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Gari Melchers papers, 1887-1947

Creator:
Melchers, Gari, 1860-1932  Search this
Subject:
Hitchcock, George  Search this
Record number:
(DSI-AAA_CollID)7867
(DSI-AAA_SIRISBib)210034
AAA_collcode_melcgari
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210034

Lois Mailou Jones scrapbooks, 1922-1992

Creator:
Jones, Lois Mailou, 1905-1998  Search this
Subject:
Bernard, Emile  Search this
Howard University  Search this
Type:
Scrapbooks
Place:
Africa, French-speaking West -- Description and travel
Topic:
African American art -- African influences  Search this
African American art -- European influences  Search this
Art, Haitian  Search this
African American artists  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)9983
(DSI-AAA_SIRISBib)212709
AAA_collcode_jonelois
Theme:
Women
African American
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212709

Max Weber papers

Creator:
Weber, Max, 1881-1961  Search this
Names:
American Artists' Congress  Search this
Forum Gallery (New York, N.Y.)  Search this
Biddle, George, 1885-1973  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Hartley, Marsden, 1877-1943  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Newman, Barnett, 1905-1970  Search this
Soyer, Raphael, 1899-1987  Search this
Zorach, William, 1887-1966  Search this
Extent:
11.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Motion pictures (visual works)
Date:
1902-2008
Summary:
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.
Scope and Content Note:
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.

Biographical material includes biographical summaries, obituaries, award certificates, and a small amount of family memorabilia. Weber's personal and professional correspondence includes discussions of exhibitions, sales, and donations of his work, as well was requests to teach, write, or lecture. Also found is correspondence with arts organizations, clubs, and committees in which he participated. A small amount of family correspondence is also included. Artists that Weber corresponded with include George Biddle, Arthur Davies, William Gropper, Chaim Gross, Marsden Hartley, Rockwell Kent, Leon Kroll, Barnett Newman, Raphael Soyer, and William Zorach, among many others. Weber also corresponded with many art historians and critics, gallery owners, and art patrons. Joy Weber's correspondence primarily concerns the exhibition, loan, sale, and authentication of her father's artwork.

Exhibition files document various solo and group exhibitions of Weber's work. Five reels of motion picture film include footage of an exhibition at the Forum Gallery in 1975. Gallery files include correspondence, inventories, sales and loan records, gallery publications, and other documentation. Most files for exhibitions and galleries were created by Joy Weber after Max Weber's death in 1961. Personal business records include documents on sales, loans, and gifts of Max Weber's artwork; scattered financial documents; and mortgage and property records. Also found are files regarding his participation in the American Artists' Congress and art juries. Weber's writings primarily concern art theory, impressions of other artists, and social and political issues. Additionally there are notes, drafts speeches, and writings by others about Weber.

Printed material is extensive and includes exhibition publications, press releases, and two published booklets written by Weber: "Art Consciousness" and "Things." Also found are news clippings, brochures, newsletters, and publications produced by art organizations, schools, and museums. Photographs include portraits and snapshots of Weber, depicting him working in his studio, participating in art juries, at art openings, and with his family. Photographs also depict installation views of exhibitions and numerous photographs of Weber's artwork. Audiovisual materials include one sound recording of a National Gallery program on Max Weber and five reels of motion picture film that include home movies and footage of an exhibition at the Forum Gallery in 1975.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1905-1995 (Box 1; 10 folders)

Series 2: Correspondence, 1902-2007 (Box 1-5; 4.2 linear feet)

Series 3: Exhibition Files, 1919-2003 (Box 5-6; 0.7 linear feet)

Series 4: Gallery Files, 1926-2005 (Box 6-7; 0.9 linear feet)

Series 5: Personal Business Records, 1906-2006 (Box 7; 0.8 linear feet)

Series 6: Writings, circa 1910s-1999 (Box 7-8; 0.6 linear feet)

Series 7: Printed Material, 1909-2008 (Box 8-10, 12; 2.6 linear feet)

Series 8: Photographs, 1930s-circa 2000 (Box 10-11; 1.1 linear feet)

Series 9: Audiovisual Material, 1954-2000 (Box 11, FC 13-17; 0.7 linear feet)
Biographical Note:
Max Weber (1881-1961) was a painter and sculptor in New York City.

Weber was born in Bialystok, Russia. When he was ten years old his family moved to Brooklyn, New York. From 1898 to 1900 he attended Pratt Institute and studied theory and practice of design under Arthur Wesley Dow. After graduating he briefly taught drawing in Lynchburg, Virginia, and Duluth, Minnesota. In 1905 he moved to Paris to attend the Académie Julian, studying under Jean-Paul Laurens, and later attended classes at the Académie Colarossi and Académie de la Grande Chaumiere. In 1907 he attended Henri Matisse's studio class. The influence of Matisse and friend Henri Rousseau transformed Weber's painting style to include elements of cubism and fauvism.

Weber returned to New York in 1909, and over the next few years he frequently exhibited at Alfred Stieglitz's gallery 291. Initially his work was panned by American critics for being too modern. Despite criticism, Weber exhibited his work extensively in the 1910s and also began creating abstract sculptures. In 1914 he helped his friend Clarence H. White open the White School of Photography and taught art history there for four years. Also in 1914 his Cubist Poems were published in London. His second book of poetry Primitives was published in 1926.

In 1916 Weber married Frances Abrams. He began to explore narrative subjects in his paintings and in 1918 began carving woodblock prints. He also taught at the Art Students League for the 1919-1921 and 1926-1927 sessions. By the early 1920s he was recognized as an important American artist, serving as a leader in art organizations such as the Society of Independent Artists. In 1930 Weber became the first American modernist to have a retrospective exhibition at the Museum of Modern Art.

In the 1930s Weber became more active in political and socialist causes, participating in many organizations throughout the Depression and World War II. In 1937 he became the National Chairman of the American Artists' Congress. By the 1940s, his work was widely known and influenced a new generation of American painters. He continued to exhibit extensively, received many awards, such as the Temple Gold Medal at the Pennsylvania Academy of Fine Arts, and often served on art juries. In 1955 he was elected to the National Institute of Arts and Letters and received an honorary doctorate from Brandeis University. He died in Great Neck, New York, in 1961.
Related Material:
Also found at the Archives of American Art is an Allen L. Wetmore letter from Max Weber, April 15, 1946.
Separated Material:
Material lent for microfilming in 1959 and 1969 which was not included in the 2011 donation is available on microfilm reels NY59-6 to NY59-10, N69-82 to N69-88, and N69-112.
Provenance:
Material was lent for microfilming in 1959 by Max Weber and in 1969 by Mrs. Max Weber and daughter, Joy Weber. The bulk of the microfilmed material and additional papers were donated in 2011 by Joy Weber.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Max Weber papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, American  Search this
Sculptors -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Genre/Form:
Photographs
Sound recordings
Motion pictures (visual works)
Citation:
Max Weber papers, 1902-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.webemax
See more items in:
Max Weber papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-webemax
Online Media:

Sears Gallagher papers

Creator:
Gallagher, Sears, 1869-1955  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Scrapbooks
Sketchbooks
Date:
circa 1882-2010
Summary:
The papers of draftsman, printmaker, and illustrator, Sears Gallagher measure 1.1 linear feet and date from circa 1882-2010. The collection consists of biographical information including awards and a scholarly biography; correspondence, primarily professional in nature, documenting the placement of works; professional files that document the management of studio practices including the printmaking process and the distribution and sale of prints; scrapbooks chronicling Gallagher's professional and family history in the form of clippings, photographs, and correspondence; printed material including clippings and commercial prints of watercolors; photographs including those of the artist and his studio; and artwork including numerous drawings on paper and sketchbooks documenting key moments of travel and artistic production.
Scope and Contents:
The papers of draftsman, printmaker, and illustrator, Sears Gallagher measure 1.1 linear feet and date from circa 1882-2010. The collection consists of biographical information including awards and a scholarly biography; correspondence, primarily professional in nature, documenting the placement of works; professional files that document the management of studio practices including the printmaking process and the distribution and sale of prints; scrapbooks chronicling Gallagher's professional and family history in the form of clippings, photographs, and correspondence; printed material including clippings and commercial prints of watercolors; photographs including those of the artist and his studio; and artwork including numerous drawings on paper and sketchbooks documenting key moments of travel and artistic production.
Arrangement:
The collection is arranged in seven series:

Series 1: Biographical Material, circa 1915-2010 (0.2 linear feet; Box 1)

Series 2: Correspondence, circa 1907-1929 (0.1 linear feet; Box 1)

Series 3: Personal Business Records, circa 1910-1939 (0.1 linear feet; Box 1)

Series 4: Scrapbooks, circa 1894-1938 (0.2 linear feet; Box 1)

Series 5: Printed Material, circa 1910-1940s (0.1 linear feet; Box 1)

Series 6: Photographic Material, circa 1900-2000 (0.1 linear feet; Box 1)

Series 7: Artwork, circa 1880-1939 (0.3 linear feet; Box 1, OV2)
Biographical / Historical:
Sears Gallagher (1869-1955) was a draftsman, printmaker, and illustrator born in Boston. After displaying considerable artistic talent in drawing as a child, Gallagher went on to study with the Italian-born Boston-based painter Tommaso Juglaris (1844–1925) from 1887 to 1889. Shortly after marrying Charlotte Dodge in 1895 the couple embarked for Paris where Gallagher pursued further artistic training at the Academie Julian. Gallagher's style evolved with an influence of the French Impressionists, and two of his watercolors were featured in the 1896 Paris Salon. Sears Gallagher achieved considerable popular success thanks to the sales and publishing of his prints, and he exhibited regularly in Boston with occasional shows in New York City until the 1940s. Gallagher was a founder of the Monhegan art colony in Maine, which is the setting of many of his popular works.
Provenance:
The Sears Gallagher papers were donated to the Archives of American Art in 2018 by Anne Burr Czepiel, granddaughter of Sears Gallagher.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Sears Gallagher papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Draftsmen (artists) -- Massachusetts -- Boston  Search this
Illustrators--Massachusetts--Boston  Search this
Printmakers--Massachusetts--Boston  Search this
Topic:
Artists' studios--Photographs  Search this
Genre/Form:
Drawings
Photographs
Scrapbooks
Sketchbooks
Citation:
Sears Gallagher Papers, circa 1882-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gallsear
See more items in:
Sears Gallagher papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gallsear

Edwin Ambrose Webster papers

Creator:
Webster, E. Ambrose (Edwin Ambrose), 1869-1935  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1821-1968
Summary:
The papers of painter and educator Edwin Ambrose Webster measure 2.2 linear feet and date from 1821 to 1968. Found within the papers are biographical material; business and personal correspondence; writings; teaching and research files, including information on Webster's participation in the 1913 Armory show; printed material; artwork; and photographic materials of Webster, his family and friends, and his work.
Scope and Contents:
The papers of painter and educator Edwin Ambrose Webster measure 2.2 linear feet and date from 1821 to 1968. Found within the papers are biographical material; business and personal correspondence; writings; teaching and research files, including information on Webster's participation in the 1913 Armory show; printed material; artwork; and photographic materials of Webster, his family and friends, and his work.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1821-1930 (5 folders; Box 1)

Series 2: Correspondence, 1900-1940 (2 folders; Box 1)

Series 3: Writings, 1910-1930 (3 folders; Box 1)

Series 4: Teaching Files, 1930-1933 (5 folders; Box 1)

Series 5: Printed Materials, 1911-1939 (0.4 linear feet; Box 1, OVs 5-6)

Series 6: Artwork, 1890-1930 (1.1 linear feet; Boxes 1-3, Artifacts 4, 7)

Series 7: Photographic Materials, 1875-1930 (8 folders; Box 1)

Series 8: Karl Rodgers Research Files, 1940-1968 (6 folders; Box 1)
Biographical / Historical:
Painter and educator Edwin Ambrose Webster (1869-1935) lived and worked in Provincetown, Massachusetts and was known for his vibrant landscapes and for opening the first modernist art school in Provincetown.

Born in Chelsea, Massachusetts, Webster began his art studies at the Boston Museum of Fine Arts under Frank Benson and Edmund Tarbell, where he received a three year scholarship to study abroad at the Academie Julian. There, he studied under Jean Laurens and Jean-Joseph Constant and was awarded several additional student prizes for his work. Upon his return, Webster established himself as a founding member of the burgeoning art colony in Provincetown, opening his Summer School of Art in 1900, which he operated for the next thirty five years.

Alongside his teaching duties, Webster continued to develop a modernist style and was invited to exhibit in the 1913 Armory Show. In 1918, he traveled to France to study Cubism under Albert Gleizes and Jean Metzinger, and upon his return to Provincetown, began incorporating these techniques into his paintings as well as into his lectures and classes. As an active organizer within the art colony, Webster helped to found the Provincetown Art Association in 1914 and served as its director from 1917 to 1919. In 1916, he also hosted the first exhibition of the woodblock carving group, the Provincetown Printers, at his studio. Webster died at his Provincetown home in 1935.
Provenance:
The papers were donated in 1974 by the wife of Mrs. Webster's nephew, Mrs. Karl F. Rodgers. Additional materials were donated by Mrs. Rodgers in 1975.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Edwin Ambrose Webster papers are owned by the Archvies of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art teachers -- Massachusetts -- Provincetown  Search this
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Art -- Study and teaching -- Massachusetts -- Provincetown  Search this
Genre/Form:
Photographs
Citation:
Edwin Ambrose Webster papers, 1821-1968. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.webse
See more items in:
Edwin Ambrose Webster papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-webse
Online Media:

Henry Ossawa Tanner papers

Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Names:
Académie Julian  Search this
Art Institute of Chicago  Search this
Grand Central Art Galleries  Search this
Old American Art Club (Paris, France)  Search this
Carpenter, J.S.  Search this
Curtis, Atherton  Search this
Tanner, Jesse O., 1903-  Search this
Tanner, Jessie O., 1873-1925  Search this
Taverty, J.J.  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Date:
1860s-1978
bulk 1890-1937
Summary:
The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his studio in Paris and home in Trepied, Normandy, his family, friends, fellow artists, and his artwork. Additional photographs include a circa 1890 shot of Tanner with fellow students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Also found are a few sketches and drawings.
Scope and Content Note:
The papers of the expatriate African American painter Henry Ossawa Tanner measure 2.3 linear feet and date from the 1860s to 1978, with the bulk of the material dating from 1890 to 1937. Found in the papers are scattered biographical, family, and legal materials; twenty-seven folders of correspondence with family, friends, patrons, and galleries; writings and notes by Tanner and others; a small amount of printed material; numerous photographs of Tanner, his family, friends, his artwork, and the galleries at the Chicago Art Institute; and a few sketches and drawings.

Biographical material contains identification documents, awards, family and personal bibles, scattered records of his membership in the Societe Artistique de Picardie and the American Expeditionary Forces, address books, family history, a file concerning a lawsuit against the Bethel A.M.E. Church, and a few records documenting the sale of his artwork. Tanner's personal and professional correspondence is with his wife Jessie, his family, friends, patrons, art galleries, and others. Letters are from various family members, his closest friend Atherton Curtis and his wife Ingeborg, friend J.S. Carpenter who was president of the Des Moines Association of Fine Arts and arranged for sales of Tanner's work in the mid-west, Grand Central Art Galleries in New York, and J.J. Taverty who purchased Tanner's work for the High Museum in Atlanta. Topics of note covered in the correspondence include the sale and exhibition of his artwork and his work for the Red Cross.

Writings and Notes by Tanner include two small notebooks, one of which he kept during his travels in Europe and Palestine in 1897. Also found are his scattered loose writings, jottings, and other notes on various subjects, including autobiographical notes. Writings by others include notes and an essay by his wife Jessie, and a manuscript, "The Life and Works of Henry O. Tanner," by his son Jesse. Printed Materials document Tanner's career and other interests through exhibition announcements, news clippings, printed reproductions of artwork, a published autobiographical essay, and other miscellaneous items. The collection includes numerous photographs of Tanner, family and friends, his studio in Paris, his home in Trepied and in Spain, travels, and artwork. Additional photographs include a circa 1890 shot of Tanner with students at the Académie Julian and another depicting Tanner with members of the American Art Club in Paris, circa 1900. Artwork consists of an ink drawing of a Paris studio and pencil sketches by Tanner.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, circa 1890-1937 (Box 1, 4, OV 5; 0.8 linear feet)

Series 2: Correspondence, circa 1890-1978 (Box 1, OV 5; 0.6 linear feet)

Series 3: Writings and Notes, 1897-circa 1950s (Box 1-2, OV 5; 9 folders)

Series 4: Printed Material, 1897-1975 (Box 2, OV 5; 9 folders)

Series 5: Photographs, 1860s-1943 (Box 3, OV 5; 0.4 linear feet)

Series 6: Artwork, 1891-1893 (Box 3; 2 folders)
Biographical Note:
African American painter Henry Ossawa Tanner (1859-1937) was born in Pittsburgh, Pennsylvania to Benjamin Tucker Tanner, a college-educated teacher and minister, and Sarah Miller Tanner, a former slave. Benjamin Tanner was very active in the African Methodist Episcopal (A. M. E.) Church, eventually becoming a bishop, and the family often moved while Henry was a small child. They settled in Philadelphia, and as a teenager, Tanner spent his free time painting, drawing, and visiting art galleries. In 1880 he enrolled in the Pennsylvania Academy of the Fine Arts, where he studied under several master art instructors, including Thomas Eakins who greatly influenced his early work.

Tanner moved to Atlanta, Georgia in 1888 and opened a photography gallery which was not very successful. After teaching briefly at Clark College, a sponsorship from his patrons Bishop and Mrs. Joseph Crane Hartzell allowed him to travel to Europe in 1891 and study at the Académie Julian in Paris. There he was taught by Jean Joseph Benjamin-Constant and Jean-Paul Laurens. After returning to Philadelphia in late 1892, he painted many works depicting African American subjects, including The Banjo Lesson (1893). He returned to Paris in 1894. There, his work began to receive favorable reviews, particularly at the Paris Solon for his biblical scenes. Tanner began to specialize in painting bible imagery and scenes, and traveled to Palestine in 1897 and 1898 and later to Morocco to study costumes, customs, and cityscapes.

In 1899 Tanner married Jessie Macauley Olssen, a young woman from San Francisco living in Paris. Also around this time reproductions of his artwork were published in a few popular American magazines, and Tanner began to receive praise for his artwork in the United States. Tanner, however, objected to being labeled as "Negro artist". Despite their misgivings, the couple moved back to the United States for a short time. Their son, Jesee Ossawa Tanner was born in 1903. One year later Tanner and his wife returned to Paris and made it their lifelong permanent home, only occasionally visiting the United States for exhibitions of his work. They also maintained a leisure farm in Trepied, Normandy.

Tanner continued to exhibit his work in Paris, develop his painting technique and imagery, and travel, becoming friends with many artists throughout Europe. In 1913 he became president of the Societe Artistique de Picardie and during World War I he worked for the American Red Cross in France. In 1923 he was made a chevalier of the Legion of Honor in France for his work as an artist. Tanner became affiliated with Grand Central Art Galleries and other dealers in the United States and had great success there during the 1920s. When Jessie Tanner died in 1925 Henry was grief stricken and remained in poor health for the remainder of his life. He continued to paint occasionally until his death in 1937.
Related Material:
Also found at the Archives of American Art are the Marcia M. Mathews papers relating to Henry Ossawa Tanner, 1937-1969, available on microfilm reels 64 and 3268. Archives of American Art microfilm reel 4399 contains the Alexander family papers relating to Henry Ossawa Tanner, 1912-1985, the originals of which are housed in the University of Pennsylvania Archives. Microfilm reel 4397 is a copy of the the Henry O. Tanner letters to the Pennsylvania Academy of the Fine Arts, 1885-1909, loaned for microfilming by the Academy.
Provenance:
The Henry Ossawa Tanner papers were donated in several increments by his son, Jesse O. Tanner, between 1967 to 1978. Additional papers were donated by Jesse O. Tanner through Marcia M. Mathews, who was in possession of Tanner's papers to write Tanner's biography. Four medals were transferred to the Archives from the National Museum of African Art.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Henry Ossawa Tanner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- France -- Paris  Search this
Painters -- United States  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
Art -- Economic aspects  Search this
African American artists  Search this
Genre/Form:
Sketches
Photographs
Citation:
Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tannhenr
See more items in:
Henry Ossawa Tanner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tannhenr
Online Media:

Joseph Lindon Smith papers

Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Names:
Académie Julian  Search this
Alma-Tadema, Lawrence, Sir, 1836-1912  Search this
Beaux, Cecilia, 1855-1942  Search this
Benson, Frank Weston, 1862-1951  Search this
Brush, George de Forest, 1855-1941  Search this
Carson, Kit, 1809-1868  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
James, Henry, 1843-1916  Search this
Loring, Charles Greely, 1828-1902  Search this
Manship, Paul, 1885-1966  Search this
Pershing, John J. (John Joseph), 1860-1948  Search this
Ross, Denman Waldo, 1853-1935  Search this
Sargent, John Singer, 1856-1925  Search this
Smith, Corinna Lindon, 1876-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Place:
Egypt, Antiquities
Egypt -- description and travel
Date:
1647-1965
bulk 1873-1965
Summary:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.
Scope and Content Note:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

Scattered biographical material consists of family history documents for the Smith and Putnam families, a Jenkes family tree, and passports for Joseph Lindon Smith and his family.

Over three linear feet of letters are from family members, artists including Cecilia Beaux, Frank Benson, George DeForest Brush, and Denman Ross, museum staff concerned with work in Egypt, and art patrons including Isabella Stewart Gardner, and individuals involved with Smith's charitable pageants. There are scattered letters from Lawrence Alma-Tadema, Henry James, Charles G. Loring, Paul Manship, General John J. Pershing, John Singer Sargent, and Abbott Handerson Thayer. Among the subjects discussed are student life at the Académie Julian, the Smiths' travels, and individuals known by Smith.

Seven diaries written by Joseph Lindon Smith document his ravels in Egypt, Persia, Europe, and New Mexico. Two diaries were written by Corinna Smith during her travels to Beiram and Egypt.

Personal business records business records include contracts, price lists, lists of securities, and miscellaneous receipts of the Smith and Putnam families, Joseph Lindon Smith, Corinna Smith, and their daughter Lois Smith.

Notes include engagement calendars, notebooks, lists of art work, lecture notes, minutes of meetings, notes on family history and on travel, and an autograph by Kit Carson. Writings include miscellaneous typescripts by the Smiths and others concerning travel, work in Egypt and elsewhere, and anecdotes about various friends and acquaintances. There are also three drafts of "Egypt - My Winter Home."

Theatrical production files concern plays, pageants, and masques written and/or produced by the Smiths. Many of the performances were benefits, dedication or anniversary celebrations, such as a pageant given at Fenway Court in honor of Isabella Stewart Gardner, a pageant at the dedication of a memorial to Abbott Handerson Thayer, and the centenary celebration of the founding of Amherst, Massachusetts.

Art work includes a sketchbook with extensive notes, a painting, drawings by Joseph Lindon Smith, and prints by other artists.

A scrapbook contains clippings and an exhibition catalog from the St. Botolph Club. Additional printed material includes clippings, exhibition announcements and catalogs, press releases, programs, booklets, brochures, and books by others.

Photographs are of Smith, his family, friends including classmates from the Académie Julian, Isabella Stewart Gardner, Abbott Handerson Thayer, exhibition installations, military camp sites from World War I, travel scenes, and art work by Smith.

Audio recordings consist of four sound disc recordings of interviews for WKNE Radio, Keene, New Hampshire, with Corinna Smith and Barry Faulkner talking about Smith, and a program about Smith and his book Tombs, Temples, and Ancient Art.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1711-1948 (Box 1, 10; 5 folders)

Series 2: Letters, 1768-1965 (Box 1-4, OV 11; 3.5 linear feet)

Series 3: Diaries, 1904-1949 (Box 4; 11 folders)

Series 4: Personal Business Records, 1647-1959 (Box 4, 10; 11 folders)

Series 5: Notes and Writings, 1783-1963 (Box 4-6; 2.0 linear feet)

Series 6: Theatrical Production Files, 1897-1950 (Box 6-7, 10; 1.2 linear feet)

Series 7: Art Works, 1932-1943 (Box 8, 10; 8 folders)

Series 8: Scrapbook, 1888-1901 (Box 8; 1 folder)

Series 9: Printed Material, 1723-1963 (Box 8, OV 11; 0.8 linear feet)

Series 10: Photographs, 1884-1956 (Box 8-10; 0.5 linear feet)

Series 11: Audio Recordings, 1956 (Box 9-10; 2 folders)

All material is arranged chronologically except for the writings by others and travel photographs that are arranged alphabetically.
Biographical Note:
Joseph Lindon Smith (1863-1950) of Boston, Massachusetts and Dublin, New Hampshire, was a painter primarily known for his ability to meticulously depict the murals and tomb sculpture of Egypt and other ancient cultures.

Joseph Lindon Smith was born on October 11, 1863 in Pawtucket, Rhode Island, the son of wholesale lumberman Henry Francis Smith and Emma Greenleaf Smith, a cousin of John Greenleaf Whittier.

From 1880 to 1882, Smith studied drawing and painting at the Art School of the Boston Museum of Fine Arts under Frederic Crowninshield and Otto Grundman. Accompanied by his friend, Frank Benson, he attended the Académie Julian and studied under William Bouguereau, Gustave Boulanger, and Jules Lefebvre from 1883 to 1885.

Upon his return to Boston, Smith established a studio as a portrait and landscape painter, attracting the attention of Denman Ross, a professor of History of Fine Arts at Harvard University. In the early 1890s Smith and Ross began to travel extensively and Smith became interested in ancient civilizations of Mexico, China, and Southeast Asia. In 1892, during a trip to Italy, Smith befriended Isabella Stewart Gardner, for whom he copied famous paintings, and occasionally acted as agent in purchasing art work.

Making his first trip to Egypt in 1898, Smith became enthralled with the art work of the ancient civilization and devoted himself to painting copies of the tomb sculptures and murals for educational uses in museums and other public institutions. In 1899, he married Corinna Haven Putnam and the couple spent much of their married life traveling between the United States and the Middle East, especially Egypt. From 1910 to 1939, Smith was a member of the Joint Expedition of the Boston Museum of Fine Arts and Harvard University directed by Dr. George A. Reisner.

For fifty years, Smith was also sought out as a writer and producer of plays and theatrical pageants, fetes, and masques primarily staged for various charitable fund-raising events.

Joseph Lindon Smith died on October 18, 1950 in Dublin, New Hampshire.
Related Material:
The papers of Smith's wife, Corinna Putnam Smith, are available at The Schlesinger Library of Radcliffe College, Cambridge, Massachusetts.
Provenance:
The Joseph Lindon Smith papers were donated by Jessie T. Hale, Smith's granddaughter, in 1977 and 1978.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Joseph Lindon Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- New Hampshire -- Dublin  Search this
Topic:
Historical drama  Search this
Community theater  Search this
Art, Egyptian  Search this
Art, Ancient  Search this
Art, Egypt  Search this
Genre/Form:
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smitjose
See more items in:
Joseph Lindon Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitjose
Online Media:

Houghton Cranford Smith papers

Creator:
Smith, Houghton Cranford, 1887-1983  Search this
Names:
Académie Julian  Search this
Art Students League (New York, N.Y.) -- Students  Search this
Butler Institute of American Art  Search this
Cape Cod School of Art  Search this
Carnegie Institute, Museum of Art  Search this
Passedoit Gallery (New York, N.Y.)  Search this
Pratt Institute. Art School -- Students  Search this
University of Kansas -- Faculty  Search this
Lhote, André, 1885-1962  Search this
Ozenfant, Amédée, 1886-1966  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Laura Gilbert Williams  Search this
Webster, E. Ambrose (Edwin Ambrose), 1869-1935  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Postcards
Notebooks
Notes
Sketches
Scrapbooks
Place:
Chile -- description and travel
Paris (France) -- description and travel
Provincetown (Mass.) -- Description and Travel
Date:
1890-1991
Summary:
The papers of painter Houghton Cranford Smith measure 2.2 linear feet and date from 1890-1991. They consist of eight scrapbooks compiled by his widow containing correspondence with family and friends, biographical materials, sketches, school work, extensive clippings, exhibition catalogs, travel documents and numerous photographs of family and friends.
Scope and Content Note:
The papers of painter Houghton Cranford Smith measure 2.2 linear feet and date from 1890-1991. They consist of eight scrapbooks compiled by his widow containing correspondence with family and friends, biographical materials, sketches, school work, extensive clippings, exhibition catalogs, travel documents and numerous photographs of family and friends.

Biographical materials include photographs of Smith, of his artwork and of friends and family in Provincetown and New Mexico, school documents from the Foebel Academy, the Pratt Institute in Brooklyn and the Art Students' League, autographed menus, correspondence, including postcards and letters to family and friends sent from Bermuda and Jamaica, customs declarations, exhibition catalogs, newspaper clippings, a passport to Chile, newsletters, and Smith's teaching contract from the University of Kansas. Additionally, there are significant photographs and letters documenting Smith's art studies with E. Ambrose Webster at the Cape Cod School of Art in Provincetown, Massachusetts.

The collection also includes Smith's correspondence from France and South America. A significant portion of the collection includes papers from his time in France from 1913-1914, where he studied at the Parisian art school Academie Julian. These include a log from a tandem bicycle trip with classmate Harold P. Browne, an invitation to the Bal Randolphe, a Browne Art Class brochure and a narrative entitled "A Party of Fugitives from France," which describes Smith's forced fleeing from France after the French mobilization in 1914. There are also papers describing his South American travels which include notes and correspondence about Argentina, Uruguay and his time in Chile, which spans five years.

Materials documenting Smith's return to France and studies at the Academie Ozenfant from 1926 to 1933 include Smith's passport, ship passenger lists and other travel documents, correspondence with family, French identification letters, exhibition catalogs, newspaper clippings and his Academie Ozenfant list of classes and student card. Of particular note are correspondence from and a picture of Sir Walter Kitchener, governor of Bermuda, and letters from wife Elena Peralta to her parents-in-law. Topics covered in the correspondence of this scrapbook include sons Houghton Jr. and Gerrit and the birth of daughter Florence, financial difficulties, art teachers Amadee Ozenfant and Andree L'hote and the family's travels to Bermuda, New Mexico and New York City.

Materials from later in Smith's life include correspondence from Smith to second wife Laura Gilbert Williams, exhibition catalogs and registers, photographs of artwork, newspaper clippings of reviews received for Smith's exhibited paintings and congratulatory letters from family and friends on Smith's successful exhibits and feature article in The American Artist. Additionally, there is significant correspondence with the Passedoit Gallery, Homer Saint-Gaudens of the Carnegie Institute regarding the exhibition and purchase of Smith's artwork and Smith's gifted painting to the Butler Institute of American Art. Additionally, there are several biographical newspaper articles and a biographical sketch written by his wife Laura after his death.

Of note is the artist's original handwritten notes and final published version of his reminiscence "The Provincetown I Remember," notes about painting with various colors and color charts, related assignments from Smith's Color Theory Class, a signed copy of the book Color by E. Ambrose Webster, Smith's former art teacher, pencil sketches, a class notebook about lettering and an address book.
Arrangement:
As requested by the donor, the original arrangement has been maintained, but the collection has been rehoused for preservation purposes. The collection is arranged as 4 series.

Series 1: Scrapbooks, 1890-1991 (Boxes 1-2; 1.5 linear feet)

Series 2: Writings, 1963-1991 (Box 2; 2 folders)

Series 3: Printed Material, 1916-1991 (Box 2, OV 4; 6 folders)

Series 4: Miscellany, circa 1920s-1977 (Box 2, OV 3; 7 folders)
Biographical Note:
Painter Houghton Cranford Smith (1887-1983) traveled extensively and painted throughout his life. He lived and studied art in France, South America, New York City and Provincetown. He had three children, Houghton Jr., Gerrit and Florence with his first wife, Elena Peralta. He held the position of Assistant Professor at the University of Kansas department of Drawing and Painting from 1921-1925.

Smith became widely recognized for his artwork in the 1940s. He married his second wife, Laura Gilbert Williams, in 1941. He has exhibited at many venues including the Passedoit Gallery, Corcoran Gallery, Richmond Museum, Columbia Art Museum, Walker Memorial Gallery, Art Institute of Kansas City and the Provincetown Art Association. For six consecutive years he was represented at Carnegie Institute's annual invitation exhibition.
Provenance:
Florence Cranford Smith Shepard donated her father's papers in 1993-1994.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Houghton Cranford Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Color in art  Search this
Color guides  Search this
Art, American -- Massachusetts -- Provincetown  Search this
Art teachers -- Kansas  Search this
Art students -- France -- Paris  Search this
Genre/Form:
Photographs
Postcards
Notebooks
Notes
Sketches
Scrapbooks
Citation:
Houghton Cranford Smith papers, 1890-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smithoug
See more items in:
Houghton Cranford Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smithoug

Chris K. Ishii papers

Creator:
Ishii, Chris K., 1919-2001  Search this
Extent:
23 Items
Type:
Collection descriptions
Archival materials
Drawings
Date:
[ca. 1940] - 1999
Scope and Contents:
Newpaper articles (1944-1997), original drawings of illustrations for "Gourmet" magazine, photocopies of propaganda leaflets distributed by U.S. Intelligence in the Burma, China, India theatre during World War II, photographs of Ishii at work in his studio; and slides.
Biographical / Historical:
Painter, animator, illustrator; Los Angeles, Calif. and New York, N.Y. Chris Ishii was born in 1919 in Carruthers, Calif. He attended Chouinard School of Art (now Cal Arts, Valencia, California) in Los Angeles and upon graduation worked for Walt Disney Studios until WWII. He was interned at Granada (Colorado) Concentration Camp and in 1943 joined the U.S. Army Intelligence service (1943-1946). During the war he participated in illustrating propaganda leaflets for the Burma, China, and India theatre. After the war, he returned to Los Angeles and worked for Disney Studios furnishing art and designs for "Fantasia." "The Reluctant Dragon," "Dumbo," and other short subjects. After leaving California for New York, he first worked for UPN and later as an independent animator. In 1951 he traveled to Paris on the GI Bill to study at the Académie Julian with Fernand Léger. He designed and directed countless commercials, industrial, educational, live-action and feature films. His designing credits include James Thurber's "A Unicorn in the Garden," Ludwig Bemelmans' "Madeline," and Academy Award winning "Gerald McBoing Boing." He also designed and directed several "Mr. McGoo" short subjects. One of his animations appeared in Woody Allen's "Annie Hall" (the Snow White sequence). He died in Westchester County, NY, on November 6, 2001.
Provenance:
Donated 2001 by Chris K. Ishii and his daughter, Naka Ishii. Additions are expected.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Animators  Search this
Illustrators -- United States  Search this
Painters -- United States  Search this
Topic:
World War, 1939-1945 -- Propaganda  Search this
Genre/Form:
Drawings
Identifier:
AAA.ishichri
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ishichri

Hobart Nichols papers

Creator:
Nichols, Hobart, 1869-1962  Search this
Names:
Century Association (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Huntington, Archer M., 1870-1955  Search this
Root, Elihu, 1845-1937  Search this
Extent:
0.2 Linear feet ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1895]-1958
Scope and Contents:
Correspondence, printed material and photographs.
REEL D359: Correspondence, 1946-1958, with galleries, art associations and clubs including the Century Association, the National Academy of Design; also, one letter from Archer M. Huntington and 2 from Elihu Root; photographs of Nichols and his work; clippings; and exhibition announcements and catalogs.
REEL 64: Photographs, including 42 photographs of paintings by Nichols, 1 photograph of him, and 1 of the 1948 exhibition "Painting in the United States" held at the Carnegie Institute.
Biographical / Historical:
Landscape painter and illustrator; Bronxville, New York. Born in Washington, D.C. Studied at the Academie Julian. President of the National Academy of Design, 1939-1949, President Emeritus, from 1949; Vice-President and Director, Tiffany Foundation, New York; Assistant to Director of Fine Arts, United States Commission, Paris Exposition 1900.
Provenance:
Material donated by Leonora Nichols, Hobart Nichols' daughter, 1968.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Landscape painters -- New York (State)  Search this
Painters -- New York (State)  Search this
Topic:
Painting, Modern -- 20th century -- New York (State)  Search this
Landscape painting -- 20th century -- New York (State)  Search this
Identifier:
AAA.nichhoba
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nichhoba

Otis Oldfield papers

Creator:
Oldfield, Otis, 1890-1969  Search this
Names:
Chittenden, Alice Brown, 1859 or 60-1944  Search this
Cuneo, Rinaldo, 1877-1939  Search this
Dixon, Maynard, 1875-1946  Search this
Gee, Yun, 1906-  Search this
Groninger, Homer  Search this
Labaudt, Lucien, 1880-1943  Search this
Oldfield, Helen, 1902-1981  Search this
Roche, Marcel  Search this
Ryan, Beatrice Judd  Search this
Stackpole, Ralph, 1885-1973  Search this
Taylor, Mildred  Search this
Extent:
62 Items ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1910-1975
Scope and Contents:
Business correspondence; manuscript material; 2 financial log books kept by Oldfield and his widow, 1927-1974; 3 photo albums, one with photos of Oldfield, Ralph Stackpole and Homer Groninger, and 2 albums of works, 1924-1948; loose photos of works, of Oldfield, Yun Gee, Ralph Stackpole, Rinaldo Cuneo, Helen Oldfield, Marcel Roche and others, 1921-1957; 3 scrapbooks, 1910-1940, including catalogs and announcements, manuscript and printed material, clippings, and correspondence with Beatrice Judd Ryan, Mildred Taylor, Alice Chittenden, Lucien Labaudt and Maynard Dixon; clippings; and miscellany.
Biographical / Historical:
Painter, teacher; San Francisco, California. Oldfield went to Paris in 1909 where he studied briefly at the Academie Julian. He remained in France until 1924, serving in the French army during World War I, and after the war was exhibiting at the Salon des Independents and the Salon d' Automne. He taught at the California School of Fine Arts, 1925-1942, and became known for his talents as a bookbinder as well as painter. He taught at the California College of Arts and Crafts, 1945-1951 and privately until his death.
Provenance:
Material lent for microfilming 1975 by Helen Oldfield, widow of Oldfield.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art teachers -- California -- San Francisco  Search this
Painters -- California -- San Francisco  Search this
Topic:
Painting, Modern -- 20th century -- California -- San Francisco  Search this
Art -- Study and teaching -- California -- San Francisco  Search this
Identifier:
AAA.oldfotip
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-oldfotip

Oral history interview with Thomas Hart Benton, 1973 July 23-24

Interviewee:
Benton, Thomas Hart, 1889-1975  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Craven, Thomas  Search this
Ingram, Rex  Search this
Macdonald-Wright, Stanton  Search this
Pollock, Jackson  Search this
Reed, Alma M.  Search this
Robinson, Boardman  Search this
Stieglitz, Alfred  Search this
Weichsel, John  Search this
Type:
Sound recordings
Interviews
Topic:
Mural painting and decoration -- 20th century  Search this
Regionalism in art  Search this
Synchromism (Art)  Search this
Muralists -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12796
(DSI-AAA_SIRISBib)212013
AAA_collcode_benton73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212013

Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965

Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Subject:
Pershing, John J. (John Joseph)  Search this
Manship, Paul  Search this
Loring, Charles Greely  Search this
James, Henry  Search this
Smith, Corinna Lindon  Search this
Sargent, John Singer  Search this
Ross, Denman Waldo  Search this
Alma-Tadema, Lawrence, Sir  Search this
Thayer, Abbott Handerson  Search this
Beaux, Cecilia  Search this
Benson, Frank Weston  Search this
Brush, George de Forest  Search this
Carson, Kit  Search this
Gardner, Isabella Stewart  Search this
Académie Julian  Search this
Type:
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Place:
Egypt, Antiquities
Egypt -- description and travel
Topic:
Historical drama  Search this
Community theater  Search this
Art, Egyptian  Search this
Art, Ancient  Search this
Art, Egypt  Search this
Record number:
(DSI-AAA_CollID)8473
(DSI-AAA_SIRISBib)210649
AAA_collcode_smitjose
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210649
Online Media:

Houghton Cranford Smith papers, 1890-1991

Creator:
Smith, Houghton Cranford, 1887-1983  Search this
Subject:
Lhote, André  Search this
Ozenfant, Amédée  Search this
Saint-Gaudens, Homer  Search this
Smith, Laura Gilbert Williams  Search this
Webster, E. Ambrose (Edwin Ambrose)  Search this
University of Kansas  Search this
Carnegie Institute, Museum of Art  Search this
Art Students League (New York, N.Y.)  Search this
Académie Julian  Search this
Butler Institute of American Art  Search this
Cape Cod School of Art  Search this
Passedoit Gallery (New York, N.Y.)  Search this
Pratt Institute. Art School  Search this
Type:
Photographs
Postcards
Notebooks
Notes
Sketches
Scrapbooks
Place:
Chile -- description and travel
Paris (France) -- description and travel
Provincetown (Mass.) -- description and travel
Topic:
Color in art  Search this
Color guides  Search this
Art, American -- Massachusetts -- Provincetown  Search this
Art teachers -- Kansas  Search this
Art students -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)6424
(DSI-AAA_SIRISBib)215521
AAA_collcode_smithoug
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215521
Online Media:

Otis Oldfield papers, 1910-1975

Creator:
Oldfield, Otis, 1890-1969  Search this
Subject:
Groninger, Homer  Search this
Stackpole, Ralph  Search this
Labaudt, Lucien  Search this
Oldfield, Helen  Search this
Roche, Marcel  Search this
Ryan, Beatrice Judd  Search this
Taylor, Mildred  Search this
Chittenden, Alice Brown  Search this
Cuneo, Rinaldo  Search this
Dixon, Maynard  Search this
Gee, Yun  Search this
Topic:
Painting, Modern -- 20th century -- California -- San Francisco  Search this
Art -- Study and teaching -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)9230
(DSI-AAA_SIRISBib)211425
AAA_collcode_oldfotip
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211425

Hobart Nichols papers, [ca. 1895]-1958

Creator:
Nichols, Hobart, 1869-1962  Search this
Subject:
Huntington, Archer M.  Search this
Root, Elihu  Search this
Century Association (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Topic:
Painting, Modern -- 20th century -- New York (State)  Search this
Landscape painting -- 20th century -- New York (State)  Search this
Record number:
(DSI-AAA_CollID)9086
(DSI-AAA_SIRISBib)211279
AAA_collcode_nichhoba
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211279

Arthur Wesley Dow papers, circa 1826-1978, bulk 1879-1922

Creator:
Dow, Arthur W. (Arthur Wesley), 1857-1922  Search this
Subject:
Hess, Herbert A. (Herbert Arthur)  Search this
Kenyon, Henry Rodman  Search this
Käsebier, Gertrude  Search this
Académie Julian  Search this
Ipswich Summer Art School  Search this
Type:
Diaries
Photographs
Topic:
Works of art  Search this
Printmakers -- Massachusetts  Search this
Photographers -- Massachusetts  Search this
Art educators -- Massachusetts  Search this
Art -- Study and teaching -- Massachusetts  Search this
Record number:
(DSI-AAA_CollID)7588
(DSI-AAA_SIRISBib)209750
AAA_collcode_dowarth
Theme:
Diaries
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209750
Online Media:

Thomas Wilmer Dewing and Dewing family papers, 1876-1963, bulk 1890-1930

Creator:
Dewing, Thomas Wilmer, 1851-1938  Search this
Dewing, M. O. (Maria Oakey), 1855-1927  Search this
Subject:
Dewing, M. O. (Maria Oakey)  Search this
Type:
Photographs
Topic:
Painters -- New York (State) -- New York  Search this
Painting, American -- New York (State) -- New York  Search this
Women artists -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)9308
(DSI-AAA_SIRISBib)211503
AAA_collcode_dewithom
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211503
Online Media:

Leon Dabo papers, circa 1888-1969

Creator:
Dabo, Leon, 1868-1960  Search this
Subject:
Dabo, Theodore Scott  Search this
James McNeill Whistler  Search this
Académie Julian  Search this
Detroit Museum of Art  Search this
Type:
Photographs
Sketches
Topic:
Muralists  Search this
Art, American -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7300
(DSI-AAA_SIRISBib)209453
AAA_collcode_daboleon
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209453
Online Media:

Gari Melchers papers

Creator:
Melchers, Gari, 1860-1932  Search this
Names:
Hitchcock, George, 1850-1913  Search this
Extent:
5 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1887-1947
Scope and Contents:
Photographs, correspondence, sales and exhibition files, awards and certificates, and a diary.
REELS 1180-1182: Correspondence; awards and certificates; and ten pages of diary, February and March 1908. Diary entries concern Melchers's visit at the White House while President Theodore Roosevelt was sitting for a portrait by Melchers. The correspondence includes general and business correspondence, and an extensive personal correspondence with his wife.
REEL 1407: Family correspondence, 1901-1916, general correspondence, 1892-1932, and correspondence of his widow and brother-in-law; sales and exhibition files, 1915-1947, which contain lists of paintings, correspondence, and printed matter.
REEL 1427: Photographs of Melchers, Melchers' studios, models, and friends, among them George Hitchcock, and photographs of Melchers' paintings.
Biographical / Historical:
Painter, mural painter and portrait painter. Lived at "Belmont", his home in Falmouth, Virginia, near Fredericksburg. Born in Detroit, Michigan. Studied at Royal Art Academy, Dusseldorf, Germany; and Ecole des Beaux-Arts and Academie Julian, Paris. Won Grand Prize at 1889 Paris Exposition along with John Singer Sargent. Received LL.D. from the University of Michigan. Painted portrait of President Theodore Roosevelt in 1908. Invited to paint murals for the Library of Congress and the Chicago World's Columbian Exposition of 1893. Member of the International Board of Judges at the Chicago Exposition. President of the New Society of Artists, 1920-1929.
Provenance:
Lent for microfilming 1977-1978 by Belmont-The Gari Melchers Memorial Gallery.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Virginia  Search this
Painters -- New York (State) -- New York  Search this
Painters -- France -- Paris  Search this
Muralists -- Virginia  Search this
Muralists -- New York (State) -- New York  Search this
Muralists -- France -- Paris  Search this
Portrait painters -- Virginia  Search this
Portrait painters -- New York (State) -- New York  Search this
Portrait painters -- France -- Paris  Search this
Identifier:
AAA.melcgari
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-melcgari

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