The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.
Scope and Contents note:
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.
Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material.
There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.
Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.
There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.
The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.
Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.
There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.
Audio recordings include 23 cassette from the Alexandria Church of God.
The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.
The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.
The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.
Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.
Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists.
Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.
The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.
There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.
The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.
The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).
The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.
The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio.
Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance.
Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.
There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.
Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.
The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.
The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.
This collection is arranged into four series:
Series 1: Henry P. Whitehead papers
Series 2: Howard Theatre
Series 3: Tomlinson D. Todd
Series 4. Elizabeth B. Delaney
Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired.
Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.
Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.
Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.
Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.
Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.
Related archival materials in the Institute on Race Relations records in the Anacostia Community Museum Archives.
This collection also contains artifacts catalogued in the ACM Objects collection.
The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
26.07 cu. ft. (24 record storage boxes) (3 16x20 boxes)
Motion pictures (visual works)
United States -- Race relations
United States -- Armed Forces -- African Americans
West (U.S.) -- Social life and customs $y 19th century
The Lonnie G. Bunch Papers include both personal materials and professional records from the various institutions that he worked at as well as his teaching positions.
The personal materials include family correspondence, family history records, and photographs. In relation to his teaching positions there are course syllabi, reading lists,
notes, course examinations, notebooks, course proposals, lectures, bibliographies, and class evaluations. From his work at the National Air and Space Museum, the California
Afro-American Museum, the National Museum of American History, the Chicago Historical Society, and the National Museum of African American History and Culture there is correspondence;
memoranda; grant proposals; exhibition records such as brochures, invitations, catalogs, clippings, press releases, press kits, photographs, oral history recordings on audiocassettes,
oral history transcripts, scripts, object lists, educational materials, floor plans, architectural drawings, research and meeting notes, evaluations, and ephemera; conference
presentations; professional association records; journal articles; book and exhibition reviews; and other related materials. Some materials are in electronic format.
Significant exhibitions documented from the California Afro-American Museum include Allensworth: An Enduring Dream, The Black Olympians: 1904-1984, and Black
Angelenos: The Afro-American in Los Angeles, 1850-1950; significant exhibitions documented from the National Museum of America History include: The American Presidency:
A Glorious Burden, Smithsonian's America: An Exhibition of American History and Culture, and Communities in a Changing Nation: The Promise of 19th-Century America.
Born in the Newark, New Jersey area, Lonnie G. Bunch received his bachelor's (1974) and Master's (1975) degrees from American University in Washington, D.C.
After receiving his Master's, Bunch was an Adjunct Lecturer at American University from 1976-1978. From January 1978 to May 1979 Bunch was an Education Specialist at the
National Air and Space Museum. He resumed teaching at the University of Massachusetts, Dartmouth, as an Assistant Professor of American and Afro-American History from June
1979 to August 1981. After that he was a Historian and Teacher at the Packer Collegiate Institute from September 1981 to June 1983.
Moving over to the west coast, Bunch became curator of History and Program Manager at the California Afro-American Museum in Los Angeles from 1983-1989. While at the museum,
Bunch organized several award-winning exhibitions such as The Black Olympians, 1904-1984 and Black Angelenos: The Afro-American in Los Angeles, 1850-1950. In
addition to his work on exhibitions, Bunch also produced several historical documentaries for public television.
In 1989 Bunch headed back east to become an Adjunct Professor of Museum Studies at George Washington University before beginning his tenure at the National Museum of American
History (NMAH) in that same year. Bunch was the Senior Curator of Political History at the museum until 1992 when he became the Assistant Director for Curatorial Affairs,
1992-1994, and then Associate Director for Curatorial Affairs, 1994-2000. His tenure at NMAH saw him managing curatorial and collections management staff as well as working
on major exhibitions such as The American Presidency: A Glorious Burden and Smithsonian's America: An Exhibition of American History and Culture for the American
Festival Japan in 1994.
Bunch left the museum to become the president of the Chicago Historical Society (CHS) in 2001. While at CHS, Bunch led a successful capital campaign to transform the CHS
in anticipation of its 150th anniversary, initiated various outreach initiatives to diverse communities around Chicago, as well as helped open numerous exhibitions.
In July 2005 Bunch came back to the Smithsonian to become the founding director of the National Museum of African American History and Culture (NMAAHC). As director of
NMAAHC, Bunch guided the museum and its staff to build the 400,000 square foot museum near the Washington Monument as well as develop a collection of some 40,000 objects that
explore, document and exemplify the African American story and its influence on American and world history.
On June 16, 2019 it was announced that Bunch would be the 14th Secretary of the Smithsonian Institution. He was installed as Secretary on November 1, 2019.
As an author, Bunch has written widely on topics including the black military experience, the American presidency, the African American experience in the American West,
diversity in museum management, and the influence of funding and politics on American museums.
Bunch has served on the advisory boards of the American Alliance of Museums and the American Association for State and Local History. Additionally, he was appointed to
the Committee for the Preservation of the White House in 2002 by President George W. Bush and reappointed by President Barack Obama in 2010.
Oral history interviews, such as these, are subject to copyright law. In most cases, the interviewees deeded the intellectual property rights to the Smithsonian, after review and revision of transcripts. In some cases, intellectual property rights were retained in whole or in part. These files contain the unrevised drafts, which all oral history projects keep as a record of the editing done on the transcript. These drafts cannot, however, be used by researchers without the permission of the interviewee or his/her heirs or assigns. Please consult these individual collections for the restriction terms, Transferring office; 11/15/2005 memorandum, Yowell to Henson; Contact reference staff for details