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Hopi illustrations

Extent:
70 Leaves (color illustrations)
Culture:
Hopi Indians  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
Leaves
Illustrations
Manuscripts
Photocopies
Date:
circa 1930
Scope and Contents:
This collection consists of approximately 98 Hopi color illustrations on 70 leaves. The illustrations were used in the 1930 book "The Oraibi Book of Indian Designs for Arts and Crafts or Decorative Work" by J. Preston Myers. Also includes a photocopied manuscript of the book.
Local Numbers:
NAA MS 1998-46
Topic:
Hopi art  Search this
Works of art  Search this
Genre/Form:
Illustrations
Manuscripts
Photocopies
Citation:
Manuscript 1998-46 Hopi Illustrations, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1998-46
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms1998-46
Additional Online Media:

MS 2621 Field plans and diagrams of inhabited pueblos and pueblo ruins of Arizona and New Mexico

Creator:
Mindeleff, Victor, 1860-1948  Search this
Extent:
2 Boxes
Culture:
American Indian -- Pueblo -- Architecture  Search this
Zuni Indians  Search this
Hopi  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
Photographs
Maps
Place:
Arizona -- Archeology
New Mexico -- Archeology
Date:
catalogued 1881-1886
Scope and Contents:
Includes original drawings for illustration in Victor Mindeleff, "A Study of Pueblo Architecture: Tusayan and Cibola," BAE-AR 8, 1891.
2621 Mindeleff. Field plans and diagrams of inhabited pueblos and pueblo ruins. Box 1: Folder 1. Prehistoric ruins, not included in BAE-AR 8. Mummy Cave, Canon del Muerto, Verde River, Chaco Canyon, etc. 2. Prehistoric ruins. All included in BAE-AR-8. All are in Tusayan and Cibola provinces. 3-6 Historic Zuni ruins: Kechipawan, Matsaki, Hawikuh, Taaiyalana (scale wrong as published). No plans present for Kiakima, Plate LII in BAE-AR 8.
Folders Modern Zuni pueblos: Nutria, Pescado, Ojo Caliente, Zuni. 7-10. Box 2: Folders Modern Hopi pueblos: Tewa, Oraibi, Moenkopi, Walpi, Sichomovi, 11-17. Mashongnavi, Shumopavi. No original plans present for Walpi, Sichomovi, Shipaulovi. Remainder of box contains architectural drawings prepared for publication in BAE-AR 8 (i.e. not originals) and photographs marked for printer. Unarranged, incomplete set.
Local Numbers:
NAA MS 2621
Genre/Form:
Photographs
Maps
Citation:
Manuscript 2621, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2621
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2621
Additional Online Media:

MS 2932 Notes on sign language and miscellaneous ethnographic notes on Plains Indians

Creator:
Scott, Hugh Lenox, 1853-1934  Search this
Dunbar, John Brown, 1841-1914  Search this
He Dog  Search this
Red Feather  Search this
Whirling  Search this
Addressee:
Wissler, Clark, 1870-1947  Search this
Names:
United States. Bureau of Indian Affairs  Search this
Bruguiere, Johnnie, 1849-1898  Search this
Petalesharo, 1797-1836  Search this
Extent:
4 Boxes
2,736 Items (2,736 pages)
Culture:
Dakota Indians  Search this
Blackfoot  Search this
Cheyenne Indians  Search this
Chippewa  Search this
American Indian -- Digger Indians  Search this
Flathead  Search this
Gros Ventre Indians (Montana)  Search this
Hopi  Search this
Kiowa Indians  Search this
Navajo Indians  Search this
Wichita Indians  Search this
Osage Indians  Search this
Apache Indians  Search this
Mandan Indians  Search this
Arikara Indians  Search this
Hidatsa Indians  Search this
Cree Indians  Search this
Crow Indians  Search this
Comanche Indians  Search this
Nez Percé Indians  Search this
Shoshoni Indians  Search this
Arapaho Indians  Search this
Atsina Indians  Search this
Bannock Indians  Search this
Ute Indians  Search this
Pawnee Indians  Search this
Delaware Indians  Search this
Slave  Search this
Chipewyan Indians  Search this
Caddo Indians  Search this
Assiniboine Indians  Search this
Sarsi Indians  Search this
Kiowa Apache Indians  Search this
Piegan Indians  Search this
Ponka  Search this
Yampa Indians  Search this
Indians of North America -- Subarctic  Search this
Indians of North America -- Great Basin  Search this
Indians of North America -- Northeast  Search this
Ojibwa Indians  Search this
Indians of North America -- Great Plains  Search this
Ponca Indians  Search this
Indians of North America -- Plateau  Search this
Kootenai Indians  Search this
Indians of North America -- Southwest, New  Search this
Indians of North America -- Southern States  Search this
Type:
Archival materials
Collection descriptions
Date:
1934
Scope and Contents:
Much of this material is relevant to the Dakotas. Includes: miscellaneous notes on Dakota history, bands, and sign for "Dakota," Autograph Document. Approximately 100 pages. (Box 2); account of the Battle of Little Big Horn by He Dog, Red Feather, and Whirling, Autograph Document. 7 pages. (Box 3); "The Custer Battle with the Sioux, Autograph Document. 10 pages. (Box 3); notes on sign language in general, its history and distribution, Autograph and Typescript Document, 1 box (Box 4).
Local Numbers:
NAA MS 2932
Local Note:
manuscript document
Topic:
Dakota Indians  Search this
Sign language  Search this
Marriage and family -- Berdache  Search this
Weapons -- bow  Search this
Dance -- calumet  Search this
American Indian  Search this
Rituals, formulas and ceremonies  Search this
Zoology -- Buffalo  Search this
Dance -- grass  Search this
War -- Battle of Little Bighorn  Search this
American Indian  Search this
Medicine  Search this
Names, place  Search this
Dance -- Ghost dance  Search this
American Indian  Search this
Religion -- soul, concept of  Search this
Language and languages -- Documentation  Search this
Navaho  Search this
Shoshone  Search this
Ute  Search this
White River (Parusanuch and Yampa)  Search this
Lenape  Search this
Assiniboin  Search this
Sioux  Search this
Plains Apache  Search this
Blackfoot  Search this
Sarcee  Search this
Chippewa  Search this
Kootenai  Search this
Chippewa  Search this
Assiniboin  Search this
Plains Apache  Search this
Sarcee  Search this
Shoshone  Search this
Kutenai  Search this
Blackfeet  Search this
Salish Indians  Search this
Citation:
Manuscript 2932, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2932
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2932
Additional Online Media:

MS 30 Tewa vocabulary and Moqui foods

Creator:
Mooney, James, 1861-1921  Search this
Extent:
50 pages
Culture:
Hopi Indians  Search this
Tewa Indians  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
Pages
Date:
undated
Scope and Contents:
Consists of a Tewa vocabulary of 20 pages in a notebook, and 54 pages of a vocabulary of Hopi foods, mostly untranslated.
Local Numbers:
NAA MS 30
Local Note:
manuscript document
Topic:
Food preparation -- Hopi  Search this
Hopi language  Search this
Tewa language  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 30, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS30
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms30
Additional Online Media:

MS 746 Moqui and Táowa vocabulary

Creator:
Palmer, Edward, 1829-1911  Search this
Extent:
10 pages
Culture:
Hopi Indians  Search this
Tewa Indians  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
Pages
Date:
1869
Scope and Contents:
Contains a general Hopi vocabulary, with a little Tewa.
Local Numbers:
NAA MS 746
Local Note:
Title changed from "Moqui and Ta'owi vocabulary" 8/26/2014.
autograph document
Topic:
Hopi language  Search this
Tewa language  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 746, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS746
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms746
Additional Online Media:

Casey collection of lantern slides of the southwestern United States

Publisher:
Detroit Publishing Co.  Search this
National Geographic Society (U.S.)  Search this
United States. Bureau of Reclamation  Search this
Bond, George W.  Search this
Collector:
Casey  Search this
Cooper, John M. (John Montgomery), 1881-1949  Search this
Donor:
Cooper, John M. (John Montgomery), 1881-1949  Search this
Names:
Judd, Neil Merton, 1887-1976  Search this
Extent:
81 lantern slides ((many tinted))
Culture:
Indians of North America -- Southwest, New  Search this
Zuni Indians  Search this
Apache Indians  Search this
Pima Indians  Search this
Navajo Indians  Search this
White Mountain Apache Indians  Search this
Acoma Indians  Search this
Tewa Indians  Search this
Hopi Indians  Search this
Laguna Indians  Search this
Jemez Indians  Search this
Taos Indians  Search this
Type:
Archival materials
Collection descriptions
Lantern slides
Place:
Carlsbad Caverns (N.M.)
Santa Fe (N.M.)
Date:
circa 1920s
Scope and Contents note:
Lantern slides depicting the people and landscape of the American Southwest. Images include those of Southwest Indians, dwellings and pueblos, churches, dances and ceremonies, excavations (including Pueblo Bonito and Neil M. Judd with his excavation party), pictographs, and landscapes. Tribes represented include Acoma, White Mountain Apache, Hopi (Mishongnovi), Laguna, Navajo, Taos, and Santa Clara Indians. The slides were largely commercially distributed by the George W. Bond, Chicago Slide Company, Chicago Transparency Company (for the Santa Fe Railroad), Detroit Slide Company, Edward H. Kemp, National Geographic Society, and United States Bureau of Reclamation. The collection was listed as the "Casey collection" by Father John Montgomery Cooper when it was brought to the museum.
Local Call Number(s):
NAA Photo Lot 32, USNM ACC 211312
Location of Other Archival Materials:
Additional artifacts donated by the Department of Anthropology, Catholic University of America in accession 211312 held in the Department of Anthropology collections and in National Anthropological Archives Photo lot 20.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Excavations (Archaeology)  Search this
Pueblos  Search this
Dwellings  Search this
Citation:
Photo lot 32, Casey collection of lantern slides of the southwestern United States, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.32
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-32
Additional Online Media:

Ales Hrdlicka photograph collection relating to the Panama-California Exposition

Creator:
Hrdlička, Aleš, 1869-1943  Search this
Names:
American Museum of Natural History  Search this
Royal College of Surgeons in London  Search this
United States National Museum  Search this
Extent:
595 Negatives (circa, glass and nitrate)
Culture:
Pueblo Indians -- depicted  Search this
Omaha Indians -- depicted  Search this
Osage Indians -- depicted  Search this
Jicarilla Indians -- depicted  Search this
Navajo Indians -- depicted  Search this
Teton Indians -- depicted  Search this
Hopi Indians -- depicted  Search this
Indians of North America -- Great Plains  Search this
Mongols -- depicted  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
Negatives
Photographs
Date:
1912-1917
Scope and Contents note:
The bulk of the collection consists of photographs commissioned by Ales Hrdlicka for the Panama-California Exposition in San Diego, collected 1912-1914. They include front and profile portraits of Mongols in Urga, Mongolia, as well as Apache, Teton, Hopi, Navajo, Omaha, Osage, and Pueblo Indians. There are some full-length portraits of Apaches and views of Southwest Indian dwellings, activities, and a dance. Additionally, there are some images of United States National Museum exhibits and items from the USNM, American Museum of Natural History, and the Royal College of Surgeons in London, some of which were made by Hrdlicka in 1917.
Biographical/Historical note:
Ales Hrdlicka (1869-1943) was born in Czechoslovakia and came to the United States at the age of thirteen. Originally trained in medicine, he developed an interest in physical anthropology while working with the New York State hospitals and researching with the Department of Anthropology in the Pathological Institute of the New York State hospitals. Hrdlicka joined the Hyde Expeditions to the American Southwest and made his own expeditions to study physical characteristics of Southwest tribes. In 1903, he was appointed head of the United States National Museum's newly formed Division of Physical Anthropology.

In 1912, Hrdlicka planned and directed seven expeditions, gathering information that helped him prepare physical anthropology exhibits for the Panama-California Exposition at San Diego, California (1915). Hrdlicka hired sculptor Frank Micka to make busts of people from around the world to display in the exposition. While in the field making casts, Micka also took front and profile photographs of subjects. Hrdlicka made his own trip to photograph the people in Urga, Mongolia, making 360 images of Mongolians and some Tibetans for use in the exposition.
Local Call Number(s):
NAA Photo Lot 73-26B
Location of Other Archival Materials:
Additional photographs relating to the exposition, including prints of many of these negatives, are held in National Anthropological Archives Photo Lot 8, Photo Lot 9, and Photo Lot 88-25.
The National Anthropological Archives also holds the Ales Hrdlicka Papers ca. 1887-1943 and his photographs in Photo Lot 8, Photo Lot 24, Photo Lot 70, Photo Lot 78, Photo Lot 97, Photo Lot 73-26G, Photo Lot 83-41, and Photo Lot 92-46.
Restrictions:
Nitrate negatives are in cold storage and require advanced notice for viewing.
Rights:
Contact the repository for terms of use.
Topic:
Physical anthropology  Search this
Genre/Form:
Photographs
Citation:
Photo lot 73-26B, Ales Hrdlicka photograph collection relating to the Panama-California Exposition, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.73-26B
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-73-26b
Additional Online Media:

Eugene O. Leonard photograph collection of Pocatello and Fort Hall, Idaho

Collector:
Leonard, Eugene O.  Search this
Publisher:
Albertype Co.  Search this
Cardinell-Vincent Co.  Search this
Detroit Photographic Co.  Search this
Detroit Publishing Co.  Search this
H.G. Zimmerman & Co.  Search this
J.L. Robbins Co.  Search this
Newman Postcard Co.  Search this
The Rotograph Co.  Search this
Union Pacific Railroad Company  Search this
Van Ornum Colorprint Co.  Search this
Andrews, Wesley  Search this
Mitchell, Edward H.  Search this
Tammen, Harry Heye, 1856-1924  Search this
Thayer, Frank S.  Search this
Photographer:
Bennett's Lightning Portraits  Search this
Eastman Kodak Company  Search this
Hedum and Bishop  Search this
Newcomb Bros.  Search this
Rodgers and Newing  Search this
Todd Photograhic Co.  Search this
William L. Koehne Studio  Search this
Ahuja, D. A.  Search this
Cobb, George N.  Search this
Gifford, Benjamin A.  Search this
Haynes, F. Jay (Frank Jay), 1853-1921  Search this
Jackson, William Henry, 1843-1942  Search this
McEvoy, J. J.  Search this
Rise, Carl H., 1888-1939  Search this
Rothrock, George H.  Search this
Savage, C. R. (Charles Roscoe), 1832-1909  Search this
Vroman, A. C. (Adam Clark), 1856-1916  Search this
Weitfle, Charles, 1836-1921  Search this
Wrensted, Benedicte, 1859-1949  Search this
Names:
United States. Bureau of Indian Affairs. Fort Hall Agency  Search this
Leonard, Robert M. (photo album compiler and donor)  Search this
Extent:
4 glass positives
6 prints and postcards (photogravure)
1 Tintype
100 Negatives (circa, glass)
220 copy prints (circa)
9 prints and postcards (cyanotype)
99 Items (99 photomechanical prints and postcards, halftone, color halftone, collotype, photgravure)
1,000 Negatives (circa, nitrate)
734 Photographic prints (circa, silver gelatin, albumen, and platinum (including photographic postcards and cabinet cards))
Culture:
Indians of North America -- Southwest, New  Search this
Indians of North America -- Great Basin  Search this
Hopi Indians  Search this
Bannock Indians  Search this
Shoshoni Indians  Search this
Nez Percé Indians  Search this
Navajo Indians  Search this
Tewa Indians  Search this
Indians of North America -- Plateau  Search this
Type:
Archival materials
Collection descriptions
Glass positives
Prints and postcards
Tintypes
Negatives
Copy prints
Photographic prints
Postcards
Photographs
Place:
Soda Springs (Idaho)
Yellowstone National Park
Fort Hall Indian Reservation (Idaho)
Pocatello (Idaho)
Shoshone Falls (Idaho)
Date:
circa 1880-1920
Scope and Contents note:
Unbound album pages (labeled A through Q) with photographs documenting the people and culture of the Pocatello-Fort Hall area, including American Indians (particularly Shoshone-Bannock tribes), agency employees, and missionaries. Included are images of encampments, Sun Dance ceremonies, the Fort Hall Agency, Indian schools and churches, the Run for Fort Hall Lands on June 17, 1902, the War Bonnett Roundup at Idaho Falls, Shoshone Falls and other natural features and landscapes, a large number of street and aerial views of Pocatello, A. L. Cook's drug store in Pocatello, and members of the Cook family. In addition, there are photographs of Nez Perce, Hopi, San Juan, and Navaho Indians, and one image of the Lapps Indians at Port Townsend, Washington. A large number of the photographs were made by Benedicte Wrensted.

The albums were compiled by Robert Leonard, Eugene O. Leonard's son, who also made copy prints of many of the photographs and negatives. They include flyers, newspapers, envelopes, and other scraps collected by Leonard.
Biographical/Historical note:
Eugene O. Leonard (1884-1964) moved to Pocatello, Idaho, in 1893 to live with his aunt, the widow of A. L. Cook and owner of the Cook building and drugstore. Leonard attended Weiser College and Academy (now College of Idaho), Whitman College, and Northwestern University. He acquired degrees in phamacy and pharmaceutical chemistry from Northwestern University, and a degree in assaying studies from the Chicago College of Chemistry. After graduation from the College in 1908, Leonard returned to Pocatello to manage the Cook Drug Store until 1918. He worked as Pocatello City Chemist and set up the College of Pharmacy at Idaho State College, where he also taught and served as dean (1918-1954). In the 1930s, Leonard obtained a MS and PhD from Utah State University. Possibly encouraged by his collector aunt, Leonard established a collection of Indian material culture objects and documentations, including artifacts and these photograhs, based on his interest in the Shoshoni and Bannock Indians at nearby Fort Hall.
Local Call Number(s):
NAA Photo Lot 92-3
Location of Other Archival Materials:
The Idaho Museum of Natural History at Idaho State University holds artifacts collected by Eugene O. Leonard.
The Bannock County Historical Museum in Pocatello holds the Leonard Family Papers, 1893-1917.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Many have associated prints.
Rights:
Contact the repository for terms of use.
Topic:
Pharmacy  Search this
Sun Dance  Search this
Schools  Search this
Camps  Search this
Dance  Search this
Genre/Form:
Postcards
Photographs
Citation:
Photo Lot 92-3, Eugene O. Leonard photograph collection of Pocatello and Fort Hall, Idaho, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.92-3
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-92-3
Additional Online Media:

Ernest S. and Eloise Carter Collection

Creator:
Carter, Ernest S.  Search this
Carter, Eloise  Search this
Names:
Museum of the American Indian, Heye Foundation  Search this
Dockstader, Frederick J.  Search this
Extent:
2415 slides (photographs)
855 negatives (photographic)
526 Photographic prints
0.85 Linear feet
Culture:
Ute  Search this
Pueblo  Search this
Hopi  Search this
Navajo  Search this
Taos Pueblo  Search this
San Ildefonso Pueblo  Search this
Kewa (Santo Domingo Pueblo)  Search this
Laguna Pueblo  Search this
Hopi-Tewa  Search this
Type:
Archival materials
Collection descriptions
Slides (photographs)
Negatives (photographic)
Photographic prints
Photographs
Slides
Negatives (photographic)
Place:
Arizona
California
Nevada
Colorado
Utah
New Mexico
Date:
1947-1986
bulk 1964-1975
Summary:
The Ernest S. and Eloise Carter collection includes photographic prints, negatives and slides taken between 1950 and 1976 in the American Southwest, Mexico and Bolivia. The Carters were research associates for the Museum of the American Indian, Heye Foundation between 1964 and 1975 and focused much of their research on petroglyphs and pictographs. In addition to photographic material there is also correspondence and documentation about the photographs in the collection.
Scope and Contents:
The Ernest S. and Eloise Carter collection includes photographic prints, negatives and slides taken between 1950 and 1976 in the American Southwest, Mexico and Bolivia as well as documentation and notes regarding their work. The bulk of the photographs and notes were made by the Carters from 1964 to 1976 while they were research associates for the Museum of the American Indian, Heye Foundation. The Carters spent much of their time photographing and researching petroglyph and pictograph sites in Arizona, New Mexico, California and Nevada producing black and white and color negatives, color slides, and photographic prints that were sent back to the MAI along with maps, notes, and reports as they were completed.

Series 1: Photographs, 1950-1975, is organized into four separate subseries. Subseries 1.1 Mexico and Bolivia, Landscapes and People, 1950-1951, includes photographs taken in Bolivia, circa 1950-1951 and in Mexico in 1964. Although it is unclear where or not Ernest Carter took the Bolivia photographs himself or acquired them while he was traveling there, the photographic prints include landscape views and portraits shot in around the city of Potosí, Bolivia. The photographs shot in Mexico include black and white negatives Carters took at the Monte Alban and Mitla ruins in Oaxaca, Mexico in July, 1964. Subseries 1.2 US Southwest: Landscapes and Petroglyphs, 1964-1973, the largest group of materials in the collection, includes the bulk of the work done by the Carters for the Museum of the American Indian, Heye Foundation. The subseries is arranged chronologically and then by location including sites in Arizona, New Mexico, California, Nevada and Utah. Both Eloise and Ernest shot photographs, though Eloise generally shot in black and white and Ernest in color. This subseries includes negatives, 5x7 and 35mm, slides, 120 and 35mm, and photographic prints of various sizes, some mounted. Images include wide shots of petroglyph, pictograph, and acorn grinding sites, close-ups of petroglyphs as well as landscape views.

The Carters were also prolific collectors of kachinas and other ethnographic objects from the Southwest. Subseries 1.3 Object Photography: Kachinas, Pottery, Baskets and Other Objects, 1967-1975 includes photographs of the Carter kachinas, pottery and basket collections as well as several photographs of the Carters in their home alongside their collections. Subseries 1.4: Educational Materials and Other Selected Studies, 1970-1973 includes photographs the Carters put together for use by the educational department. Mostly mounted prints and slides, these photographs generally were sent with specific descriptions and were selected to highlight the variations between the petroglyph sites. This subseries also includes "Pueblo Life and Work" a series of photographs shot by the Carters at Taos Pueblo, Ildenfonso Pueblo, Laguna Pueblo and Hopi Pueblo in 1973.

Series 2: Correspondence and Photograph Documentation, 1964-1987, includes correspondence and documentation about the photographs in the Carter collection. The majority of the correspondence is between Ernest Carter and Frederick Dockstader, director of the Museum of the American Indian, Heye Foundation (MAI), regarding the donation of photographs and objects from the Carters to the museum between 1964 and 1976. The correspondence also includes detailed expense records which document where the Carters where traveling when as well as when shipments of photographs and objects were being made through the years. The documentation includes detailed reports from the Carters research on petroglyphs, maps of various petroglyph sites, photograph lists with descriptions as well as drawings and notes.
Arrangement note:
This collection is arranged into two series. Series 1: Photographs, 1950-1976, is organized in four subseries. Subseries 1.1: Mexico and Bolivia, Landscapes and People, 1950-1951, 1964; Subseries 1.2: US Southwest: Landscapes and Petroglyphs, 1964-1973; Subseries 1.3: Object Photography: Kachinas, Pottery, Baskets and Other Objects, 1967-1975; Subseries 1.4: Educational Materials and Other Selected Studies, 1970-1973. These subseries are then arranged chronologically. Series 2: Correspondence and Photograph Documentation is arranged alphabetically and then by document number.
Biographical/Historical note:
Ernest Carter was born Ernest (Eryst of Eruie) Sigmund Schickler in Vienna, Austria in 1922. Following World War II, he left Europe for South America where he spent four years in the Andes on climbing expeditions. He changed his name from Schickler to Carter when he moved to the United States in 1951 and officially became an American citizen in 1957. Eloise Carter was born in Nebraka in 1928 and eventually became a dental assistant in the Bay Area, California, where she met and married Ernest around 1960. In 1964 Ernest and Eloise were made research associates of the Museum of the American Indian, Heye Foundation which began a long term relationship with the MAI. During this time the Carters traveled throughout California, Nevada and other location in the Southwest and Mexico to photograph petroglyphs and pictographs which were subsequently shipped to the Museum. They also collected objects which were donated to the MAI including baskets, pottery and kachinas among other items. Their relationship with the MAI tapered off after Frederick Dockstader left the museum in 1975. The Carters continued to travel and work with communities in the southwest and eventually settled in Mountain View, California.
Provenance:
Donated by Ernest and Eloise Carter between 1964-1975 with additional photographs donated in 1986.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Petroglyphs  Search this
Picture-writing  Search this
Genre/Form:
Photographic prints
Photographs
Slides
Negatives (photographic)
Citation:
Identification of specific item; Date (if known); Ernest S. and Eloise Carter collection, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.034
See more items in:
Ernest S. and Eloise Carter Collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-034
Additional Online Media:

Mary Harriman Rumsey collection of Harriman Alaska Expedition photographs

Collector:
Rumsey, Mary Harriman, 1881-1934.  Search this
Names:
Harriman Alaska Expedition (1899)  Search this
Photographer:
Averell, William H.  Search this
Coe, Wesley R. (Wesley Roswell), 1869-1960  Search this
Cole, Leon J. (Leon Jacob), 1877-1948  Search this
Curtis, Edward S., 1868-1952  Search this
Devereux, W. B.  Search this
Gilbert, Grove Karl, 1843-1918  Search this
Harriman, Edward Henry, 1848-1909  Search this
Keen, Dora, 1871-  Search this
Merriam, C. Hart (Clinton Hart), 1855-1942  Search this
Pillsbury, Arthur C. (Arthur Clarence)  Search this
Ridgway, Robert, 1850-1929  Search this
Artist:
Schreyvogel, Charles, 1861-1912  Search this
Extent:
396 lantern slides
286 Photographic prints
1 Map
Culture:
Suquamish  Search this
Hopi  Search this
Pikuni Blackfeet (Piegan)  Search this
Yakutat Tlingit  Search this
A:shiwi (Zuni)  Search this
Apache Indians  Search this
Yuit (Siberian Yup'ik)  Search this
Tlingit  Search this
Alaskan Eskimo  Search this
Unangan (Aleut)  Search this
Type:
Archival materials
Collection descriptions
Lantern slides
Photographic prints
Maps
Place:
British Columbia
Siberia (Russia)
Alaska
Date:
1898-1900
1903
1914
bulk 1899-1899
Summary:
The Mary Harriman Rumsey collection largely consists of photographic prints and lantern slides documenting the Harriman Expedition to Alaska in summer 1899. These depict members of the expedition and Alaskan scenery and people. The collection also includes scenic photographs of Alaska taken by Dora Keen in 1914 and photographs of Blackfeet, Hopi, Apache, and Suquamish Indians made by Edward Curtis in 1900 and 1903.
Scope and Contents:
The bulk of the collection comprises photographic prints, lantern slides, and one map documenting the Harriman Alaska Expedition from May to July of 1899. These photographs were made by members of the expedition, most prominently its official photographer Edward S. Curtis, funder Edward Henry Harriman, and lead scientist C. Hart Merriam. They depict Alaskan scenery, members of the expedition, and Native people and settlements that they encountered. Mary Harriman Rumsey's collection also includes later platinum prints of American Indians made and signed by Curtis (1900, 1903), photographs of glaciers in Alaska by Dora Keen (1914), a photograph of a painting by Charles Schreyvogel (1903), and a photograph of White Pass by Arthur Clarence Pillsbury (1898).
Arrangement:
The collection is arranged in three series: photographs relating to the Harriman Expedition; photographs of Alaska that were not made on the Harriman Expedition; and other photographs relating to American Indians. The Harriman series is arranged in a rough chronological order.
Biographical / Historical:
Mary Harriman Rumsey (1881-1934) was an important American philanthropist and the oldest child of railroad tycoon Edward Henry Harriman. In 1901, while studying at Barnard College, she co-founded the Junior League for the Promotion of Settlement Movements (later named the Junior League of the City of New York), which facilitated charitable work by privileged women among New York's impoverished groups. Rumsey's efforts lead to the establishment of the Association of Junior Leagues International Inc. in 1921. Additionally, Rumsey co-founded Today magazine with her brother Averell Harriman and others, and in 1933 she chaired the Consumer Advisory Board of the National Recovery Administration.

In 1899, Mary Harriman was among the Harriman family members who accompanied the Harriman Alaska Expedition. Originally planned as a bear-hunting trip for the family, the expedition, was funded by Edward Henry Harriman and organized with the help of ethnographer and naturalist Clinton Hart Merriam. The party of accomplished scientists, naturalists, photographers, artists, and writers cruised from British Columbia to Siberia and back on a private ship, the SS George W. Elder, in June and July of 1899. The scientists' findings were published in the thirteen-volume Harriman Alaska Series, and Harriman also paid the expedition's official photographer, Edward S. Curtis, to compile souvenir albums from the over 5,000 photographs made during the course of the expedition.
Related Materials:
The Smithsonian Institution Archives, University of Washington Special Collections, and Library of Congress have photo albums relating to the Harriman Alaska Expedition. The SI Archives also holds the Harriman Alaska Expedition Collection and photogravure plates from the Harriman Alaska Series.

NMAI holds photogravure plates and proofs made from Edward Curtis's later photographs and Frederick Dellenbaugh's expedition notes in the Museum of the American Indian, Heye Foundation records. The National Anthropological Archives also holds Curtis photographs and papers.
Separated Materials:
The following materials were also part of Mary Harriman Rumsey's estate, gifted to the Museum of the American Indian, Heye Foundation, in 1934. Where possible, their current locations have been noted.

33 artifacts, most of which were likely collected in Alaska by the Harriman Alaska Expedition, are now housed in the NMAI object collection (catalog numbers 18/6460 - 18/6494)

A set of Harriman Alaska Expedition books, probably now in the Cornell University Libraries

4 phonograph records

A bundle of botanical specimens
Provenance:
This collection was donated as part of the estate of Mary Harriman Rumsey to the Museum of the American Indian, Heye Foundation, in May 1934.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Scientific expeditions  Search this
Citation:
Identification of specific item; Date (if known); Mary Harriman Rumsey Collection of Harriman Alaska Expedition Photographs, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.053
See more items in:
Mary Harriman Rumsey collection of Harriman Alaska Expedition photographs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-053
Additional Online Media:

Edward S. Curtis photogravure plates and proofs for The North American Indian

Photographer:
Curtis, Edward S., 1868-1952  Search this
Extent:
96 photomechanical prints (photogravure proofs)
184 printing plates (copper printing plates)
Culture:
Twana Indians  Search this
Hoh  Search this
Walla Walla Indians  Search this
Wishram  Search this
Suquamish Indians  Search this
Skokomish Indians  Search this
Quinault Indians  Search this
Quileute  Search this
Apache Indians  Search this
Tolowa Indians  Search this
Hupa Indians  Search this
Hopi Pueblo  Search this
Squaxon  Search this
Mewuk (Miwok)  Search this
Achomawi Indians  Search this
Klamath Indians  Search this
Yurok Indians  Search this
Kumeyaay (Diegueño)  Search this
Cayuse Indians  Search this
Northern Paiute Indians  Search this
Santa Ysabel (Santa Isabela) Diegueño  Search this
Kalispel Indians  Search this
Spokan  Search this
Yakama Indians  Search this
Sahnish (Arikara)  Search this
Numakiki (Mandan)  Search this
Pikuni Blackfeet (Piegan)  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Nimi'ipuu (Nez Perce)  Search this
A'aninin (Gros Ventre)  Search this
Apsáalooke (Crow/Absaroke)  Search this
Tsuu T'ina (Sarcee)  Search this
Kainai Blackfoot (Kainah/Blood)  Search this
Denésoliné (Chipewyan)  Search this
Cree Indians  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
San Ildefonso Pueblo  Search this
Tewa Pueblos  Search this
A:shiwi (Zuni)  Search this
Kewa (Santo Domingo Pueblo)  Search this
K'apovi (Santa Clara Pueblo)  Search this
Laguna Pueblo  Search this
Jemez Pueblo  Search this
Serrano Indians  Search this
Washoe (Washo)  Search this
Kutzadika'a (Mono Paiute)  Search this
Kupangaxwichem (Kupa/Cupeño)  Search this
Piipaash (Maricopa)  Search this
Diné (Navajo)  Search this
Oglala Indians  Search this
Quechan (Yuma/Cuchan)  Search this
Hualapai Indians  Search this
Akimel O'odham (Pima)  Search this
Tohono O'Odham  Search this
Mojave  Search this
Niuam (Comanche)  Search this
Wichita Indians  Search this
Ponca  Search this
Osage Indians  Search this
Yokuts Indians  Search this
Chukchansi Yokuts  Search this
Southern Mewuk (Southern Miwok)  Search this
Wailaki Indians  Search this
Pomo Indians  Search this
Wappo Indians  Search this
Maidu Indians  Search this
Type:
Archival materials
Collection descriptions
Photomechanical prints
Printing plates
Photogravures
Photographs
Date:
1899-1927
circa 1980
Summary:
The Edward S. Curtis photogravure plates and proofs for The North American Indian include photogravure printing plates and associated proofs made from Curtis photographs and used in the publication of The North American Indian volumes 1-9 and 12-19. The bulk of the images are portraits, though there are also images of everyday items, ceremonial artifacts, and camps.
Scope and Contents:
The collection comprises 183 photogravure plates (101 folio and 82 octavo) and 96 associated proofs used in the printing of The North American Indian volumes 1-9 and 12-19. The original photographs used to make the photogravures were made circa 1903-1926 and the photogravure plates were made in 1907-1930. The bulk are portraits, though there are also images of everyday items, ceremonial artifacts, and camps. About half of the proofs in the collection are originals used for Curtis's publication, though the collection also includes proofs made in the process of later publication by the Classic Gravure Company (circa 1980). Vintage proofs include handwritten notes, likely made by Curtis Studio employees in Seattle and Los Angeles. Many of the photogravure plates do not have matching proofs; in particular, there are no proofs for the octavo plates.
Arrangement:
The plates and proofs are arranged by the volume of The North American Indian in which they were published. They are described in this finding aid by the caption and plate number with which they were published.
Biographical / Historical:
Edward Sheriff Curtis (1868-1952) was an American photographer best known for his monumental and now-controversial project, the twenty-volume publication The North American Indian. Here he sought to document in words and pictures the "vanishing race" of American Indians.

Born in Wisconsin in 1868, Edward Curtis grew up on his family's farm in Le Sueur County, Minnesota, from 1874 to 1887. In 1887, he and his father Johnson Curtis settled on a plot near what is now Port Orchard, Washington, and the rest of the family joined them the following year. When Johnson Curtis died within a month of the family's arrival, the burden of providing for his mother and siblings fell to 20-year-old Edward, and Edward set out to do so through his photography. In 1891, Curtis moved to the booming city of Seattle and bought into a joint photo studio with Rasmus Rothi. Less than a year later, he formed "Curtis and Guptill, Photographers and Photoengravers" with Thomas Guptill; the enterprise quickly became a premier portrait studio for Seattle's elite. In 1895, Curtis made his first "Indian photograph" depicting Princess Angeline, daughter of the chief for whom Seattle had been named. The following year he earned his first medal from the National Photographic Convention for his "genre studies."

In 1899, Edward Curtis joined the Harriman Alaska Expedition as official photographer, a position which allowed him to learn from anthropologists C. Hart Merriam and George Bird Grinnell while documenting the landscapes and peoples of the Alaskan coast. This expedition and the resulting friendship with Grinnell helped to foster Curtis's ultimate goal to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, The North American Indian). Curtis made several trips to reservations from 1900 to 1904, including a trip with Grinnell to Montana in 1900 and multiple trips to the Southwest, including the Hopi Reservation. He also hired Adolph Muhr, former assistant to Omaha photographer Frank A. Rinehart, to manage the Curtis studio in his absence, a decision which would prove more and more fruitful as Curtis spent less and less time in Seattle.

In 1906, Curtis struck a deal with financier J. P. Morgan, whereby Morgan would support a company – The North American Indian, Inc. – with $15,000 for five years, by which time the project was expected to have ended. Systematic fieldwork for the publication began in earnest that summer season, with Curtis accompanied by a team of ethnological researchers and American Indian assistants. Arguably the most important member of Curtis' field team was William Myers, a former newspaperman who collected much of the ethnological data and completed most of the writing for the project. The first volume, covering Navajo and Apache peoples, was published at the end of 1907, but already Morgan's funding was incapable of meeting Curtis's needs. Despite heaping praise from society's elite, Curtis spent much of his time struggling to find people and institutions willing to subscribe to the expensive set of volumes. After the initial five years, only eight of the proposed twenty volumes had been completed. Fieldwork and publication continued with the support of J. P. Morgan, but Curtis's home life suffered because of his prolonged absences.

In 1919, Curtis's wife Clara was awarded a divorce settlement which included the entire Curtis studio in Seattle. Exhausted and bankrupt, Edward Curtis moved with his daughter Beth Magnuson to Los Angeles, where they operated a new Curtis Studio and continued work on the volumes; volume 12 was published in 1922. The constant financial strain forced Myers to leave the North American Indian team after volume 18 (fieldwork in 1926) and Curtis made his last trip to photograph and gather data for volume 20 in 1927. After the final volumes were published in 1930, Curtis almost completely faded from public notice until his work was "rediscovered" and popularized in the 1970s.

Curtis's "salvage ethnology," as scholar Mick Gidley describes it, was mildly controversial even during his life and has become ever more so as his legacy deepens. In his quest to photograph pre-colonial Indian life through a twentieth-century lens, he often manipulated and constructed history as much as he recorded it: he staged reenactments, added props, and removed evidence of twentieth-century influences on "primitive" life. Curtis's work continues to shape popular conceptions of American Indians and so, while problematic, his legacy--his vision of American Indian life--continues to be relevant.
Related Materials:
NMAI also holds Edward Curtis photographs documenting the Harriman Expedition (1899) as well as platinum prints and photogravures of the images published in The North American Indian.

The Smithsonian Institution, National Anthropological Archives holds Edward Curtis prints submitted for copyright (Photo Lot 59) as well as many of his original negatives, photographs, and papers.

Steve Kern donated photogravure plates to the Center for Creative Photography and the Seattle Art Museum at the same time that he donated this set to MAI.
Provenance:
This collection was donated by Steven and Arlene Kern to the Museum of the American Indian, Heye Foundation, in 1984.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Salish Indians  Search this
Indians of North America -- Pictorial works  Search this
Genre/Form:
Photogravures
Photographs
Citation:
Identification of specific item; Date (if known); Edward S. Curtis photogravure plates and proofs for The North American Indian, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.080
See more items in:
Edward S. Curtis photogravure plates and proofs for The North American Indian
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-080
Additional Online Media:

Southwest

Collection Creator:
Evelyn, Douglas E.  Search this
Extent:
12 Postcards
10 Stereographs
Container:
Photo-folder 6
Photo-folder 7
Photo-folder 8
Photo-folder 13
Photo-folder 14
Photo-folder 15
Photo-folder 16
Culture:
Hopi Pueblo  Search this
Diné (Navajo)  Search this
Laguna Pueblo  Search this
Taos Pueblo  Search this
Type:
Archival materials
Postcards
Photographs
Postcards
Stereographs
Date:
1880-1937
Scope and Contents:
Postcards: 226_pht_006_001; 226_pht_006_002; 226_pht_006_003; 226_pht_006_004; 226_pht_006_005; 226_pht_007_001; 226_pht_007_002; 226_pht_007_003; 226_pht_007_004; 226_pht_007_005; 226_pht_008_001; 226_pht_008_002; Stereographs: P33115; P33116 (Restricted); P33119; P33120 (Restricted); P33122; P33123; P33124; P33125; P33130; P33135

This series contains 12 postcards and 10 stereographs. The images include depictions of activities such as weaving, basket making, and horse-racing. Communities represented include Diné (Navajo), Hopi Pueblo, Laguna Pueblo, and Taos Pueblo. The images also include depictions of a number of buildings and structures such as the Cliff Palace at Mesa Verde, the Lagoon Indian School in Phoenix, Arizona, and the Indian Building in Albuquerque, New Mexico. A number of the stereographs were produced by the Keystone View Company and feature educational, though not always accurate or factual, classroom information on the reverse. A number of the postcards were produced by the Fred Harvey Company which partnered with the Santa Fe Railroad in the early 20th century to generate tourism in the American Southwest.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
The following images in this series are restricted due to cultural sensitivity: P33116; P33120.
Collection Citation:
Identification of specific item; Date (if known); Douglas E. Evelyn photograph and ephemera collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.226, Series 5
See more items in:
Douglas E. Evelyn photograph and ephemera collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-226-ref5

The Pottery Maker

Collection Photographer:
Reed, Roland, 1864-1934  Search this
Rinehart, F. A. (Frank A.)  Search this
Muhr, Adolph F., -1913  Search this
Extent:
1 Photographic print
Container:
Photo-folder 6
Culture:
Hopi Pueblo  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
1913
Scope and Contents:
Photographic print of an unidentified Hopi Pueblo man making pottery. Photographed by Roland W. Reed in Arizona, in 1913.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Frank A. Rinehart and Roland W. Reed photograph collection, NMAI.AC.289; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.289, Item 289_pht_006_002
See more items in:
Frank A. Rinehart and Roland W. Reed photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-289-ref27

Stone Football

Donor Name:
Major John W. Powell  Search this
Culture:
Hopi  Search this
Object Type:
Ball
Place:
Arizona, United States, North America
Accession Date:
1876-May-29
Topic:
Ethnology  Search this
Accession Number:
76A00060
USNM Number:
E22817-1
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
EDAN-URL:
edanmdm:nmnhanthropology_10040948
Additional Online Media:

Earthen Eating Bowl

Donor Name:
Col. James Stevenson  Search this
Matilda C. Stevenson  Search this
Bureau Of American Ethnology  Search this
Collector:
Col. James Stevenson  Search this
Matilda C. Stevenson  Search this
Culture:
Hopi  Search this
(Not certain)  Search this
Object Type:
Bowl
Place:
Hopi (Near), Navajo County, Arizona, United States, North America
Accession Date:
1887-Jun-20
Topic:
Archaeology  Search this
Accession Number:
019294
USNM Number:
A132923-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
EDAN-URL:
edanmdm:nmnhanthropology_8012412
Additional Online Media:

Earthen Vase.

Site Name:
Sikyatki (near)  Search this
Donor Name:
Bureau Of American Ethnology  Search this
Dr. Jesse W. Fewkes  Search this
Height:
34cm
Diameter:
38cm
Culture:
(Not certain)  Search this
Hopi  Search this
(Not certain)  Search this
Object Type:
Jar
Place:
Navajo County, Arizona, United States, North America
Accession Date:
1895
Topic:
Archaeology  Search this
Accession Number:
029889
USNM Number:
A155682-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
EDAN-URL:
edanmdm:nmnhanthropology_8027344
Additional Online Media:

Bowl

Donor Name:
Bureau Of American Ethnology  Search this
Henry ("Harry") H. Scorse  Search this
Dr Walter Hough  Search this
Collector:
Dr Walter Hough  Search this
Culture:
Ancient Pueblo, Hopi  Search this
Object Type:
Bowl
Place:
Little Colorado River / Bidahochi Area, Navajo County, Arizona, United States, North America
Accession Date:
1901-Oct-03
Collection Date:
1901
Topic:
Archaeology  Search this
Accession Number:
038479
USNM Number:
A212325-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
EDAN-URL:
edanmdm:nmnhanthropology_8049036

Obsidian Scrapers And Flakes (11)

Site Name:
Kawaikaa (Kawaiokuh)  Search this
Donor Name:
Peter G. Gates  Search this
Dr Walter Hough  Search this
Collector:
Peter G. Gates  Search this
Dr Walter Hough  Search this
Culture:
Hopi  Search this
Object Type:
Scraper
Place:
Jeddito Valley, Navajo County, Arizona, United States, North America
Accession Date:
1901-Oct-03
Collection Date:
1901
Topic:
Archaeology  Search this
Accession Number:
038480
USNM Number:
A213244-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
EDAN-URL:
edanmdm:nmnhanthropology_8050025

Scraper

Site Name:
Kawaikaa (Kawaiokuh)  Search this
Donor Name:
Peter G. Gates  Search this
Dr Walter Hough  Search this
Collector:
Peter G. Gates  Search this
Dr Walter Hough  Search this
Culture:
Hopi  Search this
Object Type:
Scraper
Place:
Jeddito Valley, Navajo County, Arizona, United States, North America
Accession Date:
1901-Oct-03
Collection Date:
1901
Topic:
Archaeology  Search this
Accession Number:
038480
USNM Number:
A213246-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
EDAN-URL:
edanmdm:nmnhanthropology_8050027

Fragment Of Bowl With Handle

Donor Name:
Peter G. Gates  Search this
Dr Walter Hough  Search this
Collector:
Peter G. Gates  Search this
Dr Walter Hough  Search this
Culture:
Hopi  Search this
Object Type:
Sherd
Place:
Fort Apache Indian Reservation / Forestdale, Navajo County, Arizona, United States, North America
Accession Date:
1901-Oct-03
Collection Date:
1901
Topic:
Archaeology  Search this
Accession Number:
038480
USNM Number:
A213249-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
EDAN-URL:
edanmdm:nmnhanthropology_8050030

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