtown Gallery in 1941, establishing Lawrence as the first African American artist to exhibit in a top New York gallery. The following year, New York's Museum of Modern Art and the Phillips Collection in Washington, DC each bought half of the sixty panels in the series, helping to further Lawrence's career within the larger world of American art.

In the summer of 1946, the artist Joseph Albers invited Lawrence to teach at North Carolina's Black Mountain College. It was the first in a series of teaching positions in prestigious art schools including Pratt Institute (1956-1971), Brandeis University (1965), The New School (1966), the Art Students League (1967), and others. During the 1950s and 1960s, Lawrence's work continued to focus on racism and political activism but in the late 1960s shifted to themes of racial harmony.

Both Lawrence and Knight continued independent careers in art. Knight pursued her art studies at the New School in New York and the Skowhegan School of Painting and Sculpture in Maine. In the mid-1960s, she collaborated with other female artists to form the Studio Gallery in New York City. Knight's main body of work consists of portraits and still-lifes that incorporate expressions of African sculpture, Impressionism, dance, and theater. Focusing on gesture, her art is described as light and airy with a minimum of lines allowing empty space to define the work. In 1970, Lawrence traveled to Seattle to teach as a visiting artist at the University of Washington. He was hired on a permanent basis the following year and remained on staff until his retirement in 1986.

Jacob Lawrence died June 9, 2000, in Seattle, Washington at the age of 83. Gwendolyn Knight continued to paint and exhibit her work around the country until her death on February 18, 2005 in Seattle, Washington at the age of 92.
Related Material:
Also found at the Archives of American Art are an oral history interview with Jacob Lawrence conducted by Carroll Greene (1968 October 26), interviews conducted by Avis Berman (1982 July 20-August 4), and an oral history interview with Jacob Lawrence and Gwendolyn Knight conducted by Paul Karlstrom (1998 November 18). The Archives of American Art also holds a collection of Jacob Lawrence papers, available on microfilm only, reels D286 and 4571-4573. Originals reside at Syracuse University Library, Special Collections.
Provenance:
The Jacob Lawrence and Gwendolyn Knight papers were donated to the Archives of American Art in five accretions between 1979 and 1997. Additional papers were donated in 2012 by the Jacob and Gwendolyn Knight Lawrence Foundation via Barbara Earl Thomas, representative.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Painters -- New York (State) -- New York  Search this
Educators -- Washington (State) -- Seattle  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
African American artists  Search this
Women artists  Search this
African American art -- African influences  Search this
African American educators  Search this
African American painters  Search this
Women painters  Search this
Genre/Form:
Photographs
Citation:
Jacob Lawrence and Gwendolyn Knight papers, 1816, 1914-2008, bulk 1973-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lawrjaco
See more items in:
Jacob Lawrence and Gwendolyn Knight papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b5bfd17-13f8-4cb6-ab12-22124f7d1fee
EDAN-URL:
ead_collection:sova-aaa-lawrjaco
Online Media:

Reginald Gammon papers

Creator:
Gammon, Reginald, 1921-2005  Search this
Names:
Anacostia Community Museum  Search this
Harwood Art Center (Albuquerque, N.M.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
National Afro-American Museum and Cultural Center (U.S.)  Search this
New Mexico African American Artists' Guild  Search this
Schomburg Center for Research in Black Culture, New York Public Library  Search this
Spiral (Group of artists)  Search this
Western Michigan University -- Faculty  Search this
Andrews, Benny, 1930-2006  Search this
Bearden, Romare, 1911-1988  Search this
Browne, Vivian E., 1929-1993  Search this
Fray, Thomas  Search this
Greenberg, Joseph J., 1915-1991  Search this
King, Patrick  Search this
Lee-Smith, Hughie  Search this
Overton, Harry  Search this
Wynberg, Jonathan  Search this
Extent:
2.4 Linear feet
5.3 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Interviews
Paintings
Sketches
Drawings
Sound recordings
Video recordings
Date:
1927-2007
bulk 1960-2005
Summary:
The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.
Scope and Contents:
The papers of African American painter, printmaker, and educator Reginald Gammon measure 2.4 linear feet and 5.30 GB and date from 1927 to 2007, with bulk of the materials dating from 1960-2005. The collection consists of scattered biographical materials, including video and sound recordings of interviews; correspondence with artists, galleries, organizations, and museums; writings and notebooks; teaching files; printed materials; photographic material; and artwork in the form of sketches, drawings, and paint sketches.

Biographical materials include Gammon's academic records and diplomas, certificates, military records, an address book, and information about his memorial service. There is a folder on The Spiral Group which includes an exhibition catalog and photographs. There are video interviews, a conversation video, and two TV advertisements, all digital; one analog and one digital audio interview.

Approximately one-half of the collection consists of correspondence with other artists, museums, galleries and arts organizations. Correspondents include Benny Andrews, Romare Bearden, Vivian Browne, Thomas Frey, Joseph Greenberg, Harwood Art Center, Patrick King, Hughie Lee-Smith, Midtown Galleries, National Afro-American Museum & Cultural Center, New Mexico African American Artists Guild, Harvey Overton, Schomberg Center, Smithsonian Institution's Anacostia Museum, Western Michigan University, and Jonathan Wynberg, among many others.

Writings by Gammon consists of essays, a research proposal, notes, grant applications, and notebooks wherein Gammon jotted down thoughts and drafted letters.

Teaching files are related to Reginald Gammon's tenure at Western Michigan University. There are teaching certifications, lecture notes, one sound recording (sound cassette) of a lecture, student recommendations, and grade books, among other items.

Printed materials primarily consist of exhibition catalogs and announcements, including the catalog Ida Y Vuelta on Gammon's 1998 exhibition in Rodez, France. Other materials found in this series are clippings that feature Gammon and his work, periodicals, posters designed by Gammon, and source materials related to jazz. and limited subject files.

Photographic materials include prints, slides, digital photographs, and negatives depicting Reginald Gammon and his artwork, friends and family, and various studios and events.

Artwork includes pencil and ink sketches, drawings, and paint sketches. The series also contains storyboards for children's books as well as mockups for advertisements.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, 1936-2006 (0.2 linear feet; Box 1, 3, 5.29 GB; ER01-ER03)

Series 2: Correspondence, 1964-2005 (0.8 linear feet; Box 1-3)

Series 3: Writings and Notebooks, 1948-circa 2000 (0.1 linear feet; Box 2)

Series 4: Teaching Files, 1969-1991 (0.1 linear feet; Box 2)

Series 5: Printed Material, 1955-2005 (0.4 linear feet; Box 2, OV 4)

Series 6: Photographic Material, 1927-2007 (0.2 linear feet; Box 2-3, 0.010 GB; ER04)

Series 7: Artwork, 1937-circa 1999 (0.5 linear feet; Box 2-3)
Biographical / Historical:
Reginald A. Gammon (1921-2005) was a painter and art educator who worked in New York City, Michigan, and Albuquerque, New Mexico. He was a member of Spiral, an African American artist's collective based in New York City, as well as a member of the New Mexico Afro-American Artist Guild. He taught in the New York public schools and at Western Michigan University.

Gammon was born and raised in Philadelphia, Pennsylvania. In 1941, he received a scholarship to study art at the Philadelphia Museum College of Arts (then the Philadelphia Museum School of Industrial Arts) and the following summer worked in the Philadelphia Naval Shipyard refurbishing battleships for the war effort. While working, he also attended school at night. He was drafted and served in the Navy from 1944-1946 with an African-American unit stationed in Guam. He lived in Philadelphia briefly after the war and moved to New York City in 1948. During his early years in New York City, Gammon worked at various jobs such as sorting mail for the post office and designing advertising copy. Around this time, he first met his future wife Janice Goldberger whom he married in 1972.

In 1963, Gammon was invited to join Spiral, a group of African American artists which included Charles Alston, Romare Bearden, Alvin Hollingsworth, Norman Lewis, Richard Mayhew, and Hale Woodruff. As a member of this group, Gammon participated in the 1965 exhibition First Group Showing: Works in Black and White. Spiral disbanded later that same year. In 1969, Gammon and Benny Andrews formed the Black Emergency Cultural Coalition. This politically active group of artists picketed the Metropolitan Museum of Art and the Whitney Museum of Modern Art to protest the exclusion of black artists and curators.

Gammon also taught at the Saturday Academy Program for New York public schools. He set up an informal studio so that children from Harlem could work with resident artists. This position and a recommendation from Hughie Lee-Smith led to an offer from Western Michigan University for a visiting lectureship that turned into a full-time teaching position in which Gammon served until 1991, when he retired as Full Professor Emeritus of Fine Arts and Humanities.

After his retirement from Western Michigan University, Gammon and his wife moved to Albuquerque, New Mexico and he became involved in the New Mexico Afro-American Artist Guild and the Albuquerque United Artists, among other civic organizations. He regularly participated in exhibitions and art fairs sponsored by the Guild and served as their treasurer from 1999 until his death. He was artist-in-residence from 1992-2005 at the Harwood Art Center where he also maintained a studio.

Gammon was also one of the founding members of the New Grounds Print Workshop, where he completed his final collection of artworks - a collection of over 100 prints of historically significant gospel singers and jazz musicians. Gammon died on November 4, 2005.
Provenance:
The collection was donated in 2007 and 2008 by Reginald Gammon's widow Janice Gammon.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings and electronic records with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New Mexico  Search this
Painters -- New Mexico -- Albuquerque  Search this
Educators -- New Mexico -- Albuquerque  Search this
Educators -- Michigan  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American printmakers  Search this
Genre/Form:
Photographs
Interviews
Paintings
Sketches
Drawings
Sound recordings
Video recordings
Citation:
Reginald Gammon papers, 1927-2007, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gammreg
See more items in:
Reginald Gammon papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90788f342-725f-4d47-8d83-9603f237e656
EDAN-URL:
ead_collection:sova-aaa-gammreg
Online Media:

Floyd Coleman papers

Creator:
Coleman, Floyd W., 1939-2018  Search this
Names:
Howard University. Department of Art  Search this
Spiral (Group of artists)  Search this
Catlett, Elizabeth, 1915-2012  Search this
Donaldson, Jeff, 1932-2004  Search this
Hines, Felrath, 1913-1993  Search this
Montgomery, Evangeline J.  Search this
Extent:
8.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1954-2017
bulk 1980s-2000s
Summary:
The papers of African American art historian, educator, and painter, Floyd Coleman, measure 8.1 linear feet and date from 1954 to 2017 with the bulk of the material dating from the 1980s to the 2000s. The collection contains biographical material; correspondence; writings, including drafts of essays and lectures; material related to his professional activities, including teaching files, files related to the National Conference of Artists, project files, and other files related to his professional life; artist and subject files; printed material; and a small amount of photographic material. The collection also contains audiovisual material and born-digital records.
Scope and Contents:
The papers of African American art historian and painter, Floyd Coleman, measure 8.1 linear feet and date from 1954 to 2017 with the bulk of the material dating from the 1980s to the 2000s. The collection contains biographical material, including contact lists, certificates, interviews, and resumes; correspondence with artists and other art historians, including Reginald Gammon, Jeff Donaldson, Bing Davis, and Tritobia Hayes Benjamin; and writings, including drafts of essays and lectures. Also included are materials related to Coleman's professional activities, including teaching files, files related to the National Conference of Artists (NCA), project files, and other files related to his professional life; artist and subject files, including files related to the Spiral artist group; printed material, including clippings, exhibition announcements and catalogs, conference materials, and other publications; and a small amount of photographic material. The collection also contains audiovisual material and born-digital records.
Arrangement:
This series is arranged as 7 series.

Series 1: Biographical Material, 1969-2012 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1975-2017 (Box 1; 0.6 linear feet)

Series 3: Writings, circa 1970s-circa 2015 (Boxes 1-3; 1.2 linear feet)

Series 4: Professional Activities, circa 1960s-2015 (Boxes 3-5; 2.7 linear feet)

Series 5: Artist and Subject Files, 1954-2016 (Boxes 5-7; 2.2 linear feet)

Series 6: Printed Material, 1968-2016 (Boxes 7-8, OV 9; 1 linear foot)

Series 7: Photographic Material, circa 1980s-2000s (Box 8, 2 folders)
Biographical / Historical:
Floyd Coleman (1939-2018) was an African American art historian, painter, and educator in Washington, D.C. He was the chair of the art department at Howard University and organized the James A. Porter Colloquium on African American Art.

Born in Sawyerville, Alabama, Coleman attended Alabama State College (now Alabama State University), where he studied under Hayward Oubre. He later earned a doctorate from the University of Georgia. Coleman taught at Clark College, Southern Illinois University Edwardsville, Jackson State University, and Howard University. His work has been exhibited at institutions such as the Montgomery Museum of Fine Arts, San Francisco Museum of Art, Mount Holyoke College, High Museum, Smithsonian Institution Art & Industries Building, Yale University Art Gallery, and Parish Gallery.
Provenance:
The collection was donated in 2019 by Floyd Coleman, Jr., Floyd Coleman's son.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Art historians -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American educators  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Genre/Form:
Interviews
Citation:
Floyd Coleman papers, 1954-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.colefloy
See more items in:
Floyd Coleman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92a1c4ea3-f8cb-4ff6-886d-1e45882f40c8
EDAN-URL:
ead_collection:sova-aaa-colefloy
Online Media:

Nanette Carter papers

Creator:
Carter, Nanette  Search this
Names:
Pratt Institute. Art School  Search this
Freeman, Bettye  Search this
Pindell, Howardena, 1943-  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1972-2009
Summary:
The papers of African American abstract artist and educator Nanette Carter measure 4.9 linear feet and date from 1972 to 2009. The collection documents Carter's education and career through biographical materials, correspondence with artists and others, writings including notebooks documenting Carter's studies, exhibition files for Carter's solo and group exhibitions, files documenting teaching and other professional activities, research material including sound recordings for a book project on Carter's mentors, personal business records, and printed material.
Scope and Contents:
The papers of African American abstract artist and educator Nanette Carter document Carter's education and career through 4.9 linear feet of papers dating from 1972 to 2009.

The collection includes biographical materials consisting of an address book, 11 appointment books, resumes, Carter's student records, and a sound recording of an interview with Carter and Vincent Smith for the radio program "Dialogues with Contemporary Artists." Correspondence is with Joan Digby, Bettye Freeman, Miriam Perlman, and various organizations regarding exhibitions, workshops, and employment. Carter's writings and notes include 13 notebooks documenting her studies and career activities, speech notes, and her student papers from Pratt Institute of Art.

Also found in the collection are exhibition files documenting Carter's solo and group exhibitions, and professional activity files consisting of Carter's teaching files, files regarding fellowships and grants, workshop records, and research material for a book project on female mentors that includes 5 sound recordings of Howardena Pindell and Marcia Lloyd. Carter's personal business records include consignment and sales records, contracts and agreements, and price lists; and printed materials consist of announcements and catalogs for Carter's exhibitions, event programs, posters, press releases, and other material relating to Carter's career as an artist.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Materials, 1972-1998 (0.7 linear feet; Box 1)

Series 2: Correspondence, 1976-2009 (1.2 linear feet; Boxes 1-2, OV 7)

Series 3: Writings and Notes, 1975-2002 (0.5 linear feet; Box 3)

Series 4: Exhibition Files, 1976-2008 (0.7 linear feet; Boxes 3-4)

Series 5: Professional Activity Files, 1977-2008 (0.7 linear feet; Box 4, OV 7)

Series 6: Personal Business Records, 1979-2008 (0.4 linear feet; Boxes 4-5)

Series 7: Printed Materials, 1979-2009 (0.7 linear feet; Boxes 5-6, OV 7)
Biographical / Historical:
Nanette Carter (1954- ) is an African American abstract artist and educator in New York, New York.

Carter was born in Columbus, Ohio, to Frances Hill and Matthew G. Carter. In 1960, Carter and her family, including her sister Bettye Carter Freeman, moved from Ohio to Montclair, New Jersey where her father became the city's first African American mayor. After graduating from Montclair High School, Carter attended Oberlin College studying studio art and art history. She spent her junior year abroad studying in Perugia, Italy and traveling through Europe and North Africa. Carter graduated from Oberlin in 1976 and continued her education at the Pratt Institute of Art receiving a Master of Fine Arts in 1978.

In the 1970s, Carter spent time in Sag Harbor where her parents had a house. She became involved with the local art scene through her college job at the Guild Hall Museum where she met artist Al Loving. Loving became a mentor to Carter and later curated one of her earliest group exhibitions, Eastville Artists (1979), featuring African American artists working in eastern Long Island, New York. Carter has continued to exhibit her artwork frequently throughout the United States, as well as overseas. She has been the recipient of numerous fellowships and grants including Bob Blackburn's Printmaking Workshop, the Pollock-Krasner Foundation grant, and the New York State Council on the Arts residency at Cinque Gallery.

In addition to her career as an artist, Carter has held teaching positions at various institutions including Dwight-Englewood School, Guild Hall Museum, City College of New York, Rhode Island School of Design, and the Pratt Institute of Art where she is a tenured professor.
Provenance:
The collection was donated in 2019 by Nanette Carter as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
African American educators  Search this
African American painters  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Nanette Carter papers, 1972-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cartnane
See more items in:
Nanette Carter papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a28f9060-aa59-49a9-b48a-54b6b19866ba
EDAN-URL:
ead_collection:sova-aaa-cartnane
Online Media:

Alice Bell Finlayson papers

Creator:
Finlayson, Alice Bell  Search this
Names:
Anacostia Neighborhood Museum  Search this
Freedoms Foundation at Valley Forge  Search this
New York University. School of Education  Search this
Public Schools of the District of Columbia  Search this
Finlayson, Alice Bell  Search this
Extent:
5.16 Linear feet (7 boxes)
Type:
Collection descriptions
Archival materials
Clippings
Scrapbooks
Books
Photographic prints
Periodicals
Photographs
Papers
Sketches
Place:
Washington (D.C.)
Date:
1901-1992
bulk 1938-1972
Summary:
The Alice Bell Finlayson papers, which date from 1901 to 1990 and measure 5.16 linear feet, document the career of educator, community organizer, and journalist Alice Bell Finlayson. The papers are comprised of books, correspondence, curriculum vitae, documents from community organizations, journals, magazines newspaper clippings, photographs, and scrapbooks.
Scope and Contents note:
This collection documents the life of Alice Bell Finlayson between 1922 and 1990. It contains materials related to Mrs. Finlayson's employment and community service. Included in the collection are academic writings, books, correspondence, curriculum, personnel records, photographs, and printed materials.
Arrangement note:
The papers are organized into six series. The Biographical and Printed Materials series are further arranged into subseries. The content of each series is arranged alphabetically. The series are arranged as follows:

Series 1: Biographical

Subseries 1.1: Autobiographical

Subseries 1.2: Education

Subseries 1.3: Employment

Series 2: Community Organizations

Series 3: Correspondence

Series 4: Photographs

Series 5: Printed material

Subseries 5.1: Books

Subseries 5.2: Government publications

Subseries 5.3: Journal Articles

Subseries 5.4: Museum catalogs and curriculum

Series 6: Miscellaneous
Biographical/Historical note:
Alice Bell Finlayson was born in Washington, DC in 1902. She attended Paul Lawrence Dunbar High School, and in 1922, she graduated from Miner Teachers College. She went on to earn a bachelor's and a master's degree in sociology from Howard University. While pursuing her degrees she began working for the District of Columbia Public Schools. In 1922 she took a position as a 1st grade teacher at the Garrison-Cleveland School.

For fourteen of her thirty-seven years with the District of Columbia Public Schools she served as principal of James G. Birney Elementary School. During her tenure at Birney she implemented several special programs designed to improve student outcomes. These programs addressed the needs of general education, gifted, and special education students. Students participated in reading and arts programs, as well as programs designed to promote healthy living and cultural awareness. Special education students developed life skills by working in building maintenance, and by providing other support services to the school. Mrs. Finlayson also established a research division within the school to develop testing instruments. As a result of these innovations, Birney became a training school for new teachers. Moreover, the District's Board of Education implemented some of the Birney programs district-wide. The school also won three Freedoms Foundation awards.

Mrs. Finlayson resigned as principal in January of 1959 and went on to hold other employment. She was a lecturer at Morgan State University, a program assistant at Howard University, and coordinator for several community programs. Beyond her regular employment she worked with various local and national civic organizations. She was a founding member of the Community Coordinating Organization, which was a coalition of District of Columbia community organizations. As chairman of the Women's Civic Guild she raised funds for community projects and for other organizations such as the NAACP. She was an active member of the community up until her death on November 27, 2000.
Related Archival Materials note:
Finding aid to the Anacostia Historical Society records located in the Anacostia Community Museum Archives, Smithsonian Institution.

Finding aid to the Ella B. Howard Pearis papers located in the Anacostia Community Museum Archives, Smithsonian Institution.

Finding aid to the Charles Qualls papers located in the Anacostia Community Museum Archives, Smithsonian Institution.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
The collection is open for unrestricted research. Use requires an appointment.
Rights:
The Alice Bell Finlayson papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American educators  Search this
Community organization  Search this
African American neighborhoods  Search this
Genre/Form:
Clippings
Scrapbooks
Books
Photographic prints
Periodicals
Photographs
Papers
Sketches
Citation:
Alice Bell Finlayson papers, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-003
See more items in:
Alice Bell Finlayson papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa790d44120-c416-4f89-aff7-14babc743a37
EDAN-URL:
ead_collection:sova-acma-06-003
Online Media:

Calvin Douglass papers

Creator:
Douglass, Calvin, b. 1931  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
1954-1995
Summary:
The papers of African American painter and teacher, Calvin Douglass, measure 0.2 linear feet and date from 1954 to 1995. The small collection consists of biographical material, correspondence, photographs, printed material, professional files regarding Douglass's teaching career, and sketches.
Scope and Contents:
The papers of African American painter and teacher, Calvin Douglass, measure 0.2 linear feet and date from 1954 to 1995. The small collection consists of biographical material, correspondence, photographs, printed material, professional files regarding Douglass's teaching career, and sketches.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Calvin Douglass (1931-2021) was an African American painter and teacher in Staten Island, N.Y. Douglass was born in Baltimore, Maryland in 1931 and was first introduced to art at eleven when he apprenticed at a sign making shop. Later, he attended Howard University and the Skowhegan School of Painting and Sculpture and the Brooklyn Museum of Art. He was a member of Spiral, the collective of African American artists formed by Romare Bearden. Douglass exhibited his works around New York City.

Douglass was a lecturer and educator at the Brooklyn Museum Art School, Vassar College and the Urban Center for Black Studies, and Smith College. Calvin Douglass died in 2021 in Edgewater, Florida.
Provenance:
Papers were donated in 1971 by Calvin Douglass. Additional material was donated after 1994, provenance unknown.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American educators  Search this
African American painters  Search this
Genre/Form:
Drawings
Citation:
Calvin Douglass papers, 1954-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dougcalv
See more items in:
Calvin Douglass papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98334257d-079a-44b2-b3e4-49cec7b85b01
EDAN-URL:
ead_collection:sova-aaa-dougcalv
Online Media:

Maren Hassinger papers

Creator:
Hassinger, Maren  Search this
Names:
Maryland Institute, College of Art  Search this
Nengudi, Senga, 1943-  Search this
Extent:
11.3 Linear feet
4.55 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Video recordings
Diaries
Date:
1955-2018
Summary:
The papers of African American artist and educator Maren Hassinger measure 11.3 linear feet and 4.55 gigabytes, dating from 1955 to 2018. The collection contains biographical material; personal and professional correspondence; and writings; as well as project and exhibition files; material related to Hassinger's tenure at the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art (MICA); material related to other professional activities, including teaching files; photographic material; and artwork and artifacts.
Scope and Contents:
The papers of African American artist and educator Maren Hassinger measure 11.3 linear feet and 4.55 gigabytes, dating from 1955 to 2018. The collection contains biographical material including appointment and address books, education records, family and other home movie recordings, interview transcripts, and resumes; personal and professional correspondence; and writings including diaries, notebooks, notes, and writings by others. Also included are project and exhibition files, including accompanying audiovisual material and performance recordings; material related to Hassinger's tenure at the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art (MICA); material related to other professional activities, including other teaching files, panels, and grants; printed material; photographic material depicting Maren Hassinger, other individuals, and works of art, including student work; and artwork and artifacts.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material, 1959-2001, 2013-circa 2015 (Box 1; 0.5 linear feet, ER01; 0.001 GB)

Series 2: Correspondence, 1961-2018 (Boxes 1-2; 1 linear foot, ER02; 3.01 GB)

Series 3: Writings, 1955-2017 (Boxes 2-3; 0.7 linear feet)

Series 4: Project and Exhibition Files, 1966, 1982-2015 (Boxes 3-4, OV 12; 1.5 linear feet, ER03-ER04; 1.31 GB)

Series 5: Rinehart School of Graduate Sculpture/MICA Files, circa 1960s-2018 (Boxes 4-5; 1.4 linear feet)

Series 6: Professional Activities, circa 1969-2017 (Boxes 5-6; 0.8 linear feet, ER05; 0.006 GB)

Series 7: Printed Material, 1960-2018 (Boxes 6-9, OVs 12-15; 2.9 linear feet)

Series 8: Photographic Material, 1969-2010s (Boxes 9-10, OV 12, Box 16; 2.2 linear feet, ER06; 0.224 GB)

Series 9: Artwork and Artifacts, circa 1960s-2010s (Box 11; 0.3 linear feet)
Biographical / Historical:
Maren Hassinger (1947- ) is an African American artist in New York known for sculpture, performance, and public art in which she uses natural and industrial materials. She was also an educator and is the director emeritus of the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art in Baltimore, MD.

Born Maren Jenkins in Los Angeles, California in 1947, Hassinger studied dance and sculpture at Bennington College, earning a Bachelor of Arts in sculpture in 1969. In 1973 she completed a Master of Fine Arts in fiber structure at UCLA.

During her time in Los Angeles, Hassinger began to collaborate with Senga Nengudi — a collaborative relationship that has continued throughout their careers. She also participated in the Studio Z collective with Nengudi, Ulysses Jenkins, David Hammons, and Houston Conwill.

Hassinger taught at the State University of New York, Stony Brook from 1992 to 1997 and was the director of the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art from 1997 to 2018. Throughout her career, she has been awarded numerous residencies, awards, and grants. Her work is held in many collections including the Baltimore Museum of Art, the California African American Museum, the Hammer Museum, and the Studio Museum in Harlem.
Provenance:
The Maren Hassinger papers were donated to the Archives of American Art in 2018 by Maren Hassinger.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Performance artists -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Educators -- Maryland -- Baltimore  Search this
Topic:
African American artists  Search this
Women artists  Search this
Women sculptors  Search this
Women educators  Search this
African American art -- African influences  Search this
African American educators  Search this
African American sculptors  Search this
Genre/Form:
Sound recordings
Video recordings
Diaries
Citation:
Maren Hassinger papers, 1955-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hassmare
See more items in:
Maren Hassinger papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cd224705-e329-48a4-bf88-db31ad8ebd4e
EDAN-URL:
ead_collection:sova-aaa-hassmare
Online Media:

Arthur Monroe papers

Creator:
Monroe, Arthur  Search this
Names:
Oakland Museum  Search this
World Black and African Festival of Arts and Culture  Search this
Extent:
22.6 Linear feet
6.36 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Scrapbooks
Date:
circa 1940-2019
Summary:
The papers of African American abstract expressionist painter, arts administrator and educator Arthur Monroe measure 22.6 linear feet and 6.3 gigabytes and date from circa 1940 to 2019. Monroe was the registrar at the Oakland Museum and American Studies professor at University of California, Berkeley and San Jose State University. This collection documents his career through biographical material, correspondence, writings, FESTAC records, professional files, research files, teaching files, printed material, and photographic material.
Scope and Contents:
The papers of African American abstract expressionist painter, arts administrator and educator Arthur Monroe measure 22.6 linear feet and 6.3 gigabytes and date from circa 1949 to 2019. Monroe was the registrar at the Oakland Museum and American Studies professor at University of California, Berkeley and San Jose State University. This collection documents his career through biographical material, correspondence, writings, FESTAC records, professional files, research files, teaching files, printed material, and photographic material.
Arrangement:
This collection is arranged as 9 series.

Series 1: Biographical Material, circa 1970-circa 2013 (0.4 linear feet; Box 1)

Series 2: Correspondence, circa 1971-cira 2015 (1.7 linear feet; Boxes 1-3)

Series 3: Writings, 1974-circa 2019 (3.7 linear feet; Boxes 3-6)

Series 4: FESTAC Records, 1973-1993, bulk 1974-1978 (4.5 linear feet; Boxes 6-11, 23)

Series 5: Professional Files, 1957-2019 (4 linear feet; Boxes 11-15)

Series 6: Research Files, 1951-2010 (4.5 linear feet; Boxes 15-19, 23)

Series 7: Teaching Files, 1970-circa 2010 (1.1 linear feet; Boxes 19-20)

Series 8: Printed Material, 1955-2014 (1.3 linear feet; Boxes 20-21, 24)

Series 9: Photographic Material, circa 1940-circa 2019 (1.4 linear feet; Boxes 21-22)
Biographical / Historical:
Arthur Monroe (1935-2019) was an African American abstract expressionist painter, arts administrator, and educator in Oakland, California. Monroe was the Chief Registrar at the Oakland Museum for over 30 years and also taught African American Studies as a professor at the University of California, Berkeley and San Jose State University. Arthur Monroe was the Chair of the Far West Region North Committee for FESTAC (1977), also known as the Second World Black and African Festival of Arts and Culture, as well as an organizer for the First Statewide Conference of Black Artists held in 1978.
Provenance:
The collection was donated in 2019 by Arthur Monroe as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Oakland  Search this
Educators -- California -- Oakland  Search this
Arts administrators -- California  Search this
Topic:
African American painters  Search this
African American artists  Search this
Abstract expressionism  Search this
African American art -- African influences  Search this
African American educators  Search this
Genre/Form:
Sketchbooks
Scrapbooks
Citation:
Arthur Monroe papers, circa 1940-2019. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.monrarth
See more items in:
Arthur Monroe papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ed18ada-836d-488b-9ef8-d027e1a92751
EDAN-URL:
ead_collection:sova-aaa-monrarth
Online Media:

Robert Russa Moton

Names:
Moton, Robert Russa, 1867-1940  Search this
Collection Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Collection Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
1 Photographic print (8 x 6 inches)
Container:
Box 6, Folder 25
Type:
Archival materials
Photographs
Photographic prints
Photographs
Date:
circa 1890
Scope and Contents:
An educator and author, Robert Russa Moton (1867-1940) graduated from Hampton Institute in 1890, where he was commandant of the male student corps. In 1915, following the death of Dr. Booker T Washington, Moton succeeded Washington as principal of Tuskegee Institute until 1935. The initial training base for the Tuskegee Airmen was named Moton field, after Robert Russa Moton.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American men  Search this
African American educators  Search this
Genre/Form:
Photographs
Collection Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016, Item PH2003.7063.369
See more items in:
Evans-Tibbs Collection
Evans-Tibbs Collection / Series 5: Photographs / Prominent Friends and Associates
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7568826e0-6d14-4a6e-8216-fe49c4219c73
EDAN-URL:
ead_component:sova-acma-06-016-ref190

Anna Evans Murray

Collection Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Collection Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
1 Photographic print (6x 4 inches)
Container:
Box 6, Folder 41
Culture:
African American  Search this
Type:
Archival materials
Photographs
Photographic prints
Photographs
Place:
Oberlin (Ohio)
Washington (D.C.) -- African Americans
Date:
circa 1876
Biographical / Historical:
Anna Evans Murray (1857- 1955), the paternal aunt of opera singer Lillian Evanti was an African American educator and civic leader in Washington, D.C. She was born in 1857 in Oberlin, Ohio to Henrietta Leary (1827-1908) and Henry Evans (1817-1886). Anna graduated from Oberlin College in 1876 and married Daniel Murray (1852-1925), assistant to the Librarian of Congress in 1879. Murray taught music at the Mott School and Howard University. She was an advocate for kindergarten education and the training of teachers for that purpose within the District of Columbia public school system. Mrs. Murray also served as chair of the Education Committee of the National League of Colored Women (NLCW) and the State Federation of Colored Women's Club.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American women  Search this
Educators  Search this
Portraits -- African American women  Search this
Genre/Form:
Photographs
Photographic prints
Collection Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016, Item PH2003.7063.385
See more items in:
Evans-Tibbs Collection
Evans-Tibbs Collection / Series 5: Photographs / Family / Murray Family
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa779af659c-5495-45c3-9171-c905392f7ff4
EDAN-URL:
ead_component:sova-acma-06-016-ref206

Wilson Bruce Evans and Robert Russa Moton with others pose for group portrait

Names:
Moton, Robert Russa, 1867-1940  Search this
Collection Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Collection Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
1 Photographic print (7 x 10 inches)
Container:
Box 7, Folder 6
Culture:
African American  Search this
Type:
Archival materials
Photographs
Photographic prints
Photographs
Date:
undated
Scope and Contents:
Group portrait with Robert Russa Moton and Wilson Bruce Evans, seated in the front row.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Portraits, Group  Search this
African Americans -- Washington (D.C.)  Search this
African American educators  Search this
Genre/Form:
Photographs
Photographic prints
Collection Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016, Item PH2003.7063.391
See more items in:
Evans-Tibbs Collection
Evans-Tibbs Collection / Series 5: Photographs / Family / Evans Family
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7160876ed-be44-4c0e-86fd-50c89540b7be
EDAN-URL:
ead_component:sova-acma-06-016-ref213

Mary Evans Wilson

Collection Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Collection Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
1 Item (6 x 4 inches)
Container:
Box 7, Folder 11
Culture:
African American  Search this
Type:
Archival materials
Photographs
Photographs
Photographic prints
Place:
Boston (Mass.)
Date:
circa 1897
Biographical / Historical:
Mary P. Evans Wilson (circa 1867- 1928) was an African American educator and clubwoman active in fighting discrimination in the Boston education school system. She was born in Oberlin, Ohio to Henrietta Leary (1827-1908) and Henry Evans (1817-1886). Mary taught a short time in the District of Columbia school system, like her sister, Anna Evans Murray (1857-1955). She married Bostonian attorney Butler Roland Wilson in 1894. She was the paternal aunt of opera singer Lillian Evanti.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Educators  Search this
Portraits -- African American women  Search this
Genre/Form:
Photographs
Photographic prints
Collection Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016, Item PH2003.7063.396
See more items in:
Evans-Tibbs Collection
Evans-Tibbs Collection / Series 5: Photographs / Family / Evans Family
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa72de2eb7a-c718-4faf-b78e-9561685a853f
EDAN-URL:
ead_component:sova-acma-06-016-ref218

Anna Evans Murray

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Collection Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Collection Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
1 Mounted photograph (6 x 4 inches)
Container:
Box 7, Folder 25
Culture:
African American  Search this
Type:
Archival materials
Photographs
Mounted photographs
Photographs
Photographic prints
Place:
Washington (D.C.) -- African Americans
Date:
circa 1876
Biographical / Historical:
Anna Evans Murray (1857- 1955) the paternal aunt of opera singer Lillian Evanti, was an African American educator and civic leader in Washington, D.C. She was born in 1857 in Oberlin, Ohio to Henrietta Leary (1827-1908) and Henry Evans (1817-1886). Anna graduated from Oberlin College in 1876 and married Daniel Murray (1852-1925), assistant to the Librarian of Congress in 1879. Murray taught music at the Mott School and Howard University. She was an advocate for kindergarten education and the training of teachers for that purpose within the District of Columbia public school system. Mrs. Murray also served as chair of the Education Committee of the National League of Colored Women (NLCW) and the State Federation of Colored Women's Club.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Educators  Search this
Portraits -- African American women  Search this
Genre/Form:
Photographs
Photographic prints
Collection Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016, Item PH2003.7063.413
See more items in:
Evans-Tibbs Collection
Evans-Tibbs Collection / Series 5: Photographs / Family / Murray Family
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c31e1fd6-18c1-41c6-948e-85b57b24888e
EDAN-URL:
ead_component:sova-acma-06-016-ref232

Oral history interview with William H. (Bill) Burgess, 1973 April

Interviewee:
Burgess, Bill  Search this
Interviewer:
Katzman, Lynn  Search this
Subject:
Studio Museum in Harlem  Search this
Type:
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with William H. (Bill) Burgess, 1973 April. Archives of American Art, Smithsonian Institution.
Topic:
African American art  Search this
African American educators  Search this
African American art museum curators  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)11457
(DSI-AAA_SIRISBib)212592
AAA_collcode_burges73
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212592

Modify Your Search







or


Narrow By