United States of America -- Hawaii -- Honolulu County -- Honolulu
Scope and Contents:
The folder includes worksheets, garden plans, a narrative history of the house and gardens,and a typescript copy of a newspaper article about the garden.
General:
Lipolani has been owned by the same family since 1924 (the house was completed in 1930), but its gardens date to the late 1940s, after Goodale and May Moir were married. Their design reflects a conscious decision to eliminate the traditional trees, shrubs, and grass that had characterized the site's landscaping during its initial years. An open-air, walled patio was given planting beds, a roof, and screening, as well as wire to accomodate a large collection of phalaenopsis orchids. The entrance courtyard was walled and planting areas filled with rocks for soil retention and plant support. Plants such as tree ferns, ti, dracaena, medinella, and plumeria were introduced. In the late 1950s the front garden was expanded to include a mountain view area enclosed by a wall, creating another private garden. A large courtyard on the lower side of the house was surrounded by deep, raised planting beds and eventually came to resemble a Japanese Zen-style moss garden. In addition the site includes an open-sided greenhouse, a rock garden, and a strip of land where a variety of plants used for cutting, cooking, and eating are grown.
Persons associated with the garden include: Goodale Moir (former owner, 1930-1985); May Moir (former owner, 1985-2001); and Louis Davis (architect, 1930).
Related Materials:
Lipolani related holdings consist of 1 folder (11 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Libraries forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of catalogs, rules and regulations, membership cards, receipts, copyrights, reports, printed advertisements, gift receipts, related publications, periodicals, and price lists. These materials are from public and private libraries and distributors of books, supplies and furniture. Materials date from 1832 to 1965 but the bulk of the material is late nineteenth and early twentieth century.
Box one is organized by the name of the library. Materials in box two are organized by the name of the distributor, manufacturer, or publisher. Box three is grouped by type of material: general images, publications, reports, etc.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Libraries is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Libraries, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
3.13 Cubic feet (consisting of 3.5 boxes, 1 folder, 24 oversize folders, 7 map case folders, 1 flat box, plus digital images of some collection material. )
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
undated
circa 1848-1926
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Lithography forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of scattered correspondence on letterhead stationery, business cards, lithographs, bills/receipts, advertising cards, order forms, price lists, cut-outs, catalogues, and books from lithographers, printers, and engravers. The material dates from 1848 to 1926, but the bulk is late nineteenth century. There is a substantial amount of material for both Louis Prang and Currier and Ives.
Materials in box one and two are organized by name of company. Box three contains information about Currier and Ives. Materials in box four are arranged by type: correspondences, bills and receipts, related publications, and miscellaneous items.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Lithography is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Lithography, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
3.23 Cubic feet (consisting of 5 boxes, 1 folder, 7 oversize folders, 3 map case folders, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Ephemera
Business ephemera
Date:
1744-1960
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Beer forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of labels, recipes, advertising cards, bills/receipts, announcements, circulars, notices, coasters, lithographs, printed advertisements, patents, trademarks, books, shipping documents and catalogues from brewers of beer. Some of these companies, such as Pabst, also made malt health tonics and food products.
Arrangement:
Box one contains shipping documents. Boxes two and three organized by name of company. Boxes 4 and 5 organized by type.
General:
The following is a list of brand names for various paints and related names that appear on this list is a compilation of those found on materials in the vertical document boxes. It is not a complete list of all the brand names for beers. The list is intended to assist researchers locate desired materials when only the brand name is known.
Brand Name Index
Manufacturer -- Brand Name
John Taylor's Son -- Albany Imperial XX Ales
Amsdell Brothers -- Albany XX Ale
Furniture City Brewing Company -- Amber Brew
John P. Muldowney -- Anthracite
Globe Brewing Company -- Arrow
Rainier Brewing Company -- B-B
General Brewing -- Bankers Ale Corporation
Dubuque Brewing & Malting Company -- Banquet Bottled Beer
Pittsburgh Brewing -- Dutch Club Pittsburgh Brewing Company
Albion Brewing -- Eagle Beer
P. Schoenhofen -- Edelweiss
Best Brewing Company -- Embassy Club Beer
John S. Sills & Sons -- Epicure
Wm. J. Lemp Brewing -- Falstaff Company
Peter Walkor & Son -- Falstaff Burton Ale
Pittston Brewing -- Glennon's Corporation
Furniture City Brewing Company -- Goldon Seal
Frank Brewery Company -- Grand Prize
Heidelberg Brewing -- Heirloom Company
Dole Brothers -- Hops Malt
John Taylor's -- Imperial Cream Ale
Robert IL -- Jolly Scott
The Continental Brewery -- King's Bohemian Beer
Prima-Bismark -- Koenig Bray Premium Beer
Pilsner Brewing Company -- Lion Ale
Wacker Brewing Company -- Little Dutch
Miami Valley Brewing -- London Bobby Ale Company
Western Brewery -- London Porter
Mount Carbon Brewery -- Lord Salisbury Ale
Philadelphia Brewing -- Lorelei Company
Liebmann Breweries -- Luxus
Anheuser - Busch -- Malt Nutrine
Anheuser - Busch -- Michelob
Albion Brewing Company -- Mohawk
Goenner & Company -- New Life
Jacob Ruppert -- Old Knickerbocker Jacob
General Brewing -- Old Frisco Corporation
A. Hupfels Sons -- Old Setter
Fort Pitt Brewing -- Old Shay
Rochester Brewing -- Old Topper
Bunker Hill Breweries -- P.B. Ale
Rainer Brewing Company -- Pacific Export Beer
Lebanon Brewing Company -- Penngold
Springfield Brewing -- Porn Roy Company Springfield Brewing
Sebewaing Brewing -- Premium Club Lager Beer Sebewaing Brewing Company
Depper Manufacturing -- Ramona Ale Company
A. Gettelman Company -- Rathskeller
Mathie Ruder Brewing -- Red Ribbon Company
Premier - Pabst -- Red, White & Blue Corporation
Libmann Breweries -- Rheingold
A.B. Company Brewers -- Robin Hood Ale
Widman's Brewery -- Royal
American Brewing Company -- St. Louis ABC Bohemian
Anheuser - Busch -- Schott Ale
Canton Brewing Company -- Schuster
Chr. Henrich Company -- Senate Ale
Peter Fox Brewing Company -- Silver Fox
Duquesne Brewing Company -- Silver Top
Rueter & Company -- Sterling Ale
Frankenmuth Brewing -- Stolz Company
John Joule & Sons -- Stone Ale
Canton Brewing Company -- Sunshine
S. Bethlehem Brewing -- Supreme Company
Koenig-Rauch-Paulsen -- Tally-Ho
American Brewing Company -- Tam O'Shanter
Beth Uhl -- Tannhauser
C. Schmidt & Sons -- Tiger
Peoples' Brewing Company -- Trenton Old-Stock
Northampton Brewery Corporation -- Tru-Blu
Canton Brewing Company -- Tuscora
Furniture City Brewing Company -- Victor Splits
Philadelphia Brewing -- Walhalla Company
Fesenmeier Brewing -- West Virginia Special Company
J. Myer Company -- White Oak Celery Tonic
A.B. Company -- Wurzburger
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
[Subject Category Title] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Beer, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Beer, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Beer, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Materials relate to the production and sales of women's clothing in the United States and abroad. The oversize items are comprised of printed advertisement, brochures, catalogs, import/export documents, related publications and images that are primarily from fashion periodicals. A scrapbook of hand colored paper cutouts of women is also included in the collection.
Most images are black and white line illustrations with few exceptions. Descriptions accompany some garment images. Some images of patterns used in the creation of certain garments accompany the images; see the Warshaw subject, Pattern Industry, for more patterns. The material dates from the late nineteenth to early twentieth century and represents the Gibson Girl and the Flapper styles. An Asian influence is visible in some advertisements and brochures, particularly for women's night and lounge clothes
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Ladies' Clothing, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Apparently a stamp or sticker with deckled edges, with an illustration of a woman wearing a red and white striped skirt, green cape and hat. Labelled "...Skirts of quality / Waldorf Building / New York."
Local Numbers:
AC0060-0000899.tif (AC scan no.)
General:
In Ladies Clothing Box 4, Schuss & Co. folder.
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clothing and dress -- ca. 1900 -- New York (State) -- New York Search this
Retail trade -- 1890-1910 -- New York (N.Y. Search this
advertising -- 1890-1910 -- New York -- New York. Search this
Dealer ads -- ca. 1900 -- New York (State) -- New York Search this
Warshaw Collection of Business Americana Subject Categories: Ladies' Clothing, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
