Search Results

Creator:

Lockwood Greene Engineers, Incorporated  Search this

Lockwood-Greene Company  Search this

Whitman, David  Search this

Greene, Stephen  Search this

Lockwood, Amos  Search this

Former owner:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

Extent:

270 Cubic feet (233 boxes, 850 oversize folders)

Type:

Collection descriptions

Archival materials

Linen tracings

Paper flimsies

Business records

Design drawings

Blueprints

Patents

Specifications

Reports

Photograph albums

Photographs

Trade literature

Date:

1784-2004, undated

bulk 1915-1930

Summary:

The engineering firm that became Lockwood Greene was founded by David Whitman, a mill engineer, in 1832. Amos D. Lockwood, a consultant, succeeded Whitman and entered a partnership with Stephen Greene in 1882. The firm specialized in industrial engineering and construction; they designed and built a wide variety of structures and work environments worldwide over the next century. Lockwood Greene was acquired by CH2M HILL in December, 2003. Before its acquisition by CH2MHILL it was reportedly the oldest industrial engineering, construction, and professional services firm in the United States.

Scope and Contents:

The Lockwood Greene records are a comprehensive range of documents related to the appraisal, building, construction, design, evaluation, and engineering of facilities for a variety of clients. The material covers the entire period of industrialization of the United States, and, provides a thorough record of the textile industry, both in New England and the South. Some of the textile mills are documented with unusual completeness, showing water and steam power layouts, factory village plans, and landscaping schedules. A broad range of other building typologies is also covered, including projects with public or retail functions, such as early automobile showrooms, hospitals, apartments and private dwellings, churches, and schools.

In-depth study of the company's earliest history is hampered by a scarcity of records, many of which were lost in the great fire that destroyed Boston's city center in 1872. Nevertheless, graphic and textual evidence does exist within the collection that illuminates these early projects, in addition to the fabric of surviving buildings. The Lockwood Greene records document several commissions that the firm would return to again and again over the course of many decades as clients requested plant additions, upgrades to mechanical and operating systems, and other substantive changes. Researchers are encouraged to examine the blueprints, elevations, and plans for these later additions in order to find illustrations of the firm's earlier interventions at the site. In addition to drawings, other visual evidence for nineteenth-century projects can be found in the company's extensive photo files, which often document structures for which drawings do not exist.

The Lockwood Greene records contain an abundance of graphic and textual evidence for structures designed after 1910 until the 1930s. After this period, visual documentation becomes much more limited. This is partially due to the evolution of drafting tools and information management technologies within the architecture and engineering profession. Lockwood Greene was an early adopter of technological innovations in rendering and data capture, beginning with the introduction of aperture cards and microfilm and extending to the adoption of computer-aided design (CAD) programs. These more modern formats were not part of the acquisition, and, at the time of writing, still reside with the company.

The Lockwood-Greene collection will be of interest to historians of architecture and engineering, as well as those that study the history of business and labor relations. It provides extensive textual and documentary evidence on the evolution and growth of American engineering and the increasing professionalization of the discipline through specialization during the nineteenth and twentieth centuries. Rich holdings of architectural drawings, photographs, and specifications provide unparalleled resources that trace the evolution of industrial buildings and their typologies; experimentation with building materials and systems, particularly with regards to fireproofing; and the history of textile manufacture in the United States. In addition, there is also rich visual and documentary evidence of the changing relationships between corporations and their employees through photographs, plans, and designs for company towns and mill villages, as well as through corporate records that illustrate the work culture of Lockwood Greene itself. The Lockwood-Greene collection will be of special interest to historic preservationists as the awareness of the significance of industrial and vernacular buildings continues to grow, and detailed design drawings and other visual material will be of especial value for restoration, rehabilitation, and adaptive-reuse projects.

Arrangement:

The collection is divided into six series.

Series 1, Project Drawings, Renderings, and Plans, 1784-1969, undated

Series 2, Photographs and Slides, 1881-2001, undated

Subseries 2.1: Photo Albums, 1906-1934

Subseries 2.2: Photographic Files, 1881-1956

Subseries 2.3: Spartanburg Office Photographic File, 1948-1974

Subseries 2.4: Spartanburg Office Photographic File, 1919-1999

Subseries 2.5: Project Negatives and Transparencies, 1956-1970

Subseries 2.6: Project Slides and Transparencies, 1985-2001

Subseries 2.7: Project Slides and Transparencies, Culls, 1974-2001

Subseries 2.8: Project Slides and Transparencies, Corporate Photography, 1976-1998

Subseries 2.9: Photograph Album Covers, 1920, undated

Series 3: Job Files, 1872-1957, undated

Subseries 3.1, Specifications, 1913-1942, undated

Subseries 3.2: List of Drawings, 1872-1951, undated

Subseries 3.3: Project Files, 1919-1969, undated

Subseries 3.4: Reports, 1913-1969

Subseries 3.5: Job Cost Records, 1913-1957, undated

Series 4, Corporate Records and History, 1881-2004, undated

Subseries 4.1: Meeting Minutes, 1913-1995

Subseries 4.2: Corporate Files, 1891-2004, undated

Subseries 4.3: Historical Research and Reference Files and Photographs, 1881-1983, undated

Subseries 4.4: Corporate Publications, 1917-2001, undated

Series 5, Non-Lockwood Greene Publications, 1910-1984, undated

Series 6, Audio-Visual, 1964

Biographical / Historical:

Lockwood Greene, one of the nation's oldest engineering firms, traces it roots to 1832, when Rhode Island native David Whitman began a machinery repair service. Riding the wave of the early industrial revolution in textile manufacturing, Whitman added mill design services to his repertoire, which formed the backbone of a flourishing consulting business for the rest of the century. Whitman was one of the first itinerant mill engineers or "doctors" that traveled throughout New England advising various industrialists on the placement, design, and construction of their factories and the layout of the complicated system of machinery and shafting that they contained. His largest commission was the design of the Bates Manufacturing Company complex in Lewiston, Maine, which was incorporated in 1850 and soon became one of the largest textile producers in New England.

Upon Whitman's death in 1858, his unfinished work was assumed by Amos D. Lockwood, a prominent mill agent and astute businessman who had built a name for himself in Connecticut and Rhode Island. The successful completion of the projects at Lewiston brought enough additional demand for Lockwood's services to prompt him to relocate to Boston, where he formally opened an independent consulting office with partner John W. Danielson in 1871. For the next ten years, A.D. Lockwood & Company was involved in a least eight major mill design projects, half of which were for new construction. One of these projects, the design and construction of the Piedmont Manufacturing Company in Greenville (now Piedmont), South Carolina was especially significant and is considered to be a prototype for the Southern textile industry.

In 1882, Lockwood established a new business, Lockwood, Greene and Company, with Stephen Greene, a professionally-trained civil engineer who had joined the firm in 1879. As the firm grew, it expanded its scope as consultants supplying all of the necessary architectural and engineering services a prospective owner needed to initiate, equip, and run a complete plant. Acting as the owners' representative, the company supervised construction and installation but did not directly act as builders or contractors. Lockwood

Greene's objective expertise was legendary and made it a leader in this emergent field. As Samuel B. Lincoln explains in his history of the company:

"The new firm's knowledge and experience in the textile industry enabled it to analyze samples of cloth and, from such samples, to provide everything necessary for a completed plant to make such goods in any desired quantity. It did not at any time act as selling agents for machinery or equipment, neither did it accept commissions or rebates from suppliers: by this policy it maintained a position as impartial and independent engineer." (pages 105-107)

Greene became president of the company upon Lockwood's death in 1884. Under his leadership, the company expanded into additional industries and designed an array of other industrial building types that would prefigure the diversity of later work. In 1893, the company revolutionized American industry by designing and constructing the first factory whose operating power was provided entirely over electric wires from a remote power plant, rather than relying upon a water source or a stockpiled fuel supply. The Columbia Mills project created a great deal of publicity for the firm and was a signal to other manufacturers that there were viable alternatives to the use of steam power.

As changing economic conditions led Lockwood Greene to move away from its traditional reliance upon the textile manufacturing industry, it was very successful at soliciting projects for a wide variety of structures, from newspaper plants and automotive factories to convention halls and schools. After 1900, Lockwood Greene expanded its operations and opened branch offices in other cities, including Chicago, New York, Philadelphia, Cleveland, Detroit, Atlanta, and Charlotte. In 1915, Edwin F. Greene, president and son of Stephen Greene, reorganized the firm as Lockwood, Greene & Company, Incorporated This new entity served as the parent company and controlled three subsidiaries: one to own and operate cotton mills that Greene had acquired; one to manage other companies' textile mills; and one to provide engineering services.

Lockwood Greene expanded its operations tremendously as the textile industry boomed under wartime demand and in the years following. The severe textile depression from 1923 to 1928 caused the collapse of this structure, however, as Lockwood Greene continued to suffer deep losses in the textile mills that it owned. The parent company was dissolved in 1928 and the engineering subsidiary, which had remained profitable, was salvaged as Lockwood Greene Engineers, Incorporated.

After a rocky start with the onset of the Depression, the company began to prosper during the Second World War and its growth continued steadily throughout the next several decades. In the late 1960s, as a result of declining business, the company's headquarters was transferred from Boston to Spartanburg, South Carolina. In 1981, Phillipp Holtzman USA, a subsidiary of Phillipp Holtzman AG of Frankfurt, Germany, acquired a majority interest in Lockwood Greene. In 2003, CH2M Hill, a global provider of engineering, construction, and operations services based in Denver, Colorado, acquired the company.

From its beginnings under David Whitman, Lockwood Greene has become one of the most diversified engineering firms in the United States. The firm is best known as a designer of industrial and institutional buildings, but the company has become a leader in many additional areas in recent years. Lockwood Greene dominates the market in the design and production of the germ- and dust-free "clean room" facilities required by the pharmaceutical industry and micro-electronics manufacturers. The company has also developed expertise in designing integrated security and networking systems for industrial plants, international port facilities, and military installations worldwide.

Banham, Raynor. A Concrete Atlantis: U.S. Industrial Building and European Modern Architecture, 1900-1925. Cambridge: MIT Press, 1986.

Biggs, Lindy. The Rational Factory: Architecture, Technology, and Work in America's Age of Mass Production. Baltimore: Johns Hopkins University Press, 1996.

Bradley, Betsy Hunter. The Works: The Industrial Architecture of the United States. New York: Oxford University Press, 1999.

Greene, Benjamin Allen. Stephen Greene: Memories of His Life, with Addresses, Resolutions and Other Tributes of Affection. Chicago, R. R. Donnelley & Sons Company, 1903.

Heiser, William J. Lockwood Greene, 1958-1968, Another Period in the History of an Engineering Business. Lockwood Greene Engineers, Incorporated, 1970.

Lincoln, Samuel B. Lockwood Greene: The History of an Engineering Business, 1832-1958. Brattleboro, Vermont: The Stephen Greene Press, 1960.

Lockwood Greene Engineers, Incorporated The Lockwood Greene Story: One-Hundred-Fifty Years of Engineering Progress. Spartanburg, South Carolina: Lockwood Greene Engineers, Incorporated; undated.

Related Materials:

Materials at the Smithsonian Instituion Libraries

"[Trade catalogs from Lockwood, Greene & Co.]", Trade Literature at the American History Museum Books, Smithsonian Institution Libraries

Provenance:

This collection was donated by Lockwood Greene, Spartanburg, South Carolina, 1997 (original drawings). An addendum to the collection was donated by CH2M HILL in 2007.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Architects  Search this

Architecture, Commercial  Search this

Architecture, Domestic  Search this

Building materials  Search this

Buildings  Search this

Construction industry  Search this

Company towns  Search this

Textile mills  Search this

Mills  Search this

Manufacturing industries  Search this

Industrial engineering  Search this

Industrial buildings -- Design and construction  Search this

Industrial buildings  Search this

Engineering  Search this

Factories -- Power supply  Search this

Factories -- Design and construction  Search this

Factories  Search this

Cotton textile industry  Search this

Commercial buildings  Search this

Electric power production  Search this

Genre/Form:

Linen tracings

Paper flimsies

Business records

Design drawings

Blueprints

Patents

Specifications

Reports

Photograph albums

Photographs -- 21st century

Photographs -- 20th century

Trade literature

Photographs -- 1890-1900

Citation:

Lockwood Greene Records, Archives Center, National Museum of American History

Sponsor:

Preservation of this collection was made possible in part by a generous gift from CH2M HILL.

Identifier:

NMAH.AC.1113

See more items in:

Lockwood-Greene Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep85090342a-0c7e-4667-8b37-fa0e8309b5ac

EDAN-URL:

ead_collection:sova-nmah-ac-1113

Creator:

Smithsonian Institution. Department of Anthropology  Search this

Editor:

Goddard, Ives, 1941-  Search this

Sturtevant, William C.  Search this

Extent:

513 Linear feet (The total extent of the collection is 513 linear feet with 11 boxes of oversized material, four boxes of rolled maps and three large map folders )

Culture:

Indians of North America  Search this

Type:

Collection descriptions

Archival materials

Articles

Bibliographies

Correspondence

Financial records

Illustrations

Manuscripts

Maps

Photographs

Publications

Research

Date:

circa 1966-2008

Summary:

This collection is comprised of the working records of the Handbook of North American Indians, the unpublished photographs, published photographs, editorial correspondence, Illustrations and Bibliographic research as well as administrative files and linguistics research.

Scope and Contents:

This collection is comprised of the working records of the Handbook of North American Indians, which includes published and unpublished photographs, editorial correspondence, illustrations, bibliographic and linguistic research, and administrative files. The total extent of the collection is 513 linear feet with 11 boxes of oversized material, four boxes of rolled maps and three large map folders.

Series 1: Published photographs (78.75 linear feet) contains the printed, photocopied or digital representations of the photographs and illustrations published in The Handbook of North American Indians (HNAI). The series also contains the correspondence and documentation surrounding the research and use of these images. The files are organized by published volume (culture area or special topic), chronologically by publication date and, therein segmented alphabetically by chapter author. Authors who have contributed multiple chapters within the same volume are further delineated by the chapter title.

Series 2: Unpublished photographs (91.5 linear feet) contains original photographs, photocopied images and/or digital representations of the photographs and illustrations not published in The Handbook of North American Indians (HNAI). It is primarily the result of research trips made by Joanna Cohan Scherer, Illustrations Researcher from 1970-2006. The series also contains the correspondence and documentation surrounding the accession of these images and their potential use in the HNAI project or future use by the NAA.

Series 3: Photo repository files (16 linear feet) contains an alphabetical listing of repositories or photographers that were utilized or inventoried in the collecting of the photographs for volume publication and research. Each file represents a discreet repository- files are arranged alphabetically. Folders contain correspondence, newspaper clippings and company information when available.

Series 4: Central editorial files (134 linear feet) contains the working files of various editors within the office of the Handbook of North American Indians. Within this series you will find correspondence with chapter authors, manuscript edits and related research. Folder titles are organized first by volume publication date, beginning with Volume 8- California and those volumes are organized alphabetically by the last name of each chapter author. Further chapter organization is delineated in the following manner: the front folder contains an original working copy of the chapter manuscript and a bibliography, the second folder contains a file copy of the manuscript and three smaller folders titled: "orthography", "illustrations" and "correspondence". The final portion of the chapter folders consists of the superseded manuscript text.

Series 5: General Editor files (30 linear feet) contains the files of William C. Sturtevant as they relate to his work as General Editor for the Handbook of North American Indians. This material was packed in the order in which it was found in the sub-office of the General Editor. The General Editor oversaw the production of all volumes of HNAI. Included are superseded files from the Indians in Contemporary Society Volume, volume reviews, original author questionnaires for the soliciting of volume contributors as well as a number of research publications.

Series 6: Linguistic Editor files (9 linear feet) consists of files from the office of Linguistic Editor Dr. Ives Goddard. Included are orthographies, alphabets, typologies and personal names gathered in the publication of all volumes of the Handbook of North American Indians but mostly focused on the Language Volume.

Series 7: Managing Editor files (5 linear feet) consists of the files from Dr. Ives Goddard's time as the managing editor of the Handbook. Correspondence, volume production schedules and chapter edits can be found in this series. The managing editor took over the role of the general editor.

Series 8: Editorial assistant files (24 linear feet) consists of the files of Editorial Assistant Paula Cardwell. Ms. Cardwell worked as the assistant to General Editor William C. Sturtevant. This series is unprocessed.

Series 9: Illustrator research files (9 linear feet and 11 boxes of oversized materials) contains the files associated with the illustrations research function of the Handbook of North American Indians office. It is comprised heavily of correspondence with chapter authors and of oversized illustrations for the volumes.

Series 10: Bibliographer files (12 linear feet) contains the files of bibliographer Cesare Marino and others who helped to compile the bibliographies for all volumes of the Handbook.

Series 11: Bibliographic card files and lists (18 linear feet) consists of the Bibliographic card files created to organize the information content of the handbook volumes and stored for potential use in the unpublished Bibliography volumes 19 and 20. This series is unprocessed.

Series 12: Coordinator files (3 linear feet) consists of the papers of the HNAI coordinator office and includes documents related to typesetting, printing, indexing, schedules and documentation of the Handbook publication practices. These files were maintained by Dianne Della-Loggia.

Series 13: Administrative (13 linear feet) consists of the administrative papers of the Handbook of North American Indians office and were maintained by administrator Melvena Jackson. This series is unprocessed.

Series 14: Quarterly reports (3 linear feet) consistss of the quarterly financial reports of the Handbook office from 1976 to 1992.

Series 15: Vertical file (16 linear feet) contains published reference data for use in the making of HNAI, including scholarly articles, research and other publications. This series is unprocessed.

Series 16: Maps (4 boxes of rolled maps and 3 folders of annotated maps).

Arrangement:

The collection is organized into 16 series: 1) Published photographs; 2) Unpublished photographs; 3) Photo repository files; 4) Central editorial files; 5) General Editor files; 6) Linguistic Editor files; 7) Managing Editor files; 8) Editorial assistant files; 9) Illustrator research files; 10) Bibliographer files; 11) Bibliographic card files and lists; 12) Coordinator files; 13) Administrative; 14) Quarterly reports; 15) Vertical file; 16) Maps.

Historical Note:

The Handbook of North American Indians, originally a project of the Smithsonian Office of Anthropology, was transferred to the Center for the Study of Man upon its organization in the late 1960's. With the center's winding down in the late 1970's, the Handbook was returned to the Department of Anthropology. William C. Sturtevant was Editor from the inception until 2007. The office of the Handbook was concerned with the production of a multivolume work intended to supersede F.W. Hodge's two-volume Handbook of Indians North of Mexico, Bureau of American Ethnology Bulletin 30, 1907-1910. The Handbook office was terminated in December of 2007 having published 15 of the planned 20 volumes.

1966 -- William C. Sturtevant officially named general editor

1968 -- Office of the Handbook is established

1970 -- First staff member hired by Sturtevant- Joanna Cohan Scherer

1972 -- First manuscript submitted to the Office, April 28

1978 -- California volume published Northeast volume published

1979 -- Southwest volume published

1981 -- Subarctic volume published

1983 -- Second Southwest volume published

1984 -- Arctic volume published

1986 -- Great Basin volume published

1988 -- History of Indian-White Relations volume published

1990 -- Northwest Coast volume published

1996 -- Languages volume published

1998 -- Plateau volume published

2000 -- Plains volume published

2004 -- Southeast volume published

2006 -- Environment, Origins and Populations volume published

2007 -- General Editor William C. Sturtevant retires in January General Editor William C. Sturtevant Passes away on March 2nd Office terminated in December

2008 -- Indians in Contemporary Society volume published

Provenance:

These records from the Office of the Handbook of North American Indians were moved in November of 2008 from the office of the Handbook of North American Indians to the National Anthropological Archives at the Museum Support Center.

Restrictions:

Advanced notice must be given to view portions of the collection stored off-site. Consult the reference archivist for more information.

Rights:

The NAA does not own rights to many of the photographs and illustrations in Series 1 Published Photographs and Series 2: Unpublished Photographs. Permission to use photographs must be obtained from the corresponding repository and or source (ie photographer and or anthropologist). Photographers and anthropologists who contributed their original material often gave permission for the Smithsonian to freely use their materials, corresponding catalog cards will often indicate whether there are restrictions on use.

Contact the repository for more information.

Genre/Form:

Articles

Bibliographies

Correspondence

Financial records

Illustrations

Manuscripts

Maps

Photographs

Publications

Research

Citation:

Handbook of North American Indians records, National Anthropological Archives, Smithsonian Institution.

Identifier:

NAA.MS2008-25

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw39244069f-8786-4b72-b3bb-b4d9a7841bcd

EDAN-URL:

ead_collection:sova-naa-ms2008-25

Creator:

Allis-Chalmers  Search this

S. Morgan Smith Company  Search this

Names:

Atlanta Water and Electric Power Company  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

23 Cubic feet (105 boxes; 4 map folders)

Type:

Collection descriptions

Archival materials

Advertisements

Catalogs

Photographs

Trade literature

Place:

Atlanta (Ga.)

York (Pa.)

Date:

1890-1914.

Summary:

This collection documents the products and facilities of the S. Morgan Smith Company through photographs and trade literature.

Scope and Contents:

Archival materials, including photographs, advertising art, catalogs and other trade literature, documenting the equipment, facilities, personnel and products of the S. Morgan Smith Company, engineers and contractors. The subjects of the photographs include engines, fire pumps, generators, paper making machinery, turbines, the construction of a dam and hydroelectric station by the Atlanta Water and Electric Power Company, and the Mathis Dam near Atlanta.

Arrangement:

The collection is arranged into three series

Series 1: Company Records, 1877-1961

Series 2: Catalog Art, undated

Series 3: Glass Plate Negatives,

Biographical / Historical:

The S. Morgan Smith Company was an engineering company located in York, Pennsylvania. It was founded by S. Morgan Smith, who patented one of the first washing machines, in 1877. The company became notable for its high-powered water turbines and other hydraulic machinery. The S. Morgan Smith Company later became Allis-Chalmers.

Provenance:

Donated to the National Museum of History and Technology (now the National Museum of American History) in 1968 by the Allis-Chalmers Company.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Dams  Search this

Engines  Search this

Fire pumps  Search this

Generators and generating stations  Search this

Hydraulic engineering  Search this

Hydroelectric power plants  Search this

Power plants  Search this

Turbines  Search this

Water-power  Search this

Genre/Form:

Advertisements

Catalogs

Photographs -- Black-and-white negatives -- Glass -- 19th-20th century

Photographs -- Black-and-white negatives -- Glass -- 1890-1920

Trade literature

Citation:

S. Morgan Smith Company Records, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1099

See more items in:

S. Morgan Smith Company Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep834bcaf09-d452-4e04-abdd-10162af29786

EDAN-URL:

ead_collection:sova-nmah-ac-1099

Creator:

Dubinskas, Frank A. (Frank Anthony)  Search this

Names:

Apple Computer, Inc.  Search this

Extent:

3 Linear feet

Culture:

Mende (African people)  Search this

Type:

Collection descriptions

Archival materials

Place:

North America

Europe

Africa, West

Sierra Leone

Croatia

Date:

1972-1993

Scope and Contents:

The Frank A. Dubinskas papers document his research into the social aspects of automated manufacturing at Apple Computer in the 1990s through correspondence, field note, reports, and slides; his teaching career at Boston College and Hamline University through course evaluations, lecture notes, and tenure materials; and his early anthropological research including his study of slavonian folklore and his study of the Mende in Sierra Leone through correspondence, photographs, and publications.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Biographical Note:

Frank A. Dubinskas (1946-1993) earned a B.A. in anthropology from Yale University in 1972 and a M.A. (1976) and Ph.D. (1983) in Anthropology from Stanford University. During the 1970s, he studied Slavonian folklore and the Sande Society of the Mende in Sierra Leone. Dubinskas is best known for his pioneering work in the field of the anthropology of science and technology. He taught classes in organizational behavior at Boston College and Hamline University.

Provenance:

Received from Anna Hargreaves and Dorothy W. Dubinskas in 1998 and 2000.

Restrictions:

Some material may be restricted for privacy reasons.

Access to the Frank A. Dubinskas papers requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Folklore  Search this

Language and languages  Search this

Organizational behavior  Search this

Citation:

Frank A. Dubinskas papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.1998-07

See more items in:

Frank A. Dubinskas papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw370cce331-5e92-44a7-a1fa-5750dde52568

EDAN-URL:

ead_collection:sova-naa-1998-07

Creator:

Missionary Catechists of Divine Providence.  Search this

Massachusetts Institute of Technology (MIT) Civil Engineering Department  Search this

Underwood and Underwood  Search this

Compiler:

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

44 Cubic feet (132 boxes)

Type:

Collection descriptions

Archival materials

Blueprints

Drawings

Lantern slides

Photographs

Sketches

Date:

1758-1945, undated

Summary:

A collection primarily of 19th and early 20th century lantern slides relating mostly to engineering, agriculture, railroads, mining, and extractive industries collected by the Division of Work and Industry, National Museum of American History, Smithsonian Institution.

Scope and Contents:

A collection of 19th and early 20th century silver gelatin dry plate lantern slides acquired by the staff of the Division of Work and Industry, National Museum of American History, Smithsonian Institution. These materials were collected for research purposes and relate to various subjects.

Condition of the material varies widely with some fragile or broken slides. Poor quality images also exist probably due to unstable storage environments or the processing of the slides. All slides have been digitized and moved to off-site storage to minimize handling and at the same time increase accessibility.

The collection is arranged in nine series: series 1, engineering; series 2, extractive industries; series 3, chemical; series 4, manufacturing companies; series 5, machinery; series 6, railroads; series 7, agriculture; series 8, travel photography; and 9, miscellaneous materials.

Arrangement:

Collection is arranged in nine series.

Series 1: Engineering, undated

Subseries 1.1: Architecture and Structures, undated

Subseries 1.2: Bridges, Cantilever, undated

Subseries 1.3: Bridges, Concrete Arch and Beam, undated

Subseries 1.4: Bridges, Masonry Aqueducts, undated

Subseries 1.5: Bridges, Metal Arc, undated

Subseries 1.6: Bridges, Metal Truss, undated

Subseries 1.7: Bridges, Movable, undated

Subseries 1.8: Bridges, Suspension, undated

Subseries 1.9: Canals, undated

Subseries 1.10: Hydraulic Engineering, undated

Subseries 1.11: Machine Tools, undated

Subseries 1.12: Materials Handling, undated

Subseries 1.13: Power, undated

Subseries 1.14: Railroad Mileage Maps, undated

Subseries 1.15: Steam Boilers, undated

Subseries 1.16: Steam Turbines, undated

Subseries 1.17: Tunneling Machine Tools, undated

Series 2: Extractive Industries, undated

Subseries 2.1: Coal, undated

Subseries 2.1.1: Coke, undated

Subseries 2.1.2: Diagrams and Maps, undated

Subseries 2.1.3: General, undated

Subseries 2.1.4: General, undated

Subseries 2.1.5: Infrastructure and Laborers, undated

Subseries 2.1.6: Internation, undated

Subseries 2.1.7: International Product and Labor Statistics, undated

Subseries 2.1.8: Jack Leg Drilling, undated

Subseries 2.1.9: Lansford Breaker Fire Coal Facilities, undated

Subseries 2.1.10: Loading Machinery, undated

Subseries 2.1.11: Longhole Drilling Method, undated

Subseries 2.1.12: Machinery, undated

Subseries 2.1.13: Mines, undated

Subseries 2.1.14: Mining Communities, undated

Subseries 2.1.15: Subsidence, undated

Subseries 2.1.16: Forepoling Warden Mine, undated

Subseries 2.1.17: Montour Number 10 Mine, undated

Subseries 2.1.18: Conveyors, undated

Subseries 2.1.19: Coal Land Valuation, undated

Subseries 2.2: Iron, undated

Subseries 2.2.1: General, undated

Subseries 2.2.2: Pig Iron, undated

Subseries 2.3: Gemstones, undated

Subseries 2.3.1: Gemstones, undated

Subseries 2.4: Mining, undated

Subseries 2.4.1: Diagrams, undated

Subseries 2.4.2: Hydraulic, undated

Subseries 2.4.3: General, undated

Subseries 2.4.4: Ores and Mines, undated

Subseries 2.4.5: Processing Equipment and Infrastructure, undated

Subseries 2.4.6: Shafts, Drilling, and Loading, undated

Subseries 2.4.7: United States Bureau of Mines, undated

Subseries 2.4.8: L. E. Young, Box C, undated

Subseries 2.4.9: L. E. Young, Box D, undated

Subseries 2.4.10: L. E. Young, Box E, undated

Subseries 2.4.11: L. E. Young, Box F, undated

Subseries 2.4.12: L. E. Young, Box G, undated

Subseries 2.4.13: L. E. Young, Box I, undated

Subseries 2.5: Oil, undated

Subseries 2.5.1: Oil, undated

Subseries 2.6: Rubber, undated

Subseries 2.6.1: Coke Rubber Rails, undated

Subseries 2.6.2: General, undated

Subseries 2.6.3: General, undated

Subseries 2.6.4: General, undated

Subseries 2.7: Steel, undated

Subseries 2.7.1: Newcastle Steel Work, undated

Subseries 2.7.2: General, undated

Subseries 2.8: Timber, undated

Subseries 2.8.1: General, undated

Subseries 2.8.2: Lifts, undated

Series 3: Chemical Processing, undated

Subseries 3.1: Chemical Processes, undated

Subseries 3.2: Laboratory and Studies, undated

Subseries 3.3: Massachusetts Institute of Technology, 37A: 1-48, undated

Subseries 3.4: Massachusetts Institute of Technology, 47: 1-68, undated

Subseries 3.5: Massachusetts Institute of Technology, 52: 1-20, undated

Subseries 3.6: Massachusetts Institute of Technology, undated

Subseries 3.7: Radiation Studies, undated

Subseries 3.8: Visual Aids in Chemical Education, The Museum, undated

Series 4: Manufacturing Companies, undated

Subseries 4.1: American Bosch Company, Fuel Injection Equipment, undated

Subseries 4.2: American Locomotive Company, undated

Subseries 4.3: American Locomotive Company, undated

Subseries 4.4: Atlas Imperial Marine Diesel, undated

Subseries 4.5: Baldwin Locomotive Works, undated

Subseries 4.6: Buda, undated

Subseries 4.7: Buda Marine, undated

Subseries 4.8: Cooper-Bessenger, undated

Subseries 4.9: Cooper-Bessenger, undated

Subseries 4.10: Fairbanks Morse Marine Diesel General Set, undated

Subseries 4.11: Fairbanks Morse Marine Diesel, undated

Subseries 4.12: Fairbanks Morse Marine Diesel, undated

Subseries 4.13: Fairbanks Morse Marine Diesel, undated

Subseries 4.14: Fairbanks Morse Marine Diesel, undated

Subseries 4.15: Fairbanks Morse Marine Diesel General Set, undated

Subseries 4.16: General Motors Company, undated

Subseries 4.17: General Motors Company, undated

Subseries 4.18: General Motors Company, undated

Subseries 4.19: General Motors Company, undated

Subseries 4.20: General Motors Company, undated

Subseries 4.21: General Motors Company, undated

Subseries 4.22: General Motors Company, undated

Subseries 4.23: General Motors Company, undated

Subseries 4.24: General Motors Company, undated

Subseries 4.25: General Motors Company Miscelleaneous, undated

Subseries 4.26: Hamilton Diesel, undated

Subseries 4.27: Hamilton Diesel, undated

Subseries 4.28: Hamilton Diesel, undated

Subseries 4.29: Hamilton Diesel, undated

Subseries 4.30: Ingersoll - Rand, undated

Subseries 4.31: International Harvester Fuel Singler Plunger, undated

Subseries 4.32: Long and Alstatler Company, undated

Subseries 4.33: Miscelleaneous Manufacturing Companies, undated

Subseries 4.34: Nordberg Marine Diesel, undated

Series 5: Machinery, undated

Subseries 5.1: Blast Furnances, undated

Subseries 5.2: Construction, undated

Subseries 5.3: Construction - Brick, undated

Subseries 5.4: Construction - Cement, undated

Subseries 5.5: Diagram Miscelleaneous, undated

Subseries 5.6: Diesel Engines, undated

Subseries 5.7: Diesel Engines, General, undated

Subseries 5.8: Diesel Engines, Superior Types KNB, undated

Subseries 5.9: Diesel Installation USS Maumee, undated

Subseries 5.10: Drills, Jumbos, undated

Subseries 5.11: Engine Model D, undated

Subseries 5.12: Factories and Warehouses, undated

Subseries 5.13: Factory Machines, undated

Subseries 5.14: Flywheel Governors, undated

Subseries 5.15: Furnances General, undated

Subseries 5.16: Gas, undated

Subseries 5.17: General Engines, undated

Subseries 5.18: Governors, undated

Subseries 5.19: History of Pumps, undated

Subseries 5.20: Hoisers, undated

Subseries 5.21: Industrial Furnances, undated

Subseries 5.22: Industrial Scenes, undated

Subseries 5.23: Machines Diagrams and Sketches, undated

Subseries 5.24: Machinery Miscelleaneous, undated

Subseries 5.25: Refrigeration, undated

Subseries 5.26: Safety, undated

Subseries 5.27: Steam Engines General Information, undated

Subseries 5.28: Vacuum, undated

Series 6: Railroads and Locomotions, undated

Subseries 6.1: Charts and Graphs, undated

Subseries 6.2: Company Photographs, undated

Subseries 6.3: Drawings, undated

Subseries 6.4: Toppling Over, undated

Subseries 6.5: Interior of Train Cars, undated

Subseries 6.6: Locomotion, undated

Subseries 6.7: Locomotion Miscelleaneous, undated

Subseries 6.8: Repair Report Forms, undated

Subseries 6.9: Shop Scenes, undated

Subseries 6.10: Track Debris, undated

Subseries 6.11: Train Car Component Details, undated

Subseries 6.12: Train Yards, undated

Subseries 6.13: Underside of Locomotives, undated

Subseries 6.14: Yard Scenes, undated

Series 7: Agriculture, undated

Subseries 7.1: Bananas, undated

Subseries 7.2: Butter, undated

Subseries 7.3: Coffee, undated

Subseries 7.4: Corn, undated

Subseries 7.5: Cotton, undated

Subseries 7.6: Machinery, undated

Subseries 7.7: Onions, undated

Subseries 7.8: Potatoes, undated

Subseries 7.9: Poultry, undated

Subseries 7.10: Sugar, undated

Subseries 7.11: Tea, undated

Subseries 7.12: Tobacco, undated

Subseries 7.13: Turpentine, undated

Series 8: Travel Photography, undated

Subseries 8.1: California, undated

Subseries 8.2: Canada, undated

Subseries 8.3: Colorado, undated

Subseries 8.4: General Landscapes, undated

Subseries 8.5: General Locations, undated

Subseries 8.6: Landscapes and Locations General, 186-2-36, undated

Subseries 8.7: Landscapes and Locations General, 187-18-48, undated

Subseries 8.8: New York, undated

Subseries 8.9: United States National Parks, undated

Subseries 8.10: Washington, DC, undated

Series 9: Miscellaneous Materials, undated

Subseries 9.1: Duplicates of Navy Slides, undated

Subseries 9.2: Miscelleaneous

Subseries 9.3: Reliefs, Cravings, and Architecture, undated

Subseries 9.4: Wood Products, undated

Related Materials:

Archives Center, National Museum of American History

For related material on Canals, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Canals, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Roland A. McCrady Photograph Collection, NMAH.AC.0710

Division of Cultural History Lantern Slides and Stereographs, NMAH.AC.0945

Niagara Falls Power Company Records, NMAH.AC.0949

Modjeski and Masters Company Records, NMAH.AC.0976

George Morison Collection, NMAH.AC.0978

Uriah A. Boyden Papers, NMAH.AC.0982

James Forgie Papers, NMAH.AC.0986

William R. Hutton Papers, NMAH.AC.0987

Snake River Irrigation Project Photograph Album, NMAH.AC.1031

Silas H. Woodard Papers, NMAH.AC.1038

Delaware, Lackawanna, and Western Railroad Records, NMAH.AC.1074

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

New York State Barge Canal Photographs, NMAH.AC.1536

Lackawaxen Canal Survey Profiles, NMAH.AC.1546

Nicaragua Canal Collection, NMAH.AC.1550

For related material on Cantilever Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Nathan W. Morgan Papers, NMAH.AC.0965

George Morison Collection, NMAH.AC.0978

John A. Roebling Collection, NMAH.AC.0981

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

For related material on Concrete Arch and Beam Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

For related material on Corliss Steam Engine Company, see the following collections:

Frick Company Collection, NMAH.AC.0293

Cooper-Bessemer Corporation Records, NMAH.AC.0961

Robert Wetherill Company Records, NMAH.AC.0992

Evolution of the Corliss Steam Engine Scrapbook, NMAH.AC1016

Mechanical and Civil Engineering Glass Plate Negatives, NMAh.AC.1089

For related material on Hydraulic Engineering, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Engineering, NMAH.AC0060

Charles Richardson Pratt Papers, NMAH.AC.0958

Rudolph Hering Collection, NMAH.AC.0989

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

For related material on Machine Tools, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Tools, NMAH.AC.0060

Pratt & Whitney Company Scrapbook, NMAH.AC.0093

Max Holland Numerical Control Collection, NMAH.AC.0537

Southwark Foundry and Machine Company Records, NMAH.AC.1107

For related material on Materials Handling, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Materials Handling, NMAH.AC.0060

James J. Childs Numerical Control Collection, NMAH.AC.0420

World War Two Bomb Damage Photographs, NMAH.AC.1535

Norton Grinding Machine Company Photograph Collection, NMAH.AC.1551

Paul Steam-Heating System Company Records, NMAH.AC.1554

For related material on Metal Arch Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.A.C0060

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

For related material on Movable Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Henry Grattan Tyrrell and Mary Maude Knox Tyrrell Papers, NMAH.AC.0948

Nathan W. Morgan Papers, NMAH.AC.0965

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

For related material on Panama Canal, see the following collections:

John Frances Little Panama Canal Scrapbook, NMAH.AC.0708

A.R. Van Tassell Photograph Album, NMAH.AC.1015

W. A. Fishbaugh Panama Canal Photograph Album, NMAH.AC.1021

W. P. Stine Panama Canal Papers, NMAH.AC.1039

Katherine Kingsford Panama Canal Photograph Album, NMAH.AC.1040

Richard Fisher Collection of Panama Canal Materials, NMAH.AC.1045

Robert Dearborn Panama Canal Glass Negatives, NMAH.AC.1111

Charles Edwards Wood Panama Canal Photograph Album, NMAH.AC.1114

Panama Canal Commission Photonegatives, 1903-circa 1939, NMAH.AC.1116

Division of Mechanical and Civil Engineering Panama Canal Collection, NMAH.AC.1569

For related material on railroads, see the following collections:

Archives Center Lantern Slide Collection, NMAH.AC.0686

Railroad Bridge Construction Photograph Album, NMAH.AC.1024

Northern Pacific Railroad Bridge Construction Photograph Album, NMAH.AC.1031

Penn Station, New York, Photographs, NMAH.AC.1048

Northern Pacific Railway Photographs, NMAH.AC.1067

New York Central Railway Valuation Negatives, NMAH.AC.1072

Pittsburgh, Cincinnati, Chicago, and St. Louis Railroad Photographs (PCC and St. Louis), NMAH.AC.1079

Niagara Railroad Negatives, NMAH.AC.1081

Charles B. Chaney Jr. Railroad Photographic Collection, NMAH.AC.1167

Clayton M. Hall Collection of Railroad Photographs, NMAH.AC.1168

Harry A. McBride Railroad Photographs, NMAH.AC.1171

Thomas Norrell Railroad Photographs Collection, NMAH.AC.1174

Pullman Palace Car Company Photographs, NMAH.AC.1175

Haskell and Barker Car Company Photographic Negatives, NMAH.AC.1183

For related material on Steam Boilers, see the following collections:

Frick Company Collection, NMAH.AC.293

Erasmus D. Leavitt Collection, NMAH.AC.0966

Edwin Rust Papers, NMAH.AC.1070

Hartford Steam Boiler Inspection and Insurance Company Records, NMAH.AC.1541

For related material on steam engines, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Engines, NMAH.AC.0060

Frick Company Collection, NMAH.AC.0293

Borsig Steam Engine Records, NMAH.AC.0956

Cooper-Bessemer Corporation Records, NMAH.AC0961

Greville I. Bathe Papers, NMAH.AC.0970

McIntosh, Seymour, and Company Records, NMAH.AC0985

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC1089

For related material on Steam Turbines, see the following collections:

Parke, Davis Research Laboratory Records, NMAH.AC.0001

Westinghouse Electric and Manufacturing Company Records, NMAH.AC.0977

Skinner Engine Company Records, NMAH.AC.1087

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

For related material on Suspension Bridges, see the following collections:

Warshaw Collection of Business Americana Subject Categories: Bridges, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Nathan W. Morgan Papers, NMAH.AC.0965

Modjeski and Masters Company Records, NMAH.AC.0976

Niagara Falls Bridge Commission Records, NMAH.AC.1060

Mechanical and Civil Engineering Glass Plate Negatives, NMAH.AC.1089

Mechanical and Civil Engineering Stereograph Cards, NMAH.AC.1090

Robinson & Steinman Collection, NMAH.AC.1562

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Provenance:

Immediate source of acquisition unknown.

Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

African American women  Search this

Agriculture -- Corn  Search this

Agricultural crops -- Fields  Search this

Agricultural laborers  Search this

Agricultural machinery  Search this

Agricultural products  Search this

Architecture  Search this

Bananas -- Costa Rica  Search this

Bananas -- Jamaica  Search this

Bearings (Machinery)  Search this

Bridges  Search this

Butter  Search this

Butter -- New York  Search this

Canals  Search this

Children -- 20th century  Search this

Coal mines and mining  Search this

Coffee  Search this

Coffee industry -- Brazil  Search this

Coffee -- Jamaica  Search this

Coffee -- Mexico  Search this

Engineering  Search this

Hydraulic engineering  Search this

Laborers  Search this

Machine-tools  Search this

Maple sugar  Search this

Materials handling  Search this

Mining engineering  Search this

Onions  Search this

Poultry industry  Search this

Potatoes  Search this

Power  Search this

Railroads  Search this

Railroads -- 19th century  Search this

Railroads -- 20th century  Search this

Rubber -- Ceylon  Search this

Rubber -- Congo  Search this

Rubber plantations  Search this

Steam-boilers  Search this

Sugar  Search this

Tires  Search this

Tobacco  Search this

Tunnels  Search this

Turbines  Search this

Turpentine -- North Carolina  Search this

Water-supply  Search this

Cotton  Search this

Cotton farming  Search this

Cotton industry  Search this

Oil  Search this

Oil industries  Search this

Mine shafts  Search this

Genre/Form:

Blueprints

Drawings -- 20th century

Lantern slides

Photographs -- Lantern slides -- 19th century

Photographs -- Lantern slides -- 1900-1950

Sketches

Citation:

Division of Work and Industry Lantern Slide Collection, 1758-1945, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1013

See more items in:

Division of Work and Industry Lantern Slide Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep864c4320f-954c-462f-8434-2b79c0ed7159

EDAN-URL:

ead_collection:sova-nmah-ac-1013

Creator:

Verville, Alfred V.  Search this

Verville Aircraft Company  Search this

Former owner:

Buhl (Buhl-Verville Aircraft Co, Buhl Aircraft Co)  Search this

Names:

Sperry Co.  Search this

Extent:

55.67 Linear feet (106 containers: 92 legal size document boxes, 2 shoeboxes, 11 flatboxes, 1 large format folder)

5 Film reels (1 35mm, two 16mm, and 2 8mm films)

50.008 Cubic feet

Type:

Collection descriptions

Archival materials

Film reels

Date:

1886-1969

Summary:

This collection contains Verville's personal papers. The material relates mainly to his various aeronautical concerns as well as his involvement with military aviation. The collection includes a large number of photos tracing the development of Curtiss aircraft and Naval Aviation, and especially documenting the design, construction, and flights of a replica of the Navy's first aircraft, the Curtiss A-1 'Triad', built under Verville's direction by the Bureau of Aeronautics to commemorate the Fiftieth Anniversary of Naval Aviation in 1961. Also included are a large number of blueprints and photos of Verville-designed aircraft, especially those developed by the Verville Aircraft Co. in 1928 - 1931

Scope and Contents:

Contents of this collection include blueprints, drawings, technical manuals, reference material, correspondence, financial information, event programs, photographs, newspapers and clippings, magazines, pamphlets, brochures, journals, books.

The researcher should note that the collection also contains 35mm, 16mm and 8mm films. These films are not included in the container list but a NASM Archives staff person can assist you regarding access.

Arrangement:

Organized into series:

SERIES 1: Correspondence

SERIES 2: Institute of the Aerospace Sciences (IAS) - Navy National Naval Aviation Meeting 1961 commemorating the 50th Anniversary of Naval Aviation in San Diego CA featuring the A-1 Replica

SERIES 3: Technical Materials

SERIES 4: Drawings

SERIES 5: Other Papers

SERIES 6: Publications

SERIES 7: Photographs

SERIES 8: Scrapbooks, Oversize Materials

SERIES 9: Additional Material

This collection was arranged at the time of processing to better reflect its main areas of subject matter as there was very little original order preserved. Original folder titles were kept when they appeared; archivists' folder titles are in brackets. Archivist's description appears below folder titles.

Series 9 represents an accrual of documents found within the archive in 2024.

Biographical / Historical:

Alfred Victor Verville (1890-1970), aviation pioneer and aircraft designer, was responsible for a number of important inventions in aircraft design, including welded-steel-frame fuselages and retractable landing gear. He began work with the Curtiss Aeroplane Co in 1914 and, by the end of World War I had moved through a number of manufacturers, including Curtiss (1914), T-M Airplane Co (1915), General Airplane Co (1915-17), and Fisher Body Corp, Airplane Division (1917-18). In 1918 he became involved in military aviation at the United States Army Air Corp Engineering Division, McCook Field , OH (1918-25) and served as advisor to Colonel William Mitchell during his inspection trip to Europe (1922). In 1925 he co-founded the Buhl-Verville Aircraft Co (1925-27) before striking out on his own with the Verville Aircraft Co (1928-31). Through the 1930s and 1940s he acted in a number of capacities, including periods as a consultant (1932, 1939-41); at the Bureau of Air Commerce, United States Department of Commerce (1933-36); Douglas Aircraft (1937-38); Curtiss Wright Corp (1941-42), Snead Aircraft, Technical Division (1942); and Drexel Aviation Co (1942-45). In 1945 he served as a member of the Naval Technical Mission to Europe and later joined the Navy's Bureau of Aeronautics (1946-61). He retired in 1961, but continued to support aviation and aeronautics until his death.

Provenance:

Alfred Verville, gift, 1954

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

Verville Aircraft  Search this

Alfred V. Verville  Search this

Aeronautics  Search this

Buhl-Verville Aircraft Co  Search this

Aircraft industry  Search this

Aeronautics, Commercial -- United States  Search this

Citation:

Alfred Victor Verville Papers, Acc. XXXX-0173, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.XXXX.0173

See more items in:

Alfred Victor Verville Papers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg23776ee1d-329f-45da-8290-8158702e1cc5

EDAN-URL:

ead_collection:sova-nasm-xxxx-0173

Collector:

Isaacs, Charles  Search this

Creator:

Saché, John Edward, 1824-1882  Search this

Beato, Felice, b. ca. 1825  Search this

Kusakabe, Kimbei, 1841-1934  Search this

Bourne, Samuel, 1834-1912  Search this

Skeen & Co.  Search this

Scowen & Co.  Search this

Extent:

73 Albumen prints (various sizes.)

Type:

Collection descriptions

Archival materials

Albumen prints

Photographs

Place:

India

Jammu and Kashmir (India)

Udagamandalam (India)

Kanpur (India)

Lucknow (India)

Japan

Guangzhou (China)

China

Pakistan

Sri Lanka

Date:

circa 1850-1900

Scope and Contents:

73 albumen photo prints, some mounted, many signed and numbered in the negative and some with hadwritten penciled identifications, various sizes. A small number are hand-tinted. Images depict Sri Lanka, Pakistan, Japan and China. Subjects include portraits, people in daily activities, street scenes, city views, architecture, fauna and gardens, and landscapes. Photographers include Scowen & Co., Skeen & Co. and Samuel Bourne. Images depict architectural monuments, city and village views, and picturesque landscapes such as the Great Imambara and Mosque in Lucknow, the quadrangle of the Moti Masjid (Pearl Mosque) in Agra, the Memorial Well in Kanpur (Cawnpore), numerous views of villages, bridges and landscapes in Kashmir, and the botanical gardens at Ootacamund (Udagamandalam). There is also one photograph, an unmounted albumen print, signed and numbered in the negative, by John Edward Saché (active 1860-1880), also depicting a landscape in India. Additionally, an ethnographic portrait (unmounted albumen print) of two Sri Lankan indigenous men titled "Veddahs" by Charles T. Scowen is included in the collection.

Arrangement:

Four flat boxes.

Biographical / Historical:

British photographer Charles T. Scowen arrived in Ceylon (now Sri Lanka) in the early 1870s, where he was first employed as a clerk. By 1876, Scowen had established a studio, Scowen & Co., in Kandy, with a second location appearing in Columbo by the 1890s. There appear to have been several Scowens working in the studios, as Charles T. Scowen returned to England in 1885. C. Scowen was listed as the proprietor until 1891 and M. Scowen was the proprietor when the firm was finally sold in 1893. Images from Scowen & Co. were used to illustrate a number of books about Ceylon and the tea trade.

Skeen & Co. was a commercial photography studio active in Ceylon (Sri Lanka) from 1860-1903. In 1860, William Skeen, who was the official Government Printer, purchased J. Parting's photography studio in Colombo for his son, William Louis Henry Skeen, who had studied at the London School of Photography. In 1891 another Skeen & Co. studio was opened in Kandy. The firm was known for its images of agriculture (particularly tea and spices), industry (the construction of the Ceylon railroads and the Colombo Breakwater), landscapes and ethnic groups.

John Edward Saché (1824-1882) was an American commercial photographer, born in Prussia as Johann Edvart Zachert. He arrived in Calcutta in 1864 and for the next twenty years traveled widely in northern India, photographing major towns and sites. Saché's first professional association was with W. F. Westfield in Calcutta but he would go on to establish other studios, either alone or in partnerships, in Nainital, Bombay, Lucknow and Benares, among other locations.

Samuel Bourne (1834-1912) had already begun to earn recognition for his work in England, having exhibited at the London International Exhibition of 1862, when he decided to give up his position in a bank and depart for India to work as a professional photographer. He arrived in Calcutta early in 1863, initially setting up a partnership with William Howard. They moved up to Simla, where they established a new studio Howard & Bourne, to be joined in 1864 by Charles Shepherd, to form Howard, Bourne & Shepherd. By 1866, after the departure of Howard, it became Bourne & Shepherd, the name under which the firm continues to operate to this day. Although Bourne only spent 6 years in India, his time there was extremely productive. He undertook three major expeditions in the Himalayas, creating an impressive body of work which combined the highest technical quality and a keen artistic eye, while working under difficult physical conditions. Bourne left India for good in 1870, selling his interest in Bourne & Shepherd shortly thereafter and abandoning commercial photography.

Local Numbers:

FSA A2002.01

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Mosques  Search this

Imambaras  Search this

Genre/Form:

Photographs

Albumen prints

Citation:

Charles Isaacs Collection, FSA A2002.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2002.01

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3785ae3a2-88ca-4b13-b53c-9abe7d959617

EDAN-URL:

ead_collection:sova-fsa-a2002-01

Creator:

Plumer, James Marshall  Search this

Extent:

1.6 Cubic feet

Type:

Collection descriptions

Archival materials

Photographs

Correspondence

Printed material

Drawings

Maps

Place:

China

Date:

1935-1949

Scope and Contents:

Manuscripts, translations, correspondence, notes, maps, drawings, and black and white photographic prints and negatives related to James Marshall Plumer's work with Chinese ceramics, primarily concerning the location and excavation of a Yue ware kiln site.

Yüeh (sometimes Yueh) was the common romanization at the time of creation and is used extensively in this finding aid to reflect its usage in the original materials. Yue is preferred now. All other obsolete romanizations reflect usage in the original materials.

Arrangement:

Organized into two series: Series 1: Yüeh File Series 2: Photographs

Biographical / Historical:

James Marshall Plumer (1899-1960) , scholar of Asian art. After receiving his B.A. from Harvard, Plumer served as an administrative officer with the Chinese Government Service in Maritime Customs. From 1935 until his death, he taught art history at the University of Michigan while continuing to visit and work in China and Japan. In 1935 and 1937, Plumer discovered ancient kiln sites in the Chinese provinces of Fukien (Fujian) and Chekiang (Zhejiang). He wrote extensively on Chinese ceramics and edited the 'Far Eastern Ceramic Bulletin' from 1950 to 1958.

Related Materials:

James M. Plumer papers, Bentley Historical Library, University of Michigan

Restrictions:

Collection is open for research.

Rights:

Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.

Topic:

Ceramics -- China  Search this

Ceramics -- Japan  Search this

Kilns -- China -- Fujian  Search this

Kilns -- China -- Zhejiang  Search this

Genre/Form:

Photographs

Correspondence

Printed material

Drawings

Maps

Citation:

James Marshall Plumer Collection, FSA.A.14. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Caroline I. Plumer.

Identifier:

FSA.A.14

See more items in:

James Marshall Plumer Collection

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc395f4d2fb-4ed5-472d-8410-b5f0ab3d55a3

EDAN-URL:

ead_collection:sova-fsa-a-14

Creator:

Roberts, Laurance Page  Search this

Extent:

1 Item (box)

Container:

Box 1

Box 2

Type:

Collection descriptions

Archival materials

Photographs

Papers

Place:

China

Japan

Date:

undated

Scope and Contents:

These papers were created by museum director, administrator, and writer Laurance Page Roberts. The bulk of the collection is study material on Asian art originating from school course work during the 1930s. There are several notebooks filled with notes taken during lectures, several contain mounted photographs of Asian art works from public collections with descriptions. There are also 13 photos of Angkor Thom and Angkor Wat.

Biographical / Historical:

Laurance Page Roberts (1907-2002) was an art historian and art administrator in New York, Rome, and Philadelphia. Roberts worked as Curator of Near and Far Eastern Art (1934-1938), then Director (1938-1942) at the Brooklyn Museum. He later went on to be Director of the American Academy in Rome (1946-1959).

Local Numbers:

FSA A2014.01

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Genre/Form:

Photographs

Papers

Citation:

Laurance Page Roberts Papers. FSA.A2014.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2014.01

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc38e9baea5-9ac6-49b5-ae6b-89700eab645b

EDAN-URL:

ead_collection:sova-fsa-a2014-01

Creator:

Favretti, Rudy J., 1932-1923  Search this

Extent:

31.5 Cubic feet

Type:

Collection descriptions

Archival materials

Invoices

Research

Contracts

Reports

Pamphlets

Slides (photographs)

Date:

circa 1950-2010

Summary:

The collection contains the project design records of Rudy J. Favretti. , a landscape architect and professor noted for his extensive work in historical restoration of gardens, parks, and landscapes. He donated his collection of garden design files, plans, and images to the Smithsonian's Archives of American Gardens in March 2011.

Scope and Content Note:

The collection contains the records of landscape architect Rudy J. Favretti and includes correspondence, research notes, reports, drawings, plans (some from other engineering or design firms), photographic images, contracts, invoices, newspaper clippings, copies of historic records and other items relating to Professor Favretti's professional design work. His projects range from small private gardens to extensive garden restorations of eighteenth and nineteenth century gardens, parks, and historic sites. Professor Favretti also worked on a number of civic improvement and land use projects like parks and roadways. The majority of projects are located in New England (particularly Connecticut), the mid-Atlantic states and the southeastern United States. The collection also includes Professor Favretti's research files for his biography on landscape architect Jacob Weidenmann as well as numerous brochures and pamphlets he gathered during trips he took to gardens across the United States, and 35mm slides he took of some of these sites.

Arrangement note:

The collection is arranged into 4 series: Series 1: Project Files; Series 2: Administrative Files; Series 3: Jacob Weidenmann Research and Biography Filesand Biography Files; Series 4: Visited Gardens

Biographical Note:

Rudy J. Favretti was born in Mystic, Connecticut in 1932. He obtained degrees from the University of Connecticut, Cornell University, and the University of Massachusetts. Favretti holds Bachelor's degrees in horticulture, landscape design, and landscape architecture, as well as Master's degrees in ornamental horticulture, landscape architecture, and regional planning. Professor Favretti taught landscape architecture at the University of Connecticut from 1955 to 1988. Since 1988 he has been Professor Emeritus at the University of Connecticut specializing in landscape history and preservation. He has also been a visiting professor at the University of Virginia, Columbia University, and a Visiting Faculty Fellow at Yale University. In his professional career, Rudy Favretti worked on over 700 commissioned individual and collaborative design, master planning, and preservation projects. These works include notable sites such as Bartram's Garden in Philadelphia, Monticello and Mount Vernon in Virginia, the Emily Dickinson House in Massachusetts, and the Vanderbilt Estate in New York. Favretti has authored more than 20 books and monographs and over 60 journal and magazine articles on a vast range of topics though most notably on historic landscape restoration and colonial gardens He co-authored For Every House a Garden (1977) and Landscapes and Garden for Historic Buildings (1978) with his wife Joy P. Favretti. His most recent work, Jacob Wiedenmann: Pioneer Landscape Architect (2007), is a biography of the nineteenth century landscape architect.

Professor Favretti is a member of several professional and academic societies including the American Society of Landscape Architects, the National Association for Olmsted Parks, and Phi Kappa Phi. He has been awarded honors in landscape preservation by the National Trust for Historic Preservation and the Garden Club of America. He is currently a member of the National Register Review Board for Connecticut and the Director of the Connecticut Olmsted Alliance. He served as the consulting landscape architect for the Garden Club of Virginia from 1978 to 1998. The Garden Club of Virginia established the Rudy J. Favretti Fellowship in his honor to support the research and documentation of historic Virginia gardens.

Related Materials:

The Rudy Favretti Papers are available at the Thomas J. Dodd Research Center of the University of Connecticut. These include landscape plans dated 1962-1979 for numerous public spaces throughout Connecticut.

Provenance:

The records and files were generated and/or compiled by Rudy J. Favretti in the course of his landscape design, landscape restoration, and academic work.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Monuments  Search this

Museums  Search this

Agriculture  Search this

Historic sites  Search this

Horticulture  Search this

Memorials  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Genre/Form:

Invoices

Research

Contracts

Reports

Pamphlets

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, Rudy J. Favretti CollectionPapers.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.FAV

See more items in:

Rudy J. Favretti collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6709fc29d-b7b4-425d-83ee-5cf8e4c46c35

EDAN-URL:

ead_collection:sova-aag-fav

Creator:

Jacobson, Marcus, 1930-2001  Search this

Names:

York University (Toronto, Ont.). Art Gallery  Search this

Gu, Wenda, 1955-  Search this

Extent:

4 Letters (hand written)

1 Item (manuscript, hand written)

1 Exhibition catalog (includes essays and photographs)

1 Item (exhibition post card, black and white, 11 x 35 cm)

2 Photographs (color, 20 x 25 cm)

Container:

Box 1

Type:

Collection descriptions

Archival materials

Letters

Exhibition catalogs

Photographs

Chromogenic color prints

Correspondence

Place:

China

Canada -- Ontario -- Toronto

Date:

1986-1988

Scope and Contents:

This collection was created and collected by the late Dr. Marcus Jacobson. It consists of materials relating to contemporary Chinese artist Gu Wenda, whom Dr. Jacobson supported in Gu's early days (mid-1980s) by purchasing works and trying to interest fellow US and Canadian academics (Dr. Jacobson was a well-known neuroscientist) in Gu's works. This collection includes an original catalogue of Gu's first exhibition in North America at York University in Toronto to which Marcus contributed. Along with a few other items of similar nature including: correspondence from Gu to Dr. Jacobson, a letter from Dr. Jacobson to his art colleagues, and 2 photographs of Gu.

Arrangement:

Organized by document type: correspondence, notes, catalog, photographs.

Biographical / Historical:

Dr. Marcus Jacobson biographical note

Local Numbers:

FSA A2009.05

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, Modern -- 20th century  Search this

Genre/Form:

Chromogenic color prints

Exhibition catalogs

Correspondence -- 20th century

Citation:

Dr. Marcus Jacobson Papers of 20th Century Contemporary Artist Gu Wenda. FSA.A2009.05. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.05

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc36ee27eb7-9398-480e-aa4c-87b9317d2069

EDAN-URL:

ead_collection:sova-fsa-a2009-05

Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Names:

Beal, Gifford, 1879-1956  Search this

Brush, George de Forest, 1855-1941  Search this

Cloar, Carroll  Search this

Dewing, M. O. (Maria Oakey), 1855-1927  Search this

Faulkner, Barry, 1881-1966  Search this

Harding, Chester, 1792-1866  Search this

Healey, George.  Search this

Johnson, Eastman, 1824-1906  Search this

Lassaw, Ibram, 1913-2003  Search this

Moser, James Henry, 1854-1913  Search this

Palmer, Erastus Dow, 1817-1904  Search this

Reid, Robert, 1862-1929  Search this

Robus, Hugo, 1885-1964  Search this

Rossiter, Thomas Prichard, 1818-1871  Search this

Soyer, Isaac, 1902-1981  Search this

Speicher, Eugene Edward, 1883-1962  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

Weber, Max, 1881-1961  Search this

Whittier, John Greenleaf, 1807-1892  Search this

Extent:

73 Items (Letters, written in ink, ball point, graphite, typewriter)

26 Items (Stamps)

3 Items (Photographs)

Container:

Box 1

Type:

Collection descriptions

Archival materials

Correspondence

Place:

USA -- Tennessee -- Nashville

Date:

1831-1979

Scope and Contents:

This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American Art. Included in the collection is a significant portion of letters from Abbott Thayer to correspondents from his circle of family, friends and art world figures such as Maria Oakey Dewing and Samuel Coleman.

Arrangement:

Organized alphabetically by author.

Biographical / Historical:

Beginning in his youth Thomas Brumbaugh collected autographed correspondence. Mr. Brumbaugh's collecting instincts resulted in a unique collaborative collection providing a glimpse into the lives of a variety of 19th and 20th century American artists, such as Abbott Thayer. Brumbaugh was a professor of fine arts at Vanderbilt University in Nashville, and author of many articles on American art and artists.

Local Numbers:

FSA A2009.06

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Genre/Form:

Correspondence -- 19th century

Correspondence -- 20th century

Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3c97e0741-78cf-4c38-aea1-870093acafa4

EDAN-URL:

ead_collection:sova-fsa-a2009-06

Creator:

Freer, Charles Lang, 1856-1919  Search this

Extent:

131 Linear feet (29 architectural drawings)

Type:

Collection descriptions

Archival materials

Diaries

Financial records

Correspondence

Photographs

Place:

China

Syria

Egypt

India

London (England)

Japan

Boston (Mass.)

Detroit (Mich.)

Washington (D.C.)

Kandy (Sri Lanka)

Sri Lanka

Anuradhapura (Sri Lanka)

Date:

1876-1931

Summary:

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.

Scope Content:

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.

Organization of the Papers:

This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs

Biographical Note:

1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Korin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.

Index:

Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert Chrétien Bosch See: Bosch-Reitz, Sigisbert Chrétien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company

Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts

Related Material:

The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.

Provenance:

Gift of the Estate of Charles Lang Freer.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American -- Collectors and collecting  Search this

Art, Asian -- Collectors and collecting  Search this

Art -- Collectors and collecting  Search this

Architecture -- Asia  Search this

Genre/Form:

Diaries

Financial records

Correspondence

Photographs

Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

Identifier:

FSA.A.01

See more items in:

Charles Lang Freer Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3f1a0e3e0-630c-48d4-ba28-485946b1d615

EDAN-URL:

ead_collection:sova-fsa-a-01

Creator:

Tryon, Dwight William, 1849-1925  Search this

Names:

Freer, Charles Lang, 1856-1919  Search this

Extent:

4 Linear feet

Type:

Collection descriptions

Archival materials

Clippings

Cartes-de-visite

Photographs

Letters

Sketchbooks

Place:

New York

Hartford (Conn.)

South Dartmouth (Mass.)

Japan

Date:

1872-1930

Summary:

Dwight William Tryon (1849-1925) was a noted American landscape painter whose painting style is associated with American tonalism. His paintings gained international recognition from the 1880s through the 1920s. Charles Lang Freer was his primary patron. Tryon taught art at Smith College and became head of the Art Department. The Tryon papers, dating from circa 1872 to 1930, document Tryon's professional and personal life and include correspondence, photographs, a sketchbook, and newspaper clippings.

Scope and Contents:

The Dwight William Tryon papers span circa 1872 to 1930 and measure .5 linear feet. The collection contains: nineteen photographs, a sketchbook, a letter, and five newspaper clippings.

Arrangement:

The collection is arranged into 4 series: Series 1: Photographs, circa 1872 - 1915, no date, Series 2: Sketchbook, 1887-1888, no date, Series 3: Correspondence, June 17, 1895, Series 4: Newspaper Clippings, 1923, 1925, 1930, no date

Biographical / Historical:

American landscape painter Dwight William Tryon was born in Hartford, CT on August 13, 1849. When Tryon was about 2 years old, his father Anson Tryon was killed in a hunting accident and he was raised at his maternal grandparents' home. At the age of fourteen, Tryon began work as a machinist at Colt's Firearms Factory in Hartford to support his mother and himself. He enrolled in evening classes at Hannum's Business School and developed calligraphic skills which supplemented his income.

In 1864 Tryon became a bookkeeper and clerk at Brown and Gross, the finest booksellers in Hartford and a gathering place for local literary people such as Harriet Beecher Stowe and Mark Twain. During his ten-year appointment there, Tryon self-studied art using the bookstore's large stock in art books and made weekend sketching trips to the Connecticut River. In 1872 Tryon was appointed Secretary of the Hartford Art Association and began exhibiting his works. In 1873 he exhibited at the National Academy of Design in New York. In that year he married Alice Hepzibah Belden whom he had met in the bookstore.

In December, 1876, the Tryon family moved to Paris, France to pursue art with financial support from the Cheney family, wealthy silk manufacturers in South Manchester, CT. Tryon received formal training under Jacquesson de la Chevreuse, a Barbizon painter Charles-Francois Daubigny, and others. He also attended the École des Beaux-Arts.

On returning to the United States in 1881, Tryon took a studio in New York and taught for several years. In the following year, he became a member of the Society of American Artists. Throughout the 1880s when the Barbizon paintings were highly regarded, Tryon's French-inspired American landscape paintings received international as well as national acclaim, winning him numerous medals and awards. In 1899, Tryon was awarded the Webb prize by the Society of American Artists for The First Leaves, a recognition given annually to the best landscape painting by a young American artist. In the same year, Tryon sold his first painting to Charles Lang Freer (1854-1919), a Detroit industrialist and collector, who became Tryon's principal patron.

From 1886 to 1923, Tryon taught at Smith College, MA, as Professor of Art and took charge of the Art Department. He advised on the college's art collection and acted as the department's representative in the New York art world. Tryon resigned from the College in May 1923, and in June of the same year he received an honorary Master of Arts degree from Smith College.

In 1887, the Tryon family built a house ("The Cottage") in Padanaram, a coastal village in South Dartmouth, MA, where they would spend every year from spring to autumn until his death. In Padanaram, Tryon made sketches which he developed into paintings in his New York apartment during the winter months. Tryon also took immense pleasure in fishing and sailing in Padanaram.

In 1904, the Montross Gallery in New York held a one-man show on Tryon's painting, and in 1913 they launched Tryon's Retrospective Exhibition. In 1923, the Freer Gallery of Art opened in Washington, D. C., including a permanent collection of Tryon's paintings.

Tryon died of cancer at his summer house on July 1, 1925, at the age of 75. Upon his death, Tryon bequeathed a large number of his works to Smith College. In September of the following year, the Tryon Gallery at Smith College opened.

1849, August 1st -- Born, Hartford, CT. Son of Anson Tryon and Delia O. Roberts Tryon

[1851-1852] -- Anson Tryon is killed in a hunting accident

1863 -- Machinist at Colt's Firearms Factory, Hartford

1864 -- Begins work as a bookkeeper and clerk at Brown and Gross, Hartford

1872 -- Appointed Secretary of the Hartford Art Association

1873 -- Exhibits at the National Academy of Design

1873 -- Marries Alice Hepzibah Belden

1876-1881 -- Studies art in Paris with Jacquesson de la Chevreuse, Charles-Francois Daubigny, and at the École des Beaux-Arts

1881 -- Returns to the United States and settles in New York

1882 -- Becomes a Member of the Society of American Artists

1886-1923 -- Professor of art at Smith College, Northampton, MA

1889 -- Awarded the Webb Prize for The First Trees by the Society of American Artists

1889 -- Sells his first painting to Charles Lang Freer

1891 -- Elected Associate of the National Academy of Design

1913 -- Retrospective Exhibition

1923 -- Freer Gallery of Art opens, including a permanent collection of Tryon's paintings

1923 -- Retires from Smith College and is conferred an Honorary degree of M.A.

1925, July 1st -- Dies at his summer house in South Dartmouth, MA

1926 -- The Tryon Gallery at Smith College opens

Related Material:

Charles Lang Freer papers housed in the Freer Gallery of Art and the Arthur M. Sackler Gallery Archives include Tryon's correspondence.

Nelson and Henry C. White research material housed in the Archives of American Art include Tryon's correspondence, notes, and photographs.

Alfred Vance Churchill Papers housed in Smith College Archives include Tryon's correspondence.

The Freer Gallery of Art and Smith College Museum of Art are major repositories that house Tryon's work.

Provenance:

An anonymous donor and Linda Merrill donated Tryon's papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1989.

Restrictions:

Collection is open for research.

Rights:

Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.

Topic:

Art, American  Search this

Landscape painting  Search this

Genre/Form:

Clippings

Cartes-de-visite

Photographs

Letters

Sketchbooks

Citation:

Dwight William Tryon papers, FSA.A1989.02. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of an anonymous donor and Linda Merrill, 1989.

Identifier:

FSA.A1989.02

See more items in:

Dwight William Tryon Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc338443f81-d1f5-4f95-b36b-005fd5ad7d1c

EDAN-URL:

ead_collection:sova-fsa-a1989-02

Creator:

Warren E. Cox  Search this

Extent:

0.2 Cubic feet

Container:

Box 1

Type:

Collection descriptions

Archival materials

Manuscripts

Date:

undated

Scope and Contents:

One bound volume of typed letters, May 1947-June 1948, from New York art dealer Warren E. Cox, addressed either to the Freer Gallery of Art or to Director Archibald Wenley. Includes 28 mounted photographs and 1 map. Also includes mimeographed letters from Wenley to Cox. 8 loose photographs accompany the bound volume.

Biographical / Historical:

Warren E. Cox published various books on Asian ceramics and decorative arts and was art director of Encyclopedia Britannica 1929-1939.

The interest aroused by these informal bulletins led to the founding of the Far Eastern Ceramic Group. They constitute in fact the beginning of the Far Eastern Ceramics Bulletin which first appeared under its official title in July 1948

Local Numbers:

FSA A1993.01

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Genre/Form:

Manuscripts

Citation:

Warren E. Cox Bulletins. FSA.A1993.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A1993.01

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc373df6e21-d26a-4e22-b130-60c00d1b34f3

EDAN-URL:

ead_collection:sova-fsa-a1993-01

Creator:

Morison, George S., 1842-1903  Search this

Names:

Baring Brothers Company  Search this

Isthmian Canal Commission.  Search this

Extent:

30 Cubic feet (63 boxes and 152 map-folders)

Type:

Collection descriptions

Archival materials

Blueprints

Tracings

Place:

Peterborough (NH)

Panama

Date:

1846-1903

Summary:

The collection documents the career of George S. Morison, a prominent civil engineer, specializing in railroad bridge design. The materials consist primarily of drawings and maps (linen tracings, blueprints, sketches); final bridge reports; photographs; glass plate negatives; daily diaries; correspondence; and published material documenting George S. Morison's participation on the Isthmian Canal Commission, 1898-1903.

Arrangement:

The collection is arranged into seven series.

Series 1: Diaries, 1863-1903

Subseries 1.1: Biographical Materials, 1863-1903

Subseries 1.2: Diaries, 1863-1903

Subseries 1.3: Newspaper Clippings, 1880-1898

Series 2: Correspondence, 1870-1903

Series 3: Reports/Printed Materials, 1846-1903

Series 4: Photographs, 1888, 1892-1893

Series 5: Glass Plate Negatives, 1886-1889

Subseries 5.1: Bellefontaine Bridge, undated

Subseries 5.2: Blair Crossing, 1893

Subseries 5.3: Cairo Bridge, 1888-1889

Subseries 5.4: Kansas City Bridge, 1886

Subseries 5.5: Memphis Bridge, circa 1893

Subseries 5.6: Memphis Bridge, 1891-1893

Subseries 5.7: Nebraska City Bridge, 1887-1888

Subseries 5.8: Omaha Bridge, undated

Subseries 5.9: Panama Canal, undated

Subseries 5.10: Rulo Bridge, 1886-1889

Subseries 5.11: Sioux City, circa 1881

Series 6: Lantern Slides, 1878-1894

Subseries 6.1: Isthmian Canal, undated

Subseries 6.2: General, 1878-1894

Series 7: Drawings, circa 1881-1900

Biographical / Historical:

Morison (1842-1903) of Peterborough, New Hampshire, was a prominent civil engineer specializing in railroad bridge design. He built ten bridges over the Missouri River, five over the Mississippi River and one over the Ohio River. Morison designed bridges in New York, and worked on the New York waterfront. He also helped to locate a deep water harbor in southern California and designed and built several viaducts.

Morison served on numerous engineering boards and acted as a consulting expert for Baring Brothers Company. Morison was a member of several important engineering committees, the most important of which was the Isthmus Canal (Panama Canal) Commission, 1899-1903. He was instrumental in changing its recommended location from Nicaragua to Panama.

Related Materials:

Materials in the Archives Center, National Museum of American History

George W. Sims Papers, 1896-1981. (AC0127)

Underwood & Underwood Glass Stereograph Collection, 1895-1921 (AC0143)

Silas H. Woodard Papers, ca. 1899-1932 (AC1038)

Make the Dirt Fly!

Materials in Other Organizations

Minnesota Historical Society

Engineering Dept. records. Northern Pacific Railway Company records, 1867-1970.

Subject files (1867-1970); accounting records (1879-1921); standard plans for buildings, bridges, and other structures ([188-]-[196-]); track profile maps (1890-1927); and bridge records (1892-1960) created or compiled by the Northern Pacific administrative unit responsible for locating, surveying, constructing, and maintaining roadways and structures. Contains letter press books for George S. Morison.

Library of Congress, Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscapes Survey

Includes photographs and drawings for some of Morison's bridges.

Separated Materials:

Artifacts related to this collection are in the Division of Work & Industry (See accessions #1984.1093 and #1993.0113) and includes camera equipment, drafting curves, and an omnimeter transit with tripod.

Provenance:

The collection was donated by Robert S. Morison, Elting Morison, and John H. Morison on June 17, 1985.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Bridges -- Design and construction  Search this

Railroad bridges  Search this

Genre/Form:

Blueprints

Tracings

Citation:

George Morison Collection, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0978

See more items in:

George S. Morison Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep847ba2160-f43c-47ce-a3ba-973eeb23f8de

EDAN-URL:

ead_collection:sova-nmah-ac-0978

Photographer:

Pratt, Adelaide Moors, d. 2004  Search this

Extent:

.18 Cubic feet (343 slides, 35mm color)

Type:

Collection descriptions

Archival materials

Date:

circa 1950-1965

Content Description:

The Adelaide Pratt garden photography slide series within The Garden Club of America Collection consists of 35mm slides of various gardens photographed by Pratt, a member of the Chestnut Hill Garden Club in Massachusetts.

Biographical / Historical:

Adelaide Moors Pratt (d. 2004) was a photographer and member of the Cohasset Garden Club and Chestnut Hill Garden Club, both in Massachusetts. In 1991 she received a Zone Historic Preservation Award from The Garden Club of America and a Club Historic Preservation Award from the Chestnut Hill Garden Club.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- California  Search this

Gardens -- New Jersey  Search this

Gardens -- Vermont  Search this

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection, Adelaide Pratt garden photography slides

Identifier:

AAG.GCA.PRT

See more items in:

Adelaide Pratt garden photography slides

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb686c55cda-e424-424d-ba87-54e798a0be23

EDAN-URL:

ead_collection:sova-aag-gca-prt

Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Names:

Dickinson College  Search this

United States Indian School (Carlisle, Pa.)  Search this

Extent:

1200 Negatives (photographic) (circa, glass)

16 Printing plates (copper)

Culture:

Indians of North America  Search this

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Printing plates

Photographs

Date:

circa 1879-1902

Scope and Contents note:

Photographs by John N. Choate mostly documenting the United States Indian School in Carlisle, Pennsylvania. The images include portraits of students, parents, staff and other visitors, as well as interior and exterior images of the school, buildings, and classrooms. Choate also had a thriving commercial practice outside of the Indian School, producing studio portraiture as well many photographs of buildings, farms and industry in and around the town of Carlisle, as well as images of Dickinson College. Some of the photographs in the collection were made by other photographers and perhaps collected by Choate. A few copper plates prepared for publications are also included in the collection.

Biographical/Historical note:

John N. Choate (1848-1902) was a commercial photographer in Carlisle, Pennsylvania. The United States opened its first non-reservation government-supported school there in 1879 under the supervision of Lt. Richard Henry Pratt. Choate photographed almost every student upon arrival and during their school career, as well as school activities, staff, and visiting chiefs and families. Choate remained the primary photographer for the Carlisle Indian School until his death in 1902.

Local Call Number(s):

NAA Photo Lot 81-12

Reproduction Note:

Contact prints made by Smithsonian Institution, 1981.

Location of Other Archival Materials:

Additional Choate photographs held in National Anthropological Archives MS 4241, MS 4537, MS 4544, MS 4574, MS 4988, Photo Lot 73-8, and Photo Lot 90-1.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.81-12

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw32a2d810e-9d1c-4c90-ac99-cc05b0622505

EDAN-URL:

ead_collection:sova-naa-photolot-81-12

Creator:

National Museum of American History (U.S.)  Search this

Bunch, Lonnie G.  Search this

United States. Department of Agriculture  Search this

National Association of State Universities and Land-Grant Colleges.  Search this

Names:

Go Forth and Serve: Black Land Grant Colleges (Exhibition) (Washington, D.C.: 1990)  Search this

Howard University  Search this

Former owner:

National Museum of American History (U.S.). Division of Cultural History  Search this

Extent:

1 Cubic foot

18 Videocassettes (VHS)

15 Cassette tapes

38 Videocassettes (Video 8)

Type:

Collection descriptions

Archival materials

Videocassettes (vhs)

Cassette tapes

Videocassettes (video 8)

Videotapes

Oral history

Interviews

Audiotapes

Date:

1992-1993

Summary:

An oral history project that grew out of the exhibit "Go Forth and Serve" which commemorated the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students.

Scope and Contents:

Oral history interviews, on film and audio, on the subject of African American land grant colleges, conducted in conjunction with the exhibition "Go Forth and Serve" at the National Museum of American History in 1990.

Arrangement:

The collection is organized into one series. It is organized alphabetically by the name of college or university that is the subject of the interview.

Biographical / Historical:

"Go Forth and Serve", an exhibition curated by Lonnie Bunch and Spencer Crew, opened in March 1990 at the National Museum of American History to commemorate the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students. The exhibition was co-sponsored by the Department of Agriculture and the National Association of State Universities and Land-Grant Colleges. There was a subsequent newsletter, and oral interviews were conducted.

Provenance:

Collection made by the Smithsonian Institution Division of Cultural History, National Museum of American History.

Restrictions:

Collection is open for research. Reference copies must be used. Access and use of audiovisual materials available in the Archives Center reading room.

Rights:

Reproduction may be limited due to intellectual property rights. No releases exist.

Topic:

Alcorn State University  Search this

Tennessee State University  Search this

Fort Valley State University  Search this

South Carolina State University  Search this

Delaware State University  Search this

Prairie View A & M University  Search this

West Virginia State University  Search this

Langston University  Search this

Lincoln University (Jefferson City, Mo.)  Search this

University of Maryland Eastern Shore  Search this

Kentucky State University  Search this

State universities and colleges  Search this

Genre/Form:

Videotapes -- 1990-2000

Oral history -- 1950-2000

Interviews -- 1950-2000

Audiotapes -- 1950-2000

Citation:

Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection, 1992-1993, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0614

See more items in:

Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ba9d0324-51aa-4f0c-8584-230fd86526d1

EDAN-URL:

ead_collection:sova-nmah-ac-0614

Creator:

Smithsonian Institution. Bureau of American Ethnology  Search this

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Extent:

18,000 Items (ca. 18,000 items)

Type:

Collection descriptions

Archival materials

Photographs

Negatives

Prints

Works of art

Printed material

Date:

1840s-1960s

Scope and Contents:

The collections consists mostly of original and copy prints. There are also some negatives, artwork, photographs of artwork, and printed materials. Included is a large miscellany of ethnological, historical, and some archaeological subjects collected by the Bureau of American Ethnology from a wide variety of sources. To these have been added some photographs and other illustrative material acquired and sometimes accessioned by the Department of Anthropology of the United States National Museum/National Museum of Natural History. There are also prints of photographs from the archives' collection of glass negatives of Indians and the subject and geographic file. Although most of the material relates to North America, some images relating to historical events and to areas outside North America are included.

The relationship beween this collection and the National Anthropological Archives series of numbered manuscripts is close, for many of the accessions to the photographic collection were originally described in the catalog to the numbered manuscripts and are, hence, identified by a manuscript number. Today, the archives treat the two collections as separate entities, however, because there has been so much interfiling of uncatalog images among those with the manuscript numbers.

Arrangement:

The arrangement is complicated: (1) America north of Mexico, divided by geographic region and tribe based on George P. Murdock and Timothy J. O'Leary's scheme in Ethnographic Bilbiography of North America, 1975. The material is further subdivided by the organization that acted in the past as repository (Bureau of American Ethnology, United States National Museum [Department of Anthropology], National Museum of Natural History [Department of Anthropology], Smithsonian Office of Anthropology, and National Anthropological Archives). Thereunder it is divided into catalog unit or comparable categories generally based on provenance; (2) miscellany, historical and unidentified; (3) archaeology, arranged by geographic area; (4) Latin America; (5) material which did not lend itself to classification in categories given above and is identified by National Anthropological Archives catalog numbers.

Genre/Form:

Photographs

Negatives

Prints

Works of art

Printed material

Citation:

Photo lot 24, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.24

See more items in:

Photographs of Native Americans and Other Subjects

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3e08670ad-b881-4c35-9eb8-e196b039e553

EDAN-URL:

ead_collection:sova-naa-photolot-24