See the light : photography, perception, cognition : the Marjorie and Leonard Vernon Collection / Britt Salvesen ; with contributions by Todd Cronan, Antonio Damasio, Alan Gilchrist, Pietro Perona, Barbara Maria Stafford, James Welling
"Published in conjunction with the exhibition See the Light--Photography, Perception, Cognition: The Marjorie and Leonard Vernon Collection at the Los Angeles County Museum of Art, October 27, 2013-March 23, 2014"-- Provided by publisher.
Contents:
Timeline: Selected Events, Inventions, and Publications Relating to Photography, Science, and Philosophy -- Photography, Perception, Cognition: Descriptive Naturalism ; Subjective Naturalism ; Experimental Modernism ; Romantic Modernism / Britt Salvesen -- Commentaries: On Seeing Things and the Power of Photography / Antonio Damasio -- Which Pictures Do We Seek, and Why? / Pietro Perona -- From Observant Eye to Non-Attentive I : The Camera as Cognitive Device / Barbara Maria Stafford -- White in Shadow, Black in Sunlight : Gray Level in Photography and Perception / Alan Gilchrist -- On Previsualization : A Conversation / James Welling and Todd Cronan
Summary:
"Examining the power of photography and the workings of perception, this groundbreaking book considers a major American photographic collection and proposes an important new thesis on the interaction of photography and perception. Encompassing works by 700 photographers, the Marjorie and Leonard Vernon collection dates back to the 1840s and the birth of the medium. In this volume Britt Salvesen has selected over 100 works from this massive collection and organized them sequentially in four categories that build upon and complement one another: descriptive naturalism, subjective naturalism, experimental modernism, and romantic modernism. This new arrangement of the Vernon collection allows us to understand the interconnection between photography and visual experience. Works by history's most acclaimed photographers and the author's thoughtful observations are accompanied by writings in the field of cognitive psychology, neuroscience, and art history. As the art world is increasingly interconnected with science and technology, this book offers a much-needed meditation on how this synergy is played out in the area of photography"-- Provided by publisher.
