Awa Tsireh, born San Ildefonso Pueblo, NM1898-died San Ildefonso Pueblo, NM ca. 1955 Search this
watercolor and pencil on paperboard
sheet: 11 1/2 x 8 1/4 in. (29.1 x 20.8 cm)
The Yeibichai or Yebijhi Dance is part of a sacred nine-day ceremony to heal and restore harmony. It is performed by the Navajo, or Diné, as they are knonw today, usually after the first frost in November. One the final night, Yeibichai, or Talking God, appears and dances to the sound of gourd rattles held by six male and six female dancers. Tonenili, the Water Sprinkler or God of Water, acts as the clown and brings comic relief to an otherwise intense and serious dance.
The paintings of Awa Tsireh (1898-1955), who was also known by his Spanish name, Alfonso Roybal, represent an encounter between the art traditions of native Pueblo peoples in the southwestern United States and the American modernist art style begun in New York in the early twentieth century. The son of distinguished potters, Awa Tsireh translated geometic pottery designs into stylized watercolors that feature the ceremonial dancers and practices of Pueblo communities. But Awa Tsireh's work is more than an amalgam of traditional and modernist design. At a time when the U.S. Office of Indian Affairs attempted to restrict Pueblo cultural and religious practices, the watercolors of Awa Tsireh and other Pueblo artists helped to affirm the importance of ceremonial dance and tirual to cultural survival.
Awa Tsireh's paintings quickly found an audience among the artists, writers, and archaeologists who descended on Santa Fe in great numbers in the late 1910s and 1920s. Painter John Sloan and poet Alice Corbin Henderson took a particular interest and arranged for his watercolors to be exhibited in New York, Chicago, and elsewhere. Henderson shared with the young Pueblo painter books on European and American modernism and Japanese woodblock prints, as well as South Asian miniatures and ancient Egyptian art that provided soure material for his stylized paintings. In this way, he redefined contemporary Pueblo art and created a new, pan-Pueblo style.
The paintings in this exhibition were donated to the Smithsonian American Art Museum in 1979 by the Hendersons' daughter, Alice H. Rossin.