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An actor prepares; translated by Elizabeth Reynolds Hapgood. Introd. by John Gielgud

Catalog Data

Author:
Stanislavsky, Konstantin 1863-1938  Search this
Hapgood, Elizabeth Reynolds  Search this
Gielgud, John 1904-2000  Search this
Physical description:
xx, 295 pages 23 cm
Type:
Books
Date:
1948
Notes:
Explains the art of acting in semi-fiction form.
Translation of pt. 2 of Rabota aktera nad soboì†.
NMAFRU copy 39088019580067 Gift of the Ella Fitzgerald Charitable Foundation.
NMAFRU copy 39088019580067 is a signed presentation copy
Contents:
The first test -- When acting is an art -- Action -- Imagination -- Concentration of attention -- Relaxation of muscles -- Units and objectives -- Faith and a sense of truth -- Emotion memory -- Communion -- Adaptation -- Inner motive forces -- The unbroken line -- The inner creative state -- The super-objective -- On the threshold of the subconscious
Summary:
This work is the first volume of Stanislavski's trilogy on the art of acting. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself.
Topic:
Acting  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1084622