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Thomas Pohl, "Rydberg Crystallization in Ultracold Gases"

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
YouTube Videos
Uploaded:
2011-04-21T19:50:25.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
ITAMPhysics
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
ITAMPhysics
EDAN-URL:
edanmdm:yt_8h0eoELHIT4

Chief Curator Nancy Pope: The Dead Letter Office, a Unique Part of America’s Postal System

Creator:
National Postal Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2017-08-16T14:17:09.000Z
YouTube Category:
Education  Search this
Topic:
Postal service;Letter mail handling;Stamp collecting  Search this
See more by:
SmithsonianNPM
Data Source:
National Postal Museum
YouTube Channel:
SmithsonianNPM
EDAN-URL:
edanmdm:yt_lZbgJSbRfI8

Hawaiian Cultural Festival 2019: Mele and Hula in Honor of Kamehameha 2

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2019-05-30T13:08:05.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_JbfC7e6y8DY

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records

Creator:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery  Search this
Names:
Park Place Gallery Art Research, Inc.  Search this
Paula Cooper Gallery  Search this
Paula Johnson Gallery  Search this
Bartlett, Jennifer, 1941-  Search this
Campus, Peter, 1937-  Search this
Cooper, Paula, 1938-  Search this
Di Suvero, Mark, 1933-  Search this
Fleming, Dean  Search this
Forakis, Peter  Search this
Grosvenor, Robert, 1937-  Search this
Leonard, Zoe  Search this
Magar, Anthony, 1936-  Search this
Melcher, Tamara  Search this
Murray, Elizabeth, 1940-  Search this
Myers, Forrest Warden, 1941-  Search this
Novros, David, 1941-  Search this
Ruda, Edwin  Search this
Shields, Alan, 1944-  Search this
Smith, Tony, 1912-1980  Search this
Thompson, Bob, 1937-1966  Search this
Valledor, Leo  Search this
Extent:
50 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Transcripts
Photographs
Date:
1961-2006
Summary:
The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.
Scope and Content Note:
The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

The collection is divided in three series, one series for each gallery represented in this collection. The records in each series are not comprehensive and do not represent the full scope of operations at each gallery. Due to the original arrangement of materials, some records related to Park Place Gallery are found in Series 3, and scattered records related to Paula Cooper Gallery are found in Series 2. Researchers are encouraged to reference both series.

Series 1, Paula Johnson Gallery records, contains six folders and includes an artist file for Bob Thompson; two ledger pages of accounts receivables; scattered exhibition announcements and flyers; two photographs of artwork by Vernon Lobb; tax records, and a handful of legal organizational records.

Park Place, The Gallery of Art Research, Inc. records are filed in Series 2 and is arranged in five subseries: correspondence, business files, artists' files, financial records, and printed materials. The correspondence is between gallery employees and clients, museums, and other galleries regarding artwork inquiries, sales and exhibitions. Business files are limited in scope and include documents related to the founding of the gallery, a guest book, and one folder of legal and financial records. Artists' Files for eight of the ten Park Place Gallery artists are found: Dean Fleming, Peter Forakis, Tony Magar, Tamara Melcher, Forrest Myers, David Novros, Edwin Ruda, and Leo Valledor. Not present in this collection are files for Mark di Suvero and Robert Grosvenor. Artists' Files contain a variety of materials including artists' statements, bibliographies, biographies, correspondence, exhibition flyers, interview transcripts, clippings and other printed materials, and photographic materials. Financial Records include check ledgers, a general ledger, paid bill receipts, sales invoices, tax forms, and other miscellaneous financial and banking records. Printed Materials include newspaper clippings, gallery announcements, an interview transcript, a handwritten gallery floor plan, and a poster for the 1964 Park Place Invitational Show drawn by Mark di Suvero with artists' names handwritten by Robert Grosvenor.

The bulk of the collection is the records of Paula Cooper Gallery, Series 3. This series contains similar materials as Series 2 and is arranged in the same five subseries. Correspondence includes responses to appraisal requests (1968-1997) and copies of outgoing gallery correspondence from 1985-1999. Business Files contain documentation related to advertising and renovations to the gallery, as well as an artwork inventory book from the early years of the gallery's operation. The bulk of this series is comprised of Artists' Files which contain varied materials such as correspondence with artists, museums, and galleries regarding installations, artwork fabrication, and other business; biographies and bibliographies; exhibition files; printed materials; and photographic materials of artwork and installations. There is considerable documentation for artists Jennifer Bartlett, Peter Campus, Zoe Leonard, Elizabeth Murray, Alan Shields and the estate of Tony Smith. Sales invoices, consignment records, payment ledgers, cancelled checks and other financial materials are found in Financial Records. Printed Materials are comprised of some newspaper and magazine clippings, an interview transcript, and a copy of a manuscript.
Arrangement:
The collection is arranged as 3 series:

Series 1: Paula Johnson Gallery, 1963-1967 (Box 1; 6 folders)

Series 2: Park Place, The Gallery of Art Research, Inc., 1961-1973, 1989 (Boxes 1-4, 50-51, OV 52; 4.1 linear feet)

Series 3: Paula Cooper Gallery, 1962-2006 (Boxes 4-49, 51; 45.7 linear feet, ER01; 0.001 GB)
Historical Note:
The artists' cooperative Park Place, The Gallery of Art Research, Inc. opened in November 1965 at 542 West Broadway, showing the work of ten young contemporary artists. The cooperative did not represent an art movement, but frequently exhibited large-scale, non-figurative, geometric paintings and sculptures.

Many of the gallery's artists had attended art school in California and shared similar ideas about art, community, and collaboration. Since 1962, they had been informally exhibiting together at 79 Park Place and other various New York City locations under the name Park Place Gallery. With the successes of their informal exhibitions, and the loss of their lease at 79 Park Place, the group formalized their cooperative under the umbrella non-profit, Art Research, Inc. in 1965.

The cooperative was comprised of five sculptors, five painters, and five collectors. Members included sculptors Mark di Suvero, Peter Forakis, Robert Grosvenor, Tony Magar, and Forrest Myers; painters Dean Fleming, Tamara Melcher, David Novros, Edwin Ruda, and Leo Valledor; and collectors Virginia Dwan, Allen and Betty Guiberson, J. Patrick Lannan, Vera List, and John and Lupe Murchison. The collectors each donated an artwork by one of the artists for sale in the gallery, as well as financed the gallery's annual operating budget. As compensation, each collector was given one major work of art by each artist every year.

Paula Cooper (nee. Johnson) joined Park Place Gallery in 1966 and she became director in late 1966-early 1967. Previously, from 1964-1966, she ran Paula Johnson Gallery, showing artwork by Bob Thompson and other young artists.

Park Place, The Gallery of Art Research, Inc. had its first group show in February 1966. In addition to showing art, the gallery occasionally held jazz sessions and other art-related gatherings. The gallery physically closed at the end of July 1967. However, Paula Cooper continued managing the sale of artwork and organized exhibitions at various locations. The final exhibition of Park Place Gallery artists was held at M.I.T. in late spring of 1968.

Paula Cooper opened Paula Cooper Gallery in Soho at 96 Prince Street in 1968. Her gallery is often credited as being the first gallery in Soho and thus paved the way for the migration of uptown galleries to the neighborhood. From the beginning, the gallery showed primarily conceptual and minimalist art and she continued representing some of the Park Place artists. Artists represented by Paula Cooper Gallery and found in this collection include Jennifer Bartlett, Dara Birnbaum, Peter Campus, Michael Hurson, Zoe Leonard, Robert Mangold, Elizabeth Murray, Cady Noland, Adrian Piper, Ulrich Rückriem, Edwin Ruda, Alan Shields, the estate of Tony Smith, Joseph White, Chris Wilmarth, Kes Zapkus, and many others. The gallery continues to operate in Chelsea on West 21st Street.

Sources consulted include "Reimaging Space: the Park Place Gallery Group in 1960s New York" by Linda Dalrymple Henderson, published by Blanton Museum of Art, 2008; and, "Art and Space: Park Place and the beginning of the Paula Cooper Gallery," by Liza Kirwin, 2007 (http://www.aaa.si.edu/exhibitions/paula-cooper).
Related Material:
Related collections found among the holdings of the Archives of America include a sound recording of a lecture given by Paula Cooper (Museum of Fine Arts, Boston sound recordings, May 18, 1983-February 8, 1984); audio tapes which include Paula Cooper (Bruce D. Kurtz video and audio recordings and papers, 1966-1995); and two silent 16mm films by Kenny Schneider (Park Place Gallery artists films, 1967.)
Provenance:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records were donated by Paula Cooper, director of the galleries, in two accessions in 2006 and 2009.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce requires written permission from Paula Cooper, 534 West 21st Street, New York, NY 10011.
Topic:
Art galleries, Commercial  Search this
Genre/Form:
Interviews
Transcripts
Photographs
Citation:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parkplag
See more items in:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parkplag

Slides

Collection Creator:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery  Search this
Extent:
2 Slide boxes
Container:
Box 35, Folder 13
Type:
Archival materials
Date:
circa 1966-1976
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce requires written permission from Paula Cooper, 534 West 21st Street, New York, NY 10011.
Collection Citation:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records / Series 3: Paula Cooper Gallery / 3.3: Artists' Files / Ruda, Edwin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parkplag-ref890

Delicate Garments: Reward This Simple Care. [Print advertising.] The Century Magazine

Topic:
Ivory Flakes (Brand name)
Advertiser:
Procter & Gamble Company  Search this
Donor:
Procter & Gamble Company  Search this
Collection Creator:
Procter & Gamble Company  Search this
Leyendecker, J. C., 1874-1951  Search this
Smith, Jessie Willcox, 1863-1935  Search this
Elliott, Elizabeth Shippen Green  Search this
Extent:
1 Item (b&w, 24 x 16 cm.)
Container:
Box 4, Folder 12 (1925)
Type:
Archival materials
Print advertising
Photographs
Date:
1925
Scope and Contents:
Caption: "Delicate Garments: Reward This Simple Care". Box of open, spilling flakes, box of closed flakes, and bar of Ivory Soap pictured.
Published May 1925.
Local Numbers:
Ivorydata4 534

0207910524 (Scan No.)
Restrictions:
Unrestricted research use on site by appointment. Reproduction restrictions due to copyright.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Laundry  Search this
Premiums (Retail trade)  Search this
Delicate fabrics  Search this
Genre/Form:
Print advertising
Photographs -- Reproductions
Collection Citation:
Ivory Soap Collection, 1883-1998, undated; Archives Center, National Museum of American History. Gift of Procter & Gamble.
See more items in:
Ivory Soap Advertising Collection
Ivory Soap Advertising Collection / Series 1: Ivory Soap Products Advertisements / Advertisements
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0791-ref2088

MS 534 Tongass method of counting

Collector:
Ring, Franklin M.  Search this
Extent:
2 Pages
Culture:
Tlingit Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Numerals, 1 to 20, etc. Also 7 words and sentences.
Local Numbers:
NAA MS 534
General:
Previously titled "Method of Counting."
Topic:
Tlingit Indians  Search this
Numbers  Search this
Citation:
Manuscript 534, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS534
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms534

Elmer E. Higley collection

Topic:
Methodist Episcopal Church
Higley, Elmer Ellsworth
Creator:
Higley, Elmer Ellsworth  Search this
Extent:
534 Lantern slides
0.2 Linear feet
Culture:
Pikuni (Piegan) [Blackfeet Nation, Browning, Montana]  Search this
Nooksack Indians  Search this
Tulalip  Search this
Haida  Search this
Tlingit  Search this
Pend d Oreille  Search this
Wasco  Search this
Yakama (Yakima)  Search this
Mohawk  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Diné (Navajo)  Search this
Pueblo  Search this
American Indians  Search this
Type:
Collection descriptions
Archival materials
Lantern slides
Date:
bulk circa 1900-1968
Summary:
This collection consists of 534 glass lantern slides depicting Indigenous groups throughout North America. It also includes a small number of publications written by Elmer E. Higley and others about Native Americans and missionary work during the early twentieth century.
Scope and Contents:
The Elmer E. Higley collection consists of both Lantern Slides and Printed Materials. Series 1: Lantern Slides, 1900-1924, includes 534 glass lantern slides, many hand-colored. The lantern slides were used by Higley in lectures to promote his missionary and reform work with the Joint Committee on Indian Work of the Methodist Episcopal Church, of which he was the Superintendent from 1919 to 1923. While Higley was the photographer of some of the lantern slide images, specifically those taken in Mesa Verde, the majority of the photographs were not taken by Higley, but rather collected by him for use in his lectures as he traveled around the country. Series 2: Printed Materials, 1914-1968, includes a small number of early twentieth-century publications written by Higley and others about Native Americans and missionary work in the United States during this time.
Arrangement:
This collection is arranged into two series. Series 1: Lantern Slides, 1900-1924 and Series 2: Printed Materials, 1914-1968.
Biographical / Historical:
Elmer Ellsworth Higley was born in Ohio in 1867. He attended high school and college in northwestern Pennsylvania before marrying Alice C. Dowler in 1892. Higley later also attended the Drew Theological Seminary and afterwards worked as a pastor in a number of Methodist churches around the country. In approximately 1919 Higley was appointed Superintendent of the Joint Committee on Indian Work of the Methodist Episcopal Church, with his office based in Chicago, Illinois. Employed in this work until 1923, Higley traveled the United States, visiting Native reservations and promoting Christian reform efforts for American Indian education. While traveling, Higley frequently presented illustrated lectures on his missionary work to audiences, using the glass lantern slides now residing in the collections of the National Museum of the American Indian Archive Center. In the years after 1923, Higley continued as a pastor in both Ames, Iowa, and Evanston, Illinois, the latter where he eventually died in 1931.
Provenance:
Gift of Mrs. R. S. Jensen and Family in 2018 and 2019.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Missionaries  Search this
cliff dwellings -- Colorado -- Mesa Verde National Park  Search this
Methodist church buildings  Search this
Missions -- Mission School  Search this
Citation:
Identification of specific item; Date (if known); Elmer E. Higley collection, NMAI.AC.228; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.228
See more items in:
Elmer E. Higley collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-228

Meet Record-Setting Astronaut Jeff Williams

Creator:
National Air and Space Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-05-01T19:56:40.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_Vw-qfHfm9nY

Cambarus hubbelli

Collector:
H. H. Hobbs  Search this
Preparation:
Alcohol (Ethanol)
Sex:
male
male
Stage:
I
II
Place:
Bonifay, Holmes County, Florida, United States
Collection Date:
5 Apr 1934
Common name:
Crayfish
Published Name:
Cambarus hubbelli Hobbs, 1940
USNM Number:
99051
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/372d98552-81cf-497e-983b-7863d23bb9fe
EDAN-URL:
edanmdm:nmnhinvertebratezoology_283201

I Traded My Heart for a Tear; A Long Road Ahead

Recording artist:
Atcher, Bob  Search this
Maker:
Columbia  Search this
Physical Description:
shellac (overall material)
Measurements:
overall: 10 in; x 25.4 cm
Object Name:
sound recording
Place made:
United States
Date made:
1946
Related Publication:
Abrams, Steven. 78 rpm Discographical Project
ID Number:
1996.0320.10804
Collector/donor number:
534
Maker number:
37326
Accession number:
1996.0320
Catalog number:
1996.0320.10804
See more items in:
Cultural and Community Life: Entertainment
Music & Musical Instruments
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-b2dc-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1280698

[E. Howard Clock Orders Ledger Volume 12, book.]

Author:
E. Howard Clock Co.  Search this
Collection Creator:
Howard, Edward  Search this
E. Howard Clock Co.  Search this
Collection Donor:
Blackwell, Dana  Search this
Extent:
1 Volume (Ink on paper, 11.5" x 9.1".)
Container:
Box 15
Type:
Archival materials
Text
Volumes
Ledgers (account books)
Place:
Massachusetts -- 19th century
Boston (Mass.) -- 19th century
Date:
1894 September 17-1896 December 29
Scope and Contents:
(AC*0776.07.12)
Listing of clock orders.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clock and watch making  Search this
Clock and watch makers  Search this
Clocks and watches  Search this
Genre/Form:
Ledgers (account books) -- 1840-1900
Collection Citation:
E. Howard Clock Company Records, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
E. Howard Clock Company Records
E. Howard Clock Company Records / Series 7: Clock Orders
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0776-ref31
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View [E. Howard Clock Orders Ledger Volume 12, book.] digital asset number 1

[E. Howard Clock customer lists, Volume 1, book.]

Author:
E. Howard Clock Co.  Search this
Collection Creator:
Howard, Edward  Search this
E. Howard Clock Co.  Search this
Collection Donor:
Blackwell, Dana  Search this
Extent:
1 Item (Ink on paper, 14.5" x 9.1".)
Container:
Box 17
Type:
Archival materials
Ledgers (account books)
Place:
Massachusetts -- 19th century
Boston (Mass.) -- 19th century
Date:
Circa 1900
Scope and Contents:
Listing of custormer names.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clock and watch making  Search this
Clock and watch makers  Search this
Clocks and watches  Search this
Genre/Form:
Ledgers (account books) -- 20th century
Ledgers (account books) -- 19th century
Collection Citation:
E. Howard Clock Company Records, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
E. Howard Clock Company Records
E. Howard Clock Company Records / Series 10: Customer Lists for Clocks / Clocks, Customer Lists
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0776-ref658
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View [E. Howard Clock customer lists, Volume 1, book.] digital asset number 1
Online Media:

F. Luis Mora papers

Creator:
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Art Students League (New York, N.Y.) -- Faculty  Search this
Lotos Club (New York, N.Y.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Academy of Design (U.S.)  Search this
Salmagundi Club  Search this
Compton, Sophia  Search this
Downes, William Howe, 1854-1941  Search this
Stribling, T. S. (Thomas Sigismund), 1881-1965 (Birthright)  Search this
Twain, Mark, 1835-1910 (Man that corrupted Hadleyburg)  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Illustrations
Diaries
Sketches
Illustrated letters
Christmas cards
Photographs
Awards
Place:
Spain -- description and travel
Date:
1891-1986
bulk 1891-1922
Summary:
The papers of painter and illustrator F. Luis Mora measure 1.7 linear feet and date from 1891 to 1986, with the bulk of material dating from 1891 to 1922. The collection includes biographical information, correspondence, 242 monthy pocket diaries by Mora, and printed and photographic materials.
Scope and Contents note:
The papers of painter and illustrator F. Luis Mora measure 1.7 linear feet and date from 1891 to 1986, with the bulk of material dating from 1891 to 1922. The collection includes biographical information, correspondence, 242 small monthly pocket diaries by Mora, and printed and photographic materials.

Biographical material includes one folder containing Mora's Rothschild Prize certificate.

The correspondence is primarily with galleries regarding sales, the value of artwork, and Mora's murals for the St. Louis World's Fair in 1904. There is also correspondence with Mora's family and friends regarding his personal life and a family vacation in Cadiz, Spain. The collection also includes two Christmas cards, several illustrated letters and two invitations to Mora's solo art shows. Some of the correspondence is to and from Mora's first wife, Sophia Compton.

The majority of the writings consists of 242 monthly pocket diaries, which contain brief daily entries and some sketches. Mora writes about his work, memberships in the Salmagundi Club and the National Academy of Design, and teaching at the Art Student League. He also discusses his ideas about painting and his observations of the art scene, including his visit to the 1913 Armory Show. Also included is a handwritten "Editorial" by Mora, probably for election to the Lotos Club.

Printed material includes clippings, brochures, programs, advertisements, exhibition catalogs, books, and magazines. Two books, The Man that Corrupted Hadleyburg and Other Essays and Stories, by Mark Twain (1917), and Birthright, by T.S. Stribling (1922), both illustrated by Mora, are included, along with over a dozen magazines containing illustrations by Mora.

Photographs include black and white photographs and glass plate negatives of Mora, family and friends, students, and artwork. Black and white pictures of Mora's artwork include his "Thine is Glory" mural (1919), the "National Academy Jury of 1907" painting (1907) and an etching of his daughter, Rosemary. Glass plate negatives are of his first wife, Sophia Compton, her mother Emma, Mora's father Domingo, the painting "Dance of Salome" (1893), Mora's brother-in-law Alfred Compton, his Boston Museum and Chase School of Art classes, and the Perth Amboy Terra Cotta Company, where Mora's father worked.
Arrangement note:
The collection is arranged as 5 series. Records are generally arranged alphabetically by subject. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Materials, circa early 1900s (Box 1; 1 folder)

Series 2: Correspondence, 1900-1969 (Box 1; 3 folders)

Series 3: Writings, 1899-1922 (Box 1; 0.4 linear feet)

Series 4: Printed Material, 1895-1986 (Boxes 1-2 and OV 3; 0.8 linear feet)

Series 5: Photographic Materials, 1891-1941 (Box 2, MGP 1, MGP 2; 0.4 linear feet)
Biographical/Historical note:
Francis Luis Mora (1974-1940) was born in Montevideo, Uruguay. In 1877, he and his family moved to Catalonia, Spain and in 1880, they moved again to the United States where they eventually settled in Perth Amboy, New Jersey. Both his father, Domingo, and his brother, Joseph, were also noted sculptors.

Mora studied at the School of the Boston Museum of Fine Arts and at the Art Students League of New York. He was a muralist, oil and watercolor portrait painter, and etcher, though he is best known for his illustrations in magazines such as Century, Harper's, and Ladies' Home Journal. He was a member of the Salmagundi Club and the National Academy of Design and taught at the Art Students League of New York and the Chase School of Art. He and his wife, Sophia ("Sonia") Compton, had a daughter, Rosemary, in 1918. After his wife's death, Mora married May Gosman Safford in 1932. Mora died at the age of 64 in 1940.
Related Archival Materials note:
Among the holdings of the Archives of American Art are the F. Luis Mora Art Works and Photographs (available on microfilm reel 5053) and a F. Luis Mora Letter to William John Wittemore (available on microfilm reel D30, frame 534.)
Provenance:
The F. Luis Mora papers were donated to the Archives of American Art by Cornelia Colton, the daughter of Mora's second wife, May Safford, in 1975. Additional papers were donated in 2008 by Gwen Compton, Mora's niece.
Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
The F. Luis Mora papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Mural painting and decoration  Search this
Illustrators  Search this
Art -- Study and teaching  Search this
Muralists  Search this
Hispanic American artists  Search this
Painting, American  Search this
Genre/Form:
Illustrations
Diaries
Sketches
Illustrated letters
Christmas cards
Photographs
Awards
Citation:
F. Luis Mora papers, 1891-1986, bulk 1891-1922. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moraflui
See more items in:
F. Luis Mora papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moraflui
Online Media:

Stamps and Coins

Creator:
Smithsonian Education  Search this
Type:
YouTube Videos
Uploaded:
2015-06-01T16:50:01.000Z
YouTube Category:
Education  Search this
Topic:
Education  Search this
See more by:
SmithsonianEducation
Data Source:
Smithsonian Education
YouTube Channel:
SmithsonianEducation
EDAN-URL:
edanmdm:yt_UF1T7A4y0rc

Margaret Murnane, "Science at the Timescale of the Electron" Part 1of 3

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2012-03-08T18:26:27.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
ITAMPhysics
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
ITAMPhysics
EDAN-URL:
edanmdm:yt_wGrCktyPRzQ

(25) Serene simplicity of home of Count Okuma, one of the Mikado's richest subjects , Tokyo, Japan

Publisher:
Underwood & Underwood  Search this
Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Names:
Okuma, Count  Search this
Collection Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Collection Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Extent:
1 Stereograph (8 x 17 cm.)
Type:
Archival materials
Stereographs
Photographs
Place:
Asia
Japan
Mikado
Tokyo (Japan)
Japan -- Description and Travel
Date:
1904 or earlier
Underwood & Underwood, 1904 or earlier
Local Numbers:
R534 (Rosin Number)

FSA A1999.35 534
General:
Title printed on stereograph.
Item is number 25 in a series.
Copyright 1904 by Underwood & Underwood.
Photographer is unidentified.
Collection Restrictions:
Collection is open for research.
Topic:
Photography -- Japan  Search this
Photography -- 19th century  Search this
Architecture  Search this
Dwellings  Search this
Homes  Search this
Interior architecture  Search this
Genre/Form:
Photographs
Stereographs -- 1870-1910
Collection Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35, Item FSA A1999.35 534
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Henry and Nancy Rosin Collection of Early Photography of Japan / Series FSA A1999.35 A4: Set of Underwood & Underwood stereographs of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a1999-35-ref296
Online Media:

Catalogue of the Kimbei Photographic Studio

Creator:
Kusakabe, Kimbei, 1841-1934 (studio operator)  Search this
Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Photographer:
Kusakabe, Kimbei, 1841-1934  Search this
Collection Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Collection Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Extent:
1 Booklet (40 pages)
Type:
Archival materials
Booklets
Catalogs
Photographs
Place:
Asia
Japan
Date:
[1880-1900]
Scope and Contents:
Printed catalog of the Kimbei Studio in Yokohama, one of the leading commercial studios in Japan in the mid and late Meiji period. The catalog is divided by Costumes (mostly studio portraits and assemblages), and then by scenic regions. The catalog has extensive annotations in pencil and red ink.
Biographical / Historical:
Born to a family of textile merchants in Kofu, Yamanashi Prefecture, Kusakabe Kimbei moved to Yokohama in 1859. Although unclear, Kusakabe apprenticed under either Felice Beato and/or Raimond von Stillfried. Kimbei managed a studio in Yokohama, first at Bentendori until 1881, then later at Honchodori. His photo studio catered primarily to visiting foreigners.
Local Numbers:
R478 (Rosin Number)

FSA A1999.35 478
Collection Restrictions:
Collection is open for research.
Topic:
Photography -- Japan  Search this
Photography -- Studios and dark rooms -- 19th century  Search this
Photography -- 19th century  Search this
Genre/Form:
Catalogs
Photographs
Catalogs
Collection Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35, Item FSA A1999.35 478
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a1999-35-ref619
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Catalogue of the Kimbei Photographic Studio digital asset number 1

Peromyscus maniculatus rufinus

Collector:
C. Birdseye  Search this
Preparation:
Skin
Sex:
Female
Place:
Sawmill [Saw Mill], 12 Miles Northwest of Fort Defiance, Apache County, Arizona, United States, North America
Collection Date:
1 Aug 1909
Taxonomy:
Animalia, Chordata, Vertebrata, Mammalia, Eutheria, Rodentia, Myomorpha, Cricetidae, Neotominae
Published Name:
Peromyscus maniculatus rufinus
Other Numbers:
Mammals Field Number : 534
USNM Number:
167462
See more items in:
Vertebrate Zoology
Mammals
Data Source:
NMNH - Vertebrate Zoology - Mammals Division
GUID:
http://n2t.net/ark:/65665/301147265-0ff8-4adf-923f-b902b9b831a7
EDAN-URL:
edanmdm:nmnhvz_7114126

Mississippian Stratigraphic

Collector:
Charles Butts  Search this
Place:
Montgomery County, Virginia, United States, North America
See more items in:
Stratigraphic
Invertebrate Stratigraphic
Mississippian Stratigraphic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3baa35959-94f8-4aca-bc95-df122038e2e3
EDAN-URL:
edanmdm:nmnhpaleobiology_3552614

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