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Saul Zalesch collection of artists' letters and documents

Collector:
Zalesch, Saul E.  Search this
Names:
Brooklyn Art Association  Search this
Society of American Artists  Search this
Baldridge, C. LeRoy  Search this
Bearden, Romare, 1911-1988  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Betts, Louis, 1873-1961  Search this
Bishop, Isabel, 1902-1988  Search this
Champney, James Wells, 1843-1903  Search this
Church, Frederic Edwin, 1826-1900  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Doughty, Thomas, 1793-1856  Search this
Duveneck, Frank, 1848-1919  Search this
Duveneck, Josephine W. (Josephine Whitney), 1891-1978  Search this
Fenollosa, Ernest Francisco, 1853-1908  Search this
Foster, Ben, 1852-1926  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Gropper, William, 1897-1977  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Indiana, Robert, 1928-  Search this
La Farge, John, 1835-1910  Search this
La Farge, John, 1835-1910  Search this
Lage, William Potter  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lippold, Richard, 1915-2002  Search this
Martin, Homer Dodge, 1836-1897  Search this
Merry, C. M.  Search this
Millet, Francis Davis, 1846-1912  Search this
Opper, Frederick Burr, 1857-1937  Search this
Pennell, Joseph, 1857-1926  Search this
Redfield, Edward Willis, 1869-1965  Search this
Rogers, John, 1829-1904  Search this
Sargent, John Singer, 1856-1925  Search this
Stankiewicz, Richard, 1922-1983  Search this
Story, Franklin H.  Search this
Story, William Wetmore, 1819-1895  Search this
Sully, Thomas, 1783-1872  Search this
Teal, William P.  Search this
Vedder, Elihu, 1836-1923  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Gluyas, 1888-  Search this
Extent:
58 Items ((portions microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1834-1973
Scope and Contents:
Artists' letters and documents collected by Zalesch and letters written to him in response to inquiries concnering autographs and biographical information.
REEL 3097: Twenty-six letters (1845-1973) written by George Bellows, Thomas Hart Benton, Isabel Bishop, Frederick Stuart Church, Thomas Doughty, Ernest Fenollosa, Ben Foster, Isabella Stewart Gardner, Childe Hassam, Robert Henri, John La Farge, Homer Dodge Martin, Joseph Pennell, Edward Willis Redfield, John Rogers, John Singer Sargent, Richard Stankiewicz, Thomas Sully, and Elihu Vedder. Also included are a Harvard University bond for William Wetmore Story's tuition signed by Franklin H. Story (1834) and a biographical questionnaire completed by John La Farge for The Cyclopedia of American Biography (1925).
UNMICROFILMED: Letters written by Roy Lichtenstein, William Gropper, Gluyas Williams, Ordway Partridge, Frederick Burr Opper, James Wells Champney, C. Gray Parker, Ben Foster, Louis Betts, Cyrus Le Roy Baldridge, Richard Lippold, Romare Bearden, Isabel Bishop, Thomas Hart Benton, Richard Stankiewicz, and others; a brochure for a work of art by Robert Indiana; a certificate from The Brooklyn Art Association for one share of capital stock in the name of William Potter Lage; one page of correspondence documenting a decision made for the Society of American Artists containing a note from Francis D. Millet to J. Alden Weir, followed by a note from Weir to Frederic Church, signed "O.K." by Church.
Vol. XXVI, no. 5, Feb. 1924 periodical, Old Hughes, published by the students of Hughes High school in Cincinnati, Ohio containing a published exchange of letters between principal C. M. Merry and Josephine W. Duveneck, daughter-in-law of painter Frank Duveneck about the Hughes High School purchasing a painting by Duveneck, and a reminiscence of Duveneck by William P. Teal, head of the art department at Hughes High School.
Biographical / Historical:
Saul Zalesch, an art historian, began collecting artists' letters around 1981.
Provenance:
This collection of letters was lent for microfilming by Zalesch in 1984 (reel 3097). Zalesch donated an additional three letters in 1993, twenty-five in 1999, one letter in 2008, and a publication in 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- United States  Search this
Topic:
Art, American  Search this
Identifier:
AAA.zalesaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zalesaul

William T. Evans letters

Creator:
Evans, William T., 1843-1918  Search this
Names:
American Watercolor Society  Search this
Salmagundi Club  Search this
Bierstadt, Albert, 1830-1902  Search this
Brown, John George, 1831-1913  Search this
Church, Frederic Edwin, 1826-1900  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Hassam, Childe, 1859-1935  Search this
Homer, Winslow, 1836-1910  Search this
Inness, George, 1825-1894  Search this
Johnson, Eastman, 1824-1906  Search this
Nichols, Hobart, 1869-1962  Search this
Peale, Rembrandt, 1778-1860  Search this
Pennell, Joseph, 1857-1926  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Whittredge, Worthington, 1820-1910  Search this
Extent:
0.01 Linear feet (ca. 900 items (on 3 micofilm reels))
Type:
Collection descriptions
Archival materials
Date:
1842-1969
Scope and Contents:
Printed material and letters to Evans from collectors, dealers, and artists. Letters discuss business matters including the Munich International Art Exposition 1883, the American Watercolor Society, the Salmagundi Club, the Lotos Club, and Evans loaning work from his private collection for exhibitions, requests from artists wanting Evans to comment on and handle their work, thank you notes and invitations to openings and dinners. Significant correspondents include George Inness, Childe Hassam, Thomas W. Dewing, Worthington Whittredge, Albert Pinkham Ryder, Frederic Edwin Church, Joseph Pennell, Albert Bierstadt, Winslow Homer, Rembrandt Peale, Hobart Nichols, John George Brown, William A. Coffin and Eastman Johnson.
Biographical / Historical:
Art patron and collector. Born in Ireland, he came to the United States as a child. He gave collections of paintings to the National Gallery of Art, Washington, D.C. and the Montclair Museum.
Provenance:
Letters on reels 4054-4055 were lent to the Assistant Curator of Painting and Sculpture, National Collection of Fine Arts in 1970 by Robert Price who acquired them along with paintings from Evans' estate and elsewhere. They were photocopied and the copies were given to the NCFA-PG Librarian, who transferred them to the Archives of American Art in 1979. In 1988 the copies were microfilmed by the Archives and discarded. The original letter on reel 2804 was transfered from NMAA, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- United States  Search this
Identifier:
AAA.evanwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-evanwill

Vision of the Cross, Study for "Apotheosis to Thomas Cole," (painting)

Painter:
Church, Frederic Edwin 1826-1900  Search this
Medium:
Oil on thin paperboard
Type:
Paintings
Owner/Location:
Smithsonian Institution Cooper-Hewitt, National Design Museum 2 East 91st Street New York New York 10128 Accession Number: 1917-4-254-b
Date:
Ca. 1860-1961
Topic:
Homage--Cole, Thomas  Search this
Emblem--Cross  Search this
Landscape  Search this
Figure group  Search this
Study  Search this
Control number:
IAP 8E940025
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_455012

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