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The sites of Latin American abstraction / guest curator, Juan Ledezma = Los sitios de la abstracción latinoamericana / curador invitado, Juan Ledezma

Catalog Data

Author:
Ledezma, Juan Carlos  Search this
Cisneros Fontanals Art Foundation  Search this
Ella Fontanals-Cisneros Collection  Search this
Subject:
Ella Fontanals-Cisneros Collection  Search this
Physical description:
247 pages : illustrations (some color) ; 26 cm
Type:
Exhibitions
Exhibition catalogs
Place:
Latin America
Date:
2007
©2007
Notes:
"Ella Fontanals-Cisneros Collection"--Cover.
This catalog was originally published in conjunction with the exhibition "The Sites of Latin American Abstraction", curated by Juan Ledezma and held at the Cisneros Fontanals Art Foundation in Miami, Florida, December 5, 2006-February 18, 2007.
Includes brief biographies of artists.
Summary:
"The history of Latin American abstraction has not yet been completely written, but what has been written owes much to the Miami-based Cisneros Fontanals Art Foundation. This substantial new publication includes 146 abstract geometric artworks from the 1930s-1970s--drawings, paintings, sculptures and photography from such cultural centers as Argentina, Brazil, Mexico, Uruguay and Venezuela. It also elaborates on a new perspective: that Latin American identity greatly affected the art of the Modernist period. Art historian and curator Juan Ledezma creates unexpected connections and visual analogies across generational and national boundaries, offering, for example, socio-political corollaries between Latin American Concrete art and concurrent movements like Russian Constructivism and Suprematism."--Amazon.
La historia de la abstracción latinoamericana aún no ha sido completamente escrito, pero lo que se ha escrito debe mucho a la Cisneros Fontanals Art Foundation con sede en Miami. Esta nueva publicación sustancial incluye 146 obras de arte abstracto geométrico de los 1930s-1970 - dibujos, pinturas, esculturas y fotografía de los centros culturales tales como Argentina, Brasil, México, Uruguay y Venezuela. También elabora sobre una nueva perspectiva: que la identidad latinoamericana afectada en gran medida el arte de la época modernista. El historiador de arte y comisario Juan Ledezma crea conexiones inesperadas y analogías visuales a través de fronteras generacionales y nacionales, ofreciendo, por ejemplo, corolarios socio-políticas entre el arte concreto de América Latina y los movimientos simultáneos como el constructivismo ruso y el suprematismo.
Topic:
Art, Abstract  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1108889