Smithsonian Center for Folklife and Cultural Heritage Search this
Type:
Interviews
YouTube Videos
Uploaded:
2023-04-11T15:27:26.000Z
Views:
8,090
Video Title:
Lightnin' Hopkins - "Blues Jumped a Rabbit" (Official Audio)
Description:
Listen to the official audio of "Blues Jumped a Rabbit" by Lightnin' Hopkins from the upcoming Smithsonian Folkways box set 'Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958–1971,' available August 4, 2023. Pre-order/stream: Smithsonian Folkways: https://folkways.si.edu/playing-for-the-man-at-the-door Bandcamp: https://smithsonianfolkways.bandcamp.com/album/playing-for-the-man-at-the-door-field-recordings-from-the-collection-of-mack-mccormick-1958-1971 All other platforms: https://orcd.co/mccormick In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas and the surrounding areas. In segregated neighborhoods, community members gathered in saloons, dancehalls, and each other’s homes to hear their neighbors sing their stories of sorrow, heartbreak, jubilation, and triumph. Robert “Mack” McCormick, an academically untrained but fanatical devotee of the blues, stepped into this world and became one of its most devout advocates and documentarians. By photographing Black and Latino Texans and their neighborhoods, as well as recording and interviewing musicians—many of whom never stepped foot into a proper recording studio—McCormick endeared and eventually embedded himself into these communities. By the time he died in 2015, McCormick had amassed a collection of 590 reels of sound recordings and 165 boxes of manuscripts, original interviews and research notes, thousands of photographs and negatives, playbills, and posters. Because McCormick never published or released most of these materials, his collection became a thing of legend and intense speculation among scholars, blues aficionados, and musicians alike. Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958–1971 is the first compilation of music drawn from this fabled collection, which indelibly documents a pivotal moment in African American history. It features never-before-heard performances not only from musicians who became icons in their own right—including Lightnin’ Hopkins and Mance Lipscomb—but also, crucially, performers whose names may be unfamiliar to even the most devoted blues fans and scholars. Newly mastered recordings and accompanying photographs bring to life many of these forgotten figures: offering insight into their lives and illuminating in new, enlightening ways their joys and anguish, deep social connections, distinctive voices, and cultural networks. The collection spans gospels, ragtime, country blues dirges, the unclassifiable music of George “Bongo Joe” Coleman, and more, showing that no community, no matter how tight-knit, is monolithic. Accompanying the music is a 128-page book, which contains breathtaking photographs by McCormick and his associates, as well as contextual essays by producers Jeff Place and John Troutman on McCormick’s life, and by musicians Mark Puryear and Dom Flemons on some of the marginalized communities throughout “Greater Texas” to which McCormick devoted his life’s work. This release is a partnership with the Smithsonian’s National Museum of American History. Smithsonian Folkways: https://folkways.si.edu Facebook: https://www.facebook.com/smithsonianfolkwaysrecordings Twitter: https://twitter.com/Folkways Instagram: https://www.instagram.com/smithsonianfolkways Support our work! Become a Friend of Folkways: https://folkways.si.edu/friends-of-folkways The content and comments posted here are subject to the Smithsonian Institution copyright and privacy policy (www.si.edu/copyright). Smithsonian reserves the right in its sole discretion to remove any content at any time.
Video Duration:
3 min 55 sec
YouTube Keywords:
music folk "Woody Guthrie" "Pete Seeger" Smithsonian Folkways old-time non-profit
