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Self-Portrait

Artist:
Frederick Hammersley, 1919 - 1968  Search this
Sitter:
Frederick Hammersley, 1919 - 1968  Search this
Medium:
Oil on chip board panel
Dimensions:
Stretcher: 58.4 x 45.7 cm (23 x 18" ), Accurate
Type:
Painting
Date:
1950
Topic:
Self-portrait  Search this
Frederick Hammersley: Visual Arts\Artist  Search this
Frederick Hammersley: Male  Search this
Portrait  Search this
Credit Line:
Owner: Albuquerque Museum
Object number:
84.46.2 AM
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm493f1f015-3765-4a91-b992-5ebe254dabff
EDAN-URL:
edanmdm:npg_84.46.2_AM

Tamara Webster papers relating to Frederick Hammersley

Creator:
Webster, Tamara, 1917-2011  Search this
Names:
Hammersley, Frederick, 1919-2009  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Date:
1961-1996
circa 1917
Summary:
The Tamara Webster papers relating to Frederick Hammersley measure 0.2 linear feet and date from circa 1917, 1961 to 1996. Webster was an art dealer and artist in Cambria, California and Albuquerque, New Mexico who befriended Hammersley. The papers include letters and holiday cards, exhibition catalogs, printed material, and photographs.
Scope and Contents:
The Tamara Webster papers relating to Frederick Hammersley measure 0.2 linear feet and date from circa 1917 and 1961 to 1996. Webster was an art dealer and artist in Cambria, California and Albuquerque, New Mexico who befriended Hammersley. The papers include letters and holiday cards, exhibition catalogs, printed material, and photographs.

All of the letters in this collection are written by Frederick Hammersley to Tamara Webster whom he affectionately refers to as "Tommy." There are several letters regarding sales of artwork and Christmas cards.

Printed material includes exhibition catalogs, announcements, and clippings.

Photographs are of Hammersley and his Albuquerque studio, his artwork, his exhibitions, and his cats.
Arrangement:
The collection is arranged as 3 series.

Series 1: Letters, 1970-1996 (3 folders; Box 1)

Series 2: Printed Material, 1961-1990 (2 folders; Box 1)

Series 3: Photographs, circa 1917, 1972-1995 (8 folders; Box 1)
Biographical / Historical:
Tamara Webster (1917-2011) was an art dealer and artist in Cambria, California and Albuquerque, New Mexico. Webster befriended abstract painter Frederick Hammersley while in California and after Webster moved to New Mexico in 1971 the two artists corresponded with each other.
Related Materials:
The Archives of American Art also has the Frederick Hammersley papers, 1897-2008.
Provenance:
The Tamara Webster papers relating to Frederick Hammersley were donated to the Archives of American Art in 2015 via Karen Kile, the director of the San Luis Obispo Museum of Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Tamara Webster papers relating to Frederick Hammersley are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Artists -- New Mexico -- Albuquerque  Search this
Artists -- California  Search this
Art dealers -- New Mexico -- Albuquerque  Search this
Art dealers -- California  Search this
Topic:
Artists' studios -- Photographs  Search this
Genre/Form:
Christmas cards
Photographs
Citation:
Tamara Webster papers relating to Frederick Hammersley, circa 1917, 1961-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.webstama
See more items in:
Tamara Webster papers relating to Frederick Hammersley
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-webstama

Merle Schipper interviews, 1978-1987

Creator:
Schipper, Merle, 1922-2001  Search this
Subject:
Graham, Robert  Search this
Harden, Marvin  Search this
Kauffman, Craig  Search this
Kent, Claude  Search this
Kessler, Charles  Search this
Kipper, Harry  Search this
Onslow-Ford, Gordon  Search this
Pashgian, Helen  Search this
Phillips, Jay  Search this
Seliger, Charles  Search this
Shelton, Peter  Search this
Simonian, Judith  Search this
Trowbridge, David  Search this
Valentine, De Wain  Search this
Van Hamersveld, John  Search this
Wight, Frederick Stallknecht  Search this
Yokoi, Rita  Search this
Anderson, John S.  Search this
Card, Greg S.  Search this
Cutler-Shaw, Joyce  Search this
DeLap, Tony  Search this
Hammersley, Frederick  Search this
Topic:
Art, Modern -- California  Search this
Conceptual artists -- California -- Interviews  Search this
Painters -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)9603
(DSI-AAA_SIRISBib)211808
AAA_collcode_schimerl2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211808

Merle Schipper interviews

Creator:
Schipper, Merle, 1922-2001  Search this
Names:
Anderson, John S., 1928-  Search this
Card, Greg S., 1945-  Search this
Cutler-Shaw, Joyce, 1932-  Search this
DeLap, Tony, 1927-2019  Search this
Graham, Robert, 1938-  Search this
Hammersley, Frederick, 1919-2009  Search this
Harden, Marvin, 1935-  Search this
Kauffman, Craig, 1932-2010  Search this
Kent, Claude, 1945-  Search this
Kessler, Charles, 1943-  Search this
Kipper, Harry  Search this
Onslow-Ford, Gordon  Search this
Pashgian, Helen, 1934-  Search this
Phillips, Jay, 1954-1987  Search this
Seliger, Charles, 1926-2009  Search this
Shelton, Peter, 1951-  Search this
Simonian, Judith, 1945-  Search this
Trowbridge, David, 1945-  Search this
Valentine, De Wain, 1936-  Search this
Van Hamersveld, John  Search this
Wight, Frederick Stallknecht, 1902-  Search this
Yokoi, Rita, 1938-  Search this
Extent:
21 Sound cassettes (Sound recording)
Type:
Collection descriptions
Archival materials
Sound cassettes
Date:
1978-1987
Scope and Contents:
A lecture and interviews of twenty-two Southern California painters and sculptors, conducted and recorded by Los Angeles art critic Merle Schipper.
Interview tapes and Schipper's fragmentary notes are available for Greg S. Card, Tony Delap, Robert Graham, Frederick Hammersley, Marvin Harden, Craig Kauffman, Claude Kent, Charles Kessler, Harry Kipper, Jay Phillips, Charles Seliger, Peter T. Shelton, Judith Simonian, David Trowbridge, and John Van Hamersveld.
Only tapes are available for John Anderson, Joyce Cutler-Shaw, Gordon Onslow-Ford, Helen Pashgian, Frederick Stallknecht Wight and Rita Yokoi. Only Schipper's fragmentary notes are available for the DeWain Valentine interview. A tape of Craig Kauffman's May 9, 1979 lecture at the Los Angeles County Museum of Art is also included.
Arrangement:
John Anderson interview is on the Gordon Onslow-Ford tape.
John Van Hamersveld interview is on the Harry Kipper tape.
Frederick Stallknecht Wight interview is on the Joyce Cutler-Shaw tape.
Rita Yokoi interview is on the Helen Pashgian tape.
Biographical / Historical:
California art critic and curator of the Fine Arts Gallery, California State University; b. in 1922.
Provenance:
Donated 1988 by Merle Schipper.
Restrictions:
Untranscribed interviews; use requires an appointment and is limited to AAA's Washington, D.C. office.
Topic:
Art, Modern -- California  Search this
Conceptual artists -- California -- Interviews  Search this
Painters -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Identifier:
AAA.schimerl2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schimerl2

Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009

Creator:
Hammersley, Frederick, 1919-2009  Search this
Subject:
Nowells, Lu  Search this
Chuey, Robert  Search this
Hammersley, Anna Westberg  Search this
Brice, William  Search this
McLaughlin, John  Search this
Lebrun, Rico  Search this
Stone, Susie  Search this
Hammersley, Harold  Search this
Benjamin, Karl  Search this
L.A. Louver Gallery  Search this
Hoshour Gallery  Search this
Pomona College  Search this
Chouinard Art Institute  Search this
Modernism (Gallery)  Search this
Type:
Diaries
Drawings
Greeting cards
Scrapbooks
Sketches
Interviews
Photographs
Lectures
Prints
Essays
Sketchbooks
Lecture notes
Sound recordings
Video recordings
Designs
Visitors' books
Awards
Place:
Europe -- description and travel -- photographs
Topic:
Painters -- New Mexico  Search this
Color in art  Search this
Painters -- California -- Los Angeles  Search this
Art teachers -- California -- Los Angeles  Search this
Painting, Abstract  Search this
Computer Art  Search this
Art -- Study and teaching  Search this
World War, 1939-1945 -- Photographs  Search this
Record number:
(DSI-AAA_CollID)7270
(DSI-AAA_SIRISBib)209421
AAA_collcode_hammfred
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209421
Online Media:

Lorser Feitelson and Helen Lundeberg papers

Creator:
Feitelson, Lorser, 1898-1978  Search this
Names:
Federal Art Project (Calif.)  Search this
Benjamin, Karl  Search this
Butterfield, Jan  Search this
Hammersley, Frederick, 1919-2009  Search this
Kadish, Reuben, 1913-1992  Search this
Langsner, Jules, 1911-1967  Search this
Longstreet, Stephen, 1907-  Search this
Lundeberg, Helen, 1908-1999  Search this
McCoy, Esther  Search this
McLaughlin, John, 1898-  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Moran, Diane De Gasis  Search this
Rattner, Abraham  Search this
Seldis, Henry  Search this
Sheets, Millard, 1907-1989  Search this
Extent:
15.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Poetry
Writings
Drawings
Sound recordings
Photographs
Date:
circa 1890s-2002
Summary:
The papers of Los Angeles painters and art instructors Lorser Feitelson and Helen Lundeberg measure 15.6 linear feet and date from circa 1890s to 2002. The papers document the careers of the two artists, including their establishment of the Post-surrealism movement in southern California, their work for federal arts programs, and their later abstract artwork. Found are biographical materials, correspondence, personal business records, exhibition files, printed materials, photographs, and one sound recording.
Scope and Content Note:
The papers of Los Angeles painters and art instructors Lorser Feitelson and Helen Lundeberg measure 15.6 linear feet and date from circa 1890s to 2002. The papers document the careers of the two artists, including their establishment of the Post-surrealism movement in southern California, their work for federal arts programs, and their later abstract artwork. Found are biographical materials, correspondence, personal business records, exhibition files, printed materials, photographs, and one sound recording.

Biographical documentation is found for both artists. Lundeberg's early life is documented by school notebooks, yearbooks, diplomas, calendars, awards, and a "memory book." Feitelson's biographical materials include family certificates and documents compiled by Lundeberg regarding Feitelson's funeral. Also found are curriculum vitae and biographical sketches for both artists.

Correspondence is extensive and includes both personal and professional correspondence for both Feitelson and Lundeberg. Materials consist of letters with critics, museums, artists, and friends, including Karl Benjamin, Frederick Hammersley, Reuben Kadish, John McLauglin, Diane Moran, and Abraham Rattner. Of special interest is Feitelson and Lundeberg's correspondence with Museum of Modern Art curator Dorothy Canning Miller.

A small amount of exhibition materials, mostly loan agreements and checklists, are found in the papers documenting exhibitions and loans of their artwork to exhibitions. Personal business records concern the management of their artwork and personal collections. Found here are lists of artwork, price lists, appraisal reports, sales invoices, purchase receipts, tax documents, and a set of index cards for their artwork. There are a few scattered legal documents as well. In addition to personal business records, there is a series of records of the Lorser Feitelson and Helen Lundeberg Foundation, established by Lundeberg in 1978.

Scattered research and teaching files are mostly Feitelson's. They document his personal research, teaching activities, and television programs, particularly the program Feitelson on Art. Writings, however, are found for both artists and include artist statements, writings about art and art styles and movements, writings about each artist, and writings about the Federal Arts Program in southern California. Of interest are numerous writings by other contemporary writers and critics, including Jan Butterfield, Jules Langsner, Stephen Longstreet, Esther McCoy, Diane Moran, Henry Seldis, and Millard Sheets.

A small amount of artwork is found within the collection by Feitelson and Lundeberg, mostly sketches and drawings. There is one print by Hans Burkhardt.

Printed materials include newsclippings, exhibition announcements and catalogs, lecture announcements, posters, press releases, and printed reproductions of Feitelson's and Lundeberg's artwork. There are also pamphlets produced by the Works Progress Administration Federal Arts Program and Lundeberg's poetry.

Photographs are extensive and include many of Lorser Feitelson and Helen Lundeberg, as well as of family, friends, and students. There are four photo albums and numerous photographs of Feitelson's and Lundeberg's artwork, including some exhibition installations.

There is one circa 1957 reel-to-reel sound recording of an episode of Feitelson on Art, focusing on Paul Gauguin.

An addition of 0.2 linear feet received in 2014 includes Feitelson's art history and teaching notes, writings by Feitelson, and photographs and contact sheets of Feitelson and works of art.
Arrangement:
The collection is arranged into 11 series:

Series 1: Biographical Materials, 1922-1995 (Boxes 1-2, 19; 1.5 linear feet)

Series 2: Correspondence, 1932-1998 (Boxes 2-4; 2.5 linear feet)

Series 3: Exhibition Records, 1936-1989 (Boxes 4-5; 0.25 linear feet)

Series 4: Personal Business Records, 1943-1998 (Boxes 5-6; 1.0 linear feet)

Series 5: Feitelson and Lundeberg Foundation Records, 1978-1997 (Boxes 6-7, 19; 1.5 linear feet)

Series 6: Research and Teaching Materials, 1940s-1960s (Boxes 7-8; 0.75 linear feet)

Series 7: Writings, 1930-1989 (Boxes 8-9; 1.0 linear feet)

Series 8: Artwork, 1920s-1991 (Boxes 9, 19; 9 folders)

Series 9: Printed Materials, 1923-2002 (Boxes 9-11, 20; 2.0 linear feet)

Series 10: Photographs, circa 1890s-1993 (Boxes 11-14, 16-19, and OV 21-22; 4.3 linear feet)

Series 11: Audio Recording, circa 1957 (Box 15; 1 item)

Series 12: Unprocessed Addition, circa 1919-1978 (Box 23; 0.2 linear feet)
Biographical Note:
Art instructor and painter Lorser Feitelson (1898-1978) lived and worked in Los Angeles with his wife Helen Lundeberg (1908-1999), also one of southern California's leading painters. Together, Feitelson and Lundeberg founded the movement known as Subjective Classicism, or Post-surrealism. Their work had a great influence on southern California art and they formed many relationships with artists and critics of the area.

Lorser Feitelson was born in Savannah, Georgia on February 11, 1898, and grew up in New York City. By the age of twelve, he was painting in oils, and three years later he began to paint in earnest after attending the Armory Show. At the age of eighteen, Feitelson had his own studio in New York City. Over the next few years, he met other artists, including Arthur Davies, Walter Pach, and John Sloan. From 1919 to 1926, Feitelson lived in Paris and traveled to New York to exhibit; he also spent some time in Italy. In 1927, Feitelson moved to Los Angeles, the city that would remain his home for the rest of his life. There he met his wife and artist, Helen Lundeberg, and married in 1933.

Feitelson taught at the Chouinard Art Institute and the Stickney Memorial School of Art, became involved in the operations of the Centaur Gallery, and helped to found the Stanley Rose Gallery and the Hollywood Gallery of Modern Art. Beginning with the first Post-surrealist exhibition 1934, Feitelson and Lundeberg's work was exhibited at the San Francisco Museum of Art, the Brooklyn Museum, and was included in the Museum of Modern Art's Fantastic Art, Dada and Surrealism exhibition of 1937. Feitelson continued to create Post-surrealist paintings until 1942. During this same time, Feitelson also served as the Supervisor of Murals, Painting, and Sculpture for the Southern California Works Progress Administration Federal Arts Project.

In 1944, Feitelson began to paint abstract shapes that he referred to as "magical forms." Feitelson continued working in an abstract manner throughout the fifties, and in 1959 was included by Jules Langsner in the exhibition Four Abstract Classicists along with Karl Benjamin, Frederick Hammersley, and John McLaughlin. From this exhibition emerged the term "hard edge" painting, which referred to the presence of geometric shapes and flat pictorial space in the work of these artists. During the final two decades of his life, Feitelson continued to work regularly, and continued to explore abstraction.

Feitelson taught for many years at the Art Center School and was a visiting professor at the University of Illinois, Urbana. He also hosted the television program Feitelson on Art from 1956-1963, as well as serving as a frequent guest on the program Cavalcade of Books to discuss art publications. Lorser Feitelson died in 1978.

Helen Lundeberg was born in Chicago, Illinois on June 24, 1908. At the age of four, her family moved to Pasadena, where she attended Pasadena High School and Junior College. In the spring of 1930, a family friend sponsored Lundeberg's tuition to attend classes at the Stickney Memorial School of Art. That summer Lundeberg met Lorser Feitelson, who had recently taken over the teaching of her construction and composition class. The following year, Lundeberg's work was included in an exhibition for the first time. By 1933, Lundeberg had a solo exhibition at the Stanley Rose Gallery. Throughout the 1930s, Lundeberg painted in a Post-surrealist manner and created some of her best known works including "Double Portrait of the Artist in Time" (1935). She also began working for the California Works Progress Administration Federal Art Project in 1936. Over the next six years, she designed murals for libraries, high schools, and parks. She and Feitelson married in 1933.

During the next five decades, Lundeberg created a distinctive and diverse body of work that included surreal images of floating mountains and falling skies, austere landscapes and architectural forms, and abstract works with brilliant colors. She remained from the 1930s to the time of her death in 1999 one of the leading and most respected figures in southern California art. Her work has been exhibited in the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art, and acquired by the Smithsonian American Art Museum, the Hirshhorn Museum and Sculpture Garden, and the Whitney Museum of American Art.
Related Material:
Found in the Archives of American Art are oral history interviews with Lorser Feitelson conducted by Betty Lochrie Hoag, May 12, 1964; with Lorser Feitelson and Helen Lundeberg conducted by Betty Lochrie Hoag, March 17, 1965; and with Helen Lundeberg conducted by Jan Butterfield, July 19 and August 29, 1980. Also found are Lorser Feitelson lectures recorded by Bonnie Trotter, 1973-1974.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reel LA 1) including a scrapbook of clippings primarily concerning Lorser Feitelson's activities with the federal Works Progress Administration. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1964, Feitelson loaned for microfilming a scrapbook of clippings primarily concerning his activities with the federal Works Progress Administration. The scrapbook was microfilmed on Reel LA1 and returned to Feitelson. It is not included in the container inventory in this finding aid.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Lorser Feitelson and Helen Lundeberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Painters -- California -- Los Angeles  Search this
Genre/Form:
Sketches
Poetry
Writings
Drawings
Sound recordings
Photographs
Citation:
Lorser Feitelson and Helen Lundeberg papers, circa 1890s-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.feitlors
See more items in:
Lorser Feitelson and Helen Lundeberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-feitlors
Online Media:

Frederick Hammersley notes on "An idea"

Creator:
Hammersley, Frederick, 1919-2009  Search this
Type:
Writings
Date:
between 1948 and 1971
Topic:
Graphic art  Search this
Record number:
(DSI-AAA)10000
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10000
Online Media:

Frederick Hammersley collage An idea

Creator:
Hammersley, Frederick, 1919-2009  Search this
Type:
Artworks
Date:
between 1948 and 1971
Topic:
Graphic art  Search this
Record number:
(DSI-AAA)10001
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10001
Online Media:

Holiday card design

Creator:
Hammersley, Frederick, 1919-2009  Search this
Type:
Artworks
Date:
195-?
Topic:
Holidays  Search this
Record number:
(DSI-AAA)11238
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11238
Online Media:

Frederick Hammersley

Subject:
Hammersley, Frederick  Search this
Type:
Photographs
Date:
ca. 1969
Record number:
(DSI-AAA)14683
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14683

Frederick Hammersley

Subject:
Hammersley, Frederick  Search this
Type:
Photographs
Date:
ca. 1969
Topic:
Portrait photography  Search this
Record number:
(DSI-AAA)14684
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14684

Punched cards for computer art by Frederick Hammersley

Creator:
University of New Mexico  Search this
Hammersley, Frederick, 1919-2009  Search this
Type:
Artifacts
Date:
1969 Mar. 20
Topic:
Computer art  Search this
Record number:
(DSI-AAA)14817
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14817
Online Media:

Hammersley reads four talks given in 1967

Creator:
Hammersley, Frederick, 1919-2009  Search this
Type:
Sound Recording
Date:
1989 June
Record number:
(DSI-AAA)19542
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19542

"Something Concrete on Abstract Art" lecture

Creator:
Hammersley, Frederick, 1919-2009  Search this
Type:
Sound Recording
Date:
1984 August 26
Topic:
Art, Abstract  Search this
Record number:
(DSI-AAA)19543
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19543

Frederick Hammersley christmas card to unidentified recipient

Creator:
Hammersley, Frederick, 1919-2009  Search this
Type:
Correspondence
Date:
ca. 1952-53
Record number:
(DSI-AAA)9536
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9536
Online Media:

Frederick Hammersley Christmas card to unidentified recipient

Creator:
Hammersley, Frederick, 1919-2009  Search this
Type:
Correspondence
Date:
ca. 1952-53
Record number:
(DSI-AAA)9537
See more items in:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9537
Online Media:

Tamara Webster papers relating to Frederick Hammersley, 1961-1996

Creator:
Webster, Tamara, 1917-2011  Search this
Subject:
Hammersley, Frederick  Search this
Type:
Christmas cards
Photographs
Topic:
Artists' studios -- Photographs  Search this
Record number:
(DSI-AAA_CollID)16236
(DSI-AAA_SIRISBib)370422
AAA_collcode_webstama
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370422
Online Media:

John McLaughlin papers, 1922-1979, bulk 1936-1976

Creator:
McLaughlin, John, 1898-,  Search this
Subject:
Benjamin, Karl  Search this
Anderson, Eugene Newton  Search this
Salz, Peter  Search this
Langsner, Jules  Search this
McLaughlin, John  Search this
Felix Landau Gallery  Search this
Reinhardt, Ad  Search this
Macdonald-Wright, Stanton  Search this
Hammersley, Frederick  Search this
Tamarind Lithography Workshop  Search this
Pasadena Art Museum  Search this
André Emmerich Gallery  Search this
Corcoran Gallery of Art  Search this
Type:
Paintings
Sketches
Collages
Photographs
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Painters -- California  Search this
Prints, Japanese  Search this
Record number:
(DSI-AAA_CollID)7963
(DSI-AAA_SIRISBib)210131
AAA_collcode_mclajohn
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210131
Online Media:

Lorser Feitelson and Helen Lundeberg papers, circa 1890s-2002

Creator:
Feitelson, Lorser, 1898-1978  Search this
Lundeberg, Helen, 1908-1999  Search this
Subject:
Seldis, Henry  Search this
Rattner, Abraham  Search this
Moran, Diane De Gasis  Search this
McLaughlin, John  Search this
McCoy, Esther  Search this
Lundeberg, Helen  Search this
Langsner, Jules  Search this
Longstreet, Stephen  Search this
Hammersley, Frederick  Search this
Kadish, Reuben  Search this
Butterfield, Jan  Search this
Benjamin, Karl  Search this
Sheets, Millard  Search this
Miller, Dorothy Canning  Search this
Federal Art Project (Calif.)  Search this
Type:
Sketches
Poetry
Writings
Drawings
Sound recordings
Photographs
Topic:
Art -- Study and teaching  Search this
Painters -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)7341
(DSI-AAA_SIRISBib)209494
AAA_collcode_feitlors
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209494
Online Media:

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