Author:

Cummings, Denise K  Search this

Physical description:

xxiv, 243 p. : ill. ; 23 cm

Type:

Biography

Place:

United States

Date:

2011

C2011

Contents:

Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen

Topic:

Indian arts  Search this

Arts and society  Search this

Intellectual life  Search this

Ethnic identity  Search this

Visual communication  Search this

Indigenous films  Search this

Indians in motion pictures  Search this

Indian motion picture producers and directors  Search this

Indian art  Search this

Indian artists  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_970967