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Catalog Data

Maker:
Yoruba artist  Search this
Medium:
Iron, stone
Dimensions:
H x W x D: 71 x 27.5 x 29.6 cm (27 15/16 x 10 13/16 x 11 5/8 in.)
Type:
Sculpture
Geography:
Southwest region, Nigeria
Date:
Late 19th-mid 20th century
Label Text:
Among the Yoruba, a large bird in the center of a gathering of birds symbolizes the ability to control supernatural forces and the power of good subduing evil. This staff represents the power of the herbalist, a priest of the gods of healing, Osanyin and Erinle.
The complex imagery on the staff also refers to Ogun, the god of iron and the patron of blacksmiths (anyone using metal or machinery). By providing the iron blades used to cut through the forest in the search for medicinal plants, Ogun facilitates the herbalist's work. Ogun's aggressive masculinity and spiritual powers are symbolized by the rods held in the figure's left hand, the fan in its right hand and the chain links at its waist. Some of the smaller birds, in the form of stylized blades, also refer to Ogun.
Description:
Iron staff with a large bird above and in the center of a gathering of birds. The staff splits and encloses a stone bead. The staff rod forms a stylized body with attached arms and legs bent back, with a circular fan in the proper right hand and a "y" shaped twisted rod in the proper left. The figure wears a crisscrossed sash across the chest and a belt around the waist.
Provenance:
Ambassador and Mrs. Benjamin Hill Brown, Jr., -- to 1976
Exhibition History:
Striking Iron: The Art of African Blacksmiths, Fowler Museum at UCLA, Los Angeles, CA, June 3 to December 30, 2018; National Museum of African Art, Smithsonian Institution, Washington, DC, April 17 to October 20, 2019; Musée du quai Branly-Jacques Chirac, Paris, France, November 10, 2019 to March 29, 2020
Healing Arts, National Museum of African Art, Smithsonian Institution, Washington, D.C. (installed October 6, 2016 to February 20, 2018)
Conversations: African and African American Artworks in Dialogue - From the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby, Jr., National Museum of African Art, Smithsonian Institution, November 7, 2014-January 24, 2016
Published References:
Kreamer, Christine Mullen and Adrienne L. Childs (eds). 2014. Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby, Jr. Washington, D.C.: National Museum of African Art, Smithsonian Institution, p. 211, pl. 109.
Content Statement:
As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
Image Requests:
High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
Topic:
bird  Search this
fan  Search this
male  Search this
Healing  Search this
Credit Line:
Gift of Amb. and Mrs. Benjamin Hill Brown Jr.
Object number:
76-3-4
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys719eb4aa0-a49f-487c-aa5a-24f74925de6d
EDAN-URL:
edanmdm:nmafa_76-3-4