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Frederick Starr collection of William L. Koehne photographs of Mexican Indians

Collector:
Starr, Frederick, 1859-1933  Search this
Photographer:
Koehne, William L.  Search this
Extent:
60 mounted prints (platinum)
Culture:
Chol Indians  Search this
Chontal Indians  Search this
Chinantec Indians  Search this
Chocho Indians  Search this
Huave Indians  Search this
Mayas  Search this
Cuicatec Indians  Search this
Huastec Indians  Search this
Tepehua Indians  Search this
Tarasco Indians  Search this
Totonac Indians  Search this
Tlaxcalan Indians  Search this
Aztecs  Search this
Otomi Indians  Search this
Mixtec Indians  Search this
Zoque Indians  Search this
Indians of Mexico  Search this
Tzotzil Indians  Search this
Zapotec Indians  Search this
Trique Indians  Search this
Tzeltal Indians  Search this
Mixe Indians  Search this
Mazatec Indians  Search this
Type:
Archival materials
Collection descriptions
Mounted prints
Photographs
Date:
circa 1890-1902
Scope and Contents note:
Front and profile studio portraits of Mexican Indians, representing Aztec, Chinantec, Chocho, Chol, Chontal, Cuicatec, Huastec, Huave, Maya, Mazatec, Mixe, Mixtec, Otomi, Tarascan, Tepehua, Tlaxcalan, Totonac, Trique, Tzental, Tzotzil, Zapotec, Zapotec Tehuartepec, and Zoque tribes. The photographs were made by William L. Koehne of Chicago for publication in Frederick Starr's book, Physical Characters of Indians of Southern Mexico.
Biographical/Historical note:
Frederick Starr (1858-1933) was an anthropologist and academic who worked as curator at the American Museum of Natural History and professor of anthropology at the University of Chicago. During his professiorship, Starr hired professional photographer and studio owner William L. Koehne to make the studio portraits for his 1902 book, Physical Characters of Indians of Southern Mexico. Additionally, Starr made several field studies in Mexico and commissioned field photographs and plaster busts.
Local Call Number(s):
NAA Photo Lot 123
Varying Form of Title:
Mexican and Mesoamerican photographs
Location of Other Archival Materials:
Photographs collected by Cyrus Thomas, Robert T. Hill, Edward W. Nelson, and Edgar L. Hewitt have been relocated to Photo Lot 169, Photo Lot 170, Photo Lot 171, and Photo Lot 172, respectively.
The Smithsonian Institution National Museum of the American Indian Archives holds the Frederick Starr negatives and lanterns slides, 1894-1910.
Correspondence from Starr held in the National Anthropological Archives is in MS 4558, MS 4821, and the Bureau of American Ethnology records.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 123, Frederick Starr collection of William L. Koehne photographs of Mexican Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.123
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-123

Cyrus Thomas photograph collection relating to Mayan and Aztec carvings

Creator:
Thomas, Cyrus, 1825-1910  Search this
Photographer:
Alvarez y Medina  Search this
Kildare y Cia  Search this
Names:
Museo Nacional de Antropología (Mexico)  Search this
Artist:
Waldeck, Frédéric de, 1766-1875  Search this
Extent:
35 mounted prints (albumen and silver gelatin)
Culture:
Mayas  Search this
Aztecs  Search this
Type:
Archival materials
Collection descriptions
Mounted prints
Place:
Mexico -- Antiquities
Date:
circa 1880-1910
Scope and Contents note:
The bulk of the photographs document Mayan reliefs and hieroglyphics at ancient sites, including Chichen Itza, Palenque, and Yaxchilan. Additional photographs depict items in the Museo Nacional de Antropologia in Mexico, including a necklace, the Stone of Tizoc, and a stone altar disk to Tlaltecuhtli. The collection includes photographs made by Alvarez y Medina, Kildare y Cia, and a photograph of a drawing by Frederic de Waldeck.
Biographical/Historical note:
Cyrus Thomas (1825-1910) was an archeologist for the Bureau of American Ethnology best known for his work on American Indian burial mounds in the American Midwest. Born in Kingsport, Tennessee, Thomas was educated in law and served as Deputy County Clerk under his brother-in-law, the County Clerk of Jackson County, Illinois (1850-1853). In 1858, Thomas helped found the Illinois Natural History Society, through which he met John Wesley Powell. Thomas served for a brief period as an Evangelical Lutheran minister (1864-1866) before becoming an entomologist for the U.S. Geological and Geographical Survey of the Territories (1869-1873), Illinois State Entomologist (1874-1876), and a member of the US Entomological Commission (1876-1882). In 1876, he also worked as a professor of natural history at Southern Illinois Normal College and founded the school's Museum of Natural History (now the University Museum). During this time, Thomas also became interested in Mesoamerican ethnology, publishing articles about Mesoamerican codices and writing systems. In 1881 Thomas joined the Bureau of American Ethnology at the Smithsonian and served as the Director of the Division of Mound Exploration, a position he maintained until his death in 1910.
Local Call Number(s):
NAA Photo Lot 169
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 123.
Additional Cyrus Thomas materials relating to Mesoamerica held in the National Anthropological Archives are in MS 103, MS 1328, MS 3705, MS 3956, MS 3530, MS 3941, MS 3260, MS 2337, and MS 3920-b.
Correspondence from Thomas is held in the National Anthropological Archives in MS 4821, the J. C. Pilling papers, and records of the Bureau of American Ethnology.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of Mexico -- Languages -- writing  Search this
Citation:
Photo Lot 169, Cyrus Thomas photograph collection relating to Mayan and Aztec carvings, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.169
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-169

Edward William Nelson photograph collection of Mexican Indians

Creator:
Nelson, Edward William, 1855-1934  Search this
Extent:
21 prints (silver gelatin and possibly platinum)
Culture:
Indians of Mexico  Search this
Type:
Archival materials
Collection descriptions
Prints
Photographs
Date:
circa 1892-1906
Scope and Contents note:
Studio portraits of Mexican Indians and one image of a coffee plantation. The photographs were likely collected by Edward William Nelson during his field studies in Mexico with Edward Alphonso Goldman, 1892-1906.
Biographical/Historical note:
Edward William Nelson (1855-1934) was an explorer and naturalist for the United States government known for his studies in Alaska, California and Mexico. Born near Manchester, New Hampshire, Nelson grew up with an ardent interest in birds and the outdoors. With the help of Henry W. Henshaw and Smithsonian Assistant Secretary Spencer F. Baird, he gained a post as a weather observer with the Signal Corps in 1877. Nelson was stationed in St. Michael, Alaska, for the next four years, during which time he collected ethnological data and natural history collections for the Smithsonian Institution. In 1890, Nelson joined the Bureau of Biological Survey of the United States Department of Agriculture as a Special Field Agent on the Death Valley Expedition of Clinton Hart Merriam. After this Expedition disbanded in 1891, Nelson continued to work in California under orders from the Bureau and met his future expedition partner Edward Alphonso Goldman. A three month field survey in Mexico in 1892 evolved into fourteen years of research by the pair, during which they made extensive investigations of Mexican mammalogy, ornithology, and ethnology. Following these studies, Nelson moved into an administrative role in the Bureau, holding appointments as Chief Field Naturalist, 1907-1912; Assistant in Charge of Biological Investigations, 1913-1914; Assistant Chief, 1914-1916; Chief, 1916-1927; and Senior Biologist, 1927-1929.
Local Call Number(s):
NAA Photo Lot 171
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 123.
Additional photographs by Nelson are held in National Anthropological Archives Photo Lot 89-8, Photo Lot 133, Photo Lot 24, and the BAE historical negatives.
The Smithsonian Institution Archives holds the Edward William Nelson and Edward Alphonso Goldman Collection, circa 1873-1946 (SIA RU007364) and a registry to their additional field notes.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Coffee plantations  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 171, Edward William Nelson photograph collection of Mexican Indians, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.171
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-171

Photographs copied by George Peter Murdock's Strategic Index of Latin America

Creator:
Murdock, George Peter, 1897-1985  Search this
Extent:
700 copy prints (circa)
Culture:
Indians of Mexico  Search this
Indians of South America  Search this
Type:
Archival materials
Collection descriptions
Copy prints
Photographs
Place:
Virgin Islands
Venezuela
British Honduras
Chile
Brazil
British Guiana
Colombia
Dominican Republic
Paraguay
Peru
Puerto Rico
Suriname
Leeward Islands (Federation)
Mexico
Nicaragua.
Panama
Ecuador
Honduras
Bolivia
Argentina
Date:
circa 1942-1948
Scope and Contents note:
Photographs assembled circa 1942-1948, probably as part of the Strategic Index of Latin America, and relating to people and scenery in Latin America. They depict transportation, irrigation, agriculture and industry (including rubber production), cities and villages, and archeological finds. The prints are arranged geographically into the following locations: Argentina, Bolivia, Brazil, British Guiana, British Honduras, Chile, Colombia, Dominican Republic, Ecuador, Guatemala, Honduras, Leeward Islands, Mexico, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, Suriname, Venezuela, Virgin Islands, and Windward Islands. The photographs were copied from published sources (originals circa 1850s-1940s) and are individually labeled with source information and original captions.
Biographical/Historical note:
George Peter Murdock (1897-1985) was an anthropologist of comparative ethnology. Educated at Yale, he received a BA in History (1919) and PhD in Sociology (1925). He taught sociology and anthropology at the University of Maryland for two years before returning to Yale in 1928 as an assistant professor of physical anthropology. In 1931, Murdock was granted a joint appointment with Yale's newly formed anthropology department, in which he served as department chair (1938-1960) and full professor (1939-1960). During his time at Yale, Murdock embarked on his most notable project, the Cross Cultural Survey in 1937. Positioned within the Institute of Human Relations, the CCS was a catalog of anthropological data, indexed according to Murdock's Outline of Cultural Materials (1938) to enable quick reference of cultures and analyses of a unified theory of behavior. During the Second World War, the Strategic Index of Latin America, an auxiliary arm of the CCS, was created to focus on Latin American cultural questions and strategic decision making. After the war, the CCS was reorganized by a consortium of universities as the Human Relations Area Files, with Murdock at the head. Murdock left Yale in 1960 and served as Mellon Professor of Anthropology at the University of Pittsburgh until 1973.
Local Call Number(s):
NAA Photo Lot 4632
Location of Other Archival Materials:
The National Anthropological Archives also holds Murdock's Pacific Survey File.
Correspondence with Murdock held in the National Anthropological Archives in MS 7027, MS 4821, American Ethnological Society records, Handbook of South American Indians Records, and collections of personal papers.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Industries  Search this
Dwellings  Search this
Cities and towns  Search this
Transportation  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 4632, Photographs copied by George Peter Murdock's Strategic Index of Latin America, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4632
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-4632

Photographs of Smithsonian Institution anthropology exhibits at Louisiana Purchase Exposition

Creator:
Smithsonian Institution, collector and exhibit designer  Search this
Names:
Smithsonian Institution. Bureau of American Ethnology. exhibit designer  Search this
United States National Museum., exhibit designer  Search this
Holmes, William Henry, 1846-1933  Search this
Extent:
31 mounted prints (silver gelatin)
Culture:
Indians of North America -- Southwest, New  Search this
Mayas  Search this
Indians of North America -- Great Plains  Search this
Zuni Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Hopi Indians  Search this
Indians of Mexico  Search this
Indians of the West Indies  Search this
Type:
Archival materials
Collection descriptions
Mounted prints
Photographs
Place:
Xochicalco Site (Mexico)
Date:
1904
Scope and Contents note:
Images of United States National Museum anthropological exhibits at the Louisiana Purchase Exposition, also called the St. Louis World's Fair. Images of the Department of Anthropology's exhibits include those of photographs and models of Mayan and Mesoamerican temples; antiquities from Mexico, Mesoamerica, and the West Indies; and American Indian, Mexican, and Mesoamerican sculptures, ceramics, tools, textiles, masks, and baskets. Photographs also document the Bureau of American Ethnology's exhibits, including "symbolic art," drawings and paintings on artifacts from tribes of the New Southwest, Plains, and Northwest Coast. The collection also includes a photograph of carved designs on a structure at Xochicales, possibly used in the exhibition or as part of its design.
Biographical/Historical note:
The National Museum's Department of Anthropology and the Bureau of American Ethnology exhibits at the Louisiana Purchase Exposition were highly integrated, and both were designed by then chief of the Bureau of American Ethnology and former head curator of the Department of Anthropology, William Henry Holmes. The exhibits were intended to illustrate "the higher culture of the native American peoples as shown in their arts and industries." The exhibit featured examples of architecture, sculpture, ceramics, metal work, water craft, musical instruments, pipes, and ceremonial objects and included models of Aztec ruins based on plans by De Lancey W. Gill.
Local Call Number(s):
NAA Photo Lot 82-31
Location of Other Archival Materials:
Papers, photographs, and records relating to exhibitions at the Louisiana Purchase Exposition can be found in the National Anthropological Archives in MS 4689, MS 7571, MS 7208, Photo Lot 24, and Bureau of American Ethnology Letters Received 1888-1906.
The Smithsonian Institution Archives holds Exposition Records of the Smithsonian Institution and the United States National Museum, 1867-1940 (SIA RU000070) as well as photographs of the exhibits.
Additional photographs of the Louisiana Purchase Exposition can be found in the National Anthropological Archives in Photo Lot 107, Photo Lot 89-8, and Photo Lot 90-1.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Religion  Search this
Mayas -- Antiquities  Search this
Decorative arts  Search this
Symbolism  Search this
Exhibitions  Search this
Genre/Form:
Photographs
Citation:
Photo lot 82-31, Photographs of Smithsonian anthropology exhibits at Louisiana Purchase Exposition, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.82-31
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-82-31

Bureau of American Ethnology photograph collection relating to American Indians

Creator:
Smithsonian Institution. Bureau of American Ethnology  Search this
Photographer:
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Gardner, Alexander, 1821-1882  Search this
Gill, De Lancey, 1859-1940  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
Shindler, A. Zeno (Antonio Zeno), 1823-1899  Search this
Westmann, Orloff R.  Search this
Names:
Middlebrook, J. E. (probable photographer)  Search this
Extent:
2,600 Prints (circa, silver gelatin and platinum)
Culture:
Zulu (African people) -- depicted  Search this
Indians of North America -- depicted  Search this
Indians of Mexico -- depicted  Search this
Type:
Archival materials
Collection descriptions
Prints
Photographs
Date:
circa 1870s-1930
Scope and Contents note:
The bulk of the collection consists of photographs made from glass negatives collected and produced by the Bureau of American Ethnology. These photographs include portraits and field photographs by photographers and anthropologists, most associated with the BAE, including Alexander Gardner, William Henry Jackson, John K. Hillers, DeLancey Gill, C. M. Bell, Antonio Zeno Shindler Matilda Coxe Stevenson, and others. The collection also includes photographs donated to the United States National Museum and transferred to the Department of Anthropology which depict Zulus and people from Chiapas, Mexico. Some of the prints in this collection may have been made for an Indian Photographic Exhibit lent by the BAE to the Public Library Commission of Indiana.
Local Call Number(s):
NAA Photo Lot 85
Location of Other Archival Materials:
Original negatives for the bulk of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
Original prints for photographs of Zulu and people in Chiapas are held in National Anthropological Archives Photo Lot 97 and Photo Lot 24.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 85, Bureau of American Ethnology photograph collection relating to American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.85
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-85

Auguste Genin photographs of Mexican natural history collections

Creator:
Génin, Auguste, 1862-1931  Search this
Extent:
37 mounted prints (Album :, silver gelatin)
Culture:
Mexicans  Search this
Aztecs  Search this
Tarahumara Indians  Search this
Huichol Indians  Search this
Matlatzinca Indians  Search this
Zapotec Indians  Search this
Indians of Mexico  Search this
Type:
Archival materials
Collection descriptions
Mounted prints
Photographs
Place:
Mexico
Nayarit (Mexico)
Date:
circa 1920
Scope and Contents note:
Photographs relating to a Mexican natural history collection, including archeological, ethnographic, physical, entomological, ornithological, conchological, and paleontological collections. The photographs are mounted in an album entitled "Collections de Auguste Genin," where they are divided according to discipline and have accompanying typewritten descriptions by Genin. There are images of Huichol Indians; a diorite yoke from Jalapa; Aztec, Zapotec, Matlatlzinca, Huichol, and Tarahumara arms, tools, urns, vases, and idols; statuettes from Nayarit and statuettes of musicians and musical instruments; a wooden instrument from Hidalgo; ancient and modern musical instruments; terra cotta Spanish objects; coins and medals; skulls from Guerrero and the Valley of Mexico; a shell collection; and mastodon bones.
Biographical/Historical note:
Auguste Genin (1862-1931) was a a Franco-Mexican writer, poet, photographer, ethnologist. He was a resident of Mexico and director of the Mexican National Company of Dynamite and Explosives.
Local Call Number(s):
NAA Photo Lot 86-25B
Location of Other Archival Materials:
Digital surrogates for most of the photographs can be found in the National Anthropological Archives in MS 4523, a duplicate album sent to the Bureau of American Ethnology.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Entomology  Search this
Mollusks  Search this
Ornithology.  Search this
Numismatics  Search this
Paleontology  Search this
Musical instruments  Search this
Music -- Mexico  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 86-25B, Auguste Genin photographs of Mexican natural history collections, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.86-25B
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-86-25b

Dennis McCarthy photographs of Seri Indians and Seri artifacts

Creator:
McCarthy, Dennis  Search this
Extent:
28 color prints
Culture:
Seri Indians  Search this
Indians of Mexico  Search this
Type:
Archival materials
Collection descriptions
color prints
Date:
1970-1983
Scope and Contents note:
Photographs of Seri artifacts and craftspeople, probably made by Dennis McCarthy. They include images of wood carvings, baskets, a violin and bow, rasp and scraper, toy cradle, and necklace, as well as a man, probably Dennis McCarthy, with a basket maker, violin maker, and a saleswoman. The prints are mounted on unbound album pages, which also include a note on McCarthy's interest in the Seri, a resume, and a bibliography.
Biographical/Historical note:
Dennis McCarthy was a public service officer in Arizona, where he worked as State Parks Director, Historic Preservation Officer, and Natural and Cultural Resources and Urban Lands Planner for the State Land Department. He started visiting Seri fishing camps on Tiburon Island in 1968 and later made contact with the Seri at Punta Chueca. In his personal reflections, he reports having "become captivated" with their artwork, particularly wood carvings and basketry.
Local Call Number(s):
NAA Photo Lot 86-27
Location of Other Archival Materials:
Additional photographs of Seri Indians can be found in the National Anthropological Archives in Photo Lot 87-38, Photo Lot 89, Photo Lot 24, and the BAE historical negatives.
Additional photographs of Seri Indians can be found in the National Museum of the American Indian Archives in the Edward Harvey Davis Photograph Collection, Alanson Buck Skinner Photograph Collection, and George W. Avery photographs and negatives.
The Department of Anthropology holds examples of Seri basketry.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Musical instruments  Search this
Baskets  Search this
Wood-carving  Search this
Citation:
Photo Lot 86-27, Dennis McCarthy photographs of Seri Indians and Seri artifacts, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.86-27
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-86-27

Donald Bush Cordry photographs of Indians of Mexico

Creator:
Cordry, Donald Bush  Search this
Names:
Cordry, Donald Bush -- Exhibitions  Search this
Extent:
8 color transparencies
93 mounted photographs (silver gelatin)
Culture:
Mixe Indians  Search this
Amuzgo Indians  Search this
Zapotec Indians  Search this
Mestizos  Search this
Tarasco Indians  Search this
Tepehuan Indians  Search this
Totonac Indians  Search this
Mazatec Indians  Search this
Nahuas  Search this
Chinantec Indians  Search this
Huichol Indians  Search this
Seri Indians  Search this
Huave Indians  Search this
Chiapanec Indians  Search this
Mixtec Indians  Search this
Mayas  Search this
Mayo Indians  Search this
Cuicatec Indians  Search this
Zoque Indians  Search this
Tzotzil Indians  Search this
Indians of Mexico  Search this
Type:
Archival materials
Collection descriptions
Color transparencies
Mounted photographs
Place:
Mexico
Date:
1937-1972
Scope and Contents note:
Enlargements of photographs made by Donald Bush Cordry during his time in Mexico. These were mounted for a 1970s Bellas Artes-sponsored traveling exhibit based on Cordry's collection of Mexican Indian costumes. Included are images of Mexican Indians, fiestas and dances, pottery, boats, weaving, spinning, masks, vendors and markets, churches, and shrines. Depicted tribes include the Huichol, Mestizo, Tarascan, Seri, Mayo, Tepehua, Totonac, Nahua, Mazatec, Cuicatec, Chinantec, Zapotec, Mixe, Amusgo, Huave, Mixtec, Chapanec, Zoque, Tzotzil, and Maya. Additionally, there are some self portraits of Donald Cordry and his wife Dorothy.
Biographical/Historical note:
Donald Bush Cordry (1907-1978) was an artist and photographer who studied the art of Mexican Indians. In 1931, Cordry made his first trip to Guerrero, Mexico, where he became interested in contemporary mask making. In 1934, Cordry moved to New York to work as a marionette designer for puppeteer Tony Sarg. While there, he contacted George G. Heye to learn more about Mexican Indian art. This led to a series of collecting expeditions from 1935 to 1938, during which Cordry collected Mexican masks and other artifacts for the Museum of the American Indian, Heye Foundation.
Local Call Number(s):
NAA Photo Lot 87-38, USNM ACC 361232
Location of Other Archival Materials:
Additional photographs made by Cordry can be found in the National Anthropological Archives in Photo Lot 82-14.
Donald Cordry and his wife, Dorothy Mann Cordry, also donated clothing and musical instruments from Mexico to the Department of Anthropology in accessions 361232 and 355866.
The National Museum of the American Indian Archives holds the Donald Bush Cordry collection of photographs and negatives, 1933-1940, as well as artifacts collected by Cordry.
Photographs of the Donald Cordry Mexican mask exhibit can be found in the National Anthropological Archives in Photo Lot 80-3.
The Donald Cordry Mexican mask collection can be found in the Department of Anthropology in accession 355867.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pottery -- Mexico  Search this
Dances -- Mexico  Search this
Weaving -- Mexico  Search this
Markets -- Mexico  Search this
Clothing and dress  Search this
Spinning -- Mexico  Search this
Masks -- Mexico  Search this
Citation:
Photo Lot 87-38, Donald Cordry photographs of Indians of Mexico, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.87-38
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-87-38

Bill Wright photographs of Kickapoo, Seminole, and Tiwa Indians

Creator:
Wright, Bill  Search this
Extent:
14 prints (silver gelatin)
Culture:
Indians of North America -- Southwest, New  Search this
Tiwa Indians  Search this
Kickapoo Indians  Search this
Seminole Indians  Search this
Indians of North America -- Southern States  Search this
Indians of Mexico  Search this
Type:
Archival materials
Collection descriptions
prints
Photographs
Date:
circa 1986, 1993
Scope and Contents note:
Photographs made by Bill Wright circa 1993 documenting Kickapoo Indians in Colonia el Nacimiento, Mexico, and Black Seminole Indians in Coahuila, Mexico. There are also three images of the 1986 Tiwa Celebration of St. Anthony that depict dancers, preparations, and a procession.
Biographical/Historical note:
Bill Wright is a businessman and photographer in Abilene, Texas. His photography has been published in four photography books: Portraits from the Desert: Bill Wright's Big Bend, The Tiguas: Pueblo Indians of Texas, The Texas Kicakpoo: Keepers of Tradition, and People's Lives: A Photographic Celebration of the Human Spirit.
Local Call Number(s):
NAA Photo Lot 91-3
Location of Other Archival Materials:
Additional Bill Wright photographs held in National Anthropological Archives Photo Lot 98-39.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Photographs are under copyright by the photographer.
Topic:
Religion  Search this
Dance  Search this
Genre/Form:
Photographs
Citation:
Photo lot 91-3, Bill Wright photographs of Kickapoo, Seminole, and Tiwa Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.91-3
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-91-3

Teriananda papers

Author:
Teriananda, 1947-  Search this
Names:
Peltier, Leonard  Search this
Extent:
0.83 Linear Feet (2 archival boxes )
Culture:
Indians of North America  Search this
Navajo Indians  Search this
Hopi Indians  Search this
Type:
Archival materials
Collection descriptions
Articles
Writings
Letters
Clippings
Reports
Date:
1972 - 1999
Summary:
The Teriananda Papers, located in the Cultural Resource Center of the National Museum of the American Indian, contain writings authored by Teriananda, as well as various position papers, news articles, flyers, correspondence, and group newsletters that represent the political activities she participated in on behalf of Native American and other indigenous peoples.
Scope and Contents:
This collection, from the 1970s to the 1990s, is comprised of published and unpublished writings by Teriananda, as well as letters, reports, newspaper and magazine articles, group newsletters, flyers and announcements of political events, and news releases. The issues represented here, including support work for "The Longest Walk," the campaign for justice for Leonard Peltier, and the Big Mountain relocation are indicative of the concerns in parts of Indian country in the United States and elsewhere during these decades.
Arrangement:
The Teriananda papers are arranged into two series:

Series I: Writings (1978-1991)

Series II: Political Activities (undated; 1972-1996)
Biographical / Historical:
Teriananda was born in Manhattan in 1947, where she grew up and has continued to live throughout her adult life. Teriananda's father, born in Brooklyn, became a financial officer and independent scholar, her mother, born in British Guiana (now Guyana), was a classical pianist who immigrated to the United States and later became an editorial assistant, working part-time during Teriananda's childhood. Her parents instilled in Teriananda a belief that she was "a citizen of the world." She studied ballet as a youngster, and, as a teenager, immersed herself in the artistic and intellectual milieu of the Lower East Side and Greenwich Village. An improperly diagnosed back injury while she was a senior in high school resulted in severe back problems in the 1970s that have persisted throughout her life.

Teriananda became interested in indigenous struggles in the 1970s following a "back crisis" that almost took her life yet proved to be psychically transformative. In seeking to know who she was, she realized she needed to know where she was, and this led her to ask who the original inhabitants of the continent were. She soon became involved in activist struggles for indigenous rights, and worked with a number of Native American groups during the 1970s and 1980s, including, among other things, the International Treaty Council's attempts to found the U.N.'s permanent Working Group on Indigenous People, support for Yvonne Wanrow and Leonard Peltier, the issue of uranium contamination from mining on Native American land, and the problem of the Joint Land Use Area near Big Mountain on the Hopi and Navajo reservations.

Teriananda also worked on issues surrounding the AIDS crisis after the death of several friends from this disease. She had become familiar with the possibilities of natural medicines, partly through contact with traditional Native teachers, and she became active promoting the benefits of nutritional, herbal and other natural therapies to sufferers of AIDS. As Teriananda's own health issues persisted and worsened, she turned to Tibetan Buddhism, and has devoted herself to artistic pursuits influenced by this spiritual path, although she has worked artistically since the early 1970s, when she stopped dancing. Although she has cut back on her activism, due to health problems and family demands, Teriananda remains a committed political activist who stays informed of current issues and is determined to pass on the heritage of struggles for peace and justice to the next generation.
Provenance:
Donated to the National Museum of the American Indian Archives by Teriananda in March 2003
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish materials from the collection must be requested from the NMAI Archivist. The Archives has no information on the status of literary rights for the work of others found in these papers; researchers are responsible for determining any question of copyright.
Topic:
Indians of North America -- Civil rights  Search this
Indians of North America -- Relocation  Search this
Indians of Mexico  Search this
Traditional medicine  Search this
AIDS (Disease)  Search this
Indians of North America -- Land tenure  Search this
Indians of South America  Search this
Indians of Central America  Search this
Genre/Form:
Articles
Writings
Letters
Clippings
Reports
Citation:
Identification of specific item; Date (if known); Teriananda papers, Box and Folder Number; National Museum of the American Indian Archives, Smithsonian Institution.
Identifier:
NMAI.AC.009
See more items in:
Teriananda papers
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-009

Hortense T. Ferne negatives and prints

Creator:
Ferne, Hortense T., 1885-1976  Search this
Names:
Mission San José y San Miguel de Aguayo (San Antonio, Tex.)  Search this
Extent:
180 acetate negatives (black and white, 5 x 7 inches.)
71 Photographic Prints (gelatin silver, 10 x 13 inches.)
Type:
Archival materials
Collection descriptions
acetate negatives
Photographic Prints
Black-and-white negatives
Photographs
Gelatin silver prints
Place:
Alamo (San Antonio, Tex.)
Teotihuacán Site (San Juan Teotihuacán, Mexico)
Date:
1932-1933
Summary:
This collection contains 180 black-and-white acetate negatives and 71 gelatin silver prints taken by American artist Hortense Ferne. The images depict scenes of everyday life in the Mexican states of Oaxaca, Puebla, Morales, Guerrero and the Federal District, as well as the Teotihuacán archaeological site. A few images of San Jose Mission and the Alamo in San Antonio, Texas, are also present.
Arrangement note:
Negatives: organized in individual sleeves; arranged by image number.

Prints: organized in boxes; arranged by image number.
Biographical/Historical note:
Hortense T. Ferne (1885-1976) was a 20th century lithographer and painter who studied with Charles Webster Hawthorne and William Merritt Chase. Her work was exhibited at the Metropolitan Museum of Art in New York City, the Smithsonian Institution, the Library of Congress and the Philadelphia Museum of Fine Arts. She was also commissioned by the Library of Congress to create lithographic portraits of prominent American statesmen.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Copyright: National Museum of the American Indian.
Topic:
Indians of Mexico -- Mexico -- Guerrero (State)  Search this
Indians of Mexico -- Mexico -- Puebla (State)  Search this
Indians of Mexico -- Mexico -- Distrito Federal  Search this
Indians of Mexico -- Mexico -- Oaxaca (State)  Search this
Indians of Mexico -- Mexico -- Morelos (State)  Search this
Genre/Form:
Black-and-white negatives
Photographs
Gelatin silver prints
Citation:
Hortense T. Ferne negatives and prints, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
Identifier:
NMAI.AC.045
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-045

Frederick Starr negatives and lantern slides

Creator:
Starr, Frederick, 1859-1933  Search this
Photographer:
Lang, Charles B.  Search this
Grabic, Louis  Search this
Extent:
152 lantern slides
3344 negatives (photographic)
Culture:
Zoque Indians  Search this
San Felipe Pueblo (N.M.)  Search this
Mazatec Indians  Search this
Zapotec Indians  Search this
Mayas  Search this
Wampanoag Indians  Search this
Mazahua Indians  Search this
San Blas  Search this
Ute Indians  Search this
Sioux Nation  Search this
Mandan Indians  Search this
Tzotzil Indians  Search this
Taos Pueblo  Search this
Tzeltal Indians  Search this
Sauk and Fox Nation  Search this
Laguna (N.M.)  Search this
Triqui  Search this
Shuar Indians  Search this
Macusi Indians  Search this
Choco Indians  Search this
Nez Percé Indians  Search this
Ottawa Indians  Search this
Chol Indians  Search this
Totonac Indians  Search this
Osage Indians  Search this
Pawnee Indians  Search this
Tonkawa Indians  Search this
Otomi Indians  Search this
Chontal Indians  Search this
Navajo Indians  Search this
Tlingit Indians  Search this
Mixe Indians  Search this
Chinantec Indians  Search this
Mixtec Indians  Search this
Potawatomi Indians  Search this
Chibcha Indians  Search this
Pima Indians  Search this
Mehinacu Indians  Search this
Flathead Indians  Search this
Apache Indians  Search this
Cheyenne Indians  Search this
Ponca Indians  Search this
Menomini Indian Tribe  Search this
Cahuilla Indians  Search this
Hopi Indians  Search this
Haida Indians  Search this
Caraja Indians  Search this
Cherokee Indians  Search this
Cuna Indians  Search this
Arikara Indians  Search this
Cuicatec Indians  Search this
Eskimos  Search this
Assiniboine Indians  Search this
Crow Indians  Search this
Caddo Indians  Search this
Tepehua Indians  Search this
Kwakiutl Indians  Search this
Cochiti Pueblo  Search this
Acoma (N.M.)  Search this
Teotihuacan  Search this
Isleta Indians  Search this
Tarasco Indians  Search this
Arapaho Indians  Search this
Iroquois Indians  Search this
Iowa Indians  Search this
Ojibwa Indians  Search this
Huave Indians  Search this
Zuni Indians  Search this
Huastec Indians  Search this
Tlaxcala  Search this
Type:
Archival materials
Collection descriptions
Lantern slides
Negatives (photographic)
Negatives
Lantern slides
Place:
Colombia
Washington
West Virginia
Kentucky
Kansas
New Mexico
Brazil
Ecuador
Missouri
Wisconsin
Oklahoma
Ohio
New York
Georgia
Mexico
Iowa
Arkansas
Illinois
Pennsylvania
Alaska
Date:
1894-1910
Summary:
The collection includes materials from cultures in the United States, Mexico, Brazil, Guatemala, Colombia, Ecuador, and Guiana: Acoma Pueblo, Apache, Arapaho, Arikara, Assiniboine, Caddo, Cahuilla, Cherokee, Cheyenne, Chibcha, Chinantec, Chippewa (Ojibwa), Choco, Chol, Chontal, Cochiti Pueblo, Crow, Cuicatec, Eskimo, Flathead, Haida, Hopi, Huastec, Huave, Iowa, Iroquois, Isleta, Karaja, Kwakiutl, Laguna Pueblo, Macusi, Mandan, Maya, Mazahua, Mazatec, Mehinaku, Menomini, Mixe, Mixtec, Navajo, Nez Perce, Osage, Otomi, Ottawa, Pawnee, Pima, Ponca, Potawatomi, Salish, San Blas, San Felipe Pueblo, Sauk & Fox, Shuar, Sioux, Taos Pueblo, Tarasco, Teotihuacan, Tepehua, Tlaxcala, Tlingit, Tonkawa, Totonac, Triqui, Tzental, Tzotzil, Ute, Wampanoag, Zapotec, Zoque, Zuni.
Arrangement note:
Collection arranged by item number.
Biographical/Historical note:
Frederick Starr was born in Auburn, New York, on September 2, 1858. He received a Ph.D. in biology in 1884 at Coe College, where he was later appointed professor of biology. Starr did postgraduate work in anthropology at Yale. In 1889 he was appointed head of Ethnology at the American Museum of Natural History, and in 1892 he was chosen by William Harper to organize the Anthropology Department at the new University of Chicago. Starr remained at the University until his retirement in 1923. Besides his field studies with various Indian tribes in the United States, Starr traveled to Mexico, Brazil, Colombia, Guatemala, Ecuador, Guiana, Japan, the Philippines, and Africa. He died in Tokyo, Japan, on August 14, 1933. Starr was the author of several books and scholarly articles.
General note:
Starr hired professional photographers Charles B. Lang and Louis Grabic to accompany him on his field trips. One lantern slide of Moses Ladd (Menomini) was taken by William H. Jackson.
Provenance:
Dr. Frederick Starr, Purchased, circa 1929
Restrictions:
Access restricted. Researchers should contact the staff of the NMAI Archives for an appointment to access the collection.
Topic:
Indians of South America -- Brazil  Search this
Indians of Mexico  Search this
Indians of North America -- Southwest  Search this
Salish Indians  Search this
Indians of South America -- Colombia  Search this
Indians of North America -- Alaska  Search this
Indians of North America -- Basin  Search this
Indians of North America -- Plains  Search this
Indians of North America -- Southeast  Search this
Indians of North America -- Plateau  Search this
Indians of Central America -- Guatemala  Search this
Indians of North America -- Northwest  Search this
Indians of North America -- Northeast  Search this
Indians of North America -- Midwest  Search this
Indians of South America -- Ecuador  Search this
Indians of South America -- Guiana  Search this
Genre/Form:
Negatives
Lantern slides
Identifier:
NMAI.AC.052
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-052

Production Records

Creator:
National Museum of the American Indian, Community Services Department  Search this
Extent:
3 cu. ft. (3 record storage boxes)
Type:
Archival materials
Collection descriptions
Manuscripts
Audiotapes
Date:
1997-1999
Descriptive Entry:
This accession consists of production records created by the Community Services Department in their work producing "Living Voices/Voces Vivas." "Living Voices/Voces Vivas" was an audio series in English and Spanish featuring profiles of Native Americans and Native Hawaiians today. The profiles feature people of many ages, traditions and perspectives telling their own stories, reflecting the wide range of contemporary Native experience in Canada, Mexico, Panama, and the United States. It consists of 40 profiles in English. Voces Vivas, available on a separate CD, consists of 10 profiles in Spanish.

The production of "Living Voices/Voces Vivas" was overseen by Keevin Lewis of the Community Services Department and Elizabeth Weatherford at the Film and Video Center, National Museum of the American Indian. Materials include release forms, applications, transcripts, production notes, and interview recordings on DAT audiotapes and audiocassettes.
Rights:
Restricted for 15 years, until Jan-01-2015; Transferring office; 06/17/2009 memorandum, Toda to Pahn; Contact reference staff for details.
Topic:
Living Voices/Voces Vivas (Sound recording : 2001)  Search this
Indians of Mexico  Search this
Indians of North America -- Social life and customs  Search this
Indians of North America -- Canada  Search this
Indians of North America  Search this
Hawaiians -- Social life and customs  Search this
Indians of South America -- Social life and customs  Search this
Indians of South America -- Panama  Search this
Genre/Form:
Manuscripts
Audiotapes
Citation:
Smithsonian Institution Archives, Accession 09-237, National Museum of the American Indian, Community Services Department, Production Records
Identifier:
Accession 09-237
See more items in:
Production Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa09-237

Field photographs for "Traditional Pottery of Mexico" exhibition

Photographer:
Guadagno, Carmelo  Search this
Creator:
Krevolin, Lewis  Search this
Museum of the American Indian, Heye Foundation  Search this
Extent:
1402 negatives (photographic) (color, black and white, 35mm)
67 contact sheets
Culture:
Indians of North America  Search this
Guerrero Nahua  Search this
Morelos Nahua  Search this
Nahua (Xalita)  Search this
Puebla Nahua  Search this
Mixtec  Search this
Zapotec  Search this
Purepecha (Tarasco)  Search this
Chamula Maya  Search this
Tzeltal Maya  Search this
Type:
Archival materials
Collection descriptions
Negatives (photographic)
Contact sheets
Negatives
Place:
Mexico
Date:
1973
Summary:
Photography taken by MAI staff photographer Carmelo Guadagno during a research project expedition with Lewis Krevolin on behalf of the Museum of the American Indian, Heye Foundation in March of 1973. The project focus was pottery making techniques in various Indigenous settlements across Mexico in support of the 1976-1977 exhibition "Traditional Pottery of Mexico."
Scope and Contents:
This collection includes 35mm negatives (photographic) and contact sheets shot by Carmelo Guadagno and Lewis Krevolin on their 1973 research trip to Mexico. The majority of the negatives were made by Guadagno and included both color and black and white rolls. There are 32 rolls of color negatives, numbered 1 to 33 (roll 15 is missing), and four rolls of black and white negatives, numbered 34, 35, 1A and 3A. The negatives depict Guadagno and Krevolin's travels in the Mexican states of Guerrero, Michoacan, Puebla, Oaxaca, Chiapas, Jalisco, and Morelos where they photographed indigenous families, markets and landscapes with a special focus on potters and pottery making. Indigenous communities photographed include the Morelos Nahua, Nahua (Xalita), Guerrero Nahua, Puebla Nahua, Mixtec, Zapotec, Purepecha (Tarasco), Tzeltal Maya and Chamula Maya. There are an additional six rolls of color and black and white negatives shot by Lewis Krevolin labeled "A-F" that were likely shot before and after Guadagno joined him on the research trip. Unlike the Guadagno negatives, these photographs did not come with accompanying descriptions.
Arrangement:
Arranged by Negative Roll number: 1-35, 1A, 3A, A-F.
Biographical / Historical:
Carmelo Guadagno was a staff photographer for the Museum of the American Indian, Heye foundation from 1948 through 1981. In addition to photographing objects in the collections, he also documented the museum's exhibits, events and participated in several research trips.

Initially begun in 1968, research and field work conducted for the "Traditional Pottery in Mexico" exhibition was led by Lewis Krevolin, a ceramicist and art historian at Duchess Community College. The project was supported by the State University of New York Research Foundation, the National Geographic Society, the Museum of the American Indian, Heye Foundation along with the Duchess Community College. In March of 1973, at the suggestion of Frederick Dockstader, director of the Museum of the American Indian, MAI staff photographer Carmelo Guadagno accompanied Lewis "Lew" Krevolin on his field survey of traditional pottery in Mexico. In addition to photographically recording their trip, Guadagno also assisted in interviews with indigenous potters. The field survey covered 30 villages in the Mexican states of Guerrero, Michoacan, Puebla, Oaxaca, Chiapas, Jalisco, and Morelos. In addition to the photographs shot during the trip, Krevolin collected 125 pottery vessels along with tools and material samples. The Jenny and Lewis Krevolin Collection of Mexican ceramics was donated to the Museum of the American Indian in December of 1973 and the exhibition "Traditional Pottery of Mexico" opened at the Museum in December of 1976.
Related Materials:
Pottery and other materials collected during this trip can be found in NMAI's ethnographic collections with catalog numbers 24/8500 – 24/8695.

Photographs of the pottery collected during this trip can be found in the Museum of the American Indian/Heye Foundation photographs collection (NMAI.AC.001.002) in the "Object Photography" series (N40964 - N41123 ; N41234).

Documents, correspondence and field notes from Carmelo Guadagno related to this trip can be found in the Museum of the American/Heye Foundation records (NMAI.AC.001) in Box 32, Folder 9 and Box 394, Folder 4a.
Provenance:
Gift of Lewis and Jenny Krevolin in 1973.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Pottery -- Mexico  Search this
Indians of Mexico -- Photographs  Search this
Genre/Form:
Negatives
Citation:
Identification of specific item; Date (if known); Field photographs for "Traditional Pottery of Mexico" exhibition, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.001.058
See more items in:
Field photographs for "Traditional Pottery of Mexico" exhibition
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-001-058

The Indian fair at Amecameca--N.E. to Ixtaccihuatl. 6344 Interpositive

Topic:
MEXICO
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Landscapes (representations)
Photographs
Stereoscopic photographs
Place:
Amecameca (Mexico)
Ixtaccihuatl (Mexico)
Mexico
Local Numbers:
RSN 21172
General:
Currently stored in box 3.2.14 [200].
Copy and Version Identification Note:
5177
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fairs -- Mexico  Search this
Markets -- Mexico  Search this
Mountains -- Mexico  Search this
Indians of Mexico  Search this
Genre/Form:
Landscapes (representations)
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 21127-21211
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref27449

Native Indian fair, at Amecameca, near the foot of the great volcanoes. 6345 Interpositive

Topic:
MEXICO
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Landscapes (representations)
Photographs
Stereoscopic photographs
Place:
Amecameca (Mexico)
Mexico
Local Numbers:
RSN 21173
General:
[Verified by D.C.] on envelope.
Currently stored in box 3.2.14 [200].
Copy and Version Identification Note:
5178
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fairs -- Mexico  Search this
Markets -- Mexico  Search this
Mountains -- Mexico  Search this
Indians of Mexico  Search this
Genre/Form:
Landscapes (representations)
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 21127-21211
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref27450

Native Indian market at Omealca. 6348 Interpositive

Topic:
MEXICO
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Mexico
Omealca (Mexico)
Local Numbers:
RSN 21175
General:
Currently stored in box 3.2.14 [200].
Copy and Version Identification Note:
4654
Collection Restrictions:
Researchers should view the positive videodisc image first or locate the image in SIRIS on the World Wide Web. The original glass plate is available for inspection if necessary in the Archives Center.

A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.,Contact David Haberstich, 633-3721.

Digital image files linked to item-level records in SIRIS Webpac.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Markets -- Mexico  Search this
Indians of Mexico  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 21127-21211
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref27452

MS 2205 Copies of Alexander von Humboldt collection of Mexican pictographic manuscripts

Collector:
Humboldt, Alexander von, 1769-1859  Search this
Illustrator:
Steinen, Karl von den, 1855-1929  Search this
Names:
Seler, Eduard, 1849-1922  Search this
Extent:
18 Prints
Culture:
Indians of Mexico  Search this
Type:
Collection descriptions
Archival materials
Prints
Illustrations
Place:
Mexico
Date:
undated
Biographical / Historical:
Alexander von Humboldt was a Prussian naturalist and geographer who traveled extensively in Central and South America among other locations. The records and studies he made during his travels helped establish physical geography and geophysics as disciplines. His writings such as "Voyage de Humboldt et Bonpland" and "Kosmos" also contributed to make him one of the foremost scholars of the 19th century.
Local Numbers:
NAA MS 2205
General:
Information on manuscripts taken from Eduard Seler, "Mexican picture writing of Alexander von Humboldt", Bulletin of the Bureau of American Ethnology Number 28, 1904, and John B. Glass, "A Census of Native Middle American Pictorial Manuscripts," Handbook of Middle American Indians, 1975.
Other Archival Materials:
Tracings of Humboldt's original collection in British Museum, Great Russell Street, WC1B 3DG, United Kingdom, Humboldt Fragment 1.
Restrictions:
Contact the repository for terms of use.
Topic:
Picture-writing  Search this
hieroglyphics  Search this
Genre/Form:
Illustrations
Citation:
Manuscript 2205, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2205
See more items in:
MS 2205 Copies of Alexander von Humboldt collection of Mexican pictographic manuscripts
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2205
Additional Online Media:

Tezcatlipoca [picture postcard]

Topic:
Ethnic Imagery Project, Archives Center
Artist:
Covarrubias, Miguel, 1904-1957  Search this
Publisher:
Tarjeta Postal  Search this
Collection Creator:
National Philatelic Collection, Smithsonian Institution.  Search this
Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this
Collection Source:
Extractive Industries, Division of.  Search this
Extent:
1 Item (color; Ink on paper, 3.5" x 5.5".)
Container:
Box 27, Item Grouping Religion--Mexico (Aztec).
Culture:
Indians of Mexico -- Religion  Search this
Aztecs -- Religion and Mythology  Search this
Type:
Archival materials
Postcards
Picture postcards
Place:
Mexico
Date:
undated
Scope and Contents:
Reproduction of a drawing by Miguel Covarrubias, after a 16th c. codex. The god wears a feather headdress and tail along with his costume. Translation of caption at bottom of card: "Smoking mirror / God of Providence." Bourbon Codice, Lam. 22. Unmailed card, no message, no postmark.
Local Numbers:
AC0200-0000005 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gods  Search this
Religion -- Mexico  Search this
Genre/Form:
Postcards
Picture postcards
Collection Citation:
Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution, box number X, folder number XX
See more items in:
Victor A. Blenkle Postcard Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0200-ref2161

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