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Handbook on Aerial Photography

Author:
I͡Ankevich, Lt  Search this
Publisher:
Tipografīi͡a A. N. Lavrov i Ko. (Petrograd)  Search this
Collection Creator:
Hardesty, Von, 1939-  Search this
Extent:
4 Pages
Container:
Box 6, Folder 7
Type:
Archival materials
Text
Pages
Date:
1917
Scope and Contents:
Поручикъ Янкевичъ [Lt. I͡Ankevich], Аерофотографія [Aerofotografīi͡a] (Petrograd : Tipografīi͡a A. N. Lavroc i. Ko., 1917) Russian language monograph (photocopy of title pages and table of contents).
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Russian Aeronautical Collection, ACC. 2006-0034, National Air and Space Museum, Smithsonian Institution.
See more items in:
Russian Aeronautical Collection
Russian Aeronautical Collection / Series 1: Imperial Russia (1885-1917)
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2006-0034-ref269

On Aerial Photography

Author:
I͡Ankevich  Search this
Publisher:
Tipografīi͡a A. N. Lavrov i Ko. (Petrograd)  Search this
Collection Creator:
Hardesty, Von, 1939-  Search this
Extent:
20 Pages
Container:
Box 9, Folder 3
Type:
Archival materials
Text
Pages
Date:
1917
Scope and Contents:
Поручикъ Яткевичъ [Poruchik I͡Ankevich], Измѣрительная Фотографiя и Примѣненiе Ея Въ Авiацiи [Izmi͡eritel'nai͡a Fotografīi͡a i Primi͡enenīe Ei͡a v Avīat͡sīi] (Petrograd : Tipografìia A. N. Lavrov i. Ko., 1917). Russian text monograph (2-up photocopy).
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Russian Aeronautical Collection, ACC. 2006-0034, National Air and Space Museum, Smithsonian Institution.
See more items in:
Russian Aeronautical Collection
Russian Aeronautical Collection / Series 1: Imperial Russia (1885-1917)
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2006-0034-ref323

Captain Michael Gitt Papers

Creator:
Gitt, Michael.  Search this
Names:
Air Lines Pilots Association (ALPA)  Search this
Colonial Airlines  Search this
Eastern Airlines, Inc.  Search this
Extent:
5.71 Cubic feet (11 document boxes, 1 oversize box)
Type:
Collection descriptions
Archival materials
Correspondence
Technical manuals
Legal documents
Financial records
Maps
Date:
1931-2002
bulk 1938-1970
Summary:
Captain Michael Gitt was a pilot for several airlines from 1940 until 1968, most notably Colonial Airlines and Eastern Airlines. This collection consists of materials from Captain Michael Gitt's aviation career, particularly his thirty years as a commercial airline pilot for Colonial Airlines and Eastern Airlines. Of special note are the documents from his 1969 age discrimnation lawsuit regarding the "Age 60" mandatory retirement rule for pilots.
Scope and Contents:
This collection consists of materials from Captain Michael Gitt's aviation career, particularly his thirty years as a commercial airline pilot. Documents include: flight logs and aviation licenses; applications for employment; aerial negatives and photographs of the New York City area; correspondence, mostly to colleagues at Canadian Colonial Airways, later renamed Colonial Airlines, and the Air Line Pilots Association (ALPA); Colonial Airlines bulletins and staff newsletters; material relating to his employment at Colonial Airlines, including aircraft manuals for the DC-2 and DC-3; rosters and documentation relating to the Retired Eastern Pilots Association (REPA); and legal briefs and correspondence associated with his age discrimination case against Eastern Airlines in 1969. A small selection of personal materials include correspondence, licenses, housing documentation, and an autobiography and obituaries. There are also materials regarding his wife, Cornelia Gitt, her flight records, and her attempt to organize a Colonial wives safety petition.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects. Materials with personally identifiable information have not been included.
Arrangement:
The collection is arranged into five series. Materials within each series are arranged chronologically.

Series 1: Early Aviation Career

Series 2: Canadian Colonial Airways and Colonial Airlines

Series 3: Eastern Airlines

Subseries 3.1: Age 60 Lawsuit

Subseries 3.2: General Eastern Materials and Retired Eastern Pilots Association

Series 4: Logbooks, Licenses, and Cards

Series 5: Personal Materials
Biographical / Historical:
Captain Michael Gitt (1908-2002) was a pilot for several airlines from 1940 until 1968, most notably Colonial Airlines and Eastern Airlines.

Michael A. Gitt learned to fly on a Brunner-Winkle Bird at the Flushing Flying School in 1931. In November 1931, he bought a Buhl Flying Bull Pup and a Taylor Cub E-2 in March 1935. He earned his transport license in 1937. He studied with the Aircraft Radio and Instrument Company at Roosevelt Field. Between 1938 and 1940, he was employed by Aero Service for aerial photography, Bennett Air Service, and Standard Flying Service at Somerset Hills Airport in Basking Ridge, New Jersey.

In August 1940, Gitt began his career as a commercial airline pilot with Canadian Colonial Airwayss, which was renamed Colonial Airlines in 1942. In 1956, Eastern Airlines purchased Colonial and Gitt continued his employment with Eastern until he retired as a Senior Captain in 1968.

Gitt was also extremely active with the Air Line Pilots Association (ALPA) union from 1946-1956. He served as chairman of numerous negotiating committees, including the retirement committee and the Colonial #28 Council. Gitt filed many grievances with the airlines on his own behalf over issues such as vacation time, compensation, and seniority. In 1969, he filed one of the first airline pilot age discrimination suits against Eastern Airlines in response to the "Age 60" mandatory retirement rule for pilots.. F. Lee Bailey served as one of his lawyers. His suit was not successful and the mandatory retirement age for airline pilots remained 60 until 2007, when it was changed to 65.

After his retirement from the airlines, Gitt began a second career as director of Marine Activities for the Park District of Great Neck, Long Island, New York. Besides his work and many civic and community organizations that he was involved with, Gitt also fulfilled a dream during the 1970s by earning his glider pilot license. He also was a member of the Retired Eastern Pilots Association (REPA).
Provenance:
Patricia and Brian Gitt, Gift, 2003, NASM.2003.0033
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Aeronautics  Search this
Airlines  Search this
Aeronautics, Commercial  Search this
Discrimination in employment  Search this
Collective bargaining -- Aeronautics  Search this
Genre/Form:
Correspondence
Technical manuals -- 20th century
Legal documents
Financial records
Maps
Citation:
Captain Michael Gitt Papers, Acc. NASM.2003.0033, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2003.0033
See more items in:
Captain Michael Gitt Papers
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-2003-0033
Online Media:

Surprising Roles of Drones

Creator:
National Air and Space Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2018-10-22T18:04:38.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_1B_mUhYZbqE

Fairchild FC-2

Manufacturer:
Fairchild Engine and Airplane Corporation  Search this
Materials:
Overall: Steel Tubing with Doped Cotton Covering.
Dimensions:
3-D: 944.9 × 274.3cm, 1012kg, 13.411m (31 × 9 ft., 2231lb., 44 ft.)
Width represented reflects aircraft with wings folded.
Dimensions taken by Move Contractor on behalf of CSC at the time of deinstall. Record Updated 12/15/2020. See As-Built in Media section for additional information.
Type:
CRAFT-Aircraft
Country of Origin:
United States of America
Date:
1928-1949
Credit Line:
Gift of Pan American-Grace Airways, Inc.
Inventory Number:
A19490054000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9865f8afe-bafb-4c93-b668-f93d9a27e6ca
EDAN-URL:
edanmdm:nasm_A19490054000

Aerial photography of Mesopotamia

Creator:
Great Britain. Royal Air Force  Search this
Great Britain. Royal Air Force  Search this
Type:
Printed Materials
Date:
1918
Topic:
Photography  Search this
Record number:
(DSI-AAA)11640
See more items in:
Harold Weston papers, 1894-1978, bulk 1912-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11640

Oral history interview with Allan Sekula, 2011 August 20-2012 February 14

Interviewee:
Sekula, Allan, 1951-2013  Search this
Sekula, Allan, 1951-2013  Search this
Interviewer:
Panzer, Mary, 1955-  Search this
Subject:
Altoon, John  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Braderman, Joan  Search this
Baldessari, John  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Diddley, Bo  Search this
Brach, Paul  Search this
Burch, Noël  Search this
Burn, Ian  Search this
Captain Beefheart  Search this
Charlesworth, Sarah  Search this
Chayefsky, Paddy  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Evans, Walker  Search this
Farber, Manny  Search this
Feldman, Ronald  Search this
Folks, Homer  Search this
Fox, Terry  Search this
Fried, Howard  Search this
Ginsberg, Allen  Search this
Graham, Dan  Search this
Graves, Michael  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab  Search this
Hayes, Woody  Search this
Heinecken, Robert  Search this
Higgins, Dick  Search this
Hine, Lewis Wickes  Search this
Kienholz, Edward  Search this
Kirschenbaum, Baruch David  Search this
Knowles, Alison  Search this
König, Kasper  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard  Search this
Lonidier, Fred  Search this
Lord, Catherine  Search this
Lunn, Harry  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A.  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff  Search this
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Type:
Interviews
Sound recordings
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA_CollID)16239
(DSI-AAA_SIRISBib)370420
AAA_collcode_sekula11
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_370420
Online Media:

Arthur d'Arazien Industrial Photographs

Creator:
d'Arazien, Arthur  Search this
Extent:
11 Cubic feet (28 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Dye destruction process
Photographic prints
Transparencies
Cibachrome (tm)
Tear sheets
Color negatives
Color prints (photographs)
Dye destruction photoprints
Silver-dye bleach process
Type c color prints
Chromogenic processes
Place:
Canada -- Industry -- 1940-1980
Date:
circa 1930-2002
Scope and Contents:
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and some Canadian) business and industry during a period of expansion a golden age of American industry. Although it represents the photographer's creative and artistic style and skill, the subject matter is appropriate to the National Museum of American History from several viewpoints the visual documentation of industry and technology, as well as advertising, public relations, and business history.

The photographs include black and white negatives and prints from the negatives, as well as color negative and transparency materials, up to 8" x 10" in size. Probably the majority of the transparencies were made in the large size. The black and white materials include pictures of d'Arazien at work some made by famous Life magazine photographer Alfred Eisenstaedt, a colleague at the Famous Photographers School. A number of Dye Transfer prints mounted on illustration board were made by master color printer Don Browning.

In addition to frequently extensive caption information on all of d'Araziens original envelopes and enclosures, many enclosures for color negatives and transparencies bear d'Arazien labels with technical information or instructions for color printing, such as filter pack designations and local printing controls. These enclosures therefore have been retained in the collection, although usually they are not of archival quality.

Of secondary significance are 62 large color prints, mostly Type C, with a few Cibachromes, which were made from the original transparencies for exhibition purposes. Most were made either by K & L laboratories, New York City (stickers on back) or Eastman Kodak professional laboratories, Rochester, N.Y., and have been wet mounted to non archival Masonite. At the time of acquisition, several had faded and/or changed color. These are available for research and exhibition purposes, but are not expected to survive as long as the original transparencies.

The collection contains Mr. d'Arazien's files of printed materials. These include reproductions which indicate how his photographs were used by clients. Included are annual reports, promotional pieces, magazine tearsheets from advertising and editorial uses, and other biographical items.

Series 1: Professional industrial photographs.

Photographs document primarily American business and industry (including some taken in Canada). Black-and-white negatives with prints from these negatives, also color negative and transparency materials. Most transparencies are 8" x 10". The photographs demonstrate the photographer's reputation as a master of dramatic lighting and the coordination of large-scale, complex industrial setups in factories, steel mills, and even outdoor settings. Also 65 color prints, mostly Type C with a few Cibachromes, made from the original transparencies for exhibition purposes, mostly wet-mounted to Masonite. Black-and-white photographs include pictures of d'Arazien at work--some by Life magazine photographer Alfred Eisenstaedt.

Series 2: D'Arazien's files of printed materials, some of which include photomechanical reproductions of his work, indicating how the photographs were used by clients; also annual reports, magazine tearsheets from advertising and editorial uses, and other promotional items, in addition to biographical materials.

2007 addendum: Transparencies, slides, prints and negatives of additional photographs by Arthur d'Arazien, including industrial subjects as well as travel, architectural, agricultural, portrait, art, still life and personal photographs. Also included are miscellaneous papers, mostly relating to d'Arazien's photographic work.
Arrangement:
The collection is divided into three series.

Series 1: Paper Documents

Subseries 1.1: Publications and Reproductions.

Subseries 1.2: Photographer's Labels, Envelopes, Etc.

Series 2: Photographs

Subseries 2.1: Color Phototransparencies

Subseries 2.2: Color Photonegatives and Color Photoprints

Subseries 2.3: Black and White Photonegatives and Photoprints

Subseries 2.4: Color Photoprints: Enlargements Mounted on Masonite

Material is arranged in each sub-series primarily by client names, in alphabetical order.

Series 3: Oversize prints
Biographical / Historical:
Arthur d'Arazien began his photographic career as an assistant to a famous theatrical photographer, documenting Broadway shows. A distinctive emphasis on dramatic lighting in his later work suggests the heavy influence of the theater. He did fashion and commercial photography, as well as photographing the 1939 World's Fair, for Underwood & Underwood Illustration Studios, East 44th St., New York City, in 1938 1939. He was described in a U.S. Camera Annual article as Aan architect whose interest in photography has caused him to make a profession of it.

D'Arazien taught aerial photography for the U.S. Air Corps Technical Training Command at Lowry Field, Denver, during World War II. He began his career in industrial photography with the De Laval Separator Company, New York City. His energy and creativity led to assignments which often were judged too difficult for lesser photographers. His growing reputation as an industrial photographer kept pace with the dynamic growth of the industrial and technological activities he was photographing during the 1950s through the 1980s.

Robert Vogel, former Curator of Mechanical and Civil Engineering for the National Museum of American History, wrote that d'Arazien: ...became internationally known for his dramatic color views of the American industrial scene at a time when our industry can be said to have been at the height of its powers....He was commissioned by the giants of steel, paper, chemicals, machinery, transportation, automobiles, mining, metal refining, textiles, and the other heavy (and medium) industries. ...He developed a number of special techniques for obtaining the grand, sweeping views that became his trademark, including multiple exposures to achieve dramatic lighting effects, elaborate lighting setups involving multiple flashes from several vantages employing a number of assistants intercommunicating by radio, complex arrangements with transportation lines and the various departments of the subject organization to produce the desired juxtaposition of elements in the photograph, and the like. His MO was anything but that of simply walking onto the scene and snapping the shutter; for many of his breathtaking views he appears to have been more producer and impresario than photographer.

Arthur d'Arazien describes the growth of his spectacular style as an eager response to new subjects, challenges, and photographic materials:

...knowing that color was the coming thing in corporate advertising, I pursued that line. I did lots of experimenting; every assignment gave me an opportunity to try something new, such as combination day and night exposures on a single sheet of film, multiple flash bulbs to light large interiors, multiple exposures on the same film, such as...moving objects ...automobiles, trains...to build up excitement in a picture. Colored gels to change colors. I even used old fashioned flash powder to light ...steel mills, because there were no flashbulbs powerful enough to light these dark, cavernous interiors: this idea was borrowed from the Air Corps night time aerial photography with magnesium flash powder.

A skilled painter and metal sculptor as well as photographer, d'Arazien came from a family of artists. His photographs were made primarily on assignment from industrial corporations for advertising, editorial, and public relations purposes, but have been exhibited and collected as works of art in the Smithsonian Institution (Division of Photographic History), the Metropolitan Museum of Art, and the Cleveland Museum. His work was included in the Photography in the Fine Arts exhibitions organized by Ivan Dimitri, and he was a founding faculty member of the Famous Photographers School, Westport, Connecticut, in the early 1960's.

D'Arazien married Margaret Scott and has two sons. He had a studio in Waterside Plaza, New York, and made his home in New Canaan, Connecticut, until moving to Naples, Florida, upon his retirement in 1988. The collection was brought to the Smithsonian's attention by his son Steven, and was donated to the Archives Center before this move. In anticipation of this gift, Mr. d'Arazien spent several months inspecting his collection, eliminating duplicate and technically unsuccessful images, and captioning photographs.

Sources American Aces, U.S. Camera Annual 1939. Clipping in scrapbook no. 1, box 24, first page.

Robert M. Vogel, memorandum, undated, but written after a December 1987 visit to d'[Arazien's home. In Archives Center collection control file.

Letter to the author, 26 February 1992, in collection control file.
Provenance:
Collection donated by Arthur d'Arazien, December 24, 1988.
Restrictions:
Collection is open for research but the majority of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Industry -- Photographs -- 1940-1980 -- Canada  Search this
Industry -- Photographs -- 1940-1980 -- United States  Search this
Steel industry and trade -- 1940-1980  Search this
Agriculture -- Photographs -- 20th century  Search this
Travel -- Photographs -- 1930-2000  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- Acetate film
Photographs -- Chromogenic -- 1900-2000
Dye destruction process
Photographic prints
Transparencies
Cibachrome (TM)
Tear sheets
Color negatives
Color prints (photographs)
Dye destruction photoprints
Silver-dye bleach process
Photographs -- Color prints -- 20th century
Type C color prints
Chromogenic processes
Citation:
Arthur d'Arazien Industrial Photographs, ca. 1930-2002, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0314
See more items in:
Arthur d'Arazien Industrial Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0314
Online Media:

Camera, Motion Picture, Cine-Kodak Special, 16mm

Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020304003
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv90a28829e-b06c-4ad8-92c0-7fc23e6816fd
EDAN-URL:
edanmdm:nasm_A20020304003
Online Media:

Computer, Aerial Photography

Manufacturer:
Litton Industries  Search this
Materials:
Paper
Plastic
Coating
Dimensions:
Approximate: 8 × 16cm (3 1/8 × 6 5/16 in.)
Type:
INSTRUMENTS-Computers, General Purpose
Country of Origin:
United States of America
Credit Line:
Gift of Litton Industries
Inventory Number:
A20170089000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9b9375751-0da1-4fc6-9a13-b5c12b581cbe
EDAN-URL:
edanmdm:nasm_A20170089000

Case, Camera, Motion Picture, Miltar 254mm, Eyemo

Materials:
Wood
Aluminum
Foam
Steel
Copper Alloy
Chrome Plating
Leather
Plastic
Adhesive
Dimensions:
Overall: 41.9 x 26.7 x 34.3cm (16 1/2 x 10 1/2 x 13 1/2 in.)
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020302003
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9061dd441-8224-4758-9915-98c559ebc7b9
EDAN-URL:
edanmdm:nasm_A20020302003

Case, Camera, Motion Picture, Bell & Howell, 70 HR, 35mm

Materials:
Wood
Plastic
Foam
Steel
Paper
Adhesive
Dimensions:
Overall: 41.3 x 35.6 x 16.5cm (16 1/4 x 14 x 6 1/2 in.)
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020303001
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9d6db5fe8-5829-4e59-ab23-e4e3302afbdb
EDAN-URL:
edanmdm:nasm_A20020303001

Case, Camera, Motion Picture, Cine-Kodak Special, 16mm

Materials:
Wood
Aluminum
Foam
Steel
Copper Alloy
Chrome Plating
Synthetic Fabric
Leather
Plastic
Paper
Adhesive
Dimensions:
Overall: 39.4 x 21.6 x 29.2cm (15 1/2 x 8 1/2 x 11 1/2 in.)
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020304001
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv919e9077d-1da5-4dee-842c-5418ab39b18e
EDAN-URL:
edanmdm:nasm_A20020304001

Case and accessories, Sight, Mitchell, Motion Picture

Materials:
HAZMAT: Cadmium Plating
Wood
Rubber
Leather
Plastic
Aluminum
Steel
Copper Alloy
Paint
Cotton Webbing
Adhesive
Dimensions:
Overall: 49.5 x 26.7 x 31.1cm (19 1/2 x 10 1/2 x 12 1/4 in.)
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020309001
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9b578b7bb-e115-40e2-bfb6-cb04d747c887
EDAN-URL:
edanmdm:nasm_A20020309001

Case, Lens, Camera, Motion Picture, Ilex Seminat, 6in

Materials:
Leather
Steel
Paint
Non-magnetic white metal
Velvet (Natural Fabric)
Foam
Adhesive
Dimensions:
Approximate: 30.5 × 14 × 9.5cm (12 in. × 5 1/2 in. × 3 3/4 in.)
Storage: 20.3 × 35.6 × 15.2cm (8 × 14 × 6 in.)
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020314001
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv94f1fbf34-1dc8-4842-8357-8772c51d792a
EDAN-URL:
edanmdm:nasm_A20020314001

Box, Accessories, Photographic, Mitchell Camera Oil

Materials:
Cardboard
Paper
Adhesive
Ink
Dimensions:
3-D: 4.4 × 3.8 × 11.7cm (1 3/4 × 1 1/2 × 4 5/8 in.)
Storage: 10.2 × 10.2 × 15.2cm (4 × 4 × 6 in.)
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020316002
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9b629340c-ec60-45b6-88ce-000d4115a29c
EDAN-URL:
edanmdm:nasm_A20020316002

Cosmos Phase II

Manufacturer:
Cosmos  Search this
Dimensions:
Wingspan: 10.6 m (34 ft 10 in)
Length (wing): 3.6 m (12 ft)
Length (trike) 2.8 m (9 ft 4 in)
Height: 2.5 m (8 ft 4 in)
Weights: Empty, 163 kg (360 lb)
Gross, 400 kg (884 lb)
Engine: Rotax 503 UL DCDI, 2-cylinder, 2-cycle,
50 horsepower
Stall speed: 37 km/h (23 mph)
Cruising speed: 60 km/h (37 mph)
Maximum speed: 85 km/h (53 mph)
Type:
CRAFT-Aircraft
Credit Line:
Gift of Joseph W. Duff, CEO Operation Migration.
Inventory Number:
A20060594000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
Steven F. Udvar-Hazy Center in Chantilly, VA
Hangar:
Boeing Aviation Hangar
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9cf0430dc-03a3-4666-8a0f-3d8aa9ca13d9
EDAN-URL:
edanmdm:nasm_A20060594000
Online Media:

Camera, Motion Picture, Arriflex IIB, 35mm

Materials:
metal and glass
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020300000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
Steven F. Udvar-Hazy Center in Chantilly, VA
Hangar:
Boeing Aviation Hangar
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv96f937721-274a-49ce-b766-349580a55b89
EDAN-URL:
edanmdm:nasm_A20020300000

Camera, Motion Picture, Bell & Howell 35mm

Materials:
metal and glass
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020301000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
Steven F. Udvar-Hazy Center in Chantilly, VA
Hangar:
Boeing Aviation Hangar
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv97649a9f2-0205-4c34-a639-7ca98714ecc1
EDAN-URL:
edanmdm:nasm_A20020301000

Camera, Motion Picture, Bell & Howell, Eyemo, 35mm

Materials:
metal and glass
Type:
EQUIPMENT-Photographic
Credit Line:
Gift of Judy Scholl.
Inventory Number:
A20020302000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Location:
Steven F. Udvar-Hazy Center in Chantilly, VA
Hangar:
Boeing Aviation Hangar
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv90c3598a2-5c40-46c6-bf25-abc2198962c1
EDAN-URL:
edanmdm:nasm_A20020302000
Online Media:

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