<img width="640" height="307" src="http://www.cooperhewitt.org/wp-content/uploads/2018/01/326721_7d586e1f4bdf3ace_b1-700x336.jpg" class="attachment-large size-large wp-post-image" alt="" style="display: block; margin-bottom: 5px; clear:both;max-width: 100%;" srcset="http://uh8yh30l48rpize52xh0q1o6i.wpengine.netdna-cdn.com/wp-content/uploads/2018/01/326721_7d586e1f4bdf3ace_b1-700x336.jpg 700w, http://uh8yh30l48rpize52xh0q1o6i.wpengine.netdna-cdn.com/wp-content/uploads/2018/01/326721_7d586e1f4bdf3ace_b1-300x144.jpg 300w, http://uh8yh30l48rpize52xh0q1o6i.wpengine.netdna-cdn.com/wp-content/uploads/2018/01/326721_7d586e1f4bdf3ace_b1-170x82.jpg 170w, http://uh8yh30l48rpize52xh0q1o6i.wpengine.netdna-cdn.com/wp-content/uploads/2018/01/326721_7d586e1f4bdf3ace_b1.jpg 705w" sizes="(max-width: 640px) 100vw, 640px" data-attachment-id="27987" data-permalink="http://www.cooperhewitt.org/2018/01/15/to-cowslip-farm/326721_7d586e1f4bdf3ace_b1/" data-orig-file="http://www.cooperhewitt.org/wp-content/uploads/2018/01/326721_7d586e1f4bdf3ace_b1.jpg" data-orig-size="705,338" data-comments-opened="1" data-image-meta="{"aperture":"0","credit":"Matt Flynn","camera":"","caption":"","created_timestamp":"0","copyright":"Image may not be reproduced without authorization from the Cooper Hewitt, Smithsonian Design Museum","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"}" data-image-title="326721_7d586e1f4bdf3ace_b[1]" data-image-description="" data-medium-file="http://www.cooperhewitt.org/wp-content/uploads/2018/01/326721_7d586e1f4bdf3ace_b1-300x144.jpg" data-large-file="http://www.cooperhewitt.org/wp-content/uploads/2018/01/326721_7d586e1f4bdf3ace_b1-700x336.jpg" />I have long admired the wide children’s borders, also called friezes, designed and produced in the early twentieth century, prior to the Great Depression in 1929. Cooper Hewitt has a fair collection of these with the most popular being Winnie the Pooh, produced ca. 1926, coinciding with the release of the book by A.A. Milne...
