MS 614 Language of the Sandía Pueblo or Nafin ab, in the central parts of New Mexico. Tewa [sic] linguistic family. Obtained in November 1899 from Mariano Carpintero, governor of Sandia, for the Bureau of American Ethnology
Gatschet, Albert S. (Albert Samuel), 1832-1907 Search this
This is a copy of Bureau of American Ethnology Number 1553, arranged by subject-- parts of the body, etc. (see note by A .S. Gatschet on last page of 1553), plus 2 page discussion of relationship of Sandia language with Isleta and others.
Also newsclipping, 1 column. Note on flyleaf by Gatschet, "Hodge said, April 1, 1904, that Tiwa and Tewa were not exactly the same dialect," explains Gatschet's previous unawareness of this distinction.
NAA MS 1553
Newsclipping marked Times, November 15, 1899, entitled "Protest of the Pueblos," concerns the visit of Pueblo delegation, including Mariano Carintero, to Secretary of Interior Hitchcock to protest encroachment on lands of Pueblo Indians and white farmers by Albuquerque Land and Irrigation Co.
The material is in the handwriting of A.S. Gatschet, in a composition book. In the same volume are numerous miscellaneous notes, many in German script; brief bibliographic notes, and notes of an apparently personal nature. There are also extracts from the Codex Wangianus, from Charles Lyell, and from others. In addition, there is a Chinese vocabulary in Chinese characters, on pages 11, 13, 15, 17, 19, 21, 23, and one sheet pasted in book.
Partial contents: Carib terms (obtained from Maria Antonia, a native of Rio Frio, Costa Rica (or Chulpan, native name), 6 pages. Guatuso words, 3 pages. (same source.) Apache words and sentences, page 112. Santa Ana vocabulary (additional page.) Hopi vocabulary, page 113. Jemez vocabulary, page 113. Tehua (Tewa) page 114. Isleta vocabulary, page 114. Yohuns (Yojuane) vocabulary, page 115. Notes to vocabularies, page 115. Dakota language (words, etc.) page 122-129. Apache language (words, etc.) page 130. Dakota (Santee), page 131. Hidatsa, page 132. List of American languages, pages 133-138. Nevome grammatical notes, page 148. (Kasua) vocabulary, pages 151-152. Tobikhars (Gabrieleno) vocabulary, page 153. Island of LaCruz page 154 (from California Farmer- 1836). Few Poosepatuck words, page 154. Received by A.S. Gatschet, September 6, 1875. Chibcha vocabulary pages 155-170. Arawak language of Guiana in its linguistic and ethnological relations. By D.G. Brinton (1871) - Extracts from, pages 188-190. Chabas, les Papyrus---de Berlin, 1863- vocabulary in hieroglyphic symbols, pages 194-5. Hidatsa vocabulary, pages 206-208.
Page 114- Brief discussion of location of "Tehua" (Tanoan) pueblos. Gatschet, A.S. Pages 151-52 in notebook- "Kasua" vocabulary. June, 1875. Loew, Oscar. Page 153- Brief vocabulary of the "Tobokhars, extinct tribe at the San Gabriel Mission, collected from an old sick chief, [by] Oscar Lowe, June, 1875...(Fernando Quinto, who recollects Fremont's Exped..." This is not the same as the main "Tobikhar" vocabulary from Lowe in Bureau of American Ethnology Manuscript 774. Page 113- Note on "Moqui" (Hopi) language, with brief vocabulary. Gatschet, A.S. 1 slip bound between pages 112-113 in notebook- Eleven words and phrases of the Santa Ana or Silla language. Gatschet, A.S. Pages 122-129-Dakota vocabularies. 1890's? Autograph document. Gatschet, A.S.
Contents: Carib terms (obtained from Maria Antonia (or Chulpan, native name), 6 pages. Guatuso words, 3 pages (same source) Apache words and sentences, page 112. Santa Ana vocabulary (additional page) Hopi vocabulary page 113. Jemez vocabulary page 113. Tehua (Tewa) page 114. Isleta vocabulary page 114. Yohuns (Yojuane) vocabulary page 115. Notes to vocabularies, page 115. Dakota language (words, etc.) pages 122-129. Apache language (words, etc.) page 130. Dakota (Santee) page 131. Hidatsa page 132. List of American Languages, pages 133-138. Nevome grammatical notes page 148. Kasua vocabulary pages 151-152. Tobikhars (Gabrieleno) vocabulary page 153. Island of LaCruz page 154 8from California Farmer - 1836). Few Poosepatuck words, page 154. Received from A. S. Gatschet September 6, 1875. Chibcha vocabulary pages 155-170. Arawak language of Guiana in its linguistic and ethnological relations By D. G. Brinton (1871) - Extracts from pages 188-190 Chabas, les Papyrus --- de Berlin, 1863- vocabulary in hieroglyphic symbols, page 194-5. Hidatsa vocabulary pages 206-208.
Contents: Tanoan. Gatschet, A. S. Brief discussion of location of "Tehua" (Tanoan) pueblos. 1/3 page, page 114. Barbareno Chumash. Loew, Oscar. "Kasua" vocabulary. June, 1875. Pages 151-52 in notebook. Gabrielino. Loew, Oscar. Brief vocabulary of "Tobikhars, extinct tribe at the San Gabriel Mission, collected from an old sick chief, [by] Oscar Loew, June, 1875...(Fernando Quinto. who recollects Fremont's Exped..." Page 153 in notebook. This is not the same as the main "Tobikhar" vocabulary from Loew in Bureau of American Ethnology Manuscript 774. Hopi. Gatschet, A. S. Note on "Moqui" (Hopi) language, with brief vocabulary. Page 113 (1/4 page) in notebook. Page 113 on Microfilm Negative Reel 11 (Hopi manuscript reel). Sia. Gatschet, A. S. Eleven words and phrases of the Santa Ana or Silla language. 1 slip, bound between pages 112-113 in notebook. Dakota Gatschet, A. S. Dakota vocabularies. [1890s ?] Autograph document. 7 pages.
An account of an expedition taken through New Mexico under the direction of Lieutenant G.M. Wheeler in 1873. It deals mostly with the area inhabited by the Pueblos, but a few comments are made on Navahos and Apaches. Although Loew is presumably the author of the account, this mmanuscript is in the hand of A.S. Gatschet, who may have used it in connection with his "Zwolf Sprachen aus dem Sudwestern Nordamerikas."
This collection includes photographic prints and copy negatives made by Charles Morgan Wood between 1908 and 1925 of indigenous communities and archaeological sites within Colorado, New Mexico, and Arizona. The communities photographed include the San Ildefonso Pueblo, Isleta Pueblo, Diné (Navajo), Tesuque Pueblo, Hopi-Tewa, Kewa (Santo Domingo Pueblo), Nambe Pueblo, K'apovi (Santa Clara Pueblo), Laguna Pueblo, A:shiwi (Zuni), Hopi Pueblo, Acoma Pueblo, and Taos Pueblo.
Scope and Contents:
Series one includes photos taken in Arizona between 1908-1925. Photos include landscapes, buildings, and portraits of living communities posing or engaging in tasks, such as decorating pottery, blanket weaving, and grinding corn. The depicted communities include the Hopi-Tewa, Hopi Pueblo, and Diné (Navajo). Also included are photographs of archaeological sites within Arizona, including several pictographs at Betatakin. A few prints document the Diné (Navajo) mud-bathing for a head dance. Catalog numbers include N36036, N41315, P07121-P0145; P07152-P07168
Series two includes photos taken between 1920-1925 in New Mexico. Some photos depict archaeological sites and prehistoric ruins, including photos of the Bandelier National Monument, the Inscription Rock in El Morro, and cliff-dwellings in Rito de los Frijoles. This series also depicts houses, buildings, and portraits taken among living communities, including the San Ildefonso Pueblo, Diné (Navajo), Isleta Pueblo, Tesuque Pueblo, Kewa (Santo Domingo Pueblo), Taos Pueblo, Acoma Pueblo, Hopi Pueblo, Hopi-Tewa, and K'apovi (Santa Clara Pueblo). Several photos also document women selling pottery and the A:shiwi (Zuni) rain dance. Catalog numbers include N36029-N36035; N36037-N36039; P07072-P07120; P07146-P0151; P07169-P07207.
Series three includes several photos of Mesa Verde National Park in Colorado, taken between 1920 and 1925. Structures include a view of a Spruce-tee house, Cliff palace, the Balcony house, and "Navajo Canon." Catalog numbers include P07066-P07071.
Prints include P07066-P07207. Copy negatives include N36029-N36039, N41315.
Arranged intro three series geographically. Arranged by catalog number within each series.
Biographical / Historical:
Charles Morgan Wood was born in 1879. He was a manufacturer and author from Dayton, Ohio. He retired to Tucson in 1923 where he pursued interests in writing, western history, and book collecting. At the time of his death in 1927, he was gathering material for a history of the Apache Indians.
Biography adapted from Arizona Historical Society.
Gift of Charles Morgan Wood, 1925.
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: firstname.lastname@example.org).
P07133 and P07139 are restricted due to cultural sensitivity.
This collection contains photographs that were commissioned by Fred Harvey Co. and shot by Carl Moon circa 1907-1914. The photographs depict American Indian communities in the southwest including A:shiwi (Zuni), Acoma Pueblo, Diné (Navajo), Hopi, Laguna Pueblo, and Taos Pueblo among many others.
Scope and Contents:
This collection contains 203 glass transparencies, 2 nitrate negatives, and 1 autochrome (plus 228 copy negatives and copy transparencies) that were commissioned by Fred Harvey Co. and shot by Carl moon circa 1905-1914. The photographs depict the southwest American Indian communities of A:shiwi (Zuni), Acoma Pueblo, Dine (Navajo), Havasupai (Coconino), Hopi Pueblo, Isleta Pueblo, K'apovi (Santa Clara Pueblo), Kewa (Santo Domingo Pueblo), Laguna Pueblo, Nambe Pueblo, Ohkay Owingeh (San Juan Pueblo), San Felipe Pueblo, San Ildefonso Pueblo, Taos Pueblo, Tesuque Pueblo, and White Mountain Apache. Some images were also shot in Grand Canyon National Park in Arizona. The photographs are a mix of portraits, posed action shots, and architecture shots. Some of the photographs appear to have been staged by the photographer. There are a few photographs in this collection that may have been shot by Moon prior to his employment with the Fred Harvey Company.
The copy negatives and transparencies were created by the Museum of the American Indian (NMAI's predecessor museum). There are sometimes multiple copy negatives and copy transparencies per glass plate transparency.
The collection is arranged into 17 series by culture group or location. Series 1: A:shiwi (Zuni), Series 2: Acoma Pueblo, Series 3: Diné (Navajo), Series 4: Havasupai (Coconino), Series 5: Hopi, Series 6: Isleta Pueblo, Series 7: K'apovi (Santa Clara Pueblo), Series 8: Kewa (Santa Domingo Pueblo), Series 9: Laguna Pueblo, Series 10: Nambe Pueblo, Series 11: Ohkay Owingeh (San Juan Pueblo), Series 12: San Felipe Pueblo, Series 13: San Ildefonso Pueblo, Series 14: Taos Pueblo, Series 15: Tesuque Pueblo, Series 16: White Mountain Apache, Series 17: Grand Canyon National Park, Arizona
The collection is physically arranged first by collection type (transparencies and negatives) and then in photo numeric order.
Biographical / Historical:
Born in 1878 in Wilmington, Ohio, Carl E. Moon (originally spelled Karl) took up photography after serving with the Ohio National Guard. He moved to Albuquerque, N.M. in 1903 and opened a photograph studio where he began photographing American Indians in the U.S. southwest region. After publishing and exhibiting many of his photographs nationally, he was commissioned by the Fred Harvey Company in 1907 to take photographs of American Indian communities in the southwest. The Fred Harvey Company was founded by Frederick Henry Harvey and consisted of a chain of successful gift shops, restaurants, and hotels know as Harvey Houses. Moon photographed individuals in his El Tovar Studio in the Grand Canyon, Ariz. and also traveled to communities in the region including A:shiwi (Zuni), Diné (Navajo), Hopi, and Laguna Pueblo, among many others. The Fred Harvey Company used these photographs in their postcards, brochures, and publications for the tourist industry. The Fred Harvey Company also partnered with the Sante Fe Railroad to help generate tourism to the southwest region and Moon became the official photographer for the railroad. Moon also took up drawing and painting and studied with American painter Thomas Moran. Moon stayed with the Fred Harvey Company until 1914.
After Moon left the Fred Harvey Company, he opened a studio in Pasadena, California and continued his career as a photographer and painter. During this period, Moon painted and donated 26 works depicting Southwest American Indians to the Smithsonian Institution (now in the Smithsonian American Art Museum's collection). He also sold 24 oil paintings and 293 photographic prints to Henry E. Huntington that are now part of the Huntington Library in San Marino California. With his wife Grace Purdie Moon, he also produced and illustrated children's books of collected Native American stories and legends. Moon died in San Francisco, Calif. in 1948.
The Huntington Library in San Marino California holds a large collection of Carl Moon works, including oil paintings and photographic prints. The University of Arizona Libraries, Special Collections also holds photographs shot by Carl Moon and the Smithsonian American Art Museum holds 26 Carl Moon paintings.
Two nitrate negatives are stored at an offsite storage facility.
Donated to the Museum of the American Indian by the Fred Harvey Company in 1963.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: email@example.com).
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to firstname.lastname@example.org.
Identification of specific item; Date (if known); Fred Harvey Company collection of Carl Moon Southwest photographs, Box and Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photographs made and collected by Harris M. McLaughlin during his travels in the American southwest and other parts of North and South America, as well as Asia and Europe. Photographs made in Texas include images of the 1928 American Legion National Convention, the dirigible "Los Angeles" floating over San Antonio, the first train in Rio Grande City, cowboys and ranchers, missions, and city and scenic views. McLaughlin also took photographs at the Grand Canyon, Canyon del Muerto, Bryce Canyon, and Zion National Park, and collected Frashers Foto postcards with photographs of Apache Indians, Navajo Indians, a Papago dwelling, a Pueblo potterymaker, and a Hopi Snake Dance. Photographs from Guatemala include images of villages and cities (including Antigua and Zacapa), as well as a harvest ceremony in Chichicastenango. McLaughlin also took photographs during a trip to Monterey, Mexico, which include images of towns and scenic views. Additional photographs depict flood damage in Aurora, Indiana; city views and scenery of Merida, Mexico; Chichen Itza; a banana plantation in Honduras; and wartime China and Europe.
Photographs of Cuba in 1898, probably not made by McLaughlin, include images of the USS Maine wreck, and funeral services for the sailors of the ship and residents of Havana. The collection also contains photographs of trees and a dwelling in Honduras made by H. E. Chapman in 1933, photographs of people and scenery in Sumatra made by J. H. Zimmermann, and commercial photographs of archeological collections at the Museo Nacional de Arqueologia, Historia y Etnografia in Mexico. There are also images of scenery and architecture in Japan, Panama and the Canal Zone, Puerto Rico, Dominican Republic, Belgium, England, and other places in Europe. Depicted individuals include Charles A. Lindbergh, as well as McLaughlin and his family.
Local Call Number(s):
NAA Photo Lot 2000-04
Location of Other Archival Materials:
Additional Frashers photographs held in National Anthropological Archives Photo Lot 59.
Nitrate negatives are in cold storage and require advanced notice for viewing.
Photo Lot 2000-04, Harris M. McLaughlin photographs of the Americas and Asia, National Anthropological Archives, Smithsonian Institution
Photographs of skulls in the United States Army Medical Museum collection, which appear to have been collected for physical anthropological purposes. Included are archeological remains and remains of historical American Indian tribes and some other ethnic groups. Other than tribe or location, data for the specimens include Army Medical Museum specimen number, AMM negative number, and sex; for some, there is also collection data and information on physical or medical conditions. There are also notes identifying donors who included army officers, physicians, scientists, and explorers such as Ferdinand Vandiveer Hayden, Edward Palmer, Frederic Ward Putnam, George Rolleston, Paul Schumacher, and many others. Some of the photographs may have been made as part of the Army Medical Museumʹs program of distributing images of its specimens.
Represented are Africans, Chinook, Choptank, Dakota, Eskimo of Greenland, Taiwanese peoples, Hawaiians, Hidatsa, Nisqually, Philippine peoples, Ponca, Potowatomi, Pueblo, Tonkawa, and Ute. Archeological specimens are from the Aleutian Islands, California, the Dakotas, England (Roman period), Florida, Illinois, Mississippi, New Mexico, Peru, Vancouver Island, and Vermont. For some, there is also information about the status or physical condition of the individual or observations of medical conditions shown in the specimens. Some additional photographs appear to show specimens at the American Museum of Natural History.
The United States Army Medical Museum (AMM, renamed the National Museum of Health and Medicine in 1989) was established by US Army Surgeon General William A. Hammond in 1862. Its initial focus was on collecting specimens of unusual pathology, mostly taken from victims of the American Civil War. By 1867, the museum had expanded to include medical, microsopical, anatomical, comparative anatomics, and other sections. The anatomical collection grew in part as a result of Circular No. 2 of 1867, which authorized military medical officers to collect cranial specimens from deceased American Indians. Additionally, the AMM made an arrangement with the Smithsonian Institution, by which the Smithsonian transferred their collection of human remains in exchange for ethnological artifacts. AMM photographed and measured many of the specimens in its collection as part of the museum's anthropological research.
Local Call Number(s):
NAA Photo Lot 73-26C, NAA Photo Lot 73-26D
Location of Other Archival Materials:
Photographs previously filed in Photo Lot 73-26D have been relocated and merged with Photo Lot 73-26C. These are also Army Medical Museum negatives of skulls and form part of this collection.
Additional Army Medical Museum photographs of skulls can be found in the National Anthropological Archives in Photo Lot 6A, Photo Lot 6B, Photo Lot 78-42, Photo Lot 83-41, and Photo Lot 97.
The collection is open for research.
Access to the collection requires an appointment.
Photo lot 73-26C, United States Army Medical Museum photographs of skulls, National Anthropological Archives, Smithsonian Institution
The collection consists of photographs, possibly part of a travelog, depicting mostly American landscapes (particularly tourist destinations), transportation (railroads, roads, and boats), towns, and hotels. A few photographs of American Indians include images of a Crow burial, a Pueblo ceremony, and men on horseback at Eagle Butte on the Yellowstone River. There are also scenic views made in Yellowstone National Park, California, the Teton Mountains, Badlands National Park, and the Grand Canyon; the latter includes an image of Theodore Roosevelt and party. Some images from outside of the United States include people and streets in Holland.
Most of the photographs were likely made by T. Parks Brownrigg, and the slides were prepared by Art and Travel Company, George W. Bond (for the Santa Fe Railroad), Detroit Photographic Company, Frank Jay Haynes, T. H. McAllister, G. L. Nichols, Pancoast and Hand, Scott and Van Altena, Sunset Engraving Company, and Underwood and Underwood.
Local Call Number(s):
NAA Photo Lot 35
Location of Other Archival Materials:
Additional photographs published by Frank Jay Haynes held in National Anthropological Archives Photo Lot 92-3, Photo Lot 90-1, and BAE 4543 (Photo Lot 24).
Additional lantern slides published by Underwood and Underwood held in National Anthropological Archives Photo Lot 98 and the Archives Center, National Museum of American History holds the Underwood & Underwood Glass Stereograph Collection.
Additional photographs published by Detroit Photographic Company held in National Anthropological Archives Photo Lot 92-37 and Photo Lot 92-3.
Includes images from the excavations at Hawikku near Zuni Pueblo and Basketmaker's Cave in Kane County, Utah, as well as objects found at Cave Lakes, also in Kane County, Utah. Also included are views of Zuni Pueblo, Santa Clara Pueblo, Jemez Pueblo, Puye cliff dwellings, Pecos Mission and other views of Arizona and New Mexico.
Negatives: organized in individual sleeves; arranged by negative number
Prints: organized in folders; arranged by print number
Jesse L. Nusbaum, a long-time archaeologist and administrator for the National Park Service and recipient of the Distinguished Service ward from the Department of the Interior (1954), began his career as a teacher, attending Colorado Teachers College in Greeley, where he received his Bachelor of Pedagogy in 1907. He then moved to Las Vegas to teach science and manual arts at New Mexico State Normal School. Later that year, he made his first connection with Mesa Verde as a photographer and archeological assistant to A. V. Kidder; Nusbaum spent the next year working as an assistant to the archeologist. In June of 1909 he became the first employee of the School of American Archeology and Museum of New Mexico in Santa Fe under Dr. Edgar L. Hewett. Nusbaum traveled to Guatemala, Honduras, Mexico, Colorado, and New Mexico where he undertook archeological surveys, investigations, excavations, and ruins stabilization.
Nusbaum's work at the museum brought him back to Mesa Verde for the excavation, repair, and stabilization of the Balcony House, a project which extended into the winter of 1910. In 1913, he supervised the completion of the New Mexico Palace of Governors in Santa Fe and worked in the Mayan ruins of the Yucatan with Dr. S. G. Morley. He then supervised the construction of the state art museum from 1916 to 1918. Nusbaum enlisted during World War I in the hopes of becoming an aviator, but instead he became an engineer and served in France until his discharge in 1919. After the war, Nusbaum moved to New York City and worked at the Museum of the American Indian, Heye Foundation. While Nusbaum was working in New York he took part in several expeditions to the Southwest, including those at Hawikku (Hawikuh) Pueblo and Basketmaker Cave.
In 1921, while still in New York, he was selected by Stephen Mather and Arno Cammerer to become superintendent at Mesa Verde National Park. Director Mather had become disgusted with the conditions that had developed there under a political superintendent. Nusbaum was a very effective superintendent, advancing the development of the park and preserving the archeological resources. He discontinued grazing, built a museum and developed good interpretive programs, especially ones designed to explain the Antiquities Act. His involvement with the Act led to his designation in 1927 as the lead archeologist and prime enforcer of the Act for the Southwest (while remaining Mesa Verde superintendent).
Nusbaum continued this dual capacity until 1930, when he took a leave of absence to organize and direct the Laboratory of Anthropology at Santa Fe, New Mexico. He continued as director of the laboratory until 1935, having earlier returned to the Park Service and resumed his dual duties as Mesa Verde superintendent and Department of the Interior archeologist enforcing the Antiquities Act. Nusbaum continued this dual position for many years. In 1946 he left Mesa Verde and his dual role for Santa Fe. At the National Park Service office there, he took up increased duties as the senior archeologist of the National Park Service. In this capacity, Nusbaum began one of the first salvage archeology projects when he persuaded El Paso Natural Gas Company to allow archeological excavation along their pipelines. After a year's extension Nusbaum was forced to retire from the NPS at the age of 71 in 1957. However, he continued to do consulting work for many years. He died in Santa Fe in December 1975, at the age of 88.
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Restricted: Cultural Sensitivity
Jesse L. Nusbaum negatives and photographs, 1910-1928, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
The S.K. Lothrop collection primarily contains negatives, photographic prints, and lantern slides made by Lothrop while employed by the Museum of the American Indian, Heye Foundation. Lothrop traveled on behalf of the Museum to New Mexico, Argentina, Chile, El Salvador, Guatemala, and Peru. The four New Mexico negatives in this collection date from 1915, before Lothrop worked for the Museum, and depict scenes around Zuni. During his 1924 trip to El Salvador, Lothrop photographed volcanos, archaeological sites, antiquities, the landscape, villages, and native peoples engaged in pottery and rope making, food preparation, house building, and ceremonial activities. The 1925 views particularly concentrate on Argentina (but also Chile and Peru). The Argentina materials include views made in the Tierra del Fuego (also part of Chile), including depictions of the daily lives and ceremonial activities of natives peoples of Tierra del Fuego--Selk'nam (Ona) and Yámana (Yagán/Yahgan); the Patagonia landscape; and excavations undertaken by the Museum's La Plata Expedition. The 1928 Guatemala views include depictions of Mayan ruins of Zaculeu and of Tz'utuhil Maya (Tzutuhil/Zutigil), Quiché Maya (Quiche), and Kaqchikel Maya (Cakchiquel) people engaged in weaving, rope making, canoeing, and ceremonial actitivies. The collection also contains photographs made by Lothrop before he worked for the Museum, including 1915 views of effigy mounds in Wisconsin and views at Hopi, Acoma, and Santa Clara; 1917 views of Panama, Honduras, Costa Rica, and El Salvador; and 1918 views of Guatemala, Costa Rica, Puerto Rico, and Nicaragua.
Samuel Kirkland Lothrop was an archaeologist and photographer who extensively traveled and worked throughout Central America and South America. George Gustav Heye originally hired Lothrop to research native Guatemalan and El Salvadoran textiles and pottery. He subsequently excavated on behalf of the Museum of the American Indian in such places as the Tierra del Fuego. Here he photographed indigenous communities who would not survive the twentieth century as a distinct culture group. In 1923, he also photographed the activities of the Hendricks-Hodge Hawikku Expedition excavations. In addition to the Museum of the American Indian, Heye Foundation, the Peabody Museum and the Carnegie Institute sponsored his research and archaeological work.
Historically, the Museum of the American Indian, Heye Foundation managed all photographic and related manuscript collections separately. This collection description represents current management practices of organizing and contextualizing related archival materials.
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Copyright: National Museum of the American Indian
Indians of Central America -- Guatemala -- Photographs Search this
Indians of Central America -- El Salvador -- Photographs Search this
Fuegians -- Social life and customs -- Photographs Search this
Excavations (Archaeology) -- Argentina -- Photographs Search this
S. K. Lothrop collection of negatives, photographs and lantern slides, 1915-1928, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
Most of Stevenson's scientific notes are included as separate items in the series of numbered manuscript and the papers of John Peabody Harrington. This particular set of materials is made up of papers that passed into the hands of the executor of her estate. It consists of a miscellany of letters, notes, legal documents, cartographic materials, genealogical materials, photographs, newspaper clippsing, other printed material, and other types of documents. Although tehc ollection largely concerns Stevenson, it also includes some material of her husband, James Stevenson, and members of her family, especially her father, Alexander H. Evans, a Washington, D.C. attorney.
Many of the documents concern Stevenson's field work among the Pueblo Indians and other official duties with the Smithsonian. some material relates to her activities with the World's Columbian Exposition and the Louisiana Purchase Exposition. A few items concern her membership in scientific organizations. Still other documents are of a personal nature, and some are mementoes, especially of James Stevenson. A significant group of documents concern Matilda CoxeStevenson's friendly and, later, very difficult relationship with Clara True.
The photographs include some items of ethnographic interest but it consists largely of portraits of James andMatilda Stevensonand Mrs. Stevenson's relatives. Also included are images in albums apparently gathered by Stevenson as a collector of photographs. They include images of Kit Carson, Charles Darwin, Charles Dickens, Ferdinand Vandiveer Hayden, Henry Wadsworth Longfellow, and William Tecumseh Shermn. In the albums are also a nubmer of photographic portraits with unidentified subjects, many of whom appear to be actors and actresses.