Skip to main content Smithsonian Institution

Search Results

Collections Search Center
84 documents - page 1 of 5

Oral history interview with Boris Bally

Interviewee:
Bally, Boris  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Faculty  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Students  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Snyderman Gallery  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art -- Students  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Agro, Elisabeth R.  Search this
Ballay, Joe, 1938-  Search this
Bonner, Jonathan, 1947-  Search this
Cianci, Vincent Albert, Jr., 1941-2016  Search this
Dahm, Johanna  Search this
Ebendorf, Robert, 1938-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gialamas, Rosemary, 1962-  Search this
Greenbaum, Toni  Search this
Holt, Steven, 1957-  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto, 1948-  Search this
Lechtzin, Stanley, 1936-  Search this
Metcalf, Bruce, 1949-  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe, 1954-  Search this
Extent:
4 Sound discs (Sound recording (5 hr., 55 min.), digital)
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Date:
2009 May 26-27
Scope and Contents:
An interview of Boris Bally conducted 2009 May 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Bally's home and studio, in Providence, Rhode Island.
The artists speaks of his current studio in Providence, Rhode Island; working without a studio assistant; the benefits of working with studio assistants without an art-school background; apprenticing with Swiss metalsmith Alexander Schaffner when Bally was 19; his own de facto apprenticeship program with his studio assistants; his parents as role models; his vision at age 19 for his career plan; his early interest in CAD; growing up with Swiss-born parents, both with art/design backgrounds; visiting Switzerland as a child; his father's studies with Buckminster Fuller in the late 1950s; his mother's class with L. Brent Kington, whom Bally later studied with; growing up in Pittsburgh, Pennsylvania; his first home metal shop at nine years old; his first formal metal class at about 14 years old; making and selling jewelry throughout his teens; informal apprenticeship with Jeff Whisner; his father's design firm, launched in his last year of high school; summer studying at the Pennsylvania Governor's School for the Arts; year-long apprenticeship in Switzerland; watching Schaffner make and sell a wide variety of objects, which later informed Bally's own perspective; his continuing relationship with Schaffner; undergraduate studies at Tyler School of Art, Philadelphia, Pennsylvania; studying with Daniella Kerner and Vickie Sedman at Tyler; transferring to Carnegie Mellon University, Pittsburgh, Pennsylvania, to study with Carol Kumata; making a "happiness machine"; transition from jewelry to larger sculptures; using found and scavenged materials; meeting Rosemary Gialamas (Roy) and their eventual elopement; moving to the Boston area; work as an industrial design model-maker; the New York art scene of the 1980s; representation with Archetype Gallery, New York, New York; slow but steady artistic recognition and commercial success of his functional objects; Sliding Perfections, flatware; teaching Gialamas metalsmithing and collaborative works by the two; early teaching experience in adult education classes in Cambridge, Massachusetts, then at Massachusetts College of Art, Boston; return to Pittsburgh in 1989, where Bally took a teaching position at Carnegie Mellon in the design department; studio on Bigelow Boulevard; difficulties in his marriage; a commission from the Society of Arts and Crafts, Boston, Massachusetts, and the beginnings of his traffic sign pieces in a collaborative piece with Gialamas; starting his platters series; the dissolution of his marriage to Gialamas in 1993; meeting Lynn, whom he later married; his love of teaching and his teaching philosophy; teaching at Penland School of Crafts, Penland, North Carolina; move to Providence, Rhode Island, to devote his time to studio work; the pros and cons of craft and arts schools versus university settings; the intersection of art, design, and industry: his Humanufactured line of products; functional work in the late '80s, and the influence of a trip to Haiti in the 1980s; bottle cork pieces; Trirod vessels; "More than One: Contemporary Studio Production" exhibition, American Craft Museum, New York, New York, 1992-94; philosophy of making; working in series form; truss pieces; perforation pieces and Vessel with a Silver Heart (1993); armform series; "Jewelries, Epiphanies" exhibition, Artists Foundation Gallery at Cityplace, Boston, Massachusetts, 1990; inclusion in One of a Kind: American Art Jewelry Today, by Susan Grant Lewin. (New York, NY: Harry N. Abrams, 1994); series Dig Wear and Eat Wear bracelets; Calimbo vessel and the Fortunoff prize; gold Tread Wear brooches in the mid-1990s; creating his first chair; moving from hand-made solo work to furniture and a design and production focus; starting to patent his designs in the mid-1990s; further exploration of design and technique in his chairs; "GlassWear: Glass in Contemporary Jewelry," Museum of Arts and Design, New York, New York, 2009; Pistol Chalice and work with the Pittsburgh gun buyback program; traveling exhibition for the project; Gun Totem; Brave necklace; BroadWay armchair; Subway chair; new techniques for graphics on the furniture; his relationship with former scrapyard Paul Warhola, brother to Andy Warhol; commission work, and the importance of commerce in his career and worldview; commission for Comedy Central television network; the changing craft market and the boom times of the 1980s; work with galleries, including: Patina, Santa Fe, New Mexico; Velvet da Vinci, San Francisco, California; Snyderman-Works, Philadelphia, Pennsylvania; Nancy Sachs Gallery, St. Louis, Missouri; the Society of Arts and Crafts, Boston, Massachusetts; seeing one of his pieces used on a set for a daytime television soap opera and in the movie Sex and the City ; the recent "green" (environmentally conscious) trend; blurring boundaries of design and art and craft; growing acceptance of artist-made and -designed multiples; pros and cons of computer technology in art and craft; the pros and cons of the DIY (do-it-yourself) craft movement; influential writers, including Rosanne Raab, Marjorie Simon, Steven Skov Holt and Mara Holt Skov, Bruce Metcalf, Toni Greenbaum, Matthew Kangas, Gail Brown; his involvement in the Society of North American Goldsmiths; making metal benches for his children. He also recalls Heather Guidero, Julian Jetten, Pam Moloughney, Dennis Kowal, Ursula Ilse-Neuman, Bob Ebendorf, Jason Spencer, Rob Brandegee and Ava DeMarco, Stefan Gougherty, Flo Delgado, L. Brent Kington, Curtis Aric, Ralph Düby, Steve Korpa, Joe Wood, Joe Ballay, Yves Thomann, Andy Caderas, James Thurman, Nicholas (Nico) Bally, Elena Gialamas, James Gialamas, Elvira Peake, Ronald McNeish, Johanna Dahm, Jerry Bennet, Kathleen Mulcahy, Nelson Maniscalco, Tom Mann, Otto Künzli, Stanley Lechtzin, Christopher Shellhammer, David Tisdale, Dean Powell, Daniel Carner, Donald Brecker, Robert Schroeder Phil Carrizzi, Lucy Stewart, Elisabeth Agro, Rachel Layton, Sarah Nichols, Peter Nassoit, Dan Niebels, Mary Carothers, Ward Wallau, Ivan Barnett and Alison Buchsbaum, Jonathan Bonner, Raymond and Patsy Nasher, Beth Gerstein, George Summers Jr., Pavel Opocensky, Buddy Cianci, David Cicilline.
Biographical / Historical:
Boris Bally (1961- ) is a metalsmith and designer who lives and works in Providence, Rhode Island. Bally was educated at Carnegie Mellon University and Tyler School of Art.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors  Search this
Topic:
Art -- New York (State) -- New York  Search this
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Furniture making  Search this
Jewelry making  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bally09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bally09

Oral history interview with Gary L. Noffke

Interviewee:
Noffke, Gary  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art  Search this
Eastern Illinois University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Ring Show  Search this
Southern Illinois University (System) -- Students  Search this
Stetson University -- Faculty  Search this
University of Iowa -- Students  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Coulter, Lane, 1944-  Search this
DeRuiter, Garret  Search this
Dreisbach, Fritz  Search this
Ebendorf, Robert, 1938-  Search this
Erbe, Gary T., 1944-  Search this
Fike, Phillip G., 1927-1997  Search this
Gingras, Toms  Search this
Hu, Mary Lee, 1943-  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Loloma, Charles, 1921-  Search this
Merrit, Barry  Search this
Messersmith, Fred  Search this
Nettles, Dickie  Search this
Norell, Lydia  Search this
Pujol, Elliot  Search this
Streetman, Evon  Search this
Wilde, Sue  Search this
Zelmanoff, Marci  Search this
Extent:
106 Pages (Transcript)
4 Items (Sound recording: 4 sound files (4 hr., 49 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 December 4-5
Scope and Contents:
An interview of Gary L. Noffke conducted 2010 December 4 and 5, by Mary Douglas, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Noffke's home, in Farmington, Georgia.
Noffke speaks of growing up in Sullivan, Illinois; disliking school; the absence of formal art education before college and doing art on his own; his grandfather's farm; attending Eastern Illinois University to study painting, receiving a BS and MS in education with a major in art; what classes he took and his professors; his opinion about art programs in universities; the influence of the Vietnam draft; attending the University of Iowa and his introduction to metals; transferring to Southern Illinois University and his peers; learning techniques with metals; early metal work; working at Stetson University in Deland, Florida; working with colleagues and students and its influence on work; experimenting with different techniques; transition from graduate school to professional life; developing different methods for metal work, and motivations; how the notion of form and function has changed in design, especially regarding metal work and artists; the dynamics of working with students throughout the years; discusses in detail individual works and his approaches and anecdotes; his attraction to rings, simple hardware, and traditional, ancient forms; other teaching jobs before landing at the University of Georgia; building his house and studio; working in the Italy program at Cortona; his experiences at Cranbrook, Michigan and Summervale, Colorado; current and past exhibitions including the National Ring Shows; entering competitions; how the hand-made motif is important in his work; the connotation of labels of craft artist; his casual approach to the art market and formalities in the art world. Noffke also recalls Garret DeRuiter, Brent Kington, Elliot Pujol, May Lee Hu, Marci Zelmanoff, Dickie Nettles, Robert Ebendorf, Gary Erbe, Phil Fike, Bill Brown, Evon Streetman, Lane Coulter, Sue Wilde, Lydia Norell, Fred Messersmith, Tom Gingras, Charles Loloma, Fritz Dreisbach, Barry Merrit, and others.
Biographical / Historical:
Gary L. Noffke (1943- ) is a goldsmith in Farmington, Georgia. Mary Douglas (1956- ) is a curator and artist in Statesville, North Carolina.
General:
Originally recorded on 4 SD memory cards. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 49 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Metal-work -- Study and teaching  Search this
Metal-work -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.noffke10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-noffke10

Oral history interview with Bruce Metcalf

Interviewee:
Metcalf, Bruce, 1949-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Colorado State University -- Faculty  Search this
Kent State University -- Faculty  Search this
Montana State University (Bozeman, Mont.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
State University of New York at New Paltz -- Students  Search this
Syracuse University -- Students  Search this
Tyler School of Art -- Students  Search this
University of the Arts (Philadelphia, Pa.) -- Faculty  Search this
Adamson, Glenn  Search this
Arneson, Robert, 1930-1992  Search this
Bauer, Fred  Search this
Bennett, Jamie, 1948-  Search this
Burns, Mark, 1950-  Search this
Church, Sharon, 1948-  Search this
Clark, Garth, 1947-  Search this
Craig, Gabriel  Search this
Cummins, Susan  Search this
Daley, William, 1925-  Search this
Ebendorf, Robert, 1938-  Search this
Eidelberg, Martin P.  Search this
Flynn, Pat, 1954-  Search this
Getty, Nilda  Search this
Gill, John, 1949-  Search this
Griffin, Gary, 1945-  Search this
Halem, Henry  Search this
Hammer, Wayne  Search this
Hash, Arthur, 1976-  Search this
Jerry, Michael John, 1937-  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Koplos, Janet  Search this
Koss, Gene  Search this
Kumata, Carol  Search this
La Plantz, David  Search this
Lechtzin, Stanley, 1936-  Search this
Long, Randy  Search this
Matzdorf, Kurt  Search this
Mawdsley, Richard, 1945-  Search this
Moran, Lois  Search this
Morris, William H., 1834-1896  Search this
Pritchard, Marian  Search this
Rogers, Harriet  Search this
Rogers, Steve  Search this
Ruskin, John, 1819-1900  Search this
Schaechter, Judith, 1961-  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Slivka, Rose  Search this
Slosberg, Jill  Search this
Wilson, Anne, 1949-  Search this
Woell, J. Fred, 1934-  Search this
Extent:
96 Pages (Transcript)
5 Items (Sound recording: 5 sound files (4 hr., 10 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
California -- description and travel
Seoul (Korea) -- Description and Travel
Date:
2009 June 10
Scope and Contents:
An interview of Bruce Metcalf conducted 2009 June 10, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Metcalf's home, in Bala Cynwyd, Pennsylvania. Mr. Metcalf discusses his early years in Amherst, Massachusetts; beginnings as a maker with modeling clay and plastic airplane models; undergraduate years at Syracuse University, Syracuse, New York in the late 1960s; early interest in architecture; early disenchantment with modernist discourse and theory; introduction to Marxist theory and idealism of the 1960s; summer trip to California in 1970; return to the East Coast upon the death of his father; return to college, transferring into jewelry in his senior year; influence of his teacher Michael Jerry; seeing the work in "Objects: USA" exhibition (1969) and influence of the work of J. Fred Woell, Richard Mawdsley, L. Brent Kington; rejection of current trends in art, including conceptual art and formalism; his affinity for the medium of metal, and hammersmithing; influence of funk ceramics, including work by Fred Bauer and Richard Shaw; brief stint at Montana State University, Bozeman; working in cardboard and wood; graduate school at the State University of New York, New Paltz; working with Robert Ebendorf and Kurt Matzdorf at New Paltz; work as a production artist/craftsperson; attending Rhinebeck, New York, craft fair in the mid-1970s; the influence of writings by William Morris and John Ruskin and the notion of "dignified labor"; graduate school at Tyler School of Art, Philadelphia, Pennsylvania; formulating his aesthetic of narrative symbolism; publication of his first article in 1977 as a response to review of the exhibition "Forms in Metal: 275 Years of Metalsmithing in America" (1975); yearlong teaching position at Colorado State University, Fort Collins, Colorado; taking a teaching position at Kent State University, Kent, Ohio (1986-1991); publication of his article "Crafts: Second-Class Citizens?" in the first issue of Metalsmith, 1980; growing involvement with the Society of North American Goldsmiths; development of his notion of "social utility" and the role and function of crafts and making; expansion of his writing on craft; rejection of the deconstructivist school of thought in the 1980s; abandonment of sculptural objects for jewelry in the early 1990s; return to Philadelphia in 1991; early teaching of history of craft, first at Kent, then on a Fulbright scholarship in Seoul, South Korea (1990), later at the University of the Arts, Philadelphia, in the early 1990s; influence of Martin Eidelberg; development of his vision for a history of craft course; collaboration with Janet Koplos on "Makers: A History of American Studio Craft"; use of his medium and craft to explore issues of nurturing and anxiety; the psychological/social effect and aesthetic importance of wearing jewelry (for the wearer and the artist); the pros and cons of craft collectors; the problematics of installation work by craft artists; recent trends in craft, including Anne Wilson's notion of "sloppy craft" and an "anti-craft" attitude; recent artists, including Arthur Hash and Gabriel Craig; lack of exhibition opportunities for younger/emerging artists; influential recent texts, including "Shards," by Garth Clark. He also recalls Robert Arneson, Randy Long, Carol Kumata, Jamie Bennett, Steve and Harriet Rogers, Wayne Hammer, Stanley Lechtzin, Gene Koss, Henry Halem, Mark Burns, Rose Slivka, Nilda Getty, Jill Slosberg, Sharon Church, John Gill, David La Plantz, Lois Moran; Gary Griffin; William Daley, Marian Pritchard, Glenn Adamson, Pat Flynn, Susan Cummins, and Judith Schaechter.
The following oral history transcript is the result of a recorded interview with Bruce Metcalf on June 10, 2009. The interview took place in Bala Cynwyd, Penn., and was conducted by Edward S. Cooke, Jr. for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Bruce Metcalf has reviewed the transcript. His corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose.
Biographical / Historical:
Bruce Metcalf (1949- ) is a jeweler and writer in Bala Cynwyd, Pennsylvania.
General:
Originally recorded as 5 sound files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Ceramics  Search this
Communism  Search this
Deconstructivism (Architecture)  Search this
Conceptual art  Search this
Formalism (Art)  Search this
Jewelers -- Pennsylvania -- Interviews  Search this
Jewelry making -- Study and teaching  Search this
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.metcal09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-metcal09

Oral history interview with Robert Ebendorf

Interviewee:
Ebendorf, Robert, 1938-  Search this
Interviewer:
Rosolowski, Tacey A.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
96 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 April 16-18
Scope and Contents:
An interview of Robert Ebendorf conducted 2004 April 16-18, by Tacey Rosolowski, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Greenville, N.C.
Ebendorf speaks of growing up in Topeka, Kansas; spending time in his grandparents' tailor shop; his relationship with his parents; having difficulties in school; making jewelry in arts and crafts class; meeting Carlyle Smith and deciding to study art at the University of Kansas; staying at the University of Kansas to get his MFA in Three-Dimensional Design; taking part in important early exhibitions including the "Wichita National"; collaging in his artwork and letters; how his art professors including, Robert Montgomery, mentored him; studying metal craft in Norway on a Fulbright; getting a job teaching at Stetson University; returning to Norway on a Tiffany Grant and working in a goldsmith shop; rebuilding the metals program at the University of Georgia; traveling to Norway once again and designing for the David Anderson Firm; experimenting with mixed media and found objects in his work; exhibiting at the Susan Cummins Gallery; hunting for objects with his daughter Brittany; teaching at SUNY New Paltz; using the ColorCore material; expressing both the masculine and feminine in his art; and making crafts with his mother.
Ebendorf also speaks of his current daily routine and the importance of a home studio; the influence of Scandinavian art on his work, especially the art of Claus Bury; doing work on commission; teaching at Penland School of Crafts and Haystack Mountain School of Crafts; taking part in the founding of the Society of North American Goldsmiths and serving as President; teaching at East Carolina University; preparing students for a career in metalsmithing; the changing trends in American and European jewelry; organizing the "Conversations" series of workshops at SUNY New Paltz; reading various art publications and the need for more critical writing about craft; selling work at craft fairs; the challenges of working with various galleries and museums; the importance of his work Lost Souls and Found Spirits; his recent retrospective "The Jewelry of Robert Ebendorf: A Retrospective of Forty Years;" and his current work and plans for the future. Ebendorf also recalls Kurt Matzdorf, Fred Woell, Bill Brown, Philip Morton, Ronald Pearson, L. Brent Kington, Linda Darty, Jamie Bennett, Earl Krentzin, and others.
Biographical / Historical:
Robert Ebendorf (1938- ) is a metalsmith from Greenville, North Carolina. Tacey A. Rosolowski is an art historian from Washington, D.C.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 6 hr., 29 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art metal-work  Search this
Metal-work -- Economic aspects  Search this
Metal-work -- Study and teaching  Search this
Metal-work -- Equipment and supplies  Search this
Metal-workers -- North Carolina -- Interviews  Search this
Jewelers -- North Carolina -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry -- Design  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ebendo04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ebendo04

Robert Ebendorf papers

Creator:
Ebendorf, Robert, 1938-  Search this
Names:
East Carolina University -- Faculty  Search this
Extent:
4.8 Linear feet
0.554 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Sketchbooks
Collages
Date:
1920-2015
bulk 1960-2010
Summary:
The papers of metalsmith and jeweler Robert Ebendorf measure 4.8 linear feet and 0.554 GB and date from 1920 to 2015, with the bulk of the material from 1960 to 2010. The papers document Ebendorf's career through scattered biographical material; business correspondence with galleries, universities, and professional groups as well as personal correspondence with friends and family, including a large collection of mail art; artist statements, teaching philosophies, and reflections by Ebendorf as well as writings by others; application materials for the artist's position as Belk Chair at East Carolina University, student fellowship applications, and other teaching files; audio and video recordings of interviews in digital format; inventories, invoices, and publicity material, including several folders of notes and materials for retrospectives; exhibition catalogs, news clippings, and other printed material; sketches, cut paper, and collage work loose and in sketchbooks; and photographic materials of the artist, friends, family, and artwork.
Scope and Contents:
The papers of metalsmith and jeweler Robert Ebendorf measure 4.8 linear feet and 0.554 GB and date from 1920 to 2015, with the bulk of the material from 1960 to 2010. The papers document Ebendorf's career through scattered biographical material; business correspondence with galleries, universities, and professional groups as well as personal correspondence with friends and family, including a large collection of mail art; artist statements, teaching philosophies, and reflections by Ebendorf as well as writings by others; application materials for the artist's position as Belk Chair at East Carolina University, student fellowship applications, and other teaching files; inventories, invoices, and publicity material, including several folders of notes and materials for retrospectives; audio and video recordings of interviews in digital format; exhibition catalogs, news clippings, and other printed material; sketches, cut paper, and collage work loose and in sketchbooks; and photographic materials of the artist, friends, family, and artwork.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, 1920-2014 (Boxes 1, 6; 0.2 linear feet, ER01-ER02; 0.554 GB)

Series 2: Correspondence, 1965-2015 (Boxes 1-2; 1.1 linear feet)

Series 3: Writings, circa 1945-2014 (Box 2; 4 folders)

Series 4: Teaching Files, 1974-2012 (Box 2; 5 folders)

Series 5: Personal Business Records, circa 1963-2006 (Box 2; 0.4 linear feet)

Series 6: Printed Material, 1949-2015 (Boxes 2-3, 6; 0.7 linear feet)

Series 7: Artwork, circa 1940-1987 (Boxes 3, 6; 0.2 linear feet)

Series 8: Sketchbooks, circa 1963-1968 (Boxes 3, 6; 5 folders)

Series 9: Photographs, circa 1920-2012 (Boxes 3-7; 1.9 linear feet)
Biographical / Historical:
Robert Ebendorf (1938-) is a metalsmith and jeweler in Greenville, North Carolina. Ebendorf was born in Topeka, Kansas, and earned a BFA in 1958 and an MFA in 1963 from the University of Kansas. Upon receiving a Fulbright grant, he studied in Norway at the School for Applied Arts and Crafts in 1963 and returned to work at Norway Silver Designs in Fredikstad on a Louis Comfort Tiffany Foundation grant from 1965 to 1966.

A founding member and once president of the Society of North American Goldsmiths, Ebendorf has been deeply committed to forwarding the metals field as an innovator, organizer, and teacher. The artist is known for his original combinations of precious and non-precious materials alongside found objects and has held teaching positions at Stetson University, the State University of New York at New Paltz, Haystack Mountain School of Crafts in Maine, Penland School of Crafts in North Carolina, and East Carolina University.
Related Materials:
Also in the Archives of American Art is an oral history interview of Robert Ebendorf conducted 2004 April 16-18, by Tacey Rosolowski, in Greenville, N.C.
Provenance:
The collection was donated by Robert Ebendorf in 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Jewelers -- North Carolina  Search this
Metal-workers -- North Carolina  Search this
Topic:
Mail art  Search this
Art -- Study and teaching  Search this
Genre/Form:
Sketches
Sketchbooks
Collages
Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ebenrobe
See more items in:
Robert Ebendorf papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ebenrobe

William J. and Jane Brown papers

Creator:
Brown, William J. (William Joseph), 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Names:
Haystack Mountain School of Crafts  Search this
Penland School of Crafts  Search this
Bailey, Dan  Search this
Berensohn, Paulus  Search this
Brennan, Harold James, 1903-1989  Search this
Ebendorf, Robert, 1938-  Search this
Ehle, John, 1925-  Search this
Hallman, Ted, 1933-  Search this
Lipofsky, Marvin, 1938-2016  Search this
Morgan, Lucy, 1889-1981  Search this
Perisho, Flossie  Search this
Takaezu, Toshiko  Search this
Extent:
7.9 Linear feet
0.32 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Date:
circa 1940-2014
Summary:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet and 0.32 gigabytes. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.
Scope and Contents:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.

Biographical materials consists of awards, business cards, annotated calendars, consignment forms, material from Haystack Mountain School of Crafts, resumes, sketches, and student documents. Correspondence is with artists, former students, instructors, local residents, Paulus Berensohn, Robert Ebendorf, Theodore Hallman, Lucy Morgan, Toshiko Takaezu, and others.

Sound and video recordings are of interviews with Bill and Jane Brown, Lucy Morgan, and "Flossie" Perisho regarding personal and Penland history. One transcript of Marvin Lipofsky's conversation with Bill is also included. Bill's writings are on industrial design, directing Penland, and mankind. Two notebooks contain daily logs, sketches, and other notes. Notes by Bill and Jane are on inventions, John Ehle, metal history, poems, and other topics. Other writings are about Bill and a manuscript on craftsman education by Harold J. Brennan.

Penland's administrative records contain files documenting the board of trustees, residents program, a special 2-week session, artwork, Bill Brown's Glass Studio dedication ceremony schedule, a certificate of incorporation, financial material, grant proposals, and maps. Also found are records of Penland's 50th birthday celebration, including a video recording of "A Quest" by Dan Bailey.

Books, booklets, four documentary video recordings, exhibition catalogs and announcements, flyers, pamphlets, periodicals, postcards, posters, and stickers and patches designed by Bill are in printed materials. Photographs and slides are of Bill and Jane; family and friends; works of art; and of Penland's grounds, students, and faculty along with photographs and video recordings documenting Penland's history.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Materials, 1948-2011 (0.6 linear feet; Boxes 1, 9)

Series 2: Correspondence, 1949-2014 (1.8 linear feet; Boxes 1-3, 9)

Series 3: Interviews, 1968-1991 (0.4 linear feet; Box 3)

Series 4: Writings and Notes, circa 1950-2005 (0.2 linear feet; Box 3)

Series 5: Penland School of Crafts Administrative Records, 1954-1995 (1.1 linear feet; Boxes 3-4, 9)

Series 6: Printed Materials and Documentaries, 1942-2005 (1.8 linear feet, 0.32 GB; Boxes 4-6, 9; ER01)

Series 7: Photographic Materials and Moving Images, circa 1940-2011 (2.0 linear feet; Boxes 6-10, RD 11)
Biographical / Historical:
William "Bill" J. Brown (1923-1992) was a designer and educator who was married to Jane Brown (1932- ), an arts administrator. They lived in Bakersville, North Carolina.

Bill Brown was born in Flint, Michigan in 1923. He studied at the Cranbrook Academy of Art receiving a bachelor of fine art in 1949, a master of fine art in 1950, and was chosen to work at Corning Glass Works for a summer. After his studies, he taught at the Haystack Mountain School of Crafts and at the University of Delaware. In 1962 Lucy Morgan, who founded the Penland School of Crafts in 1929 in North Carolina, retired and offered the position of director to Bill. At the time, the school focused on traditional mountain crafts. As director, Bill changed the emphasis of the school to the advancement of professional craftsmen and the expansion of media to include iron and glass. He began a resident artist program that allowed artists to develop their skills at a low cost. Together, Bill and Jane created a supportive community of craftsmen that attracted renowned artists to teach and work at Penland. Bill resigned as director in 1983 but remained a respected member of the arts community. He earned several awards including the North Carolina Award in the Fine Arts in 1991.

Jane Brown graduated from the University of Delaware with a bachelor of arts in education and a master's degree in special education. Jane studied the Alexander Technique, a technique that can be used to improve the performance of dancers and musicians.

Bill Brown died in 1992. After his death, Jane participated in the dedication of the Bill Brown Glass Studio at Penland during a Glass Arts Society conference in 1995. She continues to live in Bakersville, North Carolina.
Related Materials:
Also found at the Archives of American Art is an oral history interview with William J. Brown and his wife Jane Brown conducted on January 19, 1991 and March 2, 1991 by Jane Kessler.
Provenance:
The portions of the William J. and Jane Brown papers that were lent for microfilming in 1991 by Jane Brown were subsequently donated by Jane Brown 1995 and 2015 along with additional papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Topic:
Art schools--North Carolina  Search this
Art -- Study and teaching  Search this
Artisans--North Carolina  Search this
Arts administrators--North Carolina  Search this
Design, Industrial  Search this
Handicraft--Study and teaching--United States  Search this
Handicraft--United States  Search this
Genre/Form:
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Citation:
William J. and Jane Brown papers, circa 1940-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browwill
See more items in:
William J. and Jane Brown papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-browwill

Robert Ebendorf Interview with Melinda Penkava, WUNC, Milwaukee, WI, Digital Audio Recording

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Extent:
0.349 Gigabytes (Five computer files)
Container:
Folder ER02
Type:
Archival materials
Gigabytes
Date:
2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref12

Ebendorf: In His Own Words, Digital Video Recording

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Extent:
0.205 Gigabytes (One computer file)
Container:
Folder ER01
Type:
Archival materials
Gigabytes
Date:
2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref607

Love Letter (Purchased)

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 1, Folder 10
Type:
Archival materials
Date:
1920
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref10

Miscellaneous Biographical Material

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
1954-2006
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref11

Pin and Nametags

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
2004, undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref13

Gardner Application and Police Department Commendation

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 6, Folder 1
Type:
Archival materials
Date:
1979-2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref14

Business Correspondence

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 1, Folder 14
Type:
Archival materials
Date:
1965-2013
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref16

Correspondence with Emprise Financial

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 1, Folder 15
Type:
Archival materials
Date:
2006-2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref17

Mail Art, Aleta Braun

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 1, Folder 16-18
Type:
Archival materials
Date:
1997-2015
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref18

Mail Art, Louis Bailey

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 1, Folder 19-25
Type:
Archival materials
Date:
2000-2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref19

Academic Transcripts

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1957-1963
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref2

Mail Art, Miscellaneous

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 2, Folder 1-3
Type:
Archival materials
Date:
2000-2014
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref20

Personal Correspondence

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 2, Folder 4
Type:
Archival materials
Date:
1978-2015
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref21

Writings by Robert Ebendorf

Collection Creator:
Ebendorf, Robert, 1938-  Search this
Container:
Box 2, Folder 5
Type:
Archival materials
Date:
circa 1988-2013
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of sound recordings requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Robert Ebendorf papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Robert Ebendorf papers, 1920-2015, bulk 1960-2010. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Ebendorf papers
Robert Ebendorf papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ebenrobe-ref23

Modify Your Search







or


Narrow By
  • Archives of American Art