xvii, 196 pages, 76 unnumbered pages of plates illustrations (chiefly color), portraits 26 cm
Type:
Books
Place:
United States
États-Unis
Date:
2020
Notes:
NMAI copy gift of Cynthia Chavez Lamar
Contents:
Foreword / Robert Martin -- Introduction: American Indian Curatorial Practice: State of the Field / Nancy Marie Mithlo -- Introduction to the IAIA Museum of Contemporary Native Arts Collection and the IAIA Archives / Tatiana Lomahaftewa-Singer and Ryan S. Flahive -- Indian with a Watch: Poem / by Alex Jacobs -- The Gaze in Indigenous Art: Depictions of the Body and Nudity / Nancy Marie Mithlo -- Mapping Indigenous Space and Place / John Paul Rangel -- Presentations and Representations: Images of Dances from the Southwest and West / Suzanne Newman Fricke -- Transforming Art History in the Classroom / Lara M. Evans -- "No Rules Make Art": the Work of C. Maxx Stevens / Patsy Phillips -- Historical Essays. About Professor Charles Dailey / Jessie Ryker-Crawford and Stephen C. Fadden -- Major Influences in the Development of Twentieth-Century Native American Art / Charles A. Dailey -- Cultural Self-Determination: a Conversation with David Warren / Nancy Marie Mithlo and David Warren -- Teaching from Three Knowledge Spaces: the Native Eyes Project / David Wade Chambers -- Illumination: Poem / by Elizabeth Woody
Gallery One color plates, reproductions of Native American artwork from the collection of the Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, New Mexico (includes title of artwork with date followed by the name of the artist): Converse, 2012 / Jeff Kahm -- Memory Prom Dress, 2005 / C. Maxx Stevens -- Sioux Blue, 2011 / Dyani White Hawk -- Combattant de Liberté, 2002 / Shawn Bluejacket -- The Offering, circa 1957-1960 / Fritz Scholder -- Tangerine Walrus Family, 2015 / Sonya Kelliher-Combs -- Untitled Lines #19, 2010 / Alex J. Peña -- Tooth and Twine Necklace, 2016 / Carly Feddersen -- Tale of Bigfoot Incident in American Vernacular, 1966 / T.C. Cannon -- Giant Symbols, 1971 / Raymond Winters -- Forms in Beadwork, circa 1963 / Earl Eder -- Tamahnous Proto-Being, 2016 / William Thoms -- Wisdom, 2008 / Tony Lee -- Revolution (The Evolver Series), Part 1 of 5, 2002 / Anong Beam -- Simultaneous Advance (The Evolver Series), Part 4 of 5, 2002 / Anong Beam -- Deontic Koan (The Whale of Our Being Series), Part 3 of 4, 2002 / Carl Beam -- Chaos Theory (The Whale of Our Being Series), Part 2 of 4, 2002 / Carl Beam -- Residential School (Nightmare Koan I), 2002 / Carl Beam -- Hopi Clowns, no date / Harry Fonseca -- Absaloka Parfleche Belt, 1993 / Robert Gress -- Untitled, 1964 / Alfred Clah -- Across Time, 1994 / Bobbie Kitsman-Jenike and Arone Raymond Meeks
Gallery Two color plates, reproductions of Native American artwork from the collection of the Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, New Mexico (includes title of artwork with date followed by the name of the artist): Hawk Woman, 1970 / John Hoover -- Untitled, 1963 / Carol Frazier -- Changing Woman, Edition 35/65, 1980 / Helen Hardin -- Katchina No. 1, circa 1965 / Robert Tsabetsaye -- Self-Portrait, no date / Lawrence Lewis -- Gina Gray, no date / Anita Fields (née Luttrell) -- Maiden Voyager, 1999 / Ken Tohee -- Kill the Indian Save the Man, 1992 / Marwin Begaye -- Big Guy, Edition 1/1, 1983 / Michael McCabe -- Untitled, 1969 / Brenda Holden -- Wanting Fish, Edition 10/49, 1974 / Tronto Malaya Akulukjuk -- One Navajo, 1968 / Fritz Scholder -- Mesa Mirage from Tocito Rain, 1983 / Grey Cohoe -- My Mother, Myself, Edition 2/50, 1995 / Kenojuak Ashevak -- We Come as Clouds, no date / Otellie Loloma -- Self Portrait in the Studio (1975), Edition 50/200, circa 2006 -- Unrelenting-Number 1, 1983 / Darren Vigil Gray -- Frightened Baby Becomes a Ptarmigan, Edition 10/25, 1997 / Magdelene Ukpatiku -- Spirit Dance of the Moon and Sun, Edition A/P, 1967 / Grey Cohoe -- Yellow Cat, 1995 / Bob Haozous -- Women in Mourning, Edition 3/12, circa 1966-1969
Gallery Three color plates, reproductions of Native American artwork from the collection of the Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, New Mexico (includes title of artwork with date followed by the name of the artist): Blue Feathers, circa 1966 / Kirby Feathers -- Untitled, 1983 / Ernest Cachini -- Red Print II, 1965 / Henry (Hank) Delano Gobin -- Dream Home, 2016 / C. Maxx Stevens -- Box Drum, Edition 53/76, 1991 / Reg Davidson -- Sometimes It Happens That Way, Edition 1/1, 2004 / Jean LaMarr -- Untitled, 1969 / Evans Boone -- Somewhere in South Dakota, 1968 / Raymond Winters -- Zuni Shalako Dancer and Mudhead, 1965 / Roy Pablito -- Warning Call, 2002 / Norman Akers -- Bag Series #3: Cree Tobacco Pouch, 1993 / Margaret Wood -- Onyx Mosaic, 1997 / Margaret Wood -- Little Dog, Edition 1/1, 1998 / Melanie Yazzie -- Ye'ii Impersonator, Edition 6/8, 1984 / Larry Yazzie -- Beginning of Winter, Edition 10/25, 1997 / Nancy Sevoga -- Circle of Life, 1990 / Linda Lomahaftewa -- New Mexico Red, circa 1967 / T.C. Cannon -- Apache Crown Dancers, Edition A/P, 1983 / Don Whitesinger -- Deer Dancers, Edition 45/60, circa 1980 / Harry Fonseca -- Birth (New Life), Edition 505/1000, 1978 / Parker Boyiddle -- Butterflies in December, 1998 / Selina Farmer -- Pueblo Dance, circa 1964-1968 / Maxine Gachupin -- Fringed Cuffs, 1980 / Marcus Amerman -- Artist at 40 as a Buffalo, Edition 43/100, 1977 / Fritz Scholder -- Extra-Terrestrial Life Series, 1987 / Darren Vigil Gray
Gallery Four color plates, reproductions of Native American artwork from the collection of the Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, New Mexico (includes title of artwork with date followed by the name of the artist): Stalking Deer, 1967 / Frank Day -- Triangle Painting, 1968 / Frances Makil -- Tall Man with Bird, circa 1960-1971 / Otellie Loloma -- Bird Woman, 1962 / Otellie Loloma -- Vase, 1985 / Jacquie Stevens -- Womb Bowl, 1999 / Laura Fragua Cota -- Untitled, circa 1964 / Manuelita Lovato -- Beaded Child Dress, 1975 / Imogene Goodshot -- Untitled (bear paws on stripes), 1976 / Mike One Star -- Parrots Prayer Song, Edition 36/40, 1989 / Linda Lomahaftewa -- A.I.M., 2002 / David Bradley -- The Married Woman, Edition 9/48, 1960 / David Bradley -- Endangered Species, circa 1993 / Tammy Rahr -- El Veso, Edition 36/100, 1990 / Dolores Guerrero-Cruz -- Iris, Edition A/P, Number 9, 1991 / R.C. Gorman -- Beetle Design Bowl, 1968 / Lucy Martin Lewis -- Black Bear Children, Edition 24/45, 1992 / Susan A. Point -- Elk Spirit, 1999 / Linda Lou Metoxen -- Make Me Dance Ivories, 2003 / Edward Wapp -- Fighting over the Dead Seal, Edition 10/14, 1997 / Janet Nipi Ikuutaq -- Oñate's Toaster, 1999 / Charlene Teters -- A Day at Cochiti Lake, 2006 / Roxanne Swentzell
Figure illustrations, color reproductions of Native American artwork from the collection of the Museum of Contemporary Native Arts, Institute of American Indian Arts, Santa Fe, New Mexico (includes title of artwork with date followed by the name of the artist): Indian Affected by Anti-Indian Backlash, 1978 / David Bradley -- Bambi Makes Some Extra Bucks at The Studio, 2002 / America Meredith -- Mist in the Morning, 1965 / Phyllis Fife -- Inside Joke, 1992 / Rick Bartow -- Object: Hand + Mechanism, 2014 / Heidi Brandow -- Dude #4, 1999 / Alex Jacobs -- Untitled, 1973 / Wesley Wolf -- Mother and Child, circa 1982 / Melvin Brown -- Thursday Blues, 1976 / Alex Jacobs -- Dawn's Glow (Northwest Woman II), 1984 / Yvonne Thomas -- Diplomacy, circa 1968-1969 / Courtney Moyah -- Distortion, Edition A/P, State II, circa 1969 / Courtney Moyah -- To Cry in the Dark, 1969 / Courtney Moyah -- Cry I, Edition 36/40, 1989 / Rick Bartow -- The Change, Edition 36/80, 1989 / Rick Bartow -- Watcher, 1985 / Clara LaRose Gaseoma -- My Backyard Larry, 1969 / Peggy Deam -- Ghost Dance II, Triptych, 1969 / Bill Soza War Soldier -- Self-Portrait, 1968 / Bill Soza War Soldier -- John Wesley Hardin, Killer of Men ..., circa 1969 / Bill Soza War Soldier -- By the Water's Edge, 1987 / Allan Houser -- Dawn, 1989 / Allan Houser -- Vessel, 2015 / Shan Goshorn -- Feminine Sacred, 2015 / Shan Goshorn -- Feast Day Selfie, Edition 2/20, 2016 / Jason Garcia -- Corn Dance Series, 1991 / Mateo Romero -- Telling Many Wolf, Telling Hachivi, Diptych, Edition 36/90, 1989 / Edgar Heap of Birds -- Indian Land, Edition 1/10, 2004 / Jesus Barraza -- When More Than Knees Have Been Wounded, Edition 4/5, 1990 / Marie K. Watt -- Freedom, 1976 / Anthony Gauthier -- Do Indian Artists Go to Santa Fe When They Die ...?, Edition 3/90, 1989 / Richard Ray Whitman -- Untitled, 1973 / Anita Fields (née Luttrell) -- Sorting Out Blind Sensations, 1998 / Norman Akers -- Crown Dancer, 1954 / Allan Houser -- Fire Dancer, Edition 10/15, 1990 / Allan Houser -- Evolution, Edition Dedicated Copy, 1993 / Allan Houser -- Snake Dancer, Edition 150/150, 1979 / Fritz Scholder -- Picture Tour Map of Arizona, 1992 / Melanie Yazzie -- Red Meridian, 2012 / Mateo Romero -- The Night after Columbus, 1991 / Heidi BigKnife -- War Dance, 1967 / Geronima Cruz Montoya -- Education, Edition 1/1, Set 1/2, 1992 / Melanie Yazzie -- Life on the 18th Hole, Edition 69/75, 1990 / David Neel -- Combattant de Liberté, 2002 / Shawn Bluejacket -- On Drinking Beer in Vietnam in 1967, Edition 6/100, 1971 / T.C. Cannon -- America on Alert, 2003 / Dorothy Grandbois -- War Makers Back in Town, 2003 / Charlene Teters -- Soldier Boy Ring, 2013 / Teresa Kaulaity Quintana -- Untitled (Cover Girl Series), Edition 13/50, 1990 / Jean LaMarr -- Screaming Eagle Blues, Edition 38/100, 1990 / Jack Malotte -- My Father was a World War II Warrior, 1979 / Hulleah Tsinhnahjinnie -- Deceptus Magnus-October 12, 1492, Edition A/P, 1990 / Floyd Solomon -- Economic Sovereignty, 2016 / Seth Picotte -- Medal of Dishonor, 2003 / Heidi BigKnife -- Words Are Our Weapons, 2015 / Shan Goshorn -- Instructor In Green, circa 1966 / T.C. Cannon -- Last Supper, 2011 / C. Maxx Stevens -- My Humanness Is an Embellished Tongue, 1988 / Elizabeth Woody
Summary:
"Making History: The IAIA Museum of Contemporary Native Arts is a unique contribution to the fields of visual culture, arts education, and American Indian studies. Written by scholars actively producing Native art resources, this book guides readers-students, educators, collectors, and the public-in how to learn about Indigenous cultures as visualized in our creative endeavors. By highlighting the rich resources and history of the Institute of American Indian Arts, the only tribal college in the nation devoted to the arts whose collections reflect the full tribal diversity of Turtle Island, these essays present a best-practices approach to understanding Indigenous art from a Native-centric point of view. Topics include biography, pedagogy, philosophy, poetry, coding, arts critique, curation, and writing about Indigenous art. Featuring two original poems, ten essays authored by senior scholars in the field of Indigenous art, nearly two hundred works of art, and twenty-four archival photographs from the IAIA's nearly sixty-year history, Making History offers an opportunity to engage the contemporary Native Arts movement"-- Provided by publisher
