Search Results

Photograph by:

Dave Peterson, American  Search this

Subject of:

Althea Gwyn, American, 1956 - 2022  Search this

Women's Professional Basketball League, American, 1978 - 1981  Search this

Iowa Cornets, American, 1978 - 1980  Search this

New York Stars, American, 1978 - 1980  Search this

Medium:

digital

Dimensions:

H x W: 13056 pixels × 8288 pixels

File size: 206.5 MB

Type:

digital images

digital media - born analog

Place depicted:

New York City, New York, United States, North and Central America

Cedar Rapids, Linn County, Iowa, United States, North and Central America

Date:

1979-1980; scanned 2023

Topic:

African American  Search this

Basketball  Search this

Photography  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bob Modersohn and Molly Kazmer

Object number:

2024.9.1

Restrictions & Rights:

© David Peterson

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd54f191324-e507-4c7b-9d3c-d551d9110547

EDAN-URL:

edanmdm:nmaahc_2024.9.1

Photograph by:

Dave Peterson, American  Search this

Created by:

Bob Modersohn, American  Search this

Subject of:

Debra Kay Thomas, American  Search this

Women's Professional Basketball League, American, 1978 - 1981  Search this

Iowa Cornets, American, 1978 - 1980  Search this

Medium:

digital

Dimensions:

H x W: 13216 pixels × 8384 pixels

File size: 211.45 MB

Type:

digital images

digital media - born analog

Place depicted:

Cedar Rapids, Linn County, Iowa, United States, North and Central America

Date:

1978-1980; scanned 2023

Topic:

African American  Search this

Basketball  Search this

Photography  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bob Modersohn and Molly Kazmer

Object number:

2024.9.2

Restrictions & Rights:

© David Peterson

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd515df5dd5-4380-48ae-a29d-0ee10afcb9ea

EDAN-URL:

edanmdm:nmaahc_2024.9.2

Photograph by:

Dave Peterson, American  Search this

Subject of:

Debra Kay Thomas, American  Search this

Women's Professional Basketball League, American, 1978 - 1981  Search this

Iowa Cornets, American, 1978 - 1980  Search this

Chicago Hustle, American, 1978 - 1981  Search this

Medium:

digital

Dimensions:

H x W: 13216 pixels × 8448 pixels

File size: 213.06 MB

Type:

digital images

digital media - born analog

Place depicted:

Cedar Rapids, Linn County, Iowa, United States, North and Central America

Chicago, Cook County, Illinois, United States, North and Central America

Date:

1978-1980; scanned 2023

Topic:

African American  Search this

Basketball  Search this

Photography  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bob Modersohn and Molly Kazmer

Object number:

2024.9.3

Restrictions & Rights:

© David Peterson

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5f4c1c51f-452e-4703-9e2d-0fe586e5c893

EDAN-URL:

edanmdm:nmaahc_2024.9.3

Depicted (sitter):

Davis, Miles  Search this

Physical Description:

paper (drawing; ticket material)

wood (frame material)

Measurements:

overall: 12 3/4 in x 9 1/2 in; 32.385 cm x 24.13 cm

Object Name:

drawing

Place made:

United States: New York, New York City

Date made:

1981-07-05

Subject:

Jazz  Search this

Credit Line:

Gift of LeRoy Neiman Foundation

ID Number:

2019.0144.07

Accession number:

2019.0144

Catalog number:

2019.0144.07

See more items in:

Culture and the Arts: Musical Instruments

Music & Musical Instruments

Art

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b4-8b71-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1940405

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Conversations and talks

Blog posts

Published Date:

Thu, 31 Aug 2023 18:57:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_5e822ea5a49cbd0d6c16519215a365c8

Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Names:

Dickinson College  Search this

United States Indian School (Carlisle, Pa.)  Search this

Extent:

1200 Negatives (photographic) (circa, glass)

16 Printing plates (copper)

Culture:

Indians of North America  Search this

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Printing plates

Photographs

Date:

circa 1879-1902

Scope and Contents note:

Photographs by John N. Choate mostly documenting the United States Indian School in Carlisle, Pennsylvania. The images include portraits of students, parents, staff and other visitors, as well as interior and exterior images of the school, buildings, and classrooms. Choate also had a thriving commercial practice outside of the Indian School, producing studio portraiture as well many photographs of buildings, farms and industry in and around the town of Carlisle, as well as images of Dickinson College. Some of the photographs in the collection were made by other photographers and perhaps collected by Choate. A few copper plates prepared for publications are also included in the collection.

Biographical/Historical note:

John N. Choate (1848-1902) was a commercial photographer in Carlisle, Pennsylvania. The United States opened its first non-reservation government-supported school there in 1879 under the supervision of Lt. Richard Henry Pratt. Choate photographed almost every student upon arrival and during their school career, as well as school activities, staff, and visiting chiefs and families. Choate remained the primary photographer for the Carlisle Indian School until his death in 1902.

Local Call Number(s):

NAA Photo Lot 81-12

Reproduction Note:

Contact prints made by Smithsonian Institution, 1981.

Location of Other Archival Materials:

Additional Choate photographs held in National Anthropological Archives MS 4241, MS 4537, MS 4544, MS 4574, MS 4988, Photo Lot 73-8, and Photo Lot 90-1.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.81-12

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw32a2d810e-9d1c-4c90-ac99-cc05b0622505

EDAN-URL:

ead_collection:sova-naa-photolot-81-12

Creator:

Smithsonian Institution. Bureau of American Ethnology  Search this

Extent:

245 Linear feet ((376 boxes and 10 map drawers))

Type:

Collection descriptions

Archival materials

Date:

1878-1965

Summary:

The records in this collection embody the administrative functions of the Bureau of American Ethnology from 1879 to 1965. The collection consists of correspondence, card files, registers, official notices, annual and monthly work reports, research statements, research proposals, grant applications, personnel action requests, notices of personnel action, meeting minutes, purchase orders and requisitions, property records, biographical sketches, resolutions, newspaper clippings, reviews of publications, drafts of publications, circulars, programs, pamphlets, announcements, illustrations, cartographic materials, photographic prints, photographic negatives, bibliographies, and reprinted publications.

Scope and Contents:

The records in this collection embody the administrative functions of the Bureau of American Ethnology from 1879 to 1965. The collection consists of correspondence, card files, registers, official notices, annual and monthly work reports, research statements, research proposals, grant applications, personnel action requests, notices of personnel action, meeting minutes, purchase orders and requisitions, property records, biographical sketches, resolutions, newspaper clippings, reviews of publications, drafts of publications, circulars, programs, pamphlets, announcements, illustrations, cartographic materials, photographic prints, photographic negatives, bibliographies, and reprinted publications.

Correspondence comprises the bulk of this collection. A significant portion of this correspondence originates from the Bureau's duty to field inquiries regarding North American aboriginal cultures and respond to requests relating to the duplication of BAE library and archival materials. Inquiries and requests, received from all parts of the world, were submitted by colleagues, museum curators and directors, students, professors, amateur archaeologists, government agents, military officials, Smithsonian Institution officials, artists, and members of the general public. Other correspondence reflects the Bureau's day-to-day operations and internal affairs. Subjects discussed in this correspondence include research projects, field expeditions, annual budgets, personnel matters, the acquisition of manuscripts, the disbursement of specimens, and production of BAE publications. Correspondence is occasionally accompanied by announcements, circulars, programs, pamphlets, photographs, drawings, diagrams, bibliographies, lists, newspaper clippings, and maps. Also among these records are the card files and registers of incoming and outgoing correspondence maintained by early BAE administrative staff. For a list of correspondents, see the appendix to this finding aid, available in the NAA reading room.

The majority of illustrations, artwork, and photographs that appear in this collection are associated with BAE publications, including BAE Annual Reports, BAE Bulletins, Contributions to North American Ethnology and Smithsonian Institution, Miscellaneous Collection. Maps located among the collection originate, by and large, from BAE field expeditions and research projects. BAE staff also amassed great quantities of newspaper clippings that concerned BAE research or points of interest. Of particular note are three scrapbooks comprised of clippings that relate to "mound builders" and the work of the BAE's Division of Mound Explorations.

Also worthy of note are the various records relating to the 1903 investigation of the BAE. Records related to the investigation highlight the Smithsonian Institution's longstanding dissatisfaction with the internal management of the BAE, its concerns over the BAE's loose relationship with the parent organization, and displeasure with the manner in which BAE scientific research was developing. Other materials of special interest are the various administrative records covering the period 1929 to 1946 and 1949 to 1965. The majority cover personnel matters; however, others justify the work of the BAE and bear witness to growing concerns that the BAE would eventually be absorbed by the Department of Anthropology within the United States National Museum.

Arrangement:

The collection has been arranged into the following 12 series: (1) Correspondence, 1897-1965; (2) Cooperative Ethnological Investigations, 1928-1935; (3) Miscellaneous Administrative Files, 1929-1946; (4) Miscellaneous Administrative Files, 1949-1965; (5) Records Concerning the Photographic Print Collection, 1899-1919; (6) Records Concerning Employees; (7) Fiscal Records, 1901-1902 and 1945-1968; (8) Records Relating to the 1903 Investigation of the BAE; (9) Property Records and Requisitions; (10) Clippings; (11) Publications; (12) BAE Library Materials, Pamphlets and Reprints

Administrative History:

The Bureau of Ethnology was established by an act of the United States Congress on March 3, 1879, but it was largely the personal creation of the geologist and explorer Major John Wesley Powell. His earlier explorations of the Colorado River and Grand Canyon formed the basis of the Geographical and Geological Survey of the Rocky Mountain Region. While exploring the area, Powell became alarmed at what he perceived to be the decline of the aboriginal way of life due to rapid depopulation. In a letter to the Secretary of the Interior, he warned that "in a few years, it will be impossible to study…Indians in their primitive condition, except from recorded history" (Hinsley). He urged swift government action; the result of which was the appropriation of $20,000 (20 Stat. 397) to transfer all documents relating to North American Indians from the Department of Interior to the Smithsonian Institution and its Secretary's appointment of Powell as director of the newly established Bureau of Ethnology, a position he held until his death in 1902. In 1897, its name was changed to the Bureau of American Ethnology (BAE) to underscore the limits of its geographical reaches.

Under Powell, the BAE organized the nation's earliest anthropological field expeditions, in which the characteristics and customs of native North Americans were observed firsthand and documented in official reports. Images of Indian life were captured on photographic glass plate negatives, and their songs on wax cylinder recordings. Histories, vocabularies and myths were gathered, along with material objects excavated from archaeological sites, and brought back to Washington for inclusion in the BAE manuscript library or the United States National Museum.

The fruits of these investigations were disseminated via a series of highly regarded and widely distributed publications, most notably BAE Annual Reports, BAE Bulletins, and Contributions to North American Ethnology. BAE research staff also responded routinely to inquiries posed by colleagues, government agencies, and the general public on matters ranging from artwork to warfare. Moreover, the BAE prepared exhibits on the various cultural groups it studied not only for the Smithsonian Institution, but also for large expositions held nationwide.

In 1882 Powell, under instruction of Congress, established the Division of Mound Explorations for the purpose of discovering the true origin of earthen mounds found predominately throughout the eastern United States. It was the first of three temporary, yet significant, subunits supported by the Bureau. Cyrus Thomas, head of the Division, published his conclusions in the Bureau's Annual Report of 1894, which is considered to be the last word in the controversy over the mounds' origins. With the publication of Thomas' findings, the Division's work came to a close.

The course of BAE operations remained largely the same under Powell's successors: W.J. McGee (acting director) 1902; William Henry Holmes, 1902-1910; Frederick W. Hodge, 1910-1918; J. Walter Fewkes, 1918-1928; Matthew W. Stirling, 1928-1957; Frank H.H. Roberts, Jr., 1957-1964; and Henry B. Collins (acting director), 1964-1965. However, following a 1903 internal investigation of the Bureau's administrative activities, Smithsonian officials called for a broader scope of ethnological inquiry and greater application of anthropological research methodologies. The BAE responded in 1904 by expanding agency activities to include investigations in Hawaii, the Philippines, and the Caribbean.

The BAE extended its geographical reaches once again, in the 1940s, to include Central and South America. In 1943, the Institute of Social Anthropology (ISA) was established as an independent subunit of the Bureau for the purpose of developing and promoting ethnological research throughout the American Republics. The findings of ISA-sponsored investigations were published in the six volume series, Handbook of South American Indians (BAE Bulletin 143). Julian H. Steward, editor of the Handbook, was appointed director of ISA operations and held the position until 1946 when George M. Foster assumed responsibility. The ISA was absorbed by the Institute of Inter-American Affairs in 1952, thus terminating its relationship with the BAE.

In 1946 the BAE assumed partial administrative control of the recently established River Basin Surveys (RBS), its third and final autonomous subunit. The purpose of the RBS was to salvage and preserve archaeological evidence threatened by post-World War II public works programs, more specifically the rapid construction of dams and reservoirs occurring throughout the country. Excavations conducted under the RBS yielded considerable data on early North American Indian settlements, and subsequent deliberations on this data were published as reports in various BAE Bulletins.

In 1965, the BAE merged administratively with the Smithsonian Institution's Department of Anthropology to form the Office of Anthropology within the United States National Museum (now the Department of Anthropology within the National Museum of Natural History). The BAE manuscript library, also absorbed by the Department of Anthropology, became the foundation of what is today the National Anthropological Archives (NAA).

In its 86 year existence, the BAE played a significant role in the advancement of American anthropology. Its staff included some of the nineteenth and twentieth centuries' most distinguished anthropologists, including Jeremiah Curtain, Frank Hamilton Cushing, J.O. Dorsey, Jesse Walter Fewkes, Alice Cunningham Fletcher, Albert H. Gatschet, John Peabody Harrington, John N.B. Hewitt, William Henry Holmes, Ales Hrdlicka, Neil Judd, Francis LaFlesche, Victor and Cosmo Mindeleff, James Mooney, James Pilling, Matilda Coxe Stevenson, Matthew Williams Stirling, William Duncan Strong, and William Sturtevant. The BAE also collaborated with and supported the work of many non-Smithsonian researchers, most notably Franz Boas, Frances Densmore, Gerard Fowke, Garrick Mallery, Washington Matthews, Paul Radin, John Swanton, Cyrus Thomas, and T.T. Waterman, as well as America's earliest field photographers such as Charles Bell, John K. Hillers, Timothy O'Sullivan, and William Dinwiddie. Several of its staff founded the Anthropological Society of Washington in 1880, which later became the American Anthropological Association in 1899. What is more, its seminal research continues to be drawn upon by contemporary anthropologists and government agents through the use of BAE manuscripts now housed in the NAA.

Sources Consulted:

Hinsley, Curtis. Savages and Scientists: The Smithsonian Institution and the Development of American Anthropology, 1846-1910. Washington, DC: Smithsonian Institution Press, 1981.

McGee, WJ. "Bureau of American Ethnology." The Smithsonian Institution, 1846-1896, The History of its First Half-Century, pp. 367-396. Washington, DC: Smithsonian Institution Press, 1897.

Sturtevant, William. "Why a Bureau of American Ethnology?" Box 286, Functions of the BAE, Series IV: Miscellaneous Administrative Files, 1948-1965, Records of the Bureau of American Ethnology, National Anthropological Archives.

Related Materials:

Additional material relating to BAE administrative affairs and research projects can be found among the National Anthropological Archives' vast collection of numbered manuscripts. Too numerous to list in this space, these include official correspondence, monthly and annual work reports, fiscal records, field notes, personal diaries, expedition logs, catalogues of specimens, vocabularies, historical sketches, maps, diagrams, drawings, bibliographies, working papers and published writings, among various other material. Most of these documents are dispersed throughout the numbered manuscript collection as single items; however, some have been culled and unified into larger units (e.g., MS 2400 is comprised of documents relating to the Division of Mound Explorations). Artwork and illustrations produced for BAE publications are also located among the NAA's numbered manuscript collection as well as its photograph collection (e.g., Photo Lot 78-51 and Photo Lot 80-6).

Photographs concerning BAE research interests can be found among the following NAA photographic lots: Photo Lot 14, Bureau of American Ethnology Subject and Geographic File ca. 1870s-1930s; Photo Lot 24, BAE Photographs of American Indians 1840s to 1960s (also known as the Source Print Collection); Photo Lot 60, BAE Reference Albums 1858-1905; and Photo Lot 85, BAE Miscellaneous Photographs 1895 to 1930. Other photographic lots include portraits of BAE staff and collaborators, namely Photo Lot 33, Portraits of Anthropologists and others 1860s-1960s; Photo Lot 68, Portraits of John Wesley Powell ca. 1890 and 1898; and Photo Lot 70, Department of Anthropology Portrait File ca. 1864-1921.

Additional materials in the NAA relating to the work of the BAE can be found among the professional papers of its staff, collaborators and USNM anthropologists. These include the papers of Ales Hrdlicka, John Peabody Harrington, Otis Mason, J.C. Pilling, Matthew Williams Stirling, and William Duncan Strong. Documents relating to the work of the BAE can be found among the records of the River Basin Surveys (1928-1969) and the Institute of Social Anthropology (1941-1952).

Records related to this collection can also be found in the Smithsonian Institution Archives (SIA). SIA accession 05-124 includes information regarding the 1942 transfer of six audio recordings related to the Chumash Indian language from the Bureau of American Ethnology to the National Archives, nine pages of Chumash translations, and "The Story of Candalaria, the Old Indian Basket-Maker." The Fiscal and Payroll Records of the Office of the Secretary, 1847 to 1942 (Record Unit 93), includes voucher logs, disbursement journals and daybooks of money paid out to the BAE from 1890 to 1910. BAE correspondence can also be found among the Records of the Office of the Secretary (Record Unit 776, accession 05-162). The Papers of William Henry Holmes, second director of the BAE, are also located among the SIA (Record Unit 7084).

Accession records concerning artifacts and specimens collected by the BAE are located in the registrar's office of the National Museum of Natural History.

Related collections can also be found at the National Archives and Records Administration. RG 57.3.1, the Administrative Records of the United States Geological Survey, includes register of applications for BAE ethnological expositions conducted between 1879-1882. RG 75.29, Still Pictures among the Records of the Bureau of Indian Affairs, includes 22 photographs of Arapaho, Cheyenne, Kiowa, Comanche, Navajo, and Apache Indians taken by William S. Soule for the BAE during 1868-1875. RG 106, Records of the Smithsonian Institution, includes cartographic records (106.2) relating to Indian land cessions in Indiana created for the First Annual Report of the Bureau of American Ethnology, 1881 (1 item); a distribution of American Indian linguistic stock in North America and Greenland, by John Wesley Powell, for the Seventh Annual Report of the Bureau of American Ethnology, ca. 1887 (1 item); a distribution of Indian tribal and linguistic groups in South America, 1950 (1 item); the Indian tribes in North America, for Bulletin 145, Bureau of American Ethnology, 1952 (4 items). Sound Recordings (106.4) include songs and linguistic material relating to the Aleut, Mission, Chumash, and Creek, gather by the BAE in 1912, 1914, 1930-41. Some include translations (122 items).

Provenance:

The Records of the Bureau of American Ethnology were transferred to the Smithsonian Office of Anthropology Archives with the merger of the BAE and the Department of Anthropology of the National Museum of Natural History in 1965. The Smithsonian Office of Anthropology Archives was renamed the National Anthropological Archives in 1968.

Restrictions:

The Records of the Bureau of American Ethnology are open for research.

Access to the Records of the Bureau of American Ethnology requires an appointment.

Rights:

Contact repository for terms of use.

Citation:

Records of the Bureau of American Ethnology, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.XXXX.0155

See more items in:

Records of the Bureau of American Ethnology

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw391046c25-21e2-4334-a01f-9a6f734ae9cd

EDAN-URL:

ead_collection:sova-naa-xxxx-0155

Creator:

Harrington, John Peabody, 1884-1961  Search this

Names:

Geronimo, 1829-1909  Search this

Extent:

683 Linear feet

Culture:

Indians of Central America  Search this

Indians of North America  Search this

Indians of South America  Search this

Type:

Collection descriptions

Archival materials

Sound recordings

Maps

Stats (copies)

Newspaper clippings

Printed material

Photographs

Botanical specimens

Field notes

Correspondence

Financial records

Personal records

Poetry

Writings

Date:

1907-1959 (some earlier)

Summary:

Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.

Arrangement:

(Some of the titles are tentative). Papers relating to Alaska/Northwest Coast, including (1) Aleut; (2) Tlingit/Eyak; (3) Northern Athapascan (Beaver, Carrier, Chipewyan, Sarsi, Sekani, Cree); (4) Nicola/Thompson; (5) Lummi/Nespelem; (6) Duwamish; (7) Chimakum/Clallam; (8) Makah/Quileute; (9) Quinault/Chehalis/Cowlit; (10) Chinook/Chinook Jargon; (11) "Kwalhioqua-Tlatskanai"; (12) Tillamook, (13) Alsea/Siuslaw/Coos; (14) Southwest Oregon Athapascan (Chasta Costa, Chetco, Upper Coquille, "Gold Beach", Smith River, Tolowa, Tutini, Upper Umpqua), (14) Galice/Applegate; (15) Takelma, general and miscellaneous; (16) Klamath; (17) Wiyot/Yurok/Mattole; (18) Coast Yuki/Northern and Central Pomo/Kato; (19) Coast Miwok; (20) Lake and Coast Miwok/Southeastern Pomo/Wappo; (21) Nisenan/Northern Sierra Miwok; (22) Southern Pomo/Central Sierra Miwok; (23) Karok/Shasta/Konomihu; (24) Chimariko/Hupo; (25) Achomawi/Atsugewi/Wintu/Yana; (26) Chamariko/Achomawi/Atsugewi/Wintu/Yana; (27) Costanoan (Chocheno, Mutsun, Tumsen); (28) Salinan (Antoinano, Migueleno); (29) Yokuts (Chunut, Tachi, Wikchamni, Yawdanchi, Yawelmani, Koyeti); (30) general and miscellaneous; papers relating to southern California and the Basin area,

including (31) Chumash (Barbareno, Cruzeno, Ineseno, Obispeno, Purisimeno, Ventureno); (32) Chauilla; (33) Chemehuevi; (34) Gabrielino; (35) Juaneno; (36) Kitanemuk; (37) Luiseno; (38) Serrano; (39) Tubatulabal; (40) Diegueno; (41) Mohave/Yuma; (42) general and miscellaneous; papers relating to the Southwest, including (43) Apache; (44) Hopi; (45) Jemez; (46) Acoma/Laguna; (47) Cochiti; (48) Navaho; (49) Pima/Papago; (50) Illeta; (51) Taos; (52) Picuris; (53) Tewa; (54) Zuni; (55) general and miscellaneous; papers relating to the Plains, including (56) Comanche; (57) Caddo/Pawnee/Wichita; (58) Dakota/Lakota; (59) Hidatso/Mandan/Crow;

(92) general and miscellaneous; notes and writings on special linguistic studies, including (93) correspondence; (94) financial records; (95) personal records; (96) poetry; (97) newspaper clippings; (98) printed material/reprints/photostats/microfilm; (99) maps; (100) photographs (101) sound recordings; (102) botanical specimens

Joseph S. Danner, Edward S. Davis, Ella C. Deloria, Frances Densmore, Paul Desiardins, Lydia Dornherr, Harry W. Dorsey, Frederick Huntington Douglas, David C. Dozi, Edward P. Dozi, Robert Drak Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucrlson Fenton, Jesse Walter Fewkes, Reginald G. Fisher, Barbara Freire-Marreco (see also Barbara Aitken), Rose S. Gaffney, David E. Gales, S. H. Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, Ja Gapp, Clark M. Garber, Lucretia Garcia, Maria Garcia, Paul Garcia, Walter C. Garwick, William Gates, James A Geary, Otto William Geist,

Richard H. Geoghegan, Harold S. Gladwin, Pliny Earle Goddard, T. R. Goodwin, Howard W. Gorman, Blanche C. Grant, George Grasty, Louis H. Gray, Alexander Grigolia, Alexandra Gromoff, F. A. Gross, Ruther Gruber, Erwin G. Gudde, Grace Guest, Ralph Gustafson, Berard Haile, Alfred Irving Hallowell, Howard M. Hamblin, Lucile Hamner, Adelaide Harrington, Arthur Harrington, Awona Harrington, Edmund Ross Harrington, Elliot Harrington, Mark Raymond Harrington, Robert Fleming Heizer, Marta Herrera (Orozoco), Melville Jean Herskovits, Edgar Lee Hewett, George Gustave Heye,

Thomas Willing Hicks, Willard Williams Hill, William B. Hill, Philip K. Hitti, Hulda R. Hobbs (Heidel), Frederick Webb Hodge, Robert Hofsinde, W. C. Holden, Nils Homer, R. B. Horsefield, James Hovey, Grace Hudson, John W. Hudson, William Hughes, Edward P. Hunt, George Hunt, Wayne Henry (Wolf Robe) Hunt, Arnold J. Jacobins, Jean Allard Jge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf, uis Kroeber, Benjamin T. Kurtz, Walter and Hilda Kurze, Oliver LaFarge, George M. Lamsa, William T. Linkins, Ralph Linton, Alan Lomax, Theodore R. Lonewolf,

Boas Long, Ivan Alexis Lopatin, Robert Harry Lowie, Charles F. Lummis, Phoebe Maddux, Frank Marashulo, Frank Marr, John Marr, Edna P. Marsh, Gordon H. Marsh, William B. Marye, Elizabeth Mason, John Alden Mason, Anna P. Mattinger, Wayne L. Mauzy, William Ralph Maxon, Parker McKenzie, F. Romero Mendez, Clinton Hart Merriam, E. Vigo Mestres, Truman Michelson, Harry E. Miller, Ralph L. Milliken, William S. Mills, Willie Miranda, Albert Mohr, Dionisia Mondragon, Manuel Mondragon, Lucy Montgomery, Harriet Moore, Mildred C. Moore, R. E. Moore, Rosalind Moore, Carlos Morales, Marion Moreno, Sylvanus Griswold Morley, Philip A. Munz, O. J. Murie,

Roy Nash, Mrs. W. J. Nichols, Eugene A. Nida, Frans M. Olbrechts, Cornelius Osgood, Asbjorn P. Ousdal, Charles F. Outland, Henry E. Parmenter, Elsie Clews Parsons, A. W. Payne, Ellen Peace, Elizabeth Wells Pearce, Arthur B. Perkins, Mrs. Rodolphe Petter, Kenneth L. Pike, Arnold R. Pilling, Nellie B. Pipes, I. J. Pitman, J. O. Prescott, Erik Kellerman Reed, Nathaniel Julius Reich, Jane Richardson, Arthur Stanley Riggs, Frank Harold Hanna Roberts, Jr., Helen H. Roberts, Clarence M. Ruth, Everett Sanders, Edward Sapir, Charles F. Saunders, F. H. Saville, Paul Schumacher, Donald Scott, Blanche Seeley, Ettie Seeley, Elizabeth Shepley Sergeant,

A. W. Setychell, Jessie Shaw, Anna O. Shepard, Frank T. Siebert, Rita Siedenberg, Albion M. Sitton, Nich Sivonen, H. D. Skinner, Mrs. N. P. Sloan, Clement Smith, Stella Smith, Jack Snow, Maria Soto, Frank Gouldsmith Speck, Robert F. Spencer, Marjorie Spinks, Waldo C. Spraque, Winifred Stamm, Moses Steinberg Marian Stirling, Matthew Williams Stirling, William Duncan Strong, Edgar Howard Sturtevant, Georgianna Barbara Such, John R. Swanton, Turkey Tayac, Douglass Taylor, Lincoln Thompson, Morjorie L. Tichy, Janet Tietjins, Bennie Tilden, J. R. R. Tolkien, W. Cameron Townsend, George L. Trager, Lovell B. Triggs, Edwin H. Tuttle,

Ruth Underhill, Richard Fowler Van Valkenburgh, Rosendo Vargas, Charles Frederick Voegelin, Paul Vogenitz, James W. Waldo, Paul A. F. Walter, Althea Warren, Fred Washington, Thomas Talbot Waterman, Edith White, Joseph J. White, Leslie A. White, Grace T. Whiting, Robert B. Whitsett, Benjamin Lee Whorf, H. E. Williams, William L. Wonderly, Arthur Woodward, Robert W. Young, and Father Zephyrin of the Santa Barbara Mission.

Restrictions:

The John Peabody Harrington papers are open for research.

Access to the John Peabody Harrington papers requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Linguistics  Search this

Indians of North America -- Languages  Search this

Ethnomusicology  Search this

Ethnobotany  Search this

Toponymy  Search this

Language and languages -- Documentation  Search this

Genre/Form:

Sound recordings

Maps

Stats (copies)

Newspaper clippings

Printed material

Photographs

Botanical specimens

Field notes

Correspondence -- 1930-1950

Financial records

Personal records

Poetry

Writings

Citation:

John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution

The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.

Identifier:

NAA.1976-95

See more items in:

John Peabody Harrington papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw31fe9575b-f7aa-4286-9787-0cfc495ab461

EDAN-URL:

ead_collection:sova-naa-1976-95

Creator:

Aubin, Barbara, 1928-2014  Search this

Names:

Art Institute of Chicago. School  Search this

Kucera, Kathryn  Search this

Extent:

5.1 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Video recordings

Date:

circa 1867-2006

bulk 1940-2014

Summary:

The papers of painter, teacher and curator, Barbara Aubin, measure 5.1 linear feet and date from circa 1867-2014, with the bulk of the material dating from 1940-2014. The collection comprises biographical materials, correspondence, writings, exhibition files, professional files, printed materials,scrapbooks, artwork, and photographic materials.

Scope and Contents:

The papers of painter, teacher and curator, Barbara Aubin, measure 5.1 linear feet and date from circa 1867-2014, with the bulk of the material dating from 1940-2014. The collection comprises biographical materials consisting of student records from the Art Institute of Chicago, planners and address books, resumes, and unidentified material on electronic discs; correspondence with galleries regarding exhibitions, with friends including Kathy Kucera, and others; writings including drafts and notes for articles, and poems by Aubin; exhibition files containing planning documents, promotional material, and video recordings for Send a Postcard to Barbara (1980), Women's Day (2004, 2005), and a retrospective of Aubin's work at Elmhurst College (2008); professional files consisting of 4+ Decades of Art project material, membership records, Candidate for Professor binders, letters of support from colleagues, and a files for other professional activities; printed materials mainly featuring Aubin and her artwork; scrapbooks consisting of printed materials, photographs, and other material relating to Aubin's exhibitions and career; artwork consisting of collages by Aubin, prints, and vintage paintings; and photographic materials with slides, photographic prints, and negatives of Aubin, personal snapshots of friends and family, exhibitions, and works of art.

Arrangement:

The collection is arranged as 9 series.

Series 1: Biographical Material, 1952-2006 (0.2 linear feet; Boxes 1, 7)

Series 2: Correspondence, circa 1944-2010 (0.2 linear feet; Box 1)

Series 3: Writings, 1960-2006 (0.2 linear feet; Box 1)

Series 4: Exhibition Files, 1979-2012 (0.5 linear feet; Boxes 1-2)

Series 5: Professional Files, 1966-2012 (0.8 linear feet; Box 2)

Series 6: Printed Materials, circa 1950-2014 (0.6 linear feet; Boxes 2-3)

Series 7: Scrapbooks, 1950s-2000s (1.2 linear feet; Boxes 3-4, 7)

Series 8: Artwork, circa 1867-circa 2000s (0.2 linear feet; Box 4)

Series 9: Photographic Materials, circa 1880s-2000s (1.2 linear feet; Boxes 4-7)

Biographical / Historical:

Barbara Aubin (1928-2014) was a painter, teacher, and curator in Chicago, Illinois known for her work with postcard art and collage.

In 1949, she received a B.A. in sociology from Carleton College in M.N. She went on to earn both a B.A. and M.A. in art education from the School of the Art Institute in Chicago in 1954 and 1955 respectively. After graduation, she traveled to France and Italy on the George D. Brown Foreign Travel Fellowship in 1955-1956 and to Haiti for a Fulbright Fellowship in 1958-1960.

Aubin taught at the School of the Art Institute of Chicago in 1956-1958 and 1960-1967, Chicago State University in 1971-1991, and was a visiting artist at St. Louis Community College in 1980-1981. She was a member of the Chicago Artists Coalition, Chicago Society of Artists, and was a founder of the Chicago Women's Caucus for Art.

Provenance:

The Barbara Aubin papers were donated in 2016 by the Barbara Aubin estate via Amie Hyman, executor and in 2023 by the Union League Club of Chicago via Mark Tunney, General Manager, and Jane Stevens, trustee.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Educators -- Illinois -- Chicago  Search this

Painters -- Illinois -- Chicago  Search this

Art museum curators -- Illinois -- Chicago  Search this

Topic:

Women artists  Search this

Women educators  Search this

Women painters  Search this

Genre/Form:

Scrapbooks

Video recordings

Citation:

Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.aubibarb

See more items in:

Barbara Aubin papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dee97ff6-4aa6-4978-87a5-189e8b64d858

EDAN-URL:

ead_collection:sova-aaa-aubibarb

Collection Creator:

Aubin, Barbara, 1928-2014  Search this

Container:

Box 2, Folder 5-7

Type:

Archival materials

Date:

circa 1986

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Barbara Aubin papers

Barbara Aubin papers / Series 5: Professional Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9958f7326-818d-4fde-9c07-69c568b5f9f5

EDAN-URL:

ead_component:sova-aaa-aubibarb-ref53

Collection Creator:

Aubin, Barbara, 1928-2014  Search this

Container:

Box 2, Folder 8-10

Type:

Archival materials

Date:

circa 1986

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Barbara Aubin papers

Barbara Aubin papers / Series 5: Professional Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c435b2cb-7df5-4bee-9725-90682abe4fdd

EDAN-URL:

ead_component:sova-aaa-aubibarb-ref54

Collection Creator:

Bergman, Edwin  Search this

Bergman, Lindy  Search this

Container:

Box 1, Folder 9

Type:

Archival materials

Date:

1981-1987

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Edwin and Lindy Bergman papers, 1949-2002. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Edwin and Lindy Bergman papers

Edwin and Lindy Bergman papers / Series 1: Edwin and Lindy Bergman Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95b96f428-1f4d-43e1-849e-e883a9ae4c67

EDAN-URL:

ead_component:sova-aaa-bergedlin-ref10

Collection Creator:

Bergman, Edwin  Search this

Bergman, Lindy  Search this

Container:

Box 1, Folder 5

Type:

Archival materials

Date:

1972-1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Edwin and Lindy Bergman papers, 1949-2002. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Edwin and Lindy Bergman papers

Edwin and Lindy Bergman papers / Series 1: Edwin and Lindy Bergman Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9918c7f1e-a4d0-4d46-8856-e24f8d76be04

EDAN-URL:

ead_component:sova-aaa-bergedlin-ref25

Collection Creator:

Bergman, Edwin  Search this

Bergman, Lindy  Search this

Container:

Box 1, Folder 8

Type:

Archival materials

Date:

1980-1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Edwin and Lindy Bergman papers, 1949-2002. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Edwin and Lindy Bergman papers

Edwin and Lindy Bergman papers / Series 1: Edwin and Lindy Bergman Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91a625a17-0c3b-4f03-a86c-3407d6ac757e

EDAN-URL:

ead_component:sova-aaa-bergedlin-ref42

Collection Creator:

Bergman, Edwin  Search this

Bergman, Lindy  Search this

Container:

Box 2, Folder 37

Type:

Archival materials

Date:

1961-1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Edwin and Lindy Bergman papers, 1949-2002. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Edwin and Lindy Bergman papers

Edwin and Lindy Bergman papers / Series 1: Edwin and Lindy Bergman Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e669ecf5-4d7e-4128-b19d-758532569f90

EDAN-URL:

ead_component:sova-aaa-bergedlin-ref9

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 4, Folder 16-17

Type:

Archival materials

Date:

1969-1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 4: Exhibitions

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97d8ec1f8-58e2-4430-bd01-37ec0ad38150

EDAN-URL:

ead_component:sova-aaa-helwharo-ref100

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 5, Folder 10

Type:

Archival materials

Date:

1968, 1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 5: Professional Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90d74e23e-2dd4-466f-a689-31c723b5c724

EDAN-URL:

ead_component:sova-aaa-helwharo-ref116

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 1, Folder 12

Type:

Archival materials

Date:

undated, 1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw959c2ff08-f613-4729-9885-6c46b7931b65

EDAN-URL:

ead_component:sova-aaa-helwharo-ref13

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 11, Folder 2

Type:

Archival materials

Date:

1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 9: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw927577bf4-8582-4c52-81bf-0918b58bc5f2

EDAN-URL:

ead_component:sova-aaa-helwharo-ref197

Collection Creator:

Helwig, Harold B., 1938-2012  Search this

Davis, Lenore , 1936-1995  Search this

Container:

Box 3, Folder 25

Type:

Archival materials

Date:

1977-1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Harold Helwig and Lenore Davis papers

Harold Helwig and Lenore Davis papers / Series 2: Correspondence / 2.2: General Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bc58318a-b843-4d9c-8fc3-0a1dbf0f2dd4

EDAN-URL:

ead_component:sova-aaa-helwharo-ref64