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Lenox -- Stonover

Former owner:
Parsons, John E. (John Edward), 1829-1915  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
1 Slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
Stonover (Lenox, Massachusetts)
United States of America -- Massachusetts -- Berkshire County -- Lenox
General:
"Stonover," Residence of Mr. John E. Parsons. Lenox, Mass. Louis H. Reghier Publ. Hand-Colored. Postcard circa 1901-1915.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Massachusetts -- Lenox  Search this
Mansions  Search this
Lawns  Search this
Awnings  Search this
Farms  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File MA296
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Massachusetts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1407

Mill Neck -- John P. Humes Japanese Stroll Garden

Collection Creator:
Favretti, Rudy J.  Search this
Type:
Archival materials
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Rudy J. Favretti CollectionPapers.
Identifier:
AAG.FAV, File NY392
See more items in:
Rudy J. Favretti collection
Rudy J. Favretti collection / Series 4: Visited Gardens / 4.2: Garden Images / New York
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-fav-ref460

Field Work in Freetown, Sierra Leone: View from View from Campus of Fourah Bay College on Mount Aureol

Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Names:
Turner, Lorenzo Dow, 1890-1972  Search this
Collection Creator:
Turner, Lorenzo Dow, 1890-1972  Search this
Extent:
1 Item (photographic negative , b&w, 35mm.)
Type:
Archival materials
Negatives
Place:
Africa
Sierra Leone
Freetown (Sierra Leone)
Sierra Leone -- Western Area -- Freetown
Date:
1951
File Restrictions:
Fragile: Physical access restricted.
Topic:
Cultural landscapes  Search this
Architecture  Search this
Genre/Form:
Negatives
Collection Citation:
Lorenzo Dow Turner papers,Anacostia Community Museum Archives, Smithsonian Institution, gift of Lois Turner Williams.
Identifier:
ACMA.06-017, Item ACMA LDT-N-R08-241
See more items in:
Lorenzo Dow Turner Papers
Lorenzo Dow Turner Papers / Series 5: Photographs, circa 1890–1974 / 5.4.1: Research: Africa / 35mm negatives / Sierra Leone
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-06-017-ref1716

Charles City -- Westover

Collection Creator:
Hollerith family  Search this
Hollerith, Herman, 1860-1929  Search this
Garden Club of America  Search this
Georgetown Garden Club  Search this
Collection Photographer:
Hollerith, Lucia Beverly, 1891-1982  Search this
Hollerith, Nannie Talcott, 1898-1985  Search this
Hollerith, Virginia  Search this
Type:
Archival materials
Place:
Westover (Charles City, Virginia)
United States of America -- Virginia -- Charles City County -- Charles City
Scope and Contents:
Folders include work sheets, brochures, HABS report, and copies of articles.
General:
In 1638, Captain Thomas Paulett patented 2,000 acres, which he called "Westopher," supposedly in honor of the West brothers, the Lords Delaware. After William Byrd came into possession in 1688, he increased the property to 26,231 acres and built the first Westover dwelling ca. 1690. Byrd's son, William, began the erection of the manor-house in 1726.
A two-acre walled garden contained box borders. The central point of the gardens is the monument marking the tomb of William Byrd, II. Colonel John Selden added to the landscape by planting the row of tulip poplars. Drewery, a former owner, destroyed 3/4 of the garden wall to use for a stable. The garden was then ploughed up and then planted in vegetables. Between 1901 and 1905, the wall was rebuilt on the old foundations. Turfed walkways, crossing each other at right angles, were lined with flowers and tea roses in 1909. Mrs. Sears Ramsay planted all the trees around the "bowling green" to the north of the house. Richard Crane's daughter donated a historic preservation easement on Westover to the state in 1974 when it became a National Historic Landmark.
Persons associated with the property include: Captain Thomas Paulett (former owner, 1638); Sir John Paulett (former owner); Otho Soutcoat (former owner of part, 1665); Theodorick Bland (former owner, 1665); Theodorick and Richard Bland (former owners); William Bird (former owner, 1688); William Byrd, II (former owner); William Byrd, III. (former owner); William Carter (former owner, 1814); Mr. Douthat (former owner); Harrisons of Brandon (former owners); Colonel John Selden (former owner, 1829); Major Drewery (former owner, 1862); Mrs. Clarise Sears Ramsay (former owner, 1898); and Richard Crane (former owner, 1921).
Related Materials:
Westover related holdings consist of 4 folders (18 35 mm. slides and 29 glass lantern slides)
See others in:
Garden Club of America Collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Virginia -- Charles City  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Hollerith Family Slide Collection.
Identifier:
AAG.HOL, File VA013
See more items in:
Hollerith Family slide collection
Hollerith Family slide collection / Gardens and Sites / Virginia
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-hol-ref612

National Academy of Design records

Creator:
National Academy of Design (U.S.)  Search this
Names:
American Federation of Arts  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Durand, Asher Brown, 1796-1886  Search this
Lanyon, Ellen  Search this
Ranger, Henry Ward, 1858-1916  Search this
Extent:
92.7 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Interviews
Date:
1817-2012
Summary:
The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.
Scope and Contents:
The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

The Academy minutes and committee files consist of official, original, and transcribed proceedings for the council, annual, business, and some committee meetings, as well as related correspondence, reports, financial documents, notes, drafts, and ballots pertaining to the Academy's administration and activities from its 1825 founding until 2006. As an organization actively engaged in the development of art and art education in the United States, the Academy minutes and committee files are a valuable resource on subjects and topics in the Academy's history; in particular, its founding, administration, school, and exhibition program.

Director files date from 1942-1990 and document the activities of four of the Academy's chief administrators, including Vernon Porter (1950-1966), Earl Tyler (1966-1967), Alice Melrose (1967-1977), and John H. Dobkin (1978-1990). Items include correspondence, memoranda, minutes, and printed material.

Annual reports, dating from 1828-2003, summarize the activities of the Academy over the course of a year, and may include presidents' reports, treasurers' reports, audits of financial operations by public accountants, and printed annual reports containing summaries from multiple council officers. Information pertains to the year's activities including finances, exhibitions, membership, the school, committee activities, awards, and other business.

Academy constitutions date from 1826-2012 and include the printed constitutions and by-laws as well as constitutional proposals. Constitutions and by-laws name the current council officials, professors, academicians, associates, and honorary members, and state the mission and guidelines for operation in regards to membership, officers, annual meetings, elections, school, exhibitions, and how the constitution can be amended or altered. Constitutional proposals contain amendment drafts, alterations, and related correspondence.

Council officer files, dating from 1848-1980, contain the correspondence and subjects files of Academy officers—presidents, vice presidents, corresponding secretaries, and treasurers—concerning all matters of Academy business and operations including membership, gifts and funds, the federal charter, exhibitions, juries, the school, scholarships, committee affairs, anniversaries, publicity, administrative matters, resignations, and relationships with other organizations.

General administrative files date from 1825-1982 and include ledgers, certificates, correspondence, and legal documents pertaining to the Academy's founding, building, financial accounts, art collection, and other administrative matters.

Exhibition files, dating from 1826-2003, document the Academy's long exhibition history and includes annual, gallery, special, and museum exhibitions. Files may include exhibition catalogs, photographs, press clippings, sales records, and correspondence related to jury selection, awards and prizes, and logistical planning. Files pertaining to the Academy's annual exhibitions comprise a bulk of the series. Held since 1826, the Annuals were organized and curated by Academy members, and considered to be an important and sweeping survey of contemporary American art.

Gifts and funding files date from 1860-2009 and include financial documents, ledgers, legal material, and correspondence concerning the bequests, endowments, donations, and other gifts that financed the operations of the Academy and school. A significant number of records pertain to the Abbey Trust Fund and the Archer M. Hunting Fund.

Membership files, 1826-2012, document Academy members, honorary members, fellows, and the nominations and elections whereby members were voted into the Academy. Materials include registers, certificates, nomination ledgers and proposals, candidate biographies, and ballots.

The National Academy Association files date from 1911-1959 and contain a constitution, plan, and agreement, as well as correspondence, meeting minutes, and reports for the Association, incorporated in 1912 with the aim to erect a building shared by several New York art societies. At the time of incorporation, the Association consisted of members from the National Academy of Design, American Water Color Society, American Institute of Architects, Architectural League of New York, New York Water Color Club, National Sculpture Society, Municipal Art Society, Society of Beaux-Arts Architects, Mural Painters, Society of Illustrators, and a number of city representatives and citizens.

The Ranger Fund assignment files, 1919-2008, document the distribution of artworks by living American artists to institutions throughout the United States, in accordance with the will of Henry Ward Ranger. The Ranger Fund was initiated to stimulate public interest in the work of contemporary American painters in 1919, when the Academy received a bequest from Henry Ward Ranger, totaling $400,000. Ranger stated in his will that the capital should be invested and the income used as a purchase fund to facilitate gifts of paintings by living American artists to arts institutions throughout the United States. Files document the assignment of particular works of art to institutions through the official agreement, related correspondence, and in some instances, photographs of the artwork.

Extensive school records, dating from 1826-2008, contain administrative files, enrollment records, course files, student affairs files, and printed material documenting all aspects of the school's activities aligned with the Academy's mission to educate aspiring professional artists. A bulk of this series consists of student course registrations, documented in registers, then on index cards beginning in the 1930s. While information collected varied over the decades, registrations document student names and the year, and may additionally include course name, instructor, and cost.

Twenty Academy scrapbooks document the organization's activities from 1828-1939 and include clippings and ephemera. Three of the scrapbooks are devoted to specific topics, including one for the Society of American Artists, one for both the Society of American Artists and the Society of American Fakirs, and one for the Academy's centennial exhibition.

The Society of American Artists files, 1878-1906, document the formation of the Society as a departure from the Academy in 1877, its independent operations and activities, and its eventual consolidation with the Academy in 1906. The Society's members have included Edwin Abbey, James Carroll Beckwith, Mary Cassatt, William Merritt Chase, Thomas Eakins, George Inness Jr., John La Farge, Albert Pinkham Ryder, among many others.

Files from other organizations date from 1817-1997 and may include correspondence, ledgers, and printed material. Many of these organizations had business with the Academy, and records pertain to events, meetings, and exhibitions. Notable organizations include the American Academy of Fine Arts, American Federation of Arts, American Watercolor Society, Art Students League, Fine Arts Federation of New York, Metropolitan Museum of Art, New York Etching Club, Pennsylvania Academy of Fine Arts, and Salmagundi Club.

Oral history transcripts date from 2002-2007. Eight comprehensive interviews, conducted by Avis Berman for the Academy, are with Academy members and cover all aspects of the artists' lives, including family, early life, beginning career, mentors, contemporaries, influences, patrons, awards, residencies, as well as the artists' relationship with the Academy. The interview transcripts provide first-hand accounts of the organization, particularly from circa 1940 up to the time of the interview. Artists interviewed include Will Barnet, Hyman Bloom, Richard Haas, Ellen Lanyon, Jules Olitski, Bernard Olshan, Paul Resika, and Dorothea Rockburne.

Photographic material, dating from 1845-2010, includes a wide variety of formats and processes including 19th and 20th photographic prints, glass plate negatives, copy prints, contact sheets, slides, and 35mm negatives. Subjects include artists and others associated with the Academy, the school, exhibitions and events, Academy buildings, artwork, and reference photographs. Many 19th century photographs contain descriptive annotations. Supplementary inventories and guides prepared by Academy archivists are scattered throughout the series.

Artist files date from 1826-2004 and include the correspondence, writings, manuscripts, diaries, exhibition catalogs, and clippings of many notable artists involved with the Academy, including Asher B. Durand and Rembrandt Peale. Of particular note are two notebooks Durand gifted to the Academy, both containing notes and sketches from anatomy lectures.

While printed material is scattered throughout, the final series collects a small number of additional announcements, brochures, clippings, illustrations, and other ephemera not filed in other series.
Arrangement:
The collection is arranged as nineteen series.

Series 1: Minutes and Committee Files, 1825-2006 (11.5 linear feet; Boxes 1-11, BV 100-106)

Series 2: Director Files, 1942-1990 (0.5 linear feet; Box 11)

Series 3: Annual Reports, 1828-2003, circa 2010 (2.1 linear feet; Boxes 11-13, OV 139-142)

Series 4: Constitutions, 1826-2012 (1.1 linear feet; Boxes 13-14)

Series 5: Council Officers, 1848-1980 (4 linear feet; Boxes 14-18)

Series 6: General Administration, 1825-1982 (0.6 linear feet; Boxes 18, 126)

Series 7: Exhibitions, 1826-2003, 2008 (14.4 linear feet; Boxes 18-33)

Series 8: Gifts and Funding, 1860-2009 (4.1 linear feet; Boxes 33-37)

Series 9: Membership, 1826-2012 (3.4 linear feet; Boxes 37-39, 127-131)

Series 10: National Academy Association, 1911-1959 (0.4 linear feet; Box 39)

Series 11: Ranger Fund Assignments, 1919-2008 (4.3 linear feet; Boxes 39-44)

Series 12: School, 1826-2008 (28.5 linear feet; Boxes 44-56, 68-99)

Series 13: Scrapbooks, 1828-1939 (4 linear feet; Box 56, BV 107-125)

Series 14: Society of American Artists, 1878-1906 (0.8 linear feet; Boxes 56-57)

Series 15: Other Organizations, 1817-1997 (1.8 linear feet; Boxes 57-59, 131)

Series 16: Oral History Transcripts, 2002-2007 (0.7 linear feet; Box 59)

Series 17: Photographic Material, 1845-2010 (6.1 linear feet; Boxes 60-63, 131-138, OV 143-144)

Series 18: Artist Files, 1826-2004 (3.5 linear feet; Boxes 63-66)

Series 19: Printed Material, 1839-1954 (0.4 linear feet; Boxes 67, 131, OV 145)
Biographical / Historical:
The National Academy of Design (1825- ) based in New York City, is a tripartite organization consisting of a membership body of artists, a school, and an exhibition program. The Academy was founded in 1825 by a group of professional artists with the mission to promote the fine arts in America through exhibition and education. Originally named the New York Drawing Association, the Academy was the first organization in the United States established and managed by professional artists. Samuel F.B. Morse, the Academy's first president, was influenced by the organization of the Royal Academy in London, which was comprised of professional artist members and elected government council, an art school, and a venue for exhibitions. After unsuccessful negotiations to unite with the American Academy of Fine Arts, the New York Drawing Association reformed as the National Academy of The Arts of Design on January 19, 1826. Among the founders were mostly young artists who became prominent figures in American art, including Frederick S. Agate, Thomas Cole, Thomas S. Cummings, Asher B. Durand, John Frazee, Charles C. Ingham, Henry Inman, Gerlando Marsiglia, Samuel F. B. Morse, Samuel L. Waldo, and Charles Cushing Wright.

The first Academy members were elected in January 1826, and levels of membership were established shortly thereafter. Originally there were four levels of Academy membership: associates, academicians, artists, and honorary corresponding members. The category of artists was eliminated in 1829, and the honorary member category, established to recognize American artists living outside New York, distinguished foreign artists, and patrons and friends of the Academy, was eliminated in 1862 (the constitution was not amended with this change until 1896). Since 1869, the residency requirement for election to active membership was eliminated and membership was opened to all American artists. In 1920, the classification of honorary corresponding member was re-introduced to recognize representatives of other national academies. With the 1997 constitution, the honorary corresponding member classification was again eliminated, and in 1994 the associate category was eliminated.

Artists are proposed for membership by academicians through the membership committee and are elected for life by a sixty percent majority, based on recognized excellence and significant contributions to the field. Procedures and rules for nominating and choosing new academicians changed over the years, as detailed in the constitutions. Associates were at one time required to present a portrait of themselves upon election and academicians were required to provide an additional representative work upon election. With the elimination of the category of associate in 1994, only one representative work is currently required. These works of art become part of the Academy's permanent collection.

The original classes of professional artists were painting, sculpture, architecture, and engraving. These professional classes were modified over the years. In 1936 the engraving class was made more comprehensive, including all of the graphic arts. Watercolor was added as a class in 1943 and was codified in the 1945 constitution. However, the division into five distinct classes started to create difficulties in how specific works of art were to be categorized. In 1981 the council eased the rules regarding separate media classification so that members could submit a work in any medium to the annual exhibitions regardless of the class to which they had been elected. The constitution of 1994 restated four professional classes—painting, sculpture, graphics, and architecture—which were further reduced in the 2011 constitution to two: visual arts and architecture.

Until 2009, the governing body of the Academy was the council. The seven officers of the council were president, vice-president, treasurer, assistant treasurer, corresponding secretary, assistant corresponding secretary and recording secretary, all of whom were required to be academicians. In 2009, a new constitution provided for a board of governors, replacing the council. The five officers of the board of governors are chair, vice-chair, president, vice-president, and treasurer. Only the offices of president and vice-president are required to be held by academicians.

Central to the Academy's mission, the school began with an anatomy lecture for the New York Drawing Association, delivered by Dr. Frederick G. King in November 1825. The first drawing session took place in November 1826 in the Old Alms House at City Hall Park with two academicians and twenty students. In the school's early years, professional artists met with students to draw from plaster casts of antique sculpture in the academic tradition. Both lectures and studio training were central the school's early curricula. Life classes, the practice of drawing from live models, were introduced in 1837, but only to advanced male students. A life class for women was not instituted until 1857, even though women were allowed membership to the Academy since its beginning. Due to financial difficulties at the Academy, the school was forced to move locations and shut down its operations for extended periods. Mounting dissatisfaction and frustration led several students and Lemuel E. Wilmarth, one of the school's leaders and first full-time professional instructor, to leave the Academy in 1875 and form a new school, the Art Students League. While charging tuition was unpopular, the Academy realized that it was necessary to ensure the school's sustainability, and implemented fee structures with varying success over the second half of the 19th century and first half of the 20th. Eventually, tuition was established by 1951, when the school was reopened at a new location, 5th Avenue and 89th Street.

Exhibitions have always been an important activity for the Academy, even prior to the opening of the National Academy Museum in 1979. Since 1826, the Academy has held annual exhibitions intended to reflect contemporary art currents in America. Any American artist was eligible to submit work to be reviewed by a jury of selection, comprised of academicians. Throughout the 19th century, the annual exhibitions at the Academy were one of the most significant and influential in the country. The selection process for these exhibitions was a critical topic, at times actively discussed in the press, and continually undergoing modification and change. In addition to the Annuals, the galleries of the Academy were often rented or loaned to outside organizations such as the American Watercolor Society, Audubon Artists, and the National Association of Women Artists. The galleries also mounted special exhibitions curated by its members and hosted a certain number of travelling exhibitions organized by other museums or art organizations. The museum, opened in 1979, hosted and presented major exhibitions, many focusing on historic European subjects.

Official Names of the Academy 1825-2017

1825 -- The New York Drawing Association

1826 -- The National Academy of The Arts of Design

1828 -- The National Academy of Design

1997 -- The National Academy Museum and School of Fine Art

2017 -- The National Academy of Design

National Academy of Design Meeting, Exhibition, and School Locations

1826 -- Old Alms House at City Hall Park in lower Manhattan

1827-1830 -- Chambers Street over the Arcade Baths

1831-1840 -- Corner of Nassau and Beckman Streets, the Mercantile Library on the third floor of Clinton Hall

1841 to 1849 -- 346 Broadway (at Leonard Street), the third and fourth floors of the New York Society Library

1850-1854 -- 663 Broadway, where the Academy erected a suite of six galleries

1855-1856 -- 548 Broadway (over Dr. Chapin's Church)

1857 -- 663 Broadway

1858-1861 -- 10th Street and 4th Avenue, the upper floor of a building

1861-1863 -- 625 Broadway, the Institute of Art

1865-1899 -- 23rd Street and Fourth Avenue (now Park Avenue South)

1899-1940 -- 109th Street and Amsterdam Avenue; exhibition galleries at 215 West 57th Street

1940-2017 -- 1083 Fifth Avenue at East 89th Street
Provenance:
The bulk of the collection was donated by the National Academy of Design in 2018. The trustees' ledger book in series 6 was donated in 1979 by Warder Cadbury of the Adirondack Museum; it is unclear how Cadbury acquired the ledger. Microfilm reels 798-799 containing transcriptions of minutes were given to the Archives by Lois Fink in 1974.
Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art Schools -- New York (State) -- New York
Arts organizations -- New York (State) -- New York
Genre/Form:
Drawings
Scrapbooks
Interviews
Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiacad
See more items in:
National Academy of Design records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiacad
Online Media:

Hine-Hyde

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 65, Folder 19
Type:
Archival materials
Date:
1829-1964
Scope and Contents:
Hine, Lela Marshall

Hinton, Charles Louis

Hirsch, Joe

Hoeber, Arthur

Hoffman, Edward

Hoffman, Malvina

Homer, Winslow

Hopkins, James R.

Hopkinson, Charles

Hoppin, Frederick

Hord, Donal

Hovenden, Thomas

Howe

Howell, Felicie Waldo

Howells, John Mead

Howland, Alfred C.

Hoyle, Raphael

Hubbard, R. W.

Hubbell, Henry S.

Huntington, Anna Vaughn Hyatt

Huntley, Victoria

Hutchinson, Florence G.

Hyde, William
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 18: Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1280

Constitutions

Collection Creator:
National Academy of Design (U.S.)  Search this
Extent:
1.1 Linear feet (Boxes 13-14)
Type:
Archival materials
Date:
1826-2012
Scope and Contents:
This series includes printed constitutions and by-laws as well as constitutional proposals. The earliest constitution was adopted in 1826 and names the current council officials, professors, academicians, associates, and honorary members, and states the mission and guidelines for operation in regards to membership, officers, annual meetings, elections, school, exhibitions, and how the constitution could be amended or altered. The by-laws outline the rules by which council officials, members, professors, and visitors will abide. The second constitution, adopted in 1829, also includes the act of incorporation, passed in 1828. The constitution and by-laws were reprinted every three to fifteen years to reflect amendments, alterations, and new leadership and members. Some constitutions include inventories of the Academy's property. The constitution from 1943 includes a list of artworks in the Academy's collection, and the constitution from 1952 lists all property owned by the Academy, including furniture, books, and artwork. Many copies of the constitutions and by-laws are annotated.

Constitutional proposals include amendment drafts, alterations, and related correspondence.
Arrangement:
The series is arranged as two subseries, each arranged chronologically.

4.1: Constitutions and By-laws, 1826-2012

4.2: Constitutional Proposals, 1915-1991
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiacad, Series 4
See more items in:
National Academy of Design records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natiacad-ref4

Original Council Minutes, Drafts and Notes

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Date:
1826-1829
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 1: Minutes and Committee Files / 1.2: Original Council Minutes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natiacad-ref64

Housing Works

Series Collector:
Archives Center, NMAH, SI.  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 68, Folder 6
Type:
Archival materials
Date:
1991
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 9: Strub, Sean O.
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref927

Smithsonian Institution Castle: James Smithson

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2009-11-02T17:18:17.000Z
YouTube Category:
Education  Search this
Topic:
Museum administration  Search this
See more by:
SmithsonianCastle
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianCastle
EDAN-URL:
edanmdm:yt_x3Brwn8wxAA

Photographic Materials

Collection Creator:
James Graham & Sons  Search this
Extent:
11.5 Linear feet (Boxes 83-93, 96, 100-101)
Type:
Archival materials
Date:
1929-1990s
Scope and Contents note:
Photographic Materials includes mostly black and white photographs, negatives, slides and transparencies of artwork; scattered photographs of installations, artists, and the gallery; and a handful of personal snapshots. The bulk of the photographs are undated, but were likely printed between 1950s-1990s.

The photographs of artwork frequently include descriptive information on the back, including title, date of painting, dimensions, inventory number, price (sometimes in code), sold date, buyer name, and photographer's contact information. Also found are a few disassembled binders of collated photographs, and scattered exhibition catalogs, price lists, artists' biographies, and newspaper clippings interfiled with the photographs. Additional photographs are found in Artists' Files, following the original arrangement.
Arrangement note:
Folders are filed alphabetically by artist's last name or subject, followed by unidentified photographs and photographs of artwork by various artists. Photographs of Seymour Fogel's artwork, exhibitions, and installations, as well as one folder of negatives related to Charlie Dye are filed at the end of this series and requires written permission of the donor in order to access ( Boxes 93 and 101).
Restrictions:
Artwork Files (Boxes 63-71, 94-95) and some photographic materials (Boxes 93 and 101) are ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jamegras, Series 10
See more items in:
James Graham & Sons records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jamegras-ref1856

Amelia B. Edwards

Photographer:
Bassano, Alexander, 1829-1913  Search this
Bassano, Alexander, 1829-1913  Search this
Subject:
Edwards, Amelia Ann Blanford  Search this
Type:
Photographs
Date:
not after 1884
Record number:
(DSI-AAA)13020
See more items in:
Elihu Vedder papers, 1804-1969, bulk 1840-1923
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13020
Online Media:

Les metamorphoses du jour, pl. 8

Creator:
Grandville, J. J., 1803-1847  Search this
Grandville, J. J., 1803-1847  Search this
Type:
Artworks
Date:
1829
Topic:
Animals  Search this
Caricatures and cartoons  Search this
Record number:
(DSI-AAA)10177
See more items in:
Mary Fanton Roberts papers, 1880-1956
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10177

Les metamorphoses du jour, no. 40

Creator:
Grandville, J. J., 1803-1847  Search this
Grandville, J. J., 1803-1847  Search this
Type:
Artworks
Date:
1829
Topic:
Animals  Search this
Caricatures and cartoons  Search this
Record number:
(DSI-AAA)10178
See more items in:
Mary Fanton Roberts papers, 1880-1956
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10178

New York from Governor's Island

Creator:
Momberger, William, 1829-  Search this
Momberger, William, 1829-  Search this
Type:
Artworks
Place:
New York, N.Y.
Date:
between 1848 and 1888?
Topic:
Boat travel  Search this
Record number:
(DSI-AAA)13753
See more items in:
New York from Governor's Island [graphic] / W. Momberger, [between 1848 and 1888?]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13753
Online Media:

Joan Kron and others at the opening of the exhibition Art 1963-A New Vocabulary, organized by the Arts Council of the Young Men's and Young Women's Hebrew Association, Philadelphia, PA.

Photographer:
Miller, Sam  Search this
Miller, Sam  Search this
Subject:
Kron, Joan  Search this
Watts, Robert  Search this
Young Men's and Young Women's Hebrew Association of Philadelphia. Arts Council  Search this
Type:
Photographs
Date:
1962 Oct. 24
Record number:
(DSI-AAA)1829
See more items in:
Joan Kron papers, 1959-1971
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1829
Online Media:

Joseph Lindon Smith with his painting

Photographer:
Moran, Edward, 1829-1901  Search this
Moran, Edward, 1829-1901  Search this
Subject:
Smith, Joseph Lindon  Search this
Type:
Photographs
Date:
ca. 1940
Topic:
Artists at or with their work  Search this
Record number:
(DSI-AAA)3600
See more items in:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_3600
Online Media:

John Henri Isaac Browere, New York, N.Y. letter to unidentified recipient, New York, N.Y.

Creator:
Browere, John Henri Isaac, 1792-1834  Search this
Browere, John Henri Isaac, 1792-1834  Search this
Type:
Correspondence
Date:
1829 July 31
Record number:
(DSI-AAA)6824
See more items in:
Charles Henry Hart autograph collection, 1731-1918
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6824
Online Media:

Theodore Roosevelt, Washington, D.C. letter to Clifford Berryman, Washington, D.C.

Creator:
Roosevelt, Theodore, 1858-1919  Search this
Berryman, Clifford, 1869-1949  Search this
Roosevelt, Theodore, 1858-1919  Search this
Subject:
Roosevelt, Theodore  Search this
Type:
Correspondence
Date:
1902 Dec. 29
Record number:
(DSI-AAA)581
See more items in:
Berryman family papers, 1829-1984, bulk 1882-1961
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_581

Postcard designed for Theodore Roosevelt

Creator:
Berryman, Clifford, 1869-1949  Search this
Berryman, Clifford, 1869-1949  Search this
Subject:
Roosevelt, Theodore  Search this
Type:
Correspondence
Date:
1909 Apr. 17
Record number:
(DSI-AAA)582
See more items in:
Berryman family papers, 1829-1984, bulk 1882-1961
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_582
Online Media:

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