Lewis Koch New Year's cards measure 0.2 linear feet and date from 1980-2021. Included are 41 holiday and New Year's cards created by Koch representing a complete set of cards sent over 41 years. Many cards are unsigned.
Scope and Contents:
Lewis Koch New Year's cards measure 0.2 linear feet and date from 1980-2021. Included are 41 holiday and New Year's cards created by Koch representing a complete set of cards sent over 41 years. Many cards are unsigned.
Arrangement:
The collection is arranged into one series.
Series 1: Lewis Koch New Year's Cards, 1980-2021 (0.2 linear feet; Box 1)
Biographical / Historical:
Lewis Koch (1949- ) is an artist and documentary photographer in Madison, Wisconsin.
Provenance:
Donated in 2022 by Lewis Koch.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own.
Lewis Koch New Year's cards measure 0.2 linear feet and date from 1980-2021. Included are 41 holiday and New Year's cards created by Koch representing a complete set of cards sent over 41 years. Many cards are unsigned.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own.
Collection Citation:
Lewis Koch New Year's Cards, 1980-2021. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own.
Collection Citation:
Lewis Koch New Year's Cards, 1980-2021. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own.
Collection Citation:
Lewis Koch New Year's Cards, 1980-2021. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own.
Collection Citation:
Lewis Koch New Year's Cards, 1980-2021. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own.
Collection Citation:
Lewis Koch New Year's Cards, 1980-2021. Archives of American Art, Smithsonian Institution.
The papers of sculptor and painter Edgar W. Bowlin date from circa 1956-circa 1961 and measure 0.01 linear feet. Papers include a list of Bowlin's sculptures and biographical notes; and a draft of a speech delivered by Bowlin on October 12, 1956 at the unveiling of his statue of Andrew Johnson, a program for the dedication of a statue, and remarks by Bowlin from July 1961. Also found are two pages of a guest register of signatures with comments on Bowlin's sculpture, Pleased Boy; four photographs of Bowlin with his work and with family; and printed material including news clippings about Bowlin and his work.
Scope and Contents:
The papers of sculptor and painter Edgar W. Bowlin date from circa 1956-circa 1961 and measure 0.01 linear feet. Papers include a list of Bowlin's sculptures and biographical notes; and a draft of a speech delivered by Bowlin on October 12, 1956 at the unveiling of his statue of Andrew Johnson, a program for the dedication of a statue, and remarks by Bowlin from July 1961. Also found are two pages of a guest register of signatures with comments on Bowlin's sculpture, Pleased Boy; four photographs of Bowlin with his work and with family; and printed material including news clippings about Bowlin and his work.
Arrangement:
Because of the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Tennessee sculptor and painter Edgar W. Bowlin (1923-2001), was known for his sculptures and oil paintings of United States presidents including Dwight D. Eisenhower and John F. Kennedy, and liturgical paintings in Tennessee area churches.
Provenance:
The collection was donated in 1961 by Edgar W. Bowlin.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edgar W. Bowlin papers, circa 1956-circa 1961. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edgar W. Bowlin papers, circa 1956-circa 1961. Archives of American Art, Smithsonian Institution.
The papers of painter, teacher and curator, Barbara Aubin, measure 5.1 linear feet and date from circa 1867-2014, with the bulk of the material dating from 1940-2014. The collection comprises biographical materials, correspondence, writings, exhibition files, professional files, printed materials,scrapbooks, artwork, and photographic materials.
Scope and Contents:
The papers of painter, teacher and curator, Barbara Aubin, measure 5.1 linear feet and date from circa 1867-2014, with the bulk of the material dating from 1940-2014. The collection comprises biographical materials consisting of student records from the Art Institute of Chicago, planners and address books, resumes, and unidentified material on electronic discs; correspondence with galleries regarding exhibitions, with friends including Kathy Kucera, and others; writings including drafts and notes for articles, and poems by Aubin; exhibition files containing planning documents, promotional material, and video recordings for Send a Postcard to Barbara (1980), Women's Day (2004, 2005), and a retrospective of Aubin's work at Elmhurst College (2008); professional files consisting of 4+ Decades of Art project material, membership records, Candidate for Professor binders, letters of support from colleagues, and a files for other professional activities; printed materials mainly featuring Aubin and her artwork; scrapbooks consisting of printed materials, photographs, and other material relating to Aubin's exhibitions and career; artwork consisting of collages by Aubin, prints, and vintage paintings; and photographic materials with slides, photographic prints, and negatives of Aubin, personal snapshots of friends and family, exhibitions, and works of art.
Arrangement:
The collection is arranged as 9 series.
Series 1: Biographical Material, 1952-2006 (0.2 linear feet; Boxes 1, 7)
Series 2: Correspondence, circa 1944-2010 (0.2 linear feet; Box 1)
Series 3: Writings, 1960-2006 (0.2 linear feet; Box 1)
Series 4: Exhibition Files, 1979-2012 (0.5 linear feet; Boxes 1-2)
Series 5: Professional Files, 1966-2012 (0.8 linear feet; Box 2)
Series 6: Printed Materials, circa 1950-2014 (0.6 linear feet; Boxes 2-3)
Series 7: Scrapbooks, 1950s-2000s (1.2 linear feet; Boxes 3-4, 7)
Series 8: Artwork, circa 1867-circa 2000s (0.2 linear feet; Box 4)
Series 9: Photographic Materials, circa 1880s-2000s (1.2 linear feet; Boxes 4-7)
Biographical / Historical:
Barbara Aubin (1928-2014) was a painter, teacher, and curator in Chicago, Illinois known for her work with postcard art and collage.
In 1949, she received a B.A. in sociology from Carleton College in M.N. She went on to earn both a B.A. and M.A. in art education from the School of the Art Institute in Chicago in 1954 and 1955 respectively. After graduation, she traveled to France and Italy on the George D. Brown Foreign Travel Fellowship in 1955-1956 and to Haiti for a Fulbright Fellowship in 1958-1960.
Aubin taught at the School of the Art Institute of Chicago in 1956-1958 and 1960-1967, Chicago State University in 1971-1991, and was a visiting artist at St. Louis Community College in 1980-1981. She was a member of the Chicago Artists Coalition, Chicago Society of Artists, and was a founder of the Chicago Women's Caucus for Art.
Provenance:
The Barbara Aubin papers were donated in 2016 by the Barbara Aubin estate via Amie Hyman, executor and in 2023 by the Union League Club of Chicago via Mark Tunney, General Manager, and Jane Stevens, trustee.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The papers of Chicago art collectors Edwin and Lindy Bergman measure 1.6 linear feet and date from 1949 to 2002. The papers document the collecting activities of the Bergmans through a collection of files on artists including Joseph Cornell, Jim Nutt, and Wilfredo Lam, and others including art dealers Julien and Jean Levy, and ballerina Tamara Toumanova.
Scope and Contents:
The papers of Chicago art collectors Edwin and Lindy Bergman measure 1.6 linear feet and date from 1951 to 2002. The collection includes documents filed by subject/name. Files may include both personal and business correspondence; personal business records such as price lists, inventories, and invoices; clippings, exhibition announcements, exhibition catalogs, and other printed material; and photographs of artists and their artwork. Also found is a video recording of an interview of Edwin and Lindy Bergman, August 24, 1984, produced by the Museum of Contemporary Art, Chicago.
A significant portion of the series relates to Joseph Cornell, and material includes general correspondence, correspondence from Betty Benton and Anthony Peluso, clippings, and exhibition announcements and catalogs. Also represented are artists Jim Nutt and Wilfredo Lam, art dealers Julian and Jean Levy, and ballerina Tamara Toumanova. There are also files on art galleries including the Museum of Modern Art, Sidney Janis Gallery, and Galerie du Dragon in Paris.
Arrangement:
The collection is arranged as one series.
Biographical / Historical:
Chicago, Illinois, art collectors Edwin Bergman (1917-1986) and Lindy (Betty Jane) Bergman (1918-2014) shared a particular interest in surrealist art and over a sixty year period assembled a major art collection which included some of Joseph Cornell's most famous works. The Bergmans began collecting art in the 1950s, and established the Bergman Gallery, designed as both a studio for undergraduates and an exhibition center. In 1982 they also established the Edwin and Lindy Bergman Joseph Cornell Gallery at the Art Institute of Chicago. Edwin Bergman was a founder and past president of the Museum of Contemporary Art in Chicago.
Related Materials:
Also found in the Archives of American Art is the Edwin Bergman Interview, August 21-December 21, 1984. Possible video duplicates of the interview are in the Edwin and Lindy Bergman papers
Provenance:
The Edwin and Lindy Bergman papers were donated in 2016 by Robert H. Bergman, Carol B. Cohen, and Betty L. Rosenfield, Edwin and Lindy Bergman's children.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Edwin and Lindy Bergman papers, 1949-2002. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
Aubin's biographical materials include 2 address books, resumes and related material, 2 planners, identification documents, student records and a diploma from the Art Institute of Chicago, a 50th anniversary reunion book from Carleton College, and unidentified digital material on 2 electronic discs.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
The folder contains two books. One book is covered in red and white fabric and includes notes regarding sales.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.