The bulk of these papers document the professional life of Carol Kramer, a leading figure in ethnoarchaeology, specializing in the Middle East and South Asia. She was also a major advocate for the professional development of women in anthropology and archaeology.
Dating 1943-2002, the collection includes field notes, writings, correspondence, daily planners, teaching files, photographs, sound recordings, maps, computer disks, and botanical specimens. Her ethnoarchaeological research in "Shahabad" (a.k.a. "Aliabad") in Iran and in Rajasthan, India is well-represented in the collection.
Scope and Contents Note:
The bulk of these papers document the professional life of Carol Kramer. The collection contains field notes, writings, correspondence, daily planners, teaching files, photographs, sound recordings, maps, computer disks, and botanical specimens. Also in the collection are her notes and grade transcripts as a college and graduate student.
Her ethnoarchaeological research in "Shahabad" (a.k.a. "Aliabad") in Iran and in Rajasthan, India is well-represented in the collection in the form of her notes, maps, writings, and photographs. In addition, there are plant specimens that Kramer collected in Iran. Also among her research files are photocopies of her field notes from her work in Guatemala. Although her field notes from the Hasanlu Project are absent, the collection does contain a few photographs and some notes and correspondence from her research for her article on the Hasanlu Project's excavations at Dalma Tepe. In addition, the collection contains "A System of Pottery Classification According to Shape," a paper by Robert H. Dyson, Jr. and T. Cuyler Young, Jr. for the Hasanlu Project. Materials relating to the Godin Project consist of correspondence from 1996 and 1997 and a 1973 group photo.
Copies of her monographs are present in the collection along with drafts, figures, and correspondence for her published writings and dissertation. Many of the papers that she presented at professional meetings, seminars, and special lectures can also be found in the collection, including her 1994 AAA Distinguished Lecture, "The Quick and the Dead: Ethnography in and for Archaeology." In addition, there are two cassette tape recordings of Kramer presenting her paper, "Ceramics in Two Indian Cities," and the subsequent group discussion at the 1985 School of American Research Advanced Seminar, "Social and Behavioral Sources of Ceramic Variability." Also of special interest are materials documenting her involvement in the 1981 "Resolution to Implement the 1972 American Anthropological Association Resolution on Fair Practices in Employment of Women."
Kramer's professional correspondence is spread throughout the collection, mixed together with other documents, filed by subject. Much of her later correspondence is in the form of e-mail printouts. Letters of reference she wrote can also be found on her computer disks, which consist of several 3.50" and 5.25" floppy disks. Other files on the disks include materials for her books and articles, research data, her performance evaluations files, notes for courses she taught, and her will.
It should be noted that Kramer was briefly married during the 1960s and 1970s to Christopher Hamlin, who was a fellow graduate student at the University of Pennsylvania. Thus, she is referred to as Carol Hamlin in some of the documents from that period.
1971 -- "The 1971 Excavations at Seh Gabi, Iran," Archaeology, Vol. 26, pp. 224-227.
1974 -- "The Early Second Millennium Ceramic Assemblage of Dinkha Tepe," Ibid. with Louis D. Levine. "The Godin Project: Seh Gabi," Iran XII, pp. 211-213. "Seh Gabi, 1973," Archaeology, Vol. 27, pp. 274-277
1977 -- "Pots and Peoples," Mountains and Lowlands: Essays in the Archaeology of Greater Mesopotamia, edited by L.D. Levine and T.C. Young, Jr. Malibu: Undena Publications
1979 -- editor. Ethnoarchaeology: Implications of Ethnography for Archaeology. New York: Colombia University Press.
1980 -- "Estimating Prehistoric Populations: an Ethnoarchaeological Approach," L'Archéologie de I'Iraq, edited by Marie-Thérèse Barrelet, Paris: Centre National de la Rechere Scientifique.
1982 -- Village Ethnoarchaeology: Rural Iran in Archaeological Perspective. New York: Academic Press.
1988 -- with Miriam Stark. "The Status of Women in Archaeology," Anthropology Newsletter. Vol. 29, No. 9, pp. 11-12.
1991 -- Co-editor with W.A. Longcre. "Ethnoarchaeology," special issue of Expedition "Ceramics in Two Indian Cities," Ceramic Ethnoarchaeology, edited by William Longacre. Tucson: University of Arizona Press.
1997 -- Pottery in Rajasthan: Ethnoarchaeology in Two Indian Cities. Washington, D.C.: Smithsonian Institution Press.
2001 -- with Nicholas David. Ethnoarchaeology in Action. Cambridge (U.K.): Cambridge University Press
1943 -- Born May 3 in New York, New York
1964 -- Earns B.A. from The City University of New York
1967, 1969 -- Site supervisor of archaeological excavations at Godin Tepe, Iran for the Royal Ontario Museum's Godin Project
1968 -- Site supervisor of archaeological excavations at Dinkha Tepe and Se Girdan, Iran for University of Pennsylvania-Metropolitan Museum of Art's Hasanlu Project.
1970 -- Ethnoarchaeological research with an urban potter in Antigua, Guatemala
1971 -- Receives Ph.D. in Anthropology from University of Pennsylvania 1971 Hired as Assistant Professor at City University of New York Assistant director of archaeological excavations at Seh Gabi, Iran for Godin Project
1973 -- Assistant director of archaeological excavations at Seh Gabi, Iran for Godin Project
1975 -- Ethnoarchaeological research in Iranian village
1977 -- Associate Professor, Lehman College and the Graduate Center, CUNY
1980 -- Ethnoarchaeological research in Rajasthan, India
1982-1984 -- Ethnoarchaeological research in Rajasthan, India
1985 -- Visiting Professor at Yale University
1986-1988 -- Visiting Professor at University of Arizona
1990 -- Hired as Professor at University of Arizona
1994 -- Presents distinguished lecture to Archaeology Section of American Anthropological Association
1995 -- Site supervisor of archaeological excavations at Gordion, Turkey
1996 -- Ethnoarchaeological research near Gordion, Turkey
1999 -- Receives "Squeaky Wheel Award" from COSWA/American Anthropological Association
2002 -- Died on December 3 at the age of 59
Carol Kramer was a leading figure in ethnoarchaeology, specializing in the Middle East and South Asia. She was also a major advocate for the professional development of women in anthropology and archaeology.
She was born on May 3, 1943 in New York City to Aaron Kramer, a poet and professor of English at Dowling College, and Katherine Kolodny Kramer, a social worker. She attended the High School of Music and Art and earned her B.A. at the City University of New York in 1964. Kramer initially studied archaeology in the graduate program at the University of Chicago, but transferred to the University of Pennsylvania after a year, where she earned her doctorate in 1971. Her dissertation was entitled "The Habur Ware Ceramic Assemblage of Northern Mesopotamia: An Analysis of its Distribution."
In 1968, she was a site supervisor for University of Pennsylvania and Metropolitan Museum of Art's joint archaeological excavations at Dinkha Tepe and Se Girdan, Iran as part of the Hasanlu Project, directed by Robert H. Dyson, Jr. She also served as site supervisor (1967, 1969) and Assistant Director (1971, 1973) for the Royal Ontario Museum's archaeological excavation at Godin Tepe, known as the Godin Project, which was directed by Louis D. Levine and T. Cuyler Young, Jr. In 1970, she conducted her first ethnoarchaeological fieldwork under Ruben Reina, working with an urban potter in Antigua, Guatemala.
Kramer returned to Iran in 1975 to conduct ethnoarchaeological research in a Kurdish village in the Hamadān Province. Her work there resulted in several papers, including "An Archaeological View of a Contemporary Kurdish Village: Domestic Architecture, Household Size, and Wealth," published in Ethnoarchaeology: Implications of Ethnography for Archaeology (1979), which she edited. She expanded upon her paper in her 1982 book, Village Ethnoarchaeology: Rural Iran in Archaeological Perspective.
For her next project, she intended to study pottery communities in Iran, but the outbreak of the Iranian Revolution forced her to change her plans, and she decided to shift her location to India. In 1980 and 1982-1984, she studied ceramic production and distribution in Rajasthan. Articles produced from her research include "Ceramics in Two Indian Cities" (1991), "Ceramics in Rajasthan: Distribution and Scalar Variation" (1992), "A Tale of Two Cities: Ceramic Ethnoarchaeology in Rajasthan" (1994), and "Social and Locational Contexts of Ceramic Distribution in Rajasthan" (1995). She also authored Pottery in Rajasthan: Ethnoarchaeology in Two Indian Cities, published in 1997.
Kramer returned to the field in 1995, serving as site supervisor for archaeological excavations in Gordion, Turkey. She returned the next year to explore the possibility of conducting research in Yassihöyük and other villages near Gordion as an extension of her village ethnoachaeology research in Iran.
In 2001, Kramer further contributed to the field of ethnoarchaeology with the publication of Ethnoarchaeology in Action, which she co-wrote with Nicholas David. The landmark book is the first comprehensive study of ethnoarchaeology.
In addition to her work in ethnoarchaeology, Kramer was also involved in promoting the professional advancement of women in anthropology. In 1980, Kramer and her colleagues (Roger Sanjek, Rayna Rapp, Carole Vance, and Glenn Peterson) drew up a resolution to implement the 1972 Resolution on Fair Practices in Employment of Women. They campaigned to raised funds and support for the resolution, which called for the American Anthropological Association (AAA) to censure universities that hired or promoted a low percentage of women. Due to their work, the resolution passed and AAA censured five departments in 1981. In 1988, she and Miriam Stark published, "The Status of Women in Archeology," a study of gender equity in archaeology. They looked at gender differences in the number of graduate students, PhD recipients, and funding recipients as well as in faculty composition. Kramer was also a member of the Committee on the Status of Women in Anthropology (COSWA) from 1973 to 1975 and host and discussion leader at the COSWA Roundtable on professional skills and the female archaeologist at the 1998 annual meeting of the Society for American Archaeology (SAA).
In 1999, Kramer was awarded the Squeaky Wheel Award by COSWA in recognition of her contributions to equity for women in anthropology. She also delivered the 1994 Distinguished Lecture to the Archaeology Section for the AAA, "The Quick and the Dead: Ethnography in and for Archaeology." In 2003, she was posthumously awarded the SAA's Award for excellence in Archaeological Analysis.
From 1971 to 1990, Kramer taught at Queens College and later Lehman College and the Graduate Center at the City University of New York, during which time she was a visiting professor at Yale University (1985). She also taught at the University of Arizona (1986-1988) as a recipient of a National Science Foundation Visiting Professorship for Women. In 1990, she joined the faculty of the University of Arizona, where she taught until her death.
Kramer passed away at the age of 59 on December 3, 2002.
Rothschild, Nan A. "Carol Kramer (1943-2002)." American Anthropologist 106.1 (2004): 214-220.
Thompson, Raymond H. and Norman Yoffee. "Carol Kramer." Anthropology News 44.3 (2003): 30.
These papers were donated to the National Anthropological Archives by Carol Kramer's sister, Laura Kramer.
The Carol Kramer papers are open for research.
Materials with student grades and social security numbers have been restricted. The dates that the restricted items will be made available for access range from 2047 to 2064. Access to Kramer's computer disks is also restricted. Please consult an archivist for more information.
This collection, which dates from circa 1887-2001, contains materials relating to the history of African-American Holiness and Pentecostal movements. Included are newsletters, correspondence, brochures, fliers, magazines, VHS tapes, articles, newspaper clippings, slides, manuscripts, photographs, books, financial documents, audiocassettes, compact discs, diskettes, DuPree's research files, and other materials. A copy of DuPree's book "African-American Holiness Pentecostal Movement: an Annotated Bibliography," which was based on the research in this collection, is also present.
Sherry Sherrod DuPree is a librarian and historian whose research focuses on African-American gospel music and African-American Pentecostal churches. She was the founder and organizer of the DuPree African-American Pentecostal and Holiness Collection at the New York Public Library's Schomburg Center for Research in Black Culture. DuPree began the National African American Holiness Pentecostal Project, during the course of which she received several grants to fund her work. 1988, DuPree was appointed by Dr. Wilma Hughey to the Archival Historical Committee of The Church of God in Christ, Memphis, Tennessee. In 1995, DuPree became the Archivist of the Gospel Music Hall of Fame and Museum in Detroit. In March of 1998, she was elected Second Vice-President in the Society for Pentecostal Studies.
This collection is located at an off-site storage facility. To access the materials, please contact the archivist at email@example.com.
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.
Scope and Contents note:
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.
Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material.
There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.
Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.
There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.
The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.
Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.
There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.
Audio recordings include 23 cassette from the Alexandria Church of God.
The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.
The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.
The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.
Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.
Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists.
Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.
The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.
There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.
The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.
The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).
The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.
The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio.
Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance.
Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.
There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.
Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.
The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.
The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.
This collection is arranged into four series:
Series 1: Henry P. Whitehead papers
Series 2: Howard Theatre
Series 3: Tomlinson D. Todd
Series 4. Elizabeth B. Delaney
Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired.
Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.
Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.
Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.
Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.
Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.
Related archival materials in the Institute on Race Relations records in the Anacostia Community Museum Archives.
This collection also contains artifacts catalogued in the ACM Objects collection.
The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Watson, James B. (James Bennett), 1918-2009 Search this
52.5 Linear feet (123 boxes)
47 sound recordings
Papua New Guinea
Mato Grosso (Brazil : State)
Papua New Guinea -- Social life and customs
This collection contains the professional papers of cultural anthropologist James B. Watson, and documents his fieldwork in Papua New Guinea, Brazil, and Del Norte, Co., as well as his teaching career at the University of Washington. Included are field notes, lecture notes, correspondence, maps, photographs, books, articles, journals, grant proposals, surveys, data punch cards, conference materials, and sound recordings.
Scope and Contents:
This collection is comprised of the professional papers of James B. Watson, the bulk of which relate to his research and academic work on the Eastern Highlands of Papua New Guinea. The series are Research, Writings, Correspondence, Professional Activities, University Files, Biographical Files, Maps, Photographs, and Sound Recordings.
The Research series contains Watson's research on Hopi food classification systems in Arizona, Cayua acculturation in Brazil, social stratification between English-speaking and Spanish-speaking residents of Del Norte, Co., numerous research projects in Papua New Guinea, and gift exchange theories.
The Arizona, Hopi Food Classification Systems subseries consists of his research among the Hopi in Arizona, primarily on their food classication systems. Included are field notes and reports.
The Mato Grosso, Brazil and Cayua Acculturation subseries consists of research materials conducted while Watson was working as an assistant professor in Sao Paulo. Included are field notes, bibliographies, a journal, and a language notebook primarily regarding his research on culture change among the Cayua.
The Del Norte, Colorado Surveys subseries contains material related to research conducted in the summers of 1949 and 1950 as part of a study on social stratification between English-speaking and Spanish-speaking residents of Del Norte. Included are datasets from several community surveys on education, occupations, business, and cultural attitudes, along with research notes and background materials.
The Papua New Guinea subseries consists of research materials on the Eastern Highlands of Papua New Guinea. Included are field notes, language materials, bibliographies, grant documents and research proposals, genealogy data, long reports and patrol reports, data punch cards, and TAT (thematic apperception test) protocols. There is material from several research projects including the Committee on New Guinea Studies (CONGS), the Kainantu Blood Group Study, and the New Guinea Religions Project. Watson's wife, Virginia Drew Watson, also has research material in this series. Language documentation include lexicons and notes about Agarabi, Auyana, Awa, Tairora, Gadsup, and Tok Pisin.
The subsubseries Micro-evolution Studies Project (MES) consists of related Papua New Guinea research as part of this multi-year project. Material included is correspondence, financial documents, memorandums and planning documents, grant proposals, language files, and work papers.
The Gift Exchange Theories subseries consists of Watson's research on gift exchange theories, primarily as they relate to small autonomous peoples. The material consists of research notes, paper ideas, bibliographies, and grant applications.
The Other Research subseries consists of papers and research that are not easily catagorized. Included are subject files on perception, notes and critiques of Marshal Sahlins's Stone Age Economics, and a research project by Watson studying innovation in high school social studies curriculum.
The Writings series primarily consists of journal articles produced over the duration of his career. Included are research notes, drafts, and some correspondence. A print copy is included where possible. There is significant material related to his book Tairora Culture, including chapter drafts, outlines, and reader comments. The writings by others are primarily annotated copies of articles, rare and small print-run items, or manuscripts by others sent to Watson for comment.
The Correspondence series contains professional and personal correspondence with Watson's colleagues and contemporaries in the field, including J. David Cole, Terence Hays, Paula Brown-Glick, Richard Lieban, Howard P. McKaughan, Harold Nelson, Kerry Pataki-Schweizer, Kenneth E. Read, Sterling Robbins, and Roy Wagner. Topics include his academic career, student dissertations, research grants and fellowships, and research related to Papua New Guinea, and in particular the Micro-evolution Studies project.
The Professional Activities series primarily consists of conference notes, papers, presentations, and symposium documents. Included are materials for the American Anthropological Association, the Association for Social Anthropology in Oceania, the Pacific Sciences Conference, as well as symposiums held at the East-West Center in Honolulu, Hawaii. Some of the files are related to specific symposiums Watson attended or helped to organize, the bulk of which are related to Papua New Guinea. Also included are Watson's lecture notes, and materials related to the United Nations West Irian Development Plan
The University Files series contains material related to Watson's academic career. The bulk of the files are course materials from the classes he taught at the Univesity of Washington, which include lecture notes, syllabi, exams, and student papers. Other materials includes student dissertation files and some of Watson's course work from the University of Chicago.
The Biographical Files series includes numerous editions of his curriculum vitae and bibliographies.
The Maps series contains maps used in Watson's research, which includes Brazil; Del Norte, Co.; and Papua New Guinea. The bulk are maps of Papua New Guinea, and include published maps, annotated maps, hand-drawn maps, patrol reports, and linguistic maps.
The Photographs series contains photographs of Watson's fieldwork and professional career. The bulk of his fieldwork photographs are from Del Norte, Co. and Papua New Guinea. The Del Norte photographs include aerial images along with photographs of residents, houses, and cultural activities. The photographs from Papua New Guinea include images of a taro garden, a woman before and at her marriage ceremony, and images of tools found at an excavation site near the Wahgi Valley.
The sound recordings contain seven identified recordings made in the Papua New Guinea Eastern Highlands, Kainantu District during James and Virginia Watson's first trip, 1954-1955. Also included are 31 recordings of lectures and classes by James Watson and others, two recordings of popular music, and six reels recorded at the Pacific Science Congress in Tokyo in 1966. The remaining 23 uncataloged recordings are unidentified or partially identified.
Please see individual series descriptions in the finding aid for additional information.
This collection is arranged in 9 series:
Series1: Research, 1933-1993
Series 2: Writings, 1904-1995
Series 3: Correspondence, 1933-1994
Series 4: Professional Activities, 1944-1998
Series 5: University Files, 1939-1991
Series 6: Biographical Files, 1941-1991
Series 7: Maps, circa 1920s-1970
Series 8: Photographs, circa 1942-1977
Series 9: Sound Recordings, 1954-1984
James B. Watson (1918-2009) was a cultural anthropologist and university professor. He is primarily known for his ethnographic studies of the Eastern Highlands of Papua New Guinea, with a concentration on acculturation. He taught at the University of Washington, was the prinicipal investigator for the Micro-evolution Studies project (MES), and the author of numerous journal articles and books.
Watson was born in Chicago, Ill., and raised in Bangor, Maine. He studied anthropology at the University of Chicago, earning his B.A. in 1941; his M.A. in 1945; and his Ph.D. in 1948. Fred Eggan acted as his advisor while he was pursuing his doctorate. He began his teaching career as an assistant professor at the Escala Livre de Sociologia e Politica, Sao Paulo (1944-1945); Beloit College (1945-1946); University of Oklahoma (1946-1947); and as an associate professor at Washington University in St. Louis (1947-1955). He then became a full professor of anthropology at the University of Washington (1955-1987), where he spent the majority of his career.
His ethnographic research began with his fieldwork among the Hopi in Arizona in 1942. He researched Hopi food classification systems, which would become the subject of his master's thesis. Watson would next study the effects of acculturation among the Cayua people in Mato Grosso, Brazil in 1943-1945. This research would become the basis of his dissertation, later to be published as Cayua Culture Change: A Study in Acculturation and Methodology. His wife, anthropologist Virginia Drew Watson, accompanied him and conducted her own research. While at Washington University, he directed fieldwork in the summers of 1949 and 1950 in Del Norte, Co., conducting several community surveys on education, occupations, business, and cultural attitudes. These surveys were part of a larger study on social stratification between English-speaking and Spanish-speaking residents of Del Norte.
Watson is most noted for his work in the Papua New Guinea Highlands, where he was one of the first generation of Highland ethnographers. Along with Virginia Drew Watson, he studied the Kainantu peoples of the Eastern Highlands including the Tairora, the Gadsup, the Auyana, and the Awa. He was involved in several research projects, including the Committee on New Guinea Studies (CONGS), The Kainantu Blood Group Study, and the New Guinea Religions Project.
He was also the principal investigator for the Micro-evolution Studies project (1959-1968) where he directed a team of researchers examining the interconnections of the Kainantu peoples from the perspectives of ethnography, linguistics, archaeology, and physical anthropology. Other MES researchers include Kenneth E. Read, Robert A. Littlewood, Howard McKaughan, Kerry J. Pataki-Schweizer, and Sterling Robbins. This research on Papua New Guinea is best described in his book Tairora Culture: Contingency and Pragmatism (1983).
He was professionally active, attending and organizing sessions at annual meetings for the American Anthropological Association (AAA) and the Association for Social Anthropology in Oceania (ASAO). He also organized symposiums at the East-West Center in Honolulu, Hawaii. Additionally, he served as a consultant to the United Nations on their West Irian Development Plan in 1967. Watson retired from teaching in 1987, but continued to publish and remain involved in AAA and ASAO. He died in 2009.
1999 Westermark, George. ASAO Honorary Fellow: James B. Watson. Association for Social Anthropology in Oceania Newsletter 104: 21
1918 -- Born on August 10 in Chicago, Illinois
1941 -- B.A. in anthropology, University of Chicago Lecturer, University of Chicago
1941-1942 -- Fieldwork: Hopi
1943 -- Married Virgina Drew Fieldwork: Mato Grosso, Brazil
1943-1945 -- Fieldwork: Brazil
1944-1945 -- Assistant Professor, Escala Livre de Sociologia e Politica, Sao Paulo, Brazil
1945 -- M.A. in anthropology, University of Chicago
1945-1946 -- Assistant Professor, Beloit College
1946-1947 -- Assistant Professor, University of Oklahoma
1947-1955 -- Associate Professor, Washington University in St. Louis
1948 -- Ph.D. in anthropology, University of Chicago
1949-1950 -- Director, Washington University summer field project
1949-1950 -- Fieldwork: Del Norte, Colorado
1953-1955 -- Fieldwork: Eastern Highlands, Papua New Guinea
1955-1987 -- Professor of Anthropology, University of Washington
1959 -- Fieldwork: Papua New Guinea and Netherlands New Guinea
1959-1968 -- Principal Investigator, New Guinea Micro-evolution Studies Project
1963-1964 -- Fieldwork: Eastern Highlands, Papua New Guinea
1966-1967 -- Senior Specialist, Institute of Advanced Projects, East-West Center
1967 -- Consultant for United Nations Development Programme, West Irian
1967 -- Fieldwork: West Irian (Indonesia)
1987 -- Retired from teaching at University of Washington
2009 -- Died on November 12
The National Anthropological Archives also holds the papers of Virginia D. Watson.
Mandeville Special Collections Library, UCSD holds the Micro-evolution Project Papers, MSS 436.
These papers were donated to the National Anthropological Archives by James Watson's daughter, Anne Watson, in 2003.
Some research proposals not authored by Watson are restricted until 2083.
220 Linear feet (The total extent of the collection is 191.41 linear feet (consisting of 473 document boxes and 2 record boxes) plus 254 sound recordings, 94 computer disks, 42 card file boxes, 85 oversize folders, 9 rolled items, 18 binder boxes, and 3 oversize boxes. Of the total extent, 4.79 linear feet (14 boxes) are restricted.)
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and other professional activities. The collection is comprised of books, sound recordings, research and field notes, realia, artifacts, clippings, microfilm, negatives, slides, photographs, manuscripts, correspondence, memorandums, card files, exhibition catalogs, articles, and bibliographies.
Scope and Contents:
This collection contains the professional papers of William Curtis Sturtevant and documents his activities as Curator of North American Ethnology at the Smithsonian Institution's National Museum of Natural History, his work as the editor-in-chief of the Handbook of North American Indians, his research among the Seminole and Iroquois people, and his involvement in various professional activities. The collection is comprised of research and field notes, sound recordings, realia, clippings, negatives, slides, prints, published and unpublished writings, correspondence, memorandums, conference papers and meeting notes, card files, exhibition catalogs, articles, bibliographies, student files such as class notes and papers from Sturtevant's years as an anthropology student, teaching materials including lecture notes and exams, daily planners, passports, military records, artwork including prints and lithographs, maps, and computer files.
The materials in this collection document Sturtevant's career as a preeminent North American ethnologist, museum curator, university professor, his role as General Editor of the Handbook of North American Indians, and his contributions to the field of Anthropology. From his early work with the Seminole Indians of Florida to his forays into Burma, and his decades-long study of how Native Americans have been depicted in artistic and popular culture, Sturtevant's diverse intellectual interests are represented in his research files. A copious note taker, Sturtevant captured his observations and opinions of everything from meetings with colleagues to museum exhibits. Sturtevant's commitment to the anthropological profession can be found in the notes and programs of the many conferences, symposiums, and lecture series he attended and at which he presented. He also held numerous leadership positions in various professional associations and sat on the board of directors/trustees for several cultural organizations including Survival International and the Museum of the American Indian-Heye Foundation. Sturtevant was respected for his vast knowledge of indigenous peoples and he received a voluminous amount of correspondence from colleagues who often included copies of their papers and grant proposals. He kept many of these works, which, it appears he used as reference material. Sturtevant's own work is reflected in his writings; he published over 200 scholarly papers, articles, and books.
This collection is organized in 14 series: 1. Correspondence, 1951-2008; 2. Research Files, 1851, 1860s, 1880s, 1890, 1939-2006; 3. Writings, 1952-2006; 4. Professional Activities, 1952-2006; 5. Smithsonian, 1954-2008; 6. Handbook of North American Indians, 1971-2007; 7. Biographical Files, 1933-2007; 8. Student Files, 1944-1985; 9. Subject Files, 1902-2002; 10. Photographs, 1927-2004; 11. Artwork, 1699-1998; 12. Maps, 1949-1975; 13. Sound Recordings, 1950-2000; 14. Computer Files, 1987-2006.
William C. Sturtevant (1926-2007), preeminent North American ethnologist, museum curator, and university professor, was best known for his contributions to Seminole ethnology, as curator of North American Ethnology in the Department of Anthropology at the Smithsonian Institution's National Museum of Natural History, and for his work as the general editor of the Handbook of North American Indians.
Sturtevant's passion for studying Native peoples began at a young age. In third grade "after a class on American Indians, he asked his father what kind of people study Indians, and his father replied, 'Anthropologists.' Sturtevant decided then that he would make anthropology his career" (Merrill 11). After graduating with honors from the University of California at Berkeley in 1949, Sturtevant went on to Yale University to complete his graduate work in anthropology. When it came time to decide on what area of North America he should focus his research, one of his faculty members at Yale, Irving Rouse, "suggested he consider the Seminoles of south Florida. By the end of his first fieldwork season, Sturtevant was convinced that the dearth of ethnographic information about these Seminoles and their status as one of the least acculturated of all North American Indian societies justified ethnographic research among them and offered the possibility of making an important contribution to North American ethnology" (Merrill 13). Sturtevant spent the summers of 1950 and 1951 conducting preliminary fieldwork among the Mikasuki-speaking Seminole and in 1952 he took up temporary residence at Big Cypress Reservation to undertake research for his dissertation, "The Mikasuki Seminole: Medical Beliefs and Practices." This work focused on Seminole medicine, but also included Sturtevant's analysis of Seminole worldview, religion, history, inter-ethnic relations, material culture, economy, kinship, language, and social organization.
In 1954, while he was finishing his dissertation, Sturtevant made the transition from student of anthropology to professional anthropologist. He was hired as an instructor in Yale's Anthropology Department and began his career in museum work as an assistant curator of anthropology at the Yale Peabody Museum. After receiving his PhD from Yale in 1955, Sturtevant moved on to the Smithsonian Institution, where he accepted a position as a research anthropologist at the Bureau of American Ethnology (BAE). This position afforded Sturtevant the chance to continue to explore his many research interests in ways that a full time professorship or museum curatorship could not. Over the next ten years he studied the Catawba in South Carolina; the Seneca and Cayuga nations of the Iroquois League in New York, Oklahoma, and Ontario; continued his work with the Seminole; visited European museums to examine early ethnographic examples and possible European prototypes of eastern North American Indian material culture; and spent a year in Burma. In 1963, Sturtevant and his wife, Theda Maw, the daughter of a prominent Burmese family, took their three young children to Burma so that they could visit with Maw's family. Sturtevant took this as an opportunity to branch out from his Native American research and spent the year visiting neighborhoods in Rangoon and villages in the surrounding countryside, examining archival materials, studying the Burmese language, learning about Burmese clothing and other aspects of the culture, and taking photographs. He also collected 386 items of clothing and other objects for the Smithsonian.
When Sturtevant returned from Burma, he found the BAE had been dissolved. In 1965, he was transferred from the now-defunct BAE to the Department of Anthropology at the National Museum of Natural History (NMNH), where he became curator of North American Ethnology, a position he held for the next forty-two years. During his tenure at NMNH Sturtevant oversaw all the North American ethnology collections, planned exhibitions, served on committees, and sponsored interns and fellows. One of Sturtevant's primary duties at NMNH was serving as the General Editor of the Handbook of North American Indians, "a major multi-volume reference work summarizing anthropological, linguistic, and historical knowledge about native peoples north of Mexico" (Jackson). Each volume was designed to represent a geographic or topical area of Americanist study. As General Editor, Sturtevant selected volume editors, chapter authors, oversaw office staff, and proofread manuscripts over the course of production.
Besides focusing on the Handbook, much of Sturtevant's time was taken up by responsibilities he held outside the Institution. Sturtevant was extremely involved in professional anthropological associations and held many leadership positions. Fresh out of graduate school, he began a three-year term on the Board of Governors of the Anthropological Society of Washington in 1957. He later became a member of the executive committee of the Florida Anthropological Society, served as book-review editor and associate editor of the American Anthropologist from 1962-1968, was a member of the American Anthropological Association's Committee on Anthropological Research in Museums and was both vice president and president of the committee once it became the Council for Museum Anthropology, was on the American Anthropological Association's Committee on Archives, served three terms on the Board of Trustees of the Museum of the American Indian-Heye Foundation from 1976-1982 and was appointed to a fourth term between 1984 and 1986, and sat on the Board of Directors of Survival International from 1982-1988. He was President of the American Society for Ethnohistory, the American Ethnological Society, the American Anthropological Association, and the Anthropological Society of Washington. Sturtevant also taught classes at Johns Hopkins University as an adjunct professor in the Department of Anthropology, served as a consultant on exhibits at other museums, and reviewed manuscripts for scholarly publications.
Sturtevant remained active in the profession throughout his later years. After divorcing Theda Maw in 1986, he married Sally McLendon, a fellow anthropologist, in 1990 and they undertook several research projects together. Sturtevant was recognized for his dedication and contributions to the field of anthropology in 1996 when he was awarded an honorary doctorate in humane letters by Brown University, and in 2002 when his colleagues published a festschrift in his honor, Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant.
Sturtevant died on March 2, 2007 at the Collingswood Nursing and Rehabilitation Center in Rockville, MD after suffering from emphysema.
Estrada, Louie. 2007. William C. Sturtevant; Expert on Indians. Washington Post, March 17. http://www.washingtonpost.com/wp-dyn/content/article/2007/03/16/AR2007031602273.html, accessed August 31, 2012.
Jackson, Jason Baird. 2007. William C. Sturtevant (1926-2007). http://museumanthropology.blogspot.com/2007/03/william-c-sturtevant-1926-2007.html, accessed August 31, 2012.
Merrill, William L. 2002. William Curtis Sturtevant, Anthropologist. In Anthropology, History, and American Indians: Essays in Honor of William Curtis Sturtevant. William L. Merrill and Ives Goddard, eds. Pp. 11-36. Washington D.C.: Smithsonian Institution Press.
1926 -- Born July 26 in Morristown, NJ
1944 -- Entered the University of California at Berkeley as a second-semester freshman
1944 -- Attended summer school at the Universidad Nacional Autonoma de Mexico in Mexico City where he took courses on Mexican archaeology and South American ethnology
1945 -- Drafted into the United States Navy
1946 -- Received an honorable discharge from the Navy with the rank of pharmacist's mate third class and returned to UC Berkeley
1947 -- Attended the University of New Mexico's summer field school in Chaco Canyon, New Mexico
1949 -- January: Received his Bachelor's degree with honors in anthropology from UC Berkeley
1949 -- Began graduate studies at Yale University
1950-1951 -- Spent the summers of 1950 and 1951 in Florida conducting fieldwork among the Mikasuki-speaking Seminole
1951 -- Conducted his first research study of the Iroquois, a classification of Seneca musical instruments, their construction and use, with Harold Conklin
1952 -- May: Moved to Big Cypress Reservation in Florida to conduct research for his dissertation. He focused on Seminole medicine, but also collected physical anthropological data such as blood-type frequencies, handedness, and color blindness
1952 -- July 26: Married Theda Maw
1954 -- Hired by Yale University as an instructor in the Department of Anthropology and as an assistant curator of anthropology in the Yale Peabody Museum
1955 -- Received PhD in anthropology from Yale University
1956 -- Joined the staff of the Smithsonian Institution's Bureau of American Ethnology (BAE) as a research anthropologist
1957 -- Began a three-year term on the Board of Governors of the Anthropological Society of Washington
1957 -- Traveled to Rock Hill, South Carolina to collect linguistic data from Sam Blue, the last member of the Catawba tribe to have maintained some proficiency in the Catawba language. While there, he made a small collection of Catawba pottery for the United States National Museum
1957-1958 -- Spent seven weeks continuing his research among the New York Seneca
1959 -- Returned to Florida to study Seminole ethnobotany. He also collected ethnographic materials, especially objects made for the tourist market, which he deposited in the United States National Museum
1959-1960 -- Member of the executive committee of the Florida Anthropological Society
1960 -- July and August: Visited 17 European museums to examine early ethnographic examples and possible European prototypes of eastern North American Indian material culture
1961-1962 -- Spent the summers of these years conducting ethnographic fieldwork among the Seneca-Cayuga in Oklahoma
1962 -- October: Visited the Six Nations Reserve in Ontario, Canada to conduct fieldwork among the Seneca and Cayuga there
1962-1968 -- Book-review editor and associate editor of the American Anthropologist
1963 -- October: Spent the year in Burma; visited neighborhoods in Rangoon and villages in the surrounding countryside, examined photographs in several archives, studied the Burmese language, and read extensively about the country's history and culture. Assembled notes on Burmese clothing and other aspects of the culture, took hundreds of photographs, and made a collection of 386 items of clothing and other objects for the Smithsonian
1964 -- Visited Inle Lake in the Southern Shan States southeast of Mandalay, where he examined local approaches to artificial island agriculture
1964-1981 -- Became a member of the American Anthropological Association's Committee on Anthropological Research in Museums, which became the Council for Museum Anthropology in 1974. Sturtevant was the Council's first vice president, serving two terms between 1974 and 1978, and was its president from 1978 to 1981
1965 -- Became curator of North American Ethnology in the Department of Anthropology at the National Museum of Natural History after the dissolution of the BAE
1965-1966 -- President of the American Society for Ethnohistory
1966 -- Named the editor of the Handbook of North American Indians
1967-1968 -- Fulbright scholar and lecturer at Oxford University's Institute of Social Anthropology
1969 -- Began serving on the American Anthropological Association's Committee on Archives
1974-1989 -- Adjunct Professor in the Department of Anthropology at Johns Hopkins University
1976-1982 -- Served three terms on the Board of Trustees of the Museum of the American Indian-Heye Foundation and was appointed to a fourth term between 1984 and 1986
1977 -- President of the American Ethnological Society
1980-1981 -- President of the American Anthropological Association
1981 -- Spent part of the spring semester at the University of California Berkeley as a Regents Lecturer
1982-1988 -- Board of Directors of Survival International
1986 -- Divorced Theda Maw
1986-1987 -- Smithsonian Fellow at Oxford University's Worcester College
1990 -- Married Sally McLendon
1992 -- President of the Anthropological Society of Washington
1996 -- Awarded an honorary doctorate in humane letters at Brown University
2007 -- Died March 2 in Rockville, MD
Other materials relating to William C. Sturtevant at the National Anthropological Archives are included in the following collections:
Photo Lot 59
Photo Lot 79-51
Photo Lot 80-3
Photo Lot 81R
Photo Lot 86-68 (6)
Photo Lot 86-68 (7)
American Society for Ethnohistory records
Committee on Anthropological Research in Museum Records
Handbook of North American Indians records
Records of the Department of Anthropology, National Museum of Natural History
Gordon Davis Gibson Papers, Sound Recordings
SPC Se Powhatan Confederacy Mattapony BAE No # 01790700
DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04913800
DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04913900
DOE Oceania:Amer Poly:Hi:Hawaiian Helmet:Sturtevant 04914000
Negative MNH 1530
Negative MNH 1530 B
Sturtevant is listed as a correspondent in the following NAA collections:
Administrative file, 1949-1965, Records of the Bureau of American Ethnology
John Lawrence Angel Papers
James Henri Howard Papers
Donald Jayne Lehmer Papers
John Victor Murra Papers
Records of the Society for American Archaeology
Albert Clanton Spaulding Papers
Waldo Rudolph Wedel and Mildred Mott Wedel Papers
Copies of sound recordings made by William C. Sturtevant can be found at The California Language Archive at UC Berkeley in two collections, The William Sturtevant collection of Creek/Seminole sound recordings, which includes 31 minutes of Northern Muskogean linguistic field recordings from 1951, and The William Sturtevant collection of Mikasuki sound recordings, which includes 33 minutes of Mikasuki linguistic field recordings from 1951. Two sound tape reels of Seminole music Sturtevant recorded in Florida in 1951 can be found at Wesleyan University's World Music Archives. Folk songs on these recordings include "Scalping Sickness," "Bear Sickness with blowing," "Bear sickness without blowing," "Lullaby," "Feather Dance," "Snake Dance," and "Crazy Dance." Performers include Josie Billie, Lee Cypress, Harvey Jumper, Boy Jim, Charlie (Johnny?) Cypress, Little Tiger Tail, Billy Ossiola, and Charlie Billy Boy.
One video tape, "Seminole History and Tradition", was transferred to the Human Studies Film Archives.
Series 2.2, Tukabahchee Plate: Glass negative of spectrogram from FBI (Box 135), removed for storage with other glass plate negatives.
These papers were transferred to the National Anthropological Archives by the Department of Anthropology at the National Museum of Natural History.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Smithsonian Institution, Traveling Exhibition Service Search this
28 cu. ft. (28 record storage boxes)
Motion pictures (visual works)
This accession consists of records documenting exhibitions mounted by the Smithsonian Institution Traveling Exhibition Service (SITES). Materials include itineraries,
slides, news clippings, scripts, press releases, shipping documents, checklists, loan records, correspondence, photographs, lists, motion pictures, videotapes, audiotapes,
This collection is arranged by exhibition title (exhibition ID number) and date(s). See also Records Units 487 and 290 and Accession 95-161.
Restricted for 15 years, until Jan-01-2015; Transferring office; 9/27/1984 memorandum, Glenn to Loar; Contact reference staff for details.
Smithsonian Institution. Division of Performing Arts Search this
25 cu. ft. (25 record storage boxes)
This Collection contains the records from the discontinued Division of Performing Arts, which began in 1967 and ended in 1983. The Division of Performing Arts was formed
with the creation of the first Festival of American Folklife, and handled such events as music and theater performances, festivals, holiday celebrations, and the Children's
Discovery Theater. While the division began as only a few people, it grew in size to fifteen staff members and coordinated events with other museums and Universities. This
collection contains papers, flyers, and playbills for all events that were put on by the Division between 1972 and 1983, as well as information on each annual Festival of
American Folklife that took place in Washington, DC, and the Festival On Tour in 1976. There are also papers about the American Revolution Bicentennial Celebration that was
held in 1976. Along with information about the division's various events, there are also the personal files of Martin Williams, who was the Director of the Jazz Program and
Bernice Johnson Reagon, who was the Director for the Program in Black American Culture. Other items within this collection include budget information, correspondence, newsletters,
mailers, press releases, recipe books, photographs, slides, reel-to-reel audio tapes, and cassette tapes.
Box 25 is RESTRICTED [Sensitive information must be redacted before access
will be given to researchers.]; Contact reference staff for details.