103 pages: color illustrations, color portraits ; 26 cm
Type:
Exhibitions
Expositions
Place:
United States
États-Unis
Date:
2024
[2024]
21st century
21e siècle
Notes:
"Published on the occasion of the exhibition 'The Future of Clay' at the Clay Studio, October 5-December 31, 2024, Philadelphia, PA, United States of America"--Title page verso.
Indexed in the Native American Artists Resource Collection Online, Billie Jane Baguley Library and Archives, Heard Museum, Phoenix, Arizona, at the artist name level (January 24, 2025) https://5019.sydneyplus.com/Heard_Museum_ArgusNET_Final/Portal.aspx
Contents:
Statement from the executive director / Jennifer Martin -- The future is... everything, everywhere, all at once / Zindzi Harley, independent curator, PhD candidate -- Anne Adams -- Morel Doucet -- Clay as place and memory / Anya Montiel, PhD, curator at Smithsonian National Museum of the American Indian -- Chase Kahwinhut Earles -- Holly Wilson -- PastPresentFuture / Angelik Vizcarrondo-Laboy, director at New York City Department of Transportation Art -- Michelle Im -- Kristy Moreno -- Many futures and many pasts / Jennifer Zwilling, curator and director of artistic programs at the Clay Studio -- Jolie Ngo -- Cesar Viveros -- Between the past & the future / Chase J. Pendleton, independent scholar and development manager of the Clay Studio -- The Exhibition Council & neighborhood organizations -- Reflections from the Exhibition Council -- Exhibition team & collaborators -- Checklist of artwork in 'The Future of Clay' -- Acknowledgements / Jennifer Zwilling
Summary:
"Curatorial team Anya Montiel, Angelik Vizcarrondo-Laboy, Zindzi Harley, and Jennifer Zwilling are working with eight artists to answer the question, What is the Future of Clay? The Future of Clay will be an exhibition showcasing artists Morel Doucet, Chase Kahwinhut Earles, Kristy Moreno, Holly Wilson, Cesar Viveros, Jolie Ngo, Anne Adams, and Michelle Im. They are each making work that illustrates the multiple ways that ceramic art is moving toward the future, while representing the diversity of our society. The community-centered exhibition design process we have built over the last three years is integral to this exhibition concept. The process is at the forefront of new ideas about how to curate in our current social/political climate. The Future of Clay will culminate our anniversary celebrations that include a year of exhibitions that demonstrate our mission in action today, over the past half-century, and how we plan to continue to evolve"--Clay Studio description of exhibition.
