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Black bodies, white gold art, cotton, and commerce in the Atlantic world Anna Arabindan-Kesson

Catalog Data

Author:
Arabindan-Kesson, Anna  Search this
Physical description:
xviii, 300 pages illustrations (chiefly color) 26 cm
Type:
Books
Illustrated works
Informational works
History
Place:
Atlantic Ocean Region
Atlantique, Région de l'
Pays étrangers, dans l'art
Date:
2021
19th century
19e siècle
Notes:
NMAFREF copy 39088020377263 has bookplate: Smithsonian Institution Libraries, Gift from the Margery Masinter Foundation Endowment for Illustrated Books.
Contents:
Introduction: Threads of Empire -- Circuits of Cotton -- Market Aesthetics : Color, Cloth, and Commerce -- Of Vision and Value : Landscape and Labor after Slavery -- Material Histories and Speculative Conditions -- Coda: A Material with Memory
Summary:
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework that centralizes the histories of the Black diaspora to nineteenth-century cultural production"--Provided by publisher
Topic:
Slavery--History  Search this
Cotton trade--History  Search this
Cotton growing--History  Search this
Cotton in art  Search this
Slavery in art  Search this
African diaspora in art  Search this
Coton--Culture--Histoire  Search this
Coton dans l'art  Search this
Africains  Search this
Commerce  Search this
Cotton growing  Search this
Cotton trade  Search this
Slavery  Search this
History  Search this
Histoire  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156355