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James E. Taylor scrapbook of the American West

Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Names:
Geological Survey (U.S.)  Search this
United States. Army  Search this
Buffalo Bill, 1846-1917  Search this
Crook, George, 1829-1890  Search this
Custer, George Armstrong, 1839-1876  Search this
Hickok, Wild Bill, 1837-1876  Search this
Juárez, Benito, 1806-1872  Search this
Kinman, Seth  Search this
Miles, Nelson Appleton, 1839-1925  Search this
Powell, John Wesley, 1834-1902  Search this
Red Cloud, 1822-1909  Search this
Richard, Louis  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Sitting Bull, 1831-1890  Search this
Spotted Tail, 1823-1881  Search this
Photographer:
Barry, D. F. (David Francis), 1854-1934  Search this
Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this
Eaton, E. L. (Edric L.), b. ca. 1836  Search this
Ebell, Adrian J. (Adrian John), 1840-1877  Search this
Gardner, Alexander, 1821-1882  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
M'Clees, Jas. E. (James E.)  Search this
O'Sullivan, Timothy H., 1840-1882  Search this
Pywell, Wm. R. (William Redish), 1843-1886  Search this
Vannerson, Julian, 1827-  Search this
Whitney, Joel E. (Joel Emmons), 1822-1886  Search this
Extent:
4 Tintypes
3 Chromolithographs
3 Lithographs (3 chalk-manner lithographs)
1 Print (photogravure)
118 Pages (Scrapbook)
685 Prints (circa, albumen)
80 Items (circa 80 relief prints (including woodcuts and wood engraving))
30 Items (circa 30 intaglio prints (including etchings and engravings))
Culture:
Apache  Search this
Pueblo  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Cherokee  Search this
Niuam (Comanche)  Search this
Muskogee (Creek)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Fox  Search this
A'aninin (Gros Ventre)  Search this
Kiowa  Search this
Modoc  Search this
Diné (Navajo)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Omaha  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Potawatomi  Search this
Indians of North America -- Plateau  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Southwest, New  Search this
Ho-Chunk (Winnebago)  Search this
A:shiwi (Zuni)  Search this
Sauk  Search this
Shoshone  Search this
Ute  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southern States  Search this
Indians of North America -- Northeast  Search this
Type:
Collection descriptions
Archival materials
Tintypes
Chromolithographs
Lithographs
Prints
Pages
Photographs
Newspapers
Woodcuts
Place:
Mexico
Taos Pueblo (N.M.)
California
Oregon
Fort Davis (Tex.)
New Mexico
Fort Snelling (Minn.)
Arizona
Texas
San Juan Pueblo (N.M.)
Zuni (N.M.)
Kansas
Colorado
Date:
circa 1863-1900
Summary:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.
Scope and Contents:
Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.
Biographical Note:
James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).
Local Call Number(s):
NAA Photo Lot 4605
Related Materials:
The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.

Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.

Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.

Pywell photographs held in National Anthropological Archives Photo Lot 4498.

O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.

Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.
Provenance:
Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Church buildings  Search this
Mines and mineral resources  Search this
Dance  Search this
White River Massacre, Colo., 1879  Search this
Painting  Search this
Washita Campaign, 1868-1869  Search this
Mormon Church -- History  Search this
Genre/Form:
Photographs
Newspapers
Woodcuts
Tintypes
Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4605
See more items in:
James E. Taylor scrapbook of the American West
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw33fa281bf-1e72-4f26-ae86-8c8389244b4e
EDAN-URL:
ead_collection:sova-naa-ms4605
Online Media:

Isabel T. Kelly collection of photographs of Totonac people and archeological sites in Mexico

Photographer:
Kelly, Isabel T. (Isabel Truesdell), 1906-  Search this
Done, Otto  Search this
Guzman, Elena  Search this
Harris, Bertha  Search this
Mcdonald, John  Search this
Smisor, George T.  Search this
Collector:
Kelly, Isabel T. (Isabel Truesdell), 1906-  Search this
Names:
Smithsonian Institution. Institute of Social Anthropology  Search this
Extent:
75 Mounted prints (silver gelatin)
Culture:
Piaroa  Search this
Negritos  Search this
Totonac  Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Photographs
Place:
Tajín Site (Mexico)
Mexico -- Antiquities
Tajín (Mexico)
Papantla de Olarte (Mexico)
Date:
circa 1947-1948
Scope and Contents note:
Photographs made by Isabel T. Kelly in Tajin, Papantla, and elsewhere in Mexico. There are images of dances and dancers (including Volador "Flying" dance, Guagua, and Negrito dances), Totonac people, a Totonac wedding, and pyramids and relief sculpture at El Tajin Site. The photographs are enlarged prints, mounted and signed, that were made for an exhibit. In part, the images relate to work of the Institute of Social Anthropology and include photographs made by Isabel T. Kelly, George T. Smisor, Done Otto, Elena Guzman, Bertha B. Harris, and John McDonald; in some cases, multiple photographers documented the same event. Also included is a watercolor drawing "Palo de Voladores" and a school workbook "Silabario Metódico de San Miguel."
Biographical Note:
Isabel Truesdell Kelly (1906-1983) was an archeologist and social anthropologist who specialized in Mexican cultures and prehistory. Born in Santa Cruz, California, she developed a long-standing scholarly interest in anthropology while an undergraduate student at the University of California at Berkeley (UCB). She earned her BA (1926), MA (1927), and PhD (1932) in anthropology at UCB. From 1932-1934, Kelly conducted fieldwork with the Southern Paiute as a National Research Fellow in the Biological Sciences. She then went to Mexico as a research associate under the direction of Carl Sauer and Alfred Kroeber; while there, she directed archeological investigations in Culiacan, Sinaloa. In 1936, she returned to UCB as Carl Sauer's teaching assistant and then conducted research with the Gila Pueblo Archeological Foundation in 1937. With minimal funding from UCB's Anthropology Department, Kelly returned to Mexico for archeological reconnaisance in 1939. She gained Mexican residency in 1940, finally settling in Tepepan. In 1946, Kelly became Ethnologist-in-Charge of the Smithsonian's Institute of Social Anthropology (ISA) Mexico City office; she taught and conducted research among the Totonac Indians in Veracruz and conducted health care research in El Salvador and Mexico. From 1952-1960, Kelly worked with the Institute of Inter-American Affairs (forerunner to the Agency for International Development), studying in Mexico, Bolivia, and Pakistan. In 1960, she returned to research in Mexico with the sponsorship of the Rockefeller Foundation, Wenner-Gren Foundation, and National Geographic Society.
Local Call Number(s):
NAA Photo Lot 80-32
Location of Other Archival Materials:
Totonac artifacts collected by Kelly held in the Department of Anthropology collections in accession 365366.
The National Anthropological Archives holds Institute of Social Anthropology photographs (Photo Lot 4623) and the ISA records.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Dance  Search this
Flying dance  Search this
Genre/Form:
Photographs
Citation:
Photo lot 80-32, Isabel T. Kelly collection of photographs of Totonac people and archeological sites in Mexico, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.80-32
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw327a0bc83-3b40-4480-9dac-8a3911f72144
EDAN-URL:
ead_collection:sova-naa-photolot-80-32

William C. Sturtevant papers

Topic:
Handbook of North American Indians
Creator:
Sturtevant, William C.  Search this
Names:
National Museum of Natural History (U.S.)  Search this
Six Nations  Search this
Extent:
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
Culture:
Indians of North America -- Southeast  Search this
Indians of North America -- Northeast  Search this
Indians of North America  Search this
Iroquois  Search this
Seminole  Search this
Type:
Collection descriptions
Archival materials
Realia
Research
Notes
Office files
Theses
Slides (photographs)
Sound recordings
Exhibition catalogs
Field notes
Clippings
Correspondence
Photographs
Microfilms
Newsletters
Manuscripts
Memorandums
Articles
Card files
Books
Artifacts
Negatives
Date:
1952-2007
Summary:
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.
Scope and Contents:
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the Smithsonian Institution's National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and his involvement in various professional activities. The collection is comprised of research and field notes, sound recordings, realia, clippings, negatives, slides, prints, published and unpublished writings, correspondence, memorandums, conference papers and meeting notes, card files, exhibition catalogs, articles, bibliographies, student files such as class notes and papers from Sturtevant's years as an anthropology student, teaching materials including lecture notes and exams, daily planners, passports, military records, artwork including prints and lithographs, maps, and computer files.

The materials in this collection document Sturtevant's career as a preeminent North American ethnologist, museum curator, university professor, his role as General Editor of the Handbook of North American Indians, and his contributions to the field of Anthropology. From his early work with the Seminole Indians of Florida to his forays into Burma, and his decades-long study of how Native Americans have been depicted in artistic and popular culture, Sturtevant's diverse intellectual interests are represented in his research files. A copious note taker, Sturtevant captured his observations and opinions of everything from meetings with colleagues to museum exhibits. Sturtevant's commitment to the anthropological profession can be found in the notes and programs of the many conferences, symposiums, and lecture series he attended and at which he presented. He also held numerous leadership positions in various professional associations and sat on the board of directors/trustees for several cultural organizations including Survival International and the Museum of the American Indian-Heye Foundation. Sturtevant was respected for his vast knowledge of indigenous peoples and he received a voluminous amount of correspondence from colleagues who often included copies of their papers and grant proposals. He kept many of these works, which, it appears he used as reference material. Sturtevant's own work is reflected in his writings; he published over 200 scholarly papers, articles, and books.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is organized in 14 series: 1. Correspondence, 1951-2008; 2. Research Files, 1851, 1860s, 1880s, 1890, 1939-2006; 3. Writings, 1952-2006; 4. Professional Activities, 1952-2006; 5. Smithsonian, 1954-2008; 6. Handbook of North American Indians, 1971-2007; 7. Biographical Files, 1933-2007; 8. Student Files, 1944-1985; 9. Subject Files, 1902-2002; 10. Photographs, 1927-2004; 11. Artwork, 1699-1998; 12. Maps, 1949-1975; 13. Sound Recordings, 1950-2000; 14. Computer Files, 1987-2006.
Biographical/Historical note:
William C. Sturtevant (1926-2007), preeminent North American ethnologist, museum curator, and university professor, was best known for his contributions to Seminole ethnology, as curator of North American Ethnology in the Department of Anthropology at the Smithsonian Institution's National Museum of Natural History, and for his work as the general editor of the Handbook of North American Indians.

Sturtevant's passion for studying Native peoples began at a young age. In third grade "after a class on American Indians, he asked his father what kind of people study Indians, and his father replied, 'Anthropologists.' Sturtevant decided then that he would make anthropology his career" (Merrill 11). After graduating with honors from the University of California at Berkeley in 1949, Sturtevant went on to Yale University to complete his graduate work in anthropology. When it came time to decide on what area of North America he should focus his research, one of his faculty members at Yale, Irving Rouse, "suggested he consider the Seminoles of south Florida. By the end of his first fieldwork season, Sturtevant was convinced that the dearth of ethnographic information about these Seminoles and their status as one of the least acculturated of all North American Indian societies justified ethnographic research among them and offered the possibility of making an important contribution to North American ethnology" (Merrill 13). Sturtevant spent the summers of 1950 and 1951 conducting preliminary fieldwork among the Mikasuki-speaking Seminole and in 1952 he took up temporary residence at Big Cypress Reservation to undertake research for his dissertation, "The Mikasuki Seminole: Medical Beliefs and Practices." This work focused on Seminole medicine, but also included Sturtevant's analysis of Seminole worldview, religion, history, inter-ethnic relations, material culture, economy, kinship, language, and social organization.

In 1954, while he was finishing his dissertation, Sturtevant made the transition from student of anthropology to professional anthropologist. He was hired as an instructor in Yale's Anthropology Department and began his career in museum work as an assistant curator of anthropology at the Yale Peabody Museum. After receiving his PhD from Yale in 1955, Sturtevant moved on to the Smithsonian Institution, where he accepted a position as a research anthropologist at the Bureau of American Ethnology (BAE). This position afforded Sturtevant the chance to continue to explore his many research interests in ways that a full time professorship or museum curatorship could not. Over the next ten years he studied the Catawba in South Carolina; the Seneca and Cayuga nations of the Iroquois League in New York, Oklahoma, and Ontario; continued his work with the Seminole; visited European museums to examine early ethnographic examples and possible European prototypes of eastern North American Indian material culture; and spent a year in Burma. In 1963, Sturtevant and his wife, Theda Maw, the daughter of a prominent Burmese family, took their three young children to Burma so that they could visit with Maw's family. Sturtevant took this as an opportunity to branch out from his Native American research and spent the year visiting neighborhoods in Rangoon and villages in the surrounding countryside, examining archival materials, studying the Burmese language, learning about Burmese clothing and other aspects of the culture, and taking photographs. He also collected 386 items of clothing and other objects for the Smithsonian.

When Sturtevant returned from Burma, he found the BAE had been dissolved. In 1965, he was transferred from the now-defunct BAE to the Department of Anthropology at the National Museum of Natural History (NMNH), where he became curator of North American Ethnology, a position he held for the next forty-two years. During his tenure at NMNH Sturtevant oversaw all the North American ethnology collections, planned exhibitions, served on committees, and sponsored interns and fellows. One of Sturtevant's primary duties at NMNH was serving as the General Editor of the Handbook of North American Indians, "a major multi-volume reference work summarizing anthropological, linguistic, and historical knowledge about native peoples north of Mexico" (Jackson). Each volume was designed to represent a geographic or topical area of Americanist study. As General Editor, Sturtevant selected volume editors, chapter authors, oversaw office staff, and proofread manuscripts over the course of production.

Besides focusing on the Handbook, much of Sturtevant's time was taken up by responsibilities he held outside the Institution. Sturtevant was extremely involved in professional anthropological associations and held many leadership positions. Fresh out of graduate school, he began a three-year term on the Board of Governors of the Anthropological Society of Washington in 1957. He later became a member of the executive committee of the Florida Anthropological Society, served as book-review editor and associate editor of the American Anthropologist from 1962-1968, was a member of the American Anthropological Association's Committee on Anthropological Research in Museums and was both vice president and president of the committee once it became the Council for Museum Anthropology, was on the American Anthropological Association's Committee on Archives, served three terms on the Board of Trustees of the Museum of the American Indian-Heye Foundation from 1976-1982 and was appointed to a fourth term between 1984 and 1986, and sat on the Board of Directors of Survival International from 1982-1988. He was President of the American Society for Ethnohistory, the American Ethnological Society, the American Anthropological Association, and the Anthropological Society of Washington. Sturtevant also taught classes at Johns Hopkins University as an adjunct professor in the Department of Anthropology, served as a consultant on exhibits at other museums, and reviewed manuscripts for scholarly publications.

Sturtevant remained active in the profession throughout his later years. After divorcing Theda Maw in 1986, he married Sally McLendon, a fellow anthropologist, in 1990 and they undertook several research projects together. Sturtevant was recognized for his dedication and contributions to the field of anthropology in 1996 when he was awarded an honorary doctorate in humane letters by Brown University, and in 2002 when his colleagues published a festschrift in his honor, Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant.

Sturtevant died on March 2, 2007 at the Collingswood Nursing and Rehabilitation Center in Rockville, MD after suffering from emphysema.

Sources Consulted

Estrada, Louie. 2007. William C. Sturtevant; Expert on Indians. Washington Post, March 17. http://www.washingtonpost.com/wp-dyn/content/article/2007/03/16/AR2007031602273.html, accessed August 31, 2012.

Jackson, Jason Baird. 2007. William C. Sturtevant (1926-2007). http://museumanthropology.blogspot.com/2007/03/william-c-sturtevant-1926-2007.html, accessed August 31, 2012.

Merrill, William L. 2002. William Curtis Sturtevant, Anthropologist. In Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant. William L. Merrill and Ives Goddard, eds. Pp. 11-36. Washington D.C.: Smithsonian Institution Press.

1926 -- Born July 26 in Morristown, NJ

1944 -- Entered the University of California at Berkeley as a second-semester freshman

1944 -- Attended summer school at the Universidad Nacional Autonoma de Mexico in Mexico City where he took courses on Mexican archaeology and South American ethnology

1945 -- Drafted into the United States Navy

1946 -- Received an honorable discharge from the Navy with the rank of pharmacist's mate third class and returned to UC Berkeley

1947 -- Attended the University of New Mexico's summer field school in Chaco Canyon, New Mexico

1949 -- January: Received his Bachelor's degree with honors in anthropology from UC Berkeley

1949 -- Began graduate studies at Yale University

1950-1951 -- Spent the summers of 1950 and 1951 in Florida conducting fieldwork among the Mikasuki-speaking Seminole

1951 -- Conducted his first research study of the Iroquois, a classification of Seneca musical instruments, their construction and use, with Harold Conklin

1952 -- May: Moved to Big Cypress Reservation in Florida to conduct research for his dissertation. He focused on Seminole medicine, but also collected physical anthropological data such as blood-type frequencies, handedness, and color blindness

1952 -- July 26: Married Theda Maw

1954 -- Hired by Yale University as an instructor in the Department of Anthropology and as an assistant curator of anthropology in the Yale Peabody Museum

1955 -- Received PhD in anthropology from Yale University

1956 -- Joined the staff of the Smithsonian Institution's Bureau of American Ethnology (BAE) as a research anthropologist

1957 -- Began a three-year term on the Board of Governors of the Anthropological Society of Washington

1957 -- Traveled to Rock Hill, South Carolina to collect linguistic data from Sam Blue, the last member of the Catawba tribe to have maintained some proficiency in the Catawba language. While there, he made a small collection of Catawba pottery for the United States National Museum

1957-1958 -- Spent seven weeks continuing his research among the New York Seneca

1959 -- Returned to Florida to study Seminole ethnobotany. He also collected ethnographic materials, especially objects made for the tourist market, which he deposited in the United States National Museum

1959-1960 -- Member of the executive committee of the Florida Anthropological Society

1960 -- July and August: Visited 17 European museums to examine early ethnographic examples and possible European prototypes of eastern North American Indian material culture

1961-1962 -- Spent the summers of these years conducting ethnographic fieldwork among the Seneca-Cayuga in Oklahoma

1962 -- October: Visited the Six Nations Reserve in Ontario, Canada to conduct fieldwork among the Seneca and Cayuga there

1962-1968 -- Book-review editor and associate editor of the American Anthropologist

1963 -- October: Spent the year in Burma; visited neighborhoods in Rangoon and villages in the surrounding countryside, examined photographs in several archives, studied the Burmese language, and read extensively about the country's history and culture. Assembled notes on Burmese clothing and other aspects of the culture, took hundreds of photographs, and made a collection of 386 items of clothing and other objects for the Smithsonian

1964 -- Visited Inle Lake in the Southern Shan States southeast of Mandalay, where he examined local approaches to artificial island agriculture

1964-1981 -- Became a member of the American Anthropological Association's Committee on Anthropological Research in Museums, which became the Council for Museum Anthropology in 1974. Sturtevant was the Council's first vice president, serving two terms between 1974 and 1978, and was its president from 1978 to 1981

1965 -- Became curator of North American Ethnology in the Department of Anthropology at the National Museum of Natural History after the dissolution of the BAE

1965-1966 -- President of the American Society for Ethnohistory

1966 -- Named the editor of the Handbook of North American Indians

1967-1968 -- Fulbright scholar and lecturer at Oxford University's Institute of Social Anthropology

1969 -- Began serving on the American Anthropological Association's Committee on Archives

1974-1989 -- Adjunct Professor in the Department of Anthropology at Johns Hopkins University

1976-1982 -- Served three terms on the Board of Trustees of the Museum of the American Indian-Heye Foundation and was appointed to a fourth term between 1984 and 1986

1977 -- President of the American Ethnological Society

1980-1981 -- President of the American Anthropological Association

1981 -- Spent part of the spring semester at the University of California Berkeley as a Regents Lecturer

1982-1988 -- Board of Directors of Survival International

1986 -- Divorced Theda Maw

1986-1987 -- Smithsonian Fellow at Oxford University's Worcester College

1990 -- Married Sally McLendon

1992 -- President of the Anthropological Society of Washington

1996 -- Awarded an honorary doctorate in humane letters at Brown University

2007 -- Died March 2 in Rockville, MD
Related Materials:
Other materials relating to William C. Sturtevant at the National Anthropological Archives are included in the following collections:

Manuscript 4504

Manuscript 4595

Manuscript 4806

Manuscript 4821

Manuscript 4972

Manuscript 7045

Photo Lot 59

Photo Lot 79-51

Photo Lot 80-3

Photo Lot 81R

Photo Lot 86-68 (6)

Photo Lot 86-68 (7)

American Society for Ethnohistory records

Committee on Anthropological Research in Museum Records

Handbook of North American Indians records

Records of the Department of Anthropology, National Museum of Natural History

Gordon Davis Gibson Papers, Sound Recordings

SPC Se Powhatan Confederacy Mattapony BAE No # 01790700

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04913800

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04913900

DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04914000

Negative MNH 1530

Negative MNH 1530 B

Sturtevant is listed as a correspondent in the following NAA collections:

Administrative file, 1949-1965, Records of the Bureau of American Ethnology

John Lawrence Angel Papers

James Henri Howard Papers

Donald Jayne Lehmer Papers

John Victor Murra Papers

Records of the Society for American Archaeology

Albert Clanton Spaulding Papers

Waldo Rudolph Wedel and Mildred Mott Wedel Papers

Copies of sound recordings made by William C. Sturtevant can be found at The California Language Archive at UC Berkeley in two collections, The William Sturtevant collection of Creek/Seminole sound recordings, which includes 31 minutes of Northern Muskogean linguistic field recordings from 1951, and The William Sturtevant collection of Mikasuki sound recordings, which includes 33 minutes of Mikasuki linguistic field recordings from 1951. Two sound tape reels of Seminole music Sturtevant recorded in Florida in 1951 can be found at Wesleyan University's World Music Archives. Folk songs on these recordings include "Scalping Sickness," "Bear Sickness with blowing," "Bear sickness without blowing," "Lullaby," "Feather Dance," "Snake Dance," and "Crazy Dance." Performers include Josie Billie, Lee Cypress, Harvey Jumper, Boy Jim, Charlie (Johnny?) Cypress, Little Tiger Tail, Billy Ossiola, and Charlie Billy Boy.
Separated Materials:
One video tape, "Seminole History and Tradition", was transferred to the Human Studies Film Archives. Series 2.2, Tukabahchee Plate: Glass negative of spectrogram from FBI (Box 135), removed for storage with other glass plate negatives.
Provenance:
These papers were transferred to the National Anthropological Archives by the Department of Anthropology at the National Museum of Natural History.
Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Rights:
Contact the repository for terms of use.
Topic:
Ethnology  Search this
Botany  Search this
Anthropology  Search this
Archaeology  Search this
History  Search this
Linguistics  Search this
Genre/Form:
Realia
Research
Notes
Office files
Theses
Slides (photographs)
Sound recordings
Exhibition catalogs
Field notes
Clippings
Correspondence
Photographs
Microfilms
Newsletters
Manuscripts
Memorandums
Articles
Card files
Books
Artifacts
Negatives
Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2008-24
See more items in:
William C. Sturtevant papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3b2223e72-e872-41c5-ae7b-abd0b27eaf6a
EDAN-URL:
ead_collection:sova-naa-2008-24
Online Media:

The People of India: A Series of Photographic Illustrations, with Descriptive Letterpress, of the Races and Tribes of Hindustan

Publisher:
Watson, J. Forbes (John Forbes), 1827-1892.  Search this
Kaye, John William, Sir, 1814-1876  Search this
Extent:
8 Items
Culture:
Bhotia (Sherpa)  Search this
Dom (South Asian people)  Search this
Gond (Indic people)  Search this
Gujaratis (Indic people)  Search this
Kachari (Indic people)  Search this
Kota (Indic people)  Search this
Lepcha  Search this
Mishmi (Indic people)  Search this
Munda (Indic people)  Search this
Naga (Indonesian people)  Search this
Korwa (Indic people)  Search this
Rajput (Indic people)  Search this
Savara (Indic people)  Search this
Thakuri (Indic people)  Search this
Tharu  Search this
Toda (Indic people)  Search this
Type:
Collection descriptions
Archival materials
Photographs
Place:
India
Afghanistan
Burma
Pakistan
Iran
Assam (India)
Cachar (India)
Chittagong (Bangladesh)
Delhi (India)
Hazara District (Pakistan)
Hisar (India)
Kohat District (Pakistan)
Lahore (India)
Madras (India)
Mysore (India)
Palamu (India)
Shahabad (India : District)
Shahjahanpur (India)
Sikkim (India)
Sind (India)
Date:
1868
London, C. Whiting Beaufort House, Strand, 1868-1875
Scope and Contents:
Photographers represented include J.C.A. Dannenberg, R.H. DeMontmorency, E. Godfrey, W.W. Hooper, H.C. McDonald, J. Mulheran, G. Richter, Shepherd & Robertson (later as Bourne & Shepherd), B. Simpson, B.W. Switzer, H.C.B. Tanner, C.C. Taylor, and J. Waterhouse.
Taken in the 1850s and 1860s, these photographs portray the people of many castes, culture groups, and occupations in India, posed individually and in groups. Indian culture groups portrayed include Bhogta, Bhoti, Chero, Dombo, Gond, Gujarati, Ho, Kachari, Kishangarh, Kota, Lepcha, Mishmi, Munda, Naga, Pahari, Paithan, Rajput, Saora, Singpho, Thakur, Tharu, and Toda. Peoples portrayed are from parts of India and surrounding areas, now in Afghanistan, Burma, Iran and Pakistan, such as Assam, Bareli, Behat, Cachar, Chittagong, Delhi, Hazara, Hisar, Kohat, Lahore, Madras, Munjpur, Mysore, Palamau, Shahabad, Shahjahanpur, Sikkim, and Sind.
Occupations illustrated include barbers, blacksmiths, carpenters, charcoal carriers, farmers, fish vendors, horse dealers, interpreters, landlords, mendicants, merchants, officials, priests, warriors, and water carriers. Activities shown include dancing and knitting. Artifacts and material culture documented include books, buildings, devotional objects, tools, and weapons such as bows, clubs, shields, guns and spears.
Arrangement:
The collection is composed of 8 bound volumes with 470 albumen photoprints mounted alongside text. Photographs are arranged by region, with culture group and region, some also with name and occupation of subjects.
Biographical / Historical:
John Forbes Watson and John William Kaye assembled this ethnologic study collection from photographs made by British photographers in India. The collection documents the caste and culture groups of India for a British India Office multi-volume publication. A graduate of Aberdeen University in England, John Forbes Watson (1827-1892) served as an assistant surgeon in the Bombay Medical Services from 1850 to 1853. While in India, Watson began to research Indian agricultural resources. In 1858, he became reporter on the products of India for the India Office in England. A year later, he became director of the India Office's India Museum, devoted to promoting trade in the British Empire. While there, he published several monographs on Indian plants and textiles. In 1867, he was appointed keeper of the museum, and served in that capacity until he retired in 1879.
John William Kaye (1814-1876) was secretary of the India Office's Political and Secret Department.
Local Numbers:
FSA A1990.03
Provenance:
Purchase 1990 A1990.3
Restrictions:
Collection is open for research.
Genre/Form:
Photographs
Citation:
The People of India, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C., Purchase
Identifier:
FSA.A1990.03
See more items in:
The People of India: A Series of Photographic Illustrations, with Descriptive Letterpress, of the Races and Tribes of Hindustan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc319eb8b77-b56e-4af8-a83c-0a99ab8df903
EDAN-URL:
ead_collection:sova-fsa-a1990-03
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Online Media:

Space Telescope History Project

Creator:
National Air and Space Museum (U.S.). Division of Space History  Search this
Names:
National Air and Space Museum (U.S.). Division of Space History  Search this
National Air and Space Museum. Department of Space History  Search this
Space Telescope History Project (U.S.)  Search this
Adams, Robert  Search this
Aucremanne, M.  Search this
Bahcall, John N.  Search this
Bahcall, Neta  Search this
Baum, William  Search this
Belton, M. J. S.  Search this
Bensimon, March  Search this
Bless, Robert, 1927-  Search this
Boeshaar, Greg  Search this
Boggess, Albert  Search this
Brandt, John C.  Search this
Brown, Art  Search this
Brown, Robert A.  Search this
Bulkin, Bert  Search this
Burbidge, E. Margaret  Search this
Caldwell, J. J.  Search this
Carr, Frank  Search this
Chapman, Clark R.  Search this
Clark, John  Search this
Costa, Frank  Search this
Danielson, E. G.  Search this
Davidsen, Arthur Falnes, 1944-  Search this
Disney, Michael  Search this
Downey, John  Search this
Doxsey, Rodger E.  Search this
Edmondson, Frank K. (Frank Kelly)  Search this
Elliot, James, 1943-2011  Search this
Emanuel, Garvin  Search this
Fastie, William  Search this
Giacconi, Riccardo  Search this
Goldberg, Alan  Search this
Groth, Edward  Search this
Guha, Arun  Search this
Hall, Donald N. B.  Search this
Harms, Richard  Search this
Havens, Kitty  Search this
Henry, Richard B. C.  Search this
Hinners, Noel W.  Search this
Hulst, H. C. van de (Hendrik Christoffel), 1918-  Search this
Hunten, Donald M.  Search this
Keathley, William  Search this
Keller, Sam  Search this
Keller, Warren  Search this
King, Ivan R.  Search this
Lane, A. L.  Search this
Lasker, Barry M.  Search this
Laurence, Robin  Search this
Leckrone, David  Search this
Longair, M. S., 1941-  Search this
Lowrance, John  Search this
Macchetto, F.  Search this
McCandless, Bruce  Search this
Meserve, Kent  Search this
Mitchell, Jesse  Search this
Moore, Jim  Search this
Nein, Mas  Search this
Noah, Don  Search this
Norman, Memphis  Search this
Norris, T. Bland  Search this
Odom, James  Search this
Olivier, Jean  Search this
Pellerin, Charles  Search this
Reetz, Arthur  Search this
Rehnberg, Jack  Search this
Richards, Evan  Search this
Roman, Nancy Grace, 1925-  Search this
Rose, James  Search this
Rosendhal, Jeffrey D.  Search this
Russell, Jane  Search this
Scherrill, Thomas  Search this
Schreier, Ethan  Search this
Schroeder, D. J.  Search this
Simmons, F. Pete  Search this
Smith, Robert W. (Robert William), 1952-  Search this
Sobieski, Stanley  Search this
Speer, Fred  Search this
Spitzer, Lyman, 1914-  Search this
Stockman, Peter  Search this
Stuhlinger, Ernst, 1913-  Search this
Teem, John  Search this
Tenerelli, Domenik  Search this
Tifft, William G.  Search this
Trevino, Robert  Search this
Weiler, Edward  Search this
Welch, James  Search this
Westphal, James  Search this
White, Richard Lee, 1953-  Search this
Zedekar, Ray  Search this
Extent:
3.7 Cubic feet (15 cassette boxes; 5 letter-size document boxes)
Type:
Collection descriptions
Archival materials
Slides (photographs)
Press releases
Transcripts
Photographs
Reports
Publications
Date:
1983-1991
Summary:
This collection consists of the oral history transcripts and related research documentation for the Space Telescope History Project (STHP), which examined the space sciences, predominantly astronomy, viewed through the lens of a particular undertaking, the Hubble Space Telescope, 1970s-1980s.
Scope and Contents:
This collection consists of the oral history transcripts and related research documentation for the Space Telescope History Project (STHP), which examined the space sciences, predominantly astronomy, viewed through the lens of a particular undertaking, the Hubble Space Telescope, 1970s-1980s. The principal investigator for the STHP was Robert W. Smith, and the interview set contains 235 hours of interviews with 80 individuals. The central thread of this collection was the problem of configuring new political relations among the space sciences and sponsors. The following were interviewed: Bob Adams (with Robert Trevino and Kitty Havens); M. Aucremanne; John Bahcall; Neta Bahcall; William Baum; Michael Belton; March Bensimon; Robert Bless; Greg Boeshaar; Albert Boggess; John Brandt; Robert Brown; Bert Bulkin; Margaret Burbidge; J. J. Caldwell; Frank Carr; Clark Chapman; John Clark; Art Code; Frank Costa; E. G. Danielson; Arthur Davidsen; Mike Disney; John Downey; Rodger Doxsey; Frank Edmondson; James Elliot; Garvin Emanuel; William Fastie; Riccardo Giacconi; Alan Goldberg; Edward Groth; Arun Guha; Don Hall; Richard Harms; Richard Henry; Noel Hinners; Donald Hunten; William Keathley; Warren Keller; Sam Keller; Ivan King; A.L. Lane; Barry Lasker; Robin Laurence; David Leckrone; Malcolm Longair; John Lowrance; Duccio Macchetto; Bruce McCandless; Kent Meserve; Jesse Mitchell; Jim Moore; Mas Nein; Don Noah; Memphis Norman; T. Bland Norris; James Odom; Jean Olivier; Charles Pellerin; Arthur Reetz; Jack Rehnberg; Evan Richards; Nancy Roman; James Rose; Jeffrey Rosendhal; Jane Russell; Ethan Schreier; Daniel Schroeder; Thomas Sherrill; F. Pete Simmons; Stanley Sobieski; Fred Speer; Lyman Spitzer; Peter Stockman; Ernst Stuhlinger; John Teem; Domenick Tenerelli; William Tifft; Hedrick van de Hulst; Edward Weiler; James Welch; James Westphal; Richard White; and Ray Zedekar. The collection also contains the following documentation gathered from a variety of sources: photographs, slides, NASA publications and reports, contractor reports and studies, press releases, and finding aids produced by the Space History Department, NASM.
Arrangement:
The Space Telescope History History Project interviews are arranged alphabetically by interviewee. Boxes 1-14 contain interviews on audio cassette tapes. These tapes have yet to be remastered and, due to their fragility, are not available to researchers. Boxes 15-20 contain the transcripts for these cassette tapes. Most of these transcripts are available to researchers though, restrictions are placed on a small number of them. A NASM staff member will advise the patron which transcripts are available for copying and/or viewing and how to order copies of transcripts. Transcripts with user restrictions are highlighted in bold type.
Biographical / Historical:
This collection contains the interviews for the Space Telescope History Project. These interviews examine the early planning and development of what would eventually be known as the Hubble Space Telescope (HST). The period covered is from the 1970s into the 1980s. This project constitutes one of several oral history projects carried out within the National Air and Space Museum's (NASM) Department of Space History. This interview set consists of over 235 hours of interviews with 94 individuals. Please note that there are a few instances where audio cassette tapes of the interview subjects exist but without written transcripts while there are a few cases of existing transcripts of the interviews without any audio cassette tapes. Those interviewed include astronomers, scientists, engineers, as well as administrators, all of whom were involved in the space telescope project. The following were interviewed for this project: Bob Adams, Ken Ando, Marcel Aucremanne, John N. Bahcall, Neta Bahcall, William Baum, Michael J.S. Belton, Marc Bensimon, Livingston Biddle, Robert C. Bless, Greg Boeshaar, Albert Boggess, III, John Brandt, Robert A. Brown, Bert Bulkin, Margaret E. Burbridge, J.J. Caldwell, Frank Carr, Clark R. Chapman, John Clark, Art Code, Frank V. Costa, Allan Cree, E.G. Danielson, Arthur Davidsen, Mike Disney, James A. Downey, III, Roger Doxsey, Frank K. Edmondson, James L. Elliot, Garvin Emmanuel, William G. Fastie, George Field, Don Fordyce, Laurence W. Fredrick, Riccardo Giaconi, Alan Goldberg, Edward Groth, Arun K. Guha, Don Hall, Richard Harms, Kitty Havens, Richard Henry, Noel Hinners, Donald Hunten, William W. Keathley, Warren J. Keller, Sam Keller, Ivan King, A.L. Lane, Barry Lasker, Robin J. Laurance, David Leckone, Malcolm Longair, John L. Lowrance, Duccio Macchetto, Bruce McCandless, Kent Meserve, Jesse L. Mitchell, Jim Moore, Max Nein, Don Noah, Memphis Norman, T. Bland Norris, James B. Odom, Jean R. Olivier, Charles Pellerin, Arthur J. Reetz, Jack Rehnberg, Evan Richards, Nancy Roman, James Rose, Jeffrey D. Rosendahl, Jane Russell, Ethan Schreier, Daniel J. Schroeder, Thomas J. Sherrill, Pete F. Simmons, Stanley Sobieski, Fred A. Speer, Lyman Spitzer, Peter Stockman, Ernst Stuhlinger, John Teem, Domenick Tenerelli, William G. Tifft, Rodger Thompson, Robert Trevino, Hendrick C. van de Hulst, Edward Weiler, James C. Welch, James A. Westphal, Richard L. White and Ray Zedekar.
General note:
Additional material: This collection consists only of the interview transcripts, not the tapes. The tapes are housed in the National Air and Space Museum Department of Space History.
Provenance:
Department of Space History, NASM, Transfer, 1999, 1999-0035, Varies.
Restrictions:
Some restrictions apply; see permission forms in the collection accession file.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Astronautics  Search this
Astronomy  Search this
Space sciences  Search this
Telescopes  Search this
Genre/Form:
Slides (photographs)
Press releases
Transcripts
Photographs
Reports
Publications
Citation:
Space Telescope History Project, Acc. 1999-0035, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1999.0035
See more items in:
Space Telescope History Project
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg28f1ca8cd-bf66-41c9-a0f9-72d1b05e5962
EDAN-URL:
ead_collection:sova-nasm-1999-0035
Online Media:

Benjamin March Papers

Creator:
March, Benjamin, 1899-1934  Search this
Names:
March, Benjamin, 1899-1934  Search this
Rowe, Dorothy, 1898-  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Lecture notes
Letters
Place:
China
Japan
China -- Description and Travel
Michigan
Date:
1923-1934
Summary:
Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.
Scope and Content Note:
The Benjamin March Papers span the years 1923 to 1934 and measure 15 linear feet. The collection includes: biographical data included in passports, obituaries, and fifty-seven condolence letters; lecture and course outlines; research notes; four diaries; one scrapbook; four illustrations including sketches for the March bookplate; fourteen photograph albums; printed matter; and 100 personal and artistic photographs.
Arrangement note:
The collection is divided into the following series:

Series 1: Biographical Information, 1927-1935

Series 2: Diaries, 1925-1934

Series 3: Writings and Research Materials, 1927-1934, undated

— Subseries 3.1: Lecture Materials

— Subseries 3.2: Research

— Subseries 3.3: Printed Matter

Series 4: Scrapbooks, 1924-1934

Series 5: Graphic Materials, 1925, 1933, undated

— Subseries 5.1: Illustrations

— Subseries 5.2: Photo Albums

— Subseries 5.3: Photographs
Biographical Information:
Biographical Sketch

1899 -- Born, Chicago, IL. Son of Benjamin Franklin and Isabel (née McNeal)

[1917?] -- Attended Lewis Institute and the YMCA College before transferring to the University of Chicago

1918-1919 -- Military service, Sergeant, Field Remount Squadron, No. 305, Army Service Corps

1922 -- Graduated from the University of Chicago (Ph.B)

1922-1923 -- Attended the Union Theological Seminary, New York, NY

1923-1925 -- Teacher of English, Latin, and Bible Studies at Hopei University; the Second Normal School; and the YMCA in Paotingfu, China

1925 June 25 -- Married Dorothy Rowe in Nanking, China

1925-1927 -- English instructor; Librarian; and Lecturer in Chinese Art, Yenching University Peiping, China

1927, summer -- Lecturer on Chinese art Columbia University

1927-1931 -- Curator of Asiatic Art Detroit Institute of Arts

1928 -- Honorary Curator of Oriental Aesthetic Art at the Museum of Anthropology, University of Michigan, Ann Arbor

1928 -- Appointed honorary curator at the Museum of Anthropology, University of Michigan, Ann Arbor

[1929?] -- Daughter (Judith) born

1929 -- China and Japan in Our Museums, published by the American Council, Institute of Pacific Relations

1931 -- Spent six months in China under a special grant from the American Council of Learned Societies to study 13th century painter, Ch'ien Hsuan

1932 -- Curator, Museum of Anthropology, University of Michigan, Ann Arbor

1932 -- Appointed honorary curator at the Detroit Institute of Arts

1933 -- Awarded a Freer Fellowship

1934 -- Standards of Pottery Description, published by the University of Michigan Press

1934, summer -- Organized, directed, and lectured at a summer session of the Institute of Asiatic Studies at the University of California, Berkeley

1934 December -- Died at home in Ann Arbor, Michigan after a five-week illness (heart ailment)

Far Eastern art writer, curator, and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.

After high school, March attended the Lewis Institute and the YMCA College before transferring to the University of Chicago from which he graduated in 1922 (Ph.B). With thoughts of becoming a Methodist minister, March enrolled at the Union Theological Seminary in New York City. At the same time, March enrolled in art classes at the Metropolitan Museum. After one year at the seminary, March was presented with and accepted the opportunity to work in China. From 1923 to 1927, March resided in China where he taught and lectured at colleges. Initially, March taught English, Latin, and Bible Studies at Hopei University, the Second Normal School, and the YMCA. From 1925 to 1927, he worked at Yenching University in Peiping (now Peking) as an instructor in English, a librarian, and lecturer in Chinese art.

While in China, March met Dorothy Rowe, the daughter of a Methodist missionary stationed in Nanking. On June 25, 1925 the two were married. Ms. Rowe, whom March sometimes called Doré, had lived in China since infancy. The author of the children's story, "The Begging Dear," Rowe wrote children's stories with Chinese settings.

During the summer of 1927, the March's moved to the United States when Columbia University offered March an appointment as lecturer of Chinese Art. Later that year March was appointed curator of Asiatic art at the Detroit Institute of Arts. He remained at the Detroit Institute of Arts in this capacity until 1931. In 1928, March was appointed Honorary Curator of Oriental Aesthetic Art by the University of Michigan's Museum of Anthropology. The next year, Dorothy March gave birth to the couple's only child, Judith.

During this period March published extensively, including two publications, China and Japan in Our Museums, in 1929 and, Standards of Pottery Description, in 1934. In the latter, March developed a new technique for the scientific study of the materials and methods of manufacture of ancient Chinese pottery. ( Ann Arbor Daily News. -- "Death Takes Noted Curator". -- December 14, 1934)

In 1931, March received a grant from the American Council of Learned Societies. This grant allowed March the opportunity to travel to China and Europe to study the 13th century painter, Ch'ien Hsuan. In 1932, March was named a curator at the Museum of Anthropology at the University of Michigan. The following year he was named a Freer Fellow. The summer of 1934 found March in Berkeley, California, organizing and directing the Institute of Asiatic Studies at the University of California. During the fall of 1934, March fell ill with a heart ailment. He was ill for five weeks before he died, at the age of 35, in December of 1934. At the time of his death, Benjamin March was survived by his wife Dorothy and their daughter, Judith.
Related Collections:
The Detroit Institute of Arts maintains administrative correspondence and files generated by Benjamin March during his tenure as curator.

The Bentley Historical Library at the University of Michigan houses the Benjamin Franklin March drawings collection, This is a collection of drawings by March for his daughter; includes illustrated poems of Pentwater Beach, Michigan.
Provenance:
Judith March Davis, the daughter of Benjamin March, donated her father's papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1995.
Benjamin March's daughter, Judith March Davis, donated her father's papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1995.
Restrictions:
Collection is open for research.
Rights:
No restrictions on use.
Topic:
Art, Japanese  Search this
Art, Chinese  Search this
Architecture -- China  Search this
Architecture, Japanese  Search this
Painting, Chinese  Search this
Art, Korean  Search this
Art, Asian  Search this
Painting, Japanese  Search this
Art, Asian -- Research  Search this
Chinese language -- Terms and phrases  Search this
Art -- Terminology  Search this
Genre/Form:
Photographs
Scrapbooks
Lecture notes
Letters
Citation:
Benjamin March Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995
Identifier:
FSA.A1995.10
See more items in:
Benjamin March Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3ee55f56d-42a6-4612-8585-2aaed10572c1
EDAN-URL:
ead_collection:sova-fsa-a1995-10
Online Media:

Painting, by James Earl Taylor, of Chief with Feather Headdress, Talking with Group of Men, Some Wearing Silver Hair Plates, All in Native Dress, at Lake Shore; Camp of Tipis in Distance

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (004 in x 005 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 115
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01605703

NAA MS.MS 4605

OPPS NEG.56471
Local Note:
Black and white Photoprint on Paper Mount in Album
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 115
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw32d07ae47-3bff-4cee-a710-a8dd5db01d77
EDAN-URL:
ead_component:sova-naa-ms4605-ref1375

Portrait of Non-Native Man, Ferdinand Maximilian Joseph (1832-1867), Emperor of Mexico

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photomechanical print (004 in x 005 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 117
Culture:
Austrians  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01605802

NAA MS.MS 4605
Local Note:
Black and white Photomechanical Print on Paper Mount in Album
Place:
Mexico
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 117
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw359e5e7dd-ce81-470b-a26d-cce3ff96ae89
EDAN-URL:
ead_component:sova-naa-ms4605-ref1379

Portrait of General Mariano Escobedo, Commander of Army Under President Benito Pablo Juarez

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (004 in x 005 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 117
Culture:
Mexicans  Search this
Type:
Archival materials
Photographic prints
Photographs
Place:
Mexico
Date:
undated
Local Numbers:
NAA INV.01605804

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
Mexico
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 117
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3f99b8c19-db02-44fb-8ca9-85b7f6515b06
EDAN-URL:
ead_component:sova-naa-ms4605-ref1381

U.S. Navy Band, circa 1900

Object Name:
Photograph
Other Terms:
Photograph; Documents
ID Number:
AF.59750-N(1)
Catalog number:
59750-N(1)
Accession number:
307748
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a2-9e0e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_455713

U.S. Navy Band, circa 1900

Object Name:
Photograph
Other Terms:
Photograph; Documents
ID Number:
AF.59750-N(2)
Catalog number:
59750-N(2)
Accession number:
307748
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a2-9e0f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_455714

The Ma Sconomo Orchestra, Season '99

Object Name:
Photograph
Associated Date:
1904
Subject:
U. S. Navy  Search this
ID Number:
AF.59750-N(3)
Catalog number:
59750-N(3)
Accession number:
307748
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a2-9e10-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_455715

U.S. Navy Band, circa 1900

Object Name:
Photograph
Other Terms:
Photograph; Documents
ID Number:
AF.59750-N
Catalog number:
59750-N(4)
Accession number:
307748
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a2-9e11-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_455716

Chief Yeoman Marjorie G. Davis

Depicted (sitter):
Davis, Marjorie G.  Search this
Measurements:
overall: 7 in x 5 in; 17.78 cm x 12.7 cm
Object Name:
Photograph
Other Terms:
Photograph; Documents
Subject:
U. S. Navy  Search this
Women  Search this
ID Number:
AF.59699-N(12)
Catalog number:
59699-N(12)
Accession number:
299310
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a2-9e16-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_455721

Pendulum (Small Arc)

Photographer:
Abbott, Berenice  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 19 1/2 in x 4 1/2 in; 49.53 cm x 11.43 cm
Object Name:
photograph
Date made:
1950s
ID Number:
PG.69.216.15
Catalog number:
69.216.15
Accession number:
288852
See more items in:
Work and Industry: Photographic History
Photo History Collection
Sputnik
Science & Mathematics
Photography
Berenice Abbott Collection
Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-4b00-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1321952
Online Media:

U.S.S. North Dakota, North River, NY

User:
Andrysco, Joseph  Search this
Physical Description:
paper (overall material)
Measurements:
average spatial: 2 1/2 in x 4 1/4 in; x 6.35 cm x 10.795 cm
Object Name:
Photograph
Other Terms:
Photograph; Documents
Associated place:
United States
United States
United States: New York, North River
Related event:
World War I  Search this
Credit Line:
Marjorie Fedorski
ID Number:
1987.0007.08
Catalog number:
1987.0007.08
Accession number:
1987.0007
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-897d-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1115316

U.S.S. Camden

User:
Andrysco, Joseph  Search this
Physical Description:
paper (overall material)
Measurements:
average spatial: 2 1/2 in x 3 1/2 in; x 6.35 cm x 8.89 cm
Object Name:
Photograph
Other Terms:
Photograph; Documents
Related event:
World War I  Search this
Credit Line:
Marjorie Fedorski
ID Number:
1987.0007.09
Catalog number:
1987.0007.09
Accession number:
1987.0007
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-897e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1115317

Navy Diver

User:
Andrysco, Joseph  Search this
Physical Description:
paper (overall material)
Measurements:
average spatial: 2 1/2 in x 3 1/4 in; x 6.35 cm x 8.255 cm
Object Name:
Photograph
Other Terms:
Photograph; Documents
Related event:
World War I  Search this
Credit Line:
Marjorie Fedorski
ID Number:
1987.0007.10
Catalog number:
1987.0007.10
Accession number:
1987.0007
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-897f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1115318

U.S.S. Pensacola

Depicted:
Andrysco, Joseph  Search this
Physical Description:
paper (overall material)
Measurements:
average spatial: 2 1/2 in x 3 1/4 in; x 6.35 cm x 8.255 cm
Object Name:
Photograph
Other Terms:
Photograph; Documents
Related event:
World War I  Search this
Credit Line:
Marjorie Fedorski
ID Number:
1987.0007.11
Catalog number:
1987.0007.11
Accession number:
1987.0007
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-8980-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1115319

U.S.S. R-Six on Rocks, New London, CT

Depicted:
Andrysco, Joseph  Search this
Physical Description:
paper (overall material)
Measurements:
average spatial: 2 1/4 in x 3 1/4 in; x 5.715 cm x 8.255 cm
Object Name:
Photograph
Other Terms:
Photograph; Documents
Associated place:
United States: Connecticut, New London
Related event:
World War I  Search this
Credit Line:
Marjorie Fedorski
ID Number:
1987.0007.12
Catalog number:
1987.0007.12
Accession number:
1987.0007
See more items in:
Political and Military History: Armed Forces History, Naval
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-8981-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1115320

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