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Crossing paths : Schubert, Schumann, and Brahms / John Daverio

Catalog Data

Author:
Daverio, John  Search this
Subject:
Schubert, Franz 1797-1828 Criticism and interpretation  Search this
Schumann, Robert 1810-1856 Criticism and interpretation  Search this
Brahms, Johannes 1833-1897 Criticism and interpretation  Search this
Physical description:
1 online resource (xii, 310 pages) : illustrations
Type:
Electronic resources
Electronic books
Criticism, interpretation, etc
Date:
2002
Notes:
Elecresource
Contents:
CONTENTS -- ABBREVIATIONS -- INTRODUCTION: AT THE INTERSECTION OF OLD AND NEW PATHS -- PART I: Schumann�s One and Only Schubert -- 1. SCHUMANN AND SCUBERT'S IMMORTAL PIANO TRIO IN E FLAT, D. 929 -- 2. THE GESTUS OF REMEMBERING: SCHUMANN'S CRITIQUE OF SCHUBERT'S IMPROMPTUS, D. 935 -- PART II: Uttering “Clara� in Tones -- 3. SCHUMANN: CRYPTOGHAPHER OR PICTOGRAPHER? -- 4. BRAHMS'S MUSICAL CIPHERS: ACTS OF HOMAGE AND GESTURES OF EFFACEMENT -- 5. THE FOLDED FAN -- PART III: A Noble Model -- 6. TRANSCENDENTAL CHESS GAMES
7. brahms, the schumann circle, and the style hongrois: contexts for the double concerto, op. 102epilogue: crossing paths and modes of experiance -- notes -- index -- a -- b -- c -- d -- e -- f -- g -- h -- i -- j -- k -- l -- m -- n -- o -- p -- r -- s -- t -- u -- v -- w
Summary:
John Daverio explores the connections between art and life in the works of Schumann, Brahms and Schubert. He considers topics including Schubert and Schumann's ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style.
Topic:
Music--Philosophy and aesthetics  Search this
MUSIC--Individual Composer & Musician  Search this
Call number:
ML390 .D335 2002 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1148047